Published September 2016
Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation
Emanuela Patti
Published September 2018
Fulvio Tomizza: Writing the Trauma of Exile
Marianna Deganutti
A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Published February 2019
Unidentified Narrative Objects and the New Italian Epic
Kate Elizabeth Willman
Published September 2019
Published September 2020
Renaissance Vegetarianism: The Philosophical Afterlives of Porphyry’s On Abstinence
Cecilia Muratori
Saracens and their World in Boiardo and Ariosto
Maria Pavlova
Published July 2021
Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Ronnie Ferguson
Published September 2022
Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto
Alessandra Diazzi
Narrative Strategies for Participation in Dante's Divine Comedy
Katherine Powlesland
Dante and Petrarch in the Garden of Language
Francesca Southerden
Published October 2022
Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Published January 2023
Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini
Published April 2023
Standing at the Crossroads: Stories of Doubt in Renaissance Italy
Marco Faini
Published August 2023
Rome, 16 October 1943: History, Memory, Literature
Mara Josi 
Dante’s Blood
Anne C. Leone
Forthcoming June 2024
Alan of Lille and Dante: Divine Predication from the Twelfth to the Fourteenth Century
Gabriella Addivinola 
Forthcoming July 2024
The Sense of Fracture in Goliarda Sapienza and Elena Ferrante: Fragile Selves, Fragile Others
Rebecca Walker