Series | Extent | Year | Author | Title |
TST 23 | — | 3000 | ed Joshua Reid | The Italian Romance Epic in English 1590-1600 |
SE 5 | — | 3000 | Martin McLaughlin | Italian Rewritings |
IP 41 | — | 2024 | Mirko Tavoni | Renaissance Linguistics in Italy and in Europe |
T 11 | — | 2024 | Tovi Bibring | The Patient, the Impostor and the Seducer |
IP 61 | — | 2024 | Gabriella Addivinola | Alan of Lille and Dante |
IP 59 | — | 2023 | Anne C. Leone | Dante’s Blood |
IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson, Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,, Emanuela Tandello | A Gaping Wound |
T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
IP 57 | — | 2022 | Francesca Southerden | Dante and Petrarch in the Garden of Language |
IP 53 | — | 2022 | Katherine Powlesland | Narrative Strategies for Participation in Dante's Divine Comedy |
SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
T 21 | — | 2021 | Alice Loda | The Translingual Verse |
IP 49 | — | 2021 | ed Maiko Favaro | Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy |
IP 52 | — | 2021 | ed Nick Havely, Jonathan Katz with Richard Cooper | Dante Beyond Borders |
T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
IP 47 | — | 2020 | Maria Pavlova | Saracens and their World in Boiardo and Ariosto |
T 8 | — | 2020 | ed Carole Birkan-Berz, Guillaume Coatalen, Thomas Vuong | Translating Petrarch's Poetry |
SE 6 | — | 2020 | Zygmunt G. Barański | Dante, Petrarch, Boccaccio |
T 12 | — | 2019 | Julia Caterina Hartley | Reading Dante and Proust by Analogy |
IP 43 | — | 2019 | Paola Cori | Forms of Thinking in Leopardi’s Zibaldone |
IP 36 | — | 2017 | ed Sascha Bru, Luca Somigli,, Bart Van den Bossche | Futurism |
LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
LGS | 150pp | 2017 | ed Michel Jeanneret, Nicolas Ducimetière | The Italian Renaissance |
LGS | 140pp | 2017 | Marco Faini | Pietro Bembo |