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| The Tradition of the Actor-Author in Italian Theatre Edited by Donatella Fischer Italian Perspectives 27•25 September 2013 |
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| Gadda and Beckett: Storytelling, Subjectivity and Fracture Katrin Wehling-Giorgi Italian Perspectives 29•1 November 2014 |
| Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius Laura Rorato Italian Perspectives 30•1 November 2014 |
| The Italian Academies 1525-1700: Networks of Culture, Innovation and Dissent Edited by Jane E. Everson, Denis V. Reidy and Lisa Sampson Italian Perspectives 31•1 September 2016 |
| Rome Eternal: The City As Fatherland Guy Lanoue Italian Perspectives 32•8 June 2015 |
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| Italy and the USA: Cultural Change Through Language and Narrative Edited by Guido Bonsaver, Alessandro Carlucci and Matthew Reza Italian Perspectives 44•30 December 2019 |
| Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino Marzia Beltrami Italian Perspectives 45•26 July 2021 |
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| Saracens and their World in Boiardo and Ariosto Maria Pavlova Italian Perspectives 47•28 September 2020 |
| Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy Eugenio Refini Italian Perspectives 48•22 January 2023 |
| Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy Edited by Maiko Favaro Italian Perspectives 49•10 December 2021 |
| Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice Ronnie Ferguson Italian Perspectives 50•26 July 2021 |
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