Comedy and Culture: Cecco Angiolieri’s Poetry and Late Medieval Society
Fabian Alfie
Italian Perspectives 8•19 January 2002
Camorristi, Politicians and Businessmen: The Transformation of Organized Crime in Post-War Naples
Felia Allum
Italian Perspectives 11•1 December 2006
Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda
Deborah Amberson
Italian Perspectives 22•30 January 2012
- ‘In conclusion, this is a very interesting book, which not only brings together three exceptional authors, but also focuses on original and stimulating perspectives. The work makes a very valid critical contribution, by dealing with a fascinating topic in a manner which is original and insightful.’ — Giuseppe Stellardi, Modern Language Review 109.3, July 2014, 828-29 (full text online)
Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Italian Perspectives 55•20 October 2022
- ‘An encyclopedic contribution to the history of comedy, with a particular focus on the transformation of comedy in Paris, where the greatest playwrights preserved the genre’s positive vision and harnessed the vitality of the Italian “Arte” to create their more serious comedies of character... The “Analyses” section is particularly valuable. It is divided between technical questions and plot or character issues, and the technical discussions, informed by Andrews extraordinary knowledge and deep understanding of how comedy works, are outstanding.’ — 552-54, Annali d'Italianistica 2023, 41, Laurie Shepard
Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Italian Perspectives 45•26 July 2021
Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini
Emma Bond
Italian Perspectives 24•10 October 2012
Elio Vittorini: The Writer and the Written
Guido Bonsaver
Italian Perspectives 4•1 November 2000
The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature
Simone Brioni
Italian Perspectives 33•11 September 2015
- ‘A very welcome and significant contribution to the growing field of Italian postcolonial studies... offering a convincing in-depth textual analysis of a specifically postcolonial literature (though many of his insights could usefully also be stretched out to apply to the wider ‘migration’ field), as well as contributing an important linguistic study, which draws Translation Studies into productive proximity with a potential transcultural turn in Italian Studies in general.’ — Emma Bond, Modern Language Review 116.2, April 2017, 524-25 (full text online)
- ‘inserisce pienamente all'interno degli studi postcoloniali che negli ultimi vent'anni hanno iniziato a interessare la critica letteraria italiana. Attraverso l'analisi di un corpus eterogeneo di testi, Brioni esamina il ruolo che nel grande quadro della letteratura nazionale italiana ha la letteratura italo-somala, cioè scritta in italiano da autori e autrici italiani che provengono dalla Somalia, o le cui origini familiari sono somale.’ — Serena Alessi, Incontri 31.2, 2016, 152-54
- ‘A new and original analysis... From how the Somali writers describe race and colour it is, in fact, possible to start a reflection that, from the colonial adventures and through the racial laws of 1938 and the apparent neglect of the colonies after World War II, reaches contemporary Italy and the current problems with racism.’ — Daniele Comberiati, Crossings: Journal of Migration & Culture 2016, 247-49
- ‘The postcolonial and transnational perspective of this work... calls for fresh and stimulating elaborations, making it a com- pelling reading also for readers who are not well acquainted with the body of literature here analysed.’ — Lorenzo Mari, Interventions 2 September 2016 (full text online)
- ‘Una delle questioni più rilevanti risulta essere sicuramente quello del colore della pelle: particolare importanza viene data da Brioni ai personaggi meticci presenti nei diversi romanzi presi in esame e che diventano sempre più numerosi nel corso delle successive pubblicazioni. Questi testimoniano la presenza di una problematica culturale che era rimasta relegata nella penombra della memoria storica del colonialismo italiano.’ — Michele Pandolfo, Between VI.11, May 2016
- ‘The Somali Within is an innovative volume that discusses the Somali-Italian encounter, from the colonial period to the subsequent historical events intertwining the histories of Somalia and Italy well into their postcolonial present... Brioni’s volume is indeed a much needed and complex contribution to the study of Italian Somali literature which engages masterfully with these texts while redefining multiple theoretical problems.’ — Elena Benelli, Italian Studies Online, 3 October 2018 (full text online)
- ‘Simone Brioni’s The Somali Within signals perhaps a new direction in the field of Italian migration literature in Italy... A valuable resource to scholars of Italian, minor, post-colonial, and migration literatures as well as those interested in how Italy’s colonial past can help explain contemporary views in Italy of language, race, and identity.’ — Francesca Minonne, Quaderni d'Italianistica 38.2, 2018, 277-79
