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Plöger, Karsten. 2005. England and the Avignon Popes: The Practice of Diplomacy in Late Medieval Europe (Legenda)
Powlesland, Katherine. 2022. Narrative Strategies for Participation in Dante's Divine Comedy, Italian Perspectives, 53 (Legenda)
Rayfield, Lucy. 2022. Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda)
Refini, Eugenio. 2023. Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Legenda)
Rorato, Laura. 2014. Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius, Italian Perspectives, 30 (Legenda)
Sampson, Lisa. 2006. Pastoral Drama in Early Modern Italy: The Making of a New Genre, Italian Perspectives, 15 (Legenda)
Schächter, Elizabeth. 2000. Origin and Identity: Essays on Svevo and Trieste, Italian Perspectives, 5 (Legenda)
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Simborowski, Nicoletta. 2003. Secrets and Puzzles: Silence and the Unsaid in Contemporary Italian Writing (Legenda)
Southerden, Francesca. 2022. Dante and Petrarch in the Garden of Language, Italian Perspectives, 57 (Legenda)
Suvini-Hand, Vivienne. 2006. Sweet Thunder: Music and Libretti in 1960s Italy, Italian Perspectives, 16 (Legenda)
Walker, Rebecca. 2024. The Sense of Fracture in Goliarda Sapienza and Elena Ferrante: Fragile Selves, Fragile Others, Italian Perspectives, 64 (Legenda)
Wehling-Giorgi, Katrin. 2014. Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda)
Willman, Kate Elizabeth. 2019. Unidentified Narrative Objects and the New Italian Epic, Italian Perspectives, 42 (Legenda)
Wilson, Rita. 2000. Speculative Identities: Contemporary Italian Women’s Narrative, Italian Perspectives, 3 (Legenda)
Woodhouse, H. F.. 1982. Language and Style in a Renaissance Epic: Berni's Corrections to Boiardo's 'Orlando Innamorato', MHRA Texts and Dissertations, 17 (MHRA)