- ‘Rich in its theoretical approaches, Brioni’s study will be of immense interest to scholars of contemporary Italian culture, Italian postcolonialism and, indeed, to anyone interested in the ongoing debates surrounding ‘minor literature.’’ — Renata Redford, Italica 93.4, Winter 2016, 849-51
Fragments of Impegno
Jennifer Burns
Italian Perspectives 9•31 January 2002
Leopardi's Nymphs: Grace, Melancholy, and the Uncanny
Fabio A. Camilletti
Italian Perspectives 28•4 December 2013
- ‘La nuova e apparentemente inusuale costellazione concettuale che fa da impalcatura al libro si dimostra capace di portare alla luce, proprio nel suo essere lievemente sfasata rispetto alle categorie normalmente associate a Leopardi, risvolti inattesi tra le pieghe di un pensiero e di una poesia su cui pure si è venuta depositando una bibliografia sterminata. Per gli snodi teorici e problematici che evidenzia, per i confronti che intavola, il libro si rivela una lettura decisamente appassionante, dove anche le divagazioni più ardite non mancano di trovare spazio e giustificazione all’interno della tesi più generale che le inquadra.’ — Alessandra Aloisi, Oblio IV.16, January 2015, 111-13
- ‘Camilletti not only convincingly answers the question of why Leopardi’s work still speaks to us so powerfully, but also demonstrates the need to reconfigure our understanding of the literary past and tradition in order to follow Walter Benjamin’s advice and 'brush history against the grain'.’ — Damiano Benvegnù, Annali d'Italianistica 32, 2014, 638-40
- ‘Il saggio di Camilletti è il frutto maturo del profondo rinnovamento che gli studi leopardiani hanno vissuto negli ultimi anni, con l’apertura a diversi e inediti orizzonti interpretativi. Molto ci sarebbe da dire sulla ricchezza di letture e di analisi testuali, sempre puntuali, che spaziano dai testi poetici alla prosa filosofica, dagli scritti privati a quelli eruditi. Il lavoro di Camilletti non è di quelli che si possano circoscrivere a un territorio, piccolo o grande che sia; esso delinea invece un percorso dalle molte ramificazioni che mette in gioco, attraversando l’intera opera leopardiana, profonde tensioni e densi nuclei problematici.’ — Franco d'Intino, La Rassegna della Letteratura Italiana 118.2, December 2014, 668-70
- ‘Leopardi studies have undergone a profound renewal in recent years, opening up the prospect of different, unprecedented, interpretative horizons. Fabio A. Camilletti’s monograph makes a substantial contribution to this renewal.’ — Franco d'Intimo, Modern Language Review 110.3, July 2015, 881-82 (full text online)
Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfilment
George Corbett
Italian Perspectives 25•28 May 2013
- ‘George Corbett's book elegantly and lucidly addresses the relationship of Epicurean philosophy upon Dante's own ethical reasoning. As such, this work fills a gap left open not only in Dante studies, but within wider medieval studies as well, from which, as Corbett reminds us, Epicureanism has long been ignored. [...] While the book tackles issues of a highly philosophical nature, it does so consistently in a clear and accessible style. [...] Corbett's work will appeal not only to Dantists, but to scholars of philosophy, literature, and the Middle Ages, as well. As such, it is an outstanding book that proposes and skilfully realizes a truly ambitious project.’ — Lorenzo Valterza, Medium Aevum LXXXIII.2, 2014, 349-50
- ‘George Corbett approfondisce il rapporto fra Dante e la filosofia epicurea alla luce di un approccio critico più ampio, volto a dimostrare la permanenza, nella Commedia, della visione dualistica dantesca.’ — Giulia Gaimari, L'Alighieri 43, 2014, 165-68
- ‘Considered from the point of view of what Corbett’s book has to say about Dante and one of the—theologically speaking—more problematic spirits on his horizon, it is to be welcomed, its sense of Dante’s appreciation of an Epicurus notable for something other than mere sensuality but wedded, even so, to a species of mortalism making inevitably for his reprobation within the Christian scheme of things emerging from it both clearly and convincingly.’ — John Took, Speculum 89.2, April 2014, 466-68
- ‘George Corbett writes with great clarity and logic, drawing on a wide range of resources from early commentators (among whom he moves with ease) and the whole of Dante’s œuvre to a host of modern Dante critics. Points of comparison and continuity rather than of palinodic rewriting are sought between the Commedia and the ‘minor works’, and the author is bold and confident in his challenges to various prevalent critical assumptions. The ambiguities surrounding Epicurus before and during Dante’s day are persuasively elucidated, with good, nuanced background on mediators such as Cicero, Augustine, and Albert the Great.’ — Jennifer Rushworth, Modern Language Review 109.3, July 2014, 821-22 (full text online)
- ‘L'importante lavoro di George Corbett si propone di indagare in maniera esaustiva l'influenza esercitata dal pensiero filosofico epicureo nell'opera dantesca [...] l'autore si interroga su due questioni fondamentali: quali sono i testi che possono aver influenzato la ricezione di Dante dell'Epicureismo e in che modo il poeta riesce a rappresentare Epicuro e gli epicurei nelle sue opere.’ — Claudia Tardelli Terry, Italian Studies 69.3, November 2014, 449-50
- ‘Corbett's book is well written, accurate, and rigorously argued. The thesis that Dante's Commedia presents a dualistic vision of the fulfilment of mankind is innovative and compelling for a new scholarly criticism of the Commedia. The first part on Dante's reception of Epicureanism is the most persuasive and ground-breaking; it shows how the reconstruction of Dante's sources is essential for understanding his reception of ancient literature and philosophy.’ — Filippo Gianferrari, Annali d'Italianistica 32, 2014, 593-95
- ‘Stunningly readable with potent, clear argumentation, Corbett’s nonetheless highly academic presentation of Dante’s dualism in the context of the poet’s literary integration of the figure and philosophy of Epicurus reads like a page-turner. Furthermore, Corbett’s innovative methodological approach is cradled by a no less than masterful organization throughout the book. [...] The topic and breadth of the book, perhaps, lend themselves better to students and scholars versed well enough with the traditions of the philosophers, biblical exegetes and scholarly commentators that orbit so closely Dante’s works. Readers with a grasp of Latin will take double pleasure in reading volumes of quotes from their original sources as well as in their English translations. Corbett’s book, overall, is a must-have for the bookshelves of the committed dantista.’ — Elsie Emslie Stevens, Italica 41.4, 2014, 833-35
- ‘George Corbett presenta un volume nel quale viene ripercorsa, con ampiezza e profondità di indagine, l’importante questione relativa ai rapporti fra Dante e l’epicureismo […] Il volume di Corbett si configura senza alcun dubbio, quindi, come un serio e notevole tentativo di far luce in modo esaustivo e corretto su un non irrilevante nodo problematico dell’universo filosofico e poetico dantesco, insieme punto d’arrivo di una lunga e ininterrotta tradizione esegetica e punto di partenza per nuovi, auspicabili interventi critici.’ — Armando Bisanti, Studi Medievali series 3 vol 56, 2015, 444-45
Forms of Thinking in Leopardi’s Zibaldone: Religion, Science and Everyday Life in an Age of Disenchantment
Paola Cori
Italian Perspectives 43•23 September 2019
- ‘Paola Cori has come to a powerful and comprehensive synthesis of her research perspective with a monograph which was awarded the AAIS Prize for Italian Studies... The form of Cori’s book is therefore the perfect counterpart to its content, which focuses on the Zibaldone’s formal and conceptual complexity.’ — Martina Piperno, Modern Language Review 116.4, October 2021, 658-60 (full text online)
Boccaccio and the Book: Production and Reading in Italy 1340-1520
Rhiannon Daniels
Italian Perspectives 19•17 July 2009
- ‘This descriptive study provides many details that will benefit any scholar interested in the reception of Boccaccio’s works before the transformations they undergo in the later Cinquecento.’ — Martin Eisner, Renaissance Quarterly 63.2, 2010, 545-46
- ‘Original and highly detailed... Chapter 1 could usefully be recommended to students of the history of the book in Italy for the clarity with which it presents all of the aspects that need to be considered in a discussion of readership, reception, production, and paratext, in both manuscripts and printed books... A significant contribution to the history of the book in Italy.’ — Jane Everson, Modern Language Review 106.2, April 2011, 564-66 (full text online)
- ‘This book is a valuable and stimulating contribution to the reception history of Boccaccio. Particularly interesting is the way that Daniels looks at manuscripts and printed editions that have not been given their due, and the reader will constantly come across intriguing details.’ — K. P. Clarke, Medium Aevum 74, 2010
Fulvio Tomizza: Writing the Trauma of Exile
Marianna Deganutti
Italian Perspectives 38•30 September 2018
- ‘Deganutti’s monograph is a fine and original book whose ultimate merit is to reclaim multilingual, multicultural Tomizza and the exilic predicament of the Istrian borderlands for Italian literature. It is to be hoped that her study will inspire further cross-cultural research on this still contentious and yet incredibly generative literary, historical, and memorial field.’ — Katia Pizzi, Modern Language Review 115.3, July 2020, 736-37 (full text online)
Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto
Alessandra Diazzi
Italian Perspectives 51•13 September 2022
- ‘Through her three case studies Diazzi has successfully demonstrated how psychoanalysis penetrated literature and culture in post-war Italy. As she confirms: “The assimilation of psychoanalysis into literature actively contributed to this rewriting of the discipline”.’ — 606-08, Annali d'Italianistica 2023, 41, Katja Liimatta
Standing at the Crossroads: Stories of Doubt in Renaissance Italy
Marco Faini
Italian Perspectives 58•22 April 2023
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Ronnie Ferguson
Italian Perspectives 50•26 July 2021
- ‘The rigorous standards of the author’s nearly decade-long project will certainly satisfy professional historians, but lay readers too will find themselves thoroughly engaged by the manner in which he uses each inscription vividly to evoke multiple aspects of Venice’s social, religious, cultural and political life, as well as the characters of some remarkable individuals.’ — Roderick Conway Morris, Times Literary Supplement 21 January 2022
- ‘A short review cannot do justice to the rich array of insights and ideas that thread through this fascinating book, nor can it reflect the dedication and time that were needed to compile the catalogue. Ranging from the familiar to the seemingly unnoticed, these inscriptions add myriad fragments to the enormous jigsaw of the townscape of late medieval and Renaissance Venice.’ — Deborah Howard, Burlington Magazine 165, February 2023, 207-08
- ‘The Italian Perspectives series, founded by Zygmunt Barański and Laura Lepschy in 1998, reaches its half-century in impressive fashion with this outstanding work of scholarship... As well as making a major contribution to epigraphy, the volume includes a wealth of information on the urban fabric, society, culture, and language that will make it an invaluable resource for Venetian Studies during the transition from the Middle Ages to the Renaissance.’ — Brian Richardson, Modern Language Review 118.2, 2023, 258-60 (full text online)
Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale
Donatella Fischer
Italian Perspectives 17•14 November 2007
A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018
- ‘Effectively demonstrates that the two Sicilian writers, conventionally thought of as patriarchal figures, have, in their dramatic works, an affinity with the emerging ‘new woman’.’ — Mary Ann Frese Witt, Modern Language Review 115.2, 2020, 470-71 (full text online)
Nelle Carceri di G. B. Piranesi
Silvia Gavuzzo-Stewart
Italian Perspectives 2•31 October 1999
Contesting the Monument: The Anti-Illusionist Italian Historical Novel
Ruth Glynn
Italian Perspectives 10•31 July 2005
Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
Alberto Godioli
Italian Perspectives 34•9 October 2015
Playing with Gender: The Comedies of Goldoni
Maggie Günsberg
Italian Perspectives 7•31 January 2002
From Florence to the Heavenly City: The Poetry of Citizenship in Dante
Claire E. Honess
Italian Perspectives 13•24 May 2006
Rome, 16 October 1943: History, Memory, Literature
Mara Josi 
Italian Perspectives 60•8 August 2023
Rome Eternal: The City As Fatherland
Guy Lanoue
Italian Perspectives 32•8 June 2015
Dante’s Blood
Anne C. Leone
Italian Perspectives 59•31 August 2023
Renaissance Vegetarianism: The Philosophical Afterlives of Porphyry’s On Abstinence
Cecilia Muratori
Italian Perspectives 46•28 September 2020
- ‘The meticulously researched study of the generation and Renaissance receptions of Porphyry's On Abstinence in Cecilia Muratori's Renaissance Vegetarianism is well worth attention from Romanticists, alongside the Early Modern scholars, Classicists, and Animal Studies scholars that will comprise its main audience... Literal and figurative translations of ethical, philosophical, and dietary ideas upon vegetarianism and veganism connect ancient and Early Modern thought in Muratori's admirable study, with glimpses of Thomas Taylor and Shelley suggesting the future of Porphyry's reception in the Romantic period.’ — Amanda Blake Davis, The Coleridge Bulletin 57, Summer 2021, 141-46
- ‘Muratori’s work provides us not only with an overview of philosophical thinking on vegetarianism from ancient authors to their reception by Renaissance but also with interesting keys to understand the issues that worried intellectuals of those times. Her analysis gives the main clues of the reception of Porphyry’s work and shows how crucial it was for the evolution of vegetarian thinking that is still strongly present in our days. The rigor of the research and the excellent way the contents are presented with a simple but accurate drafting make this work accessible and fascinating for scholars as well for curious readers.’ — Monica Durán Mañas, Mediterranea 7, 2022 (full text online)
- ‘The most celebrated work on animals to emerge from ancient philosophy, Porphyry’s On Abstinence from Killing Animals, argues at length against the Stoics that animals have reason or “inner logos,” in part on the basis of their behavior but also on the basis of the claim that some animals can understand and produce language, or “outer logos.” And this was one of those texts that really was recovered and read avidly in the Renaissance. Just how avidly, and with what consequences, is shown by Cecilia Muratori’s Renaissance Vegetarianism, a wide-ranging, fascinating, and frequently entertaining survey of ideas about animals in this period.’ — Peter Adamson, Archiv für Geschichte der Philosophie Published online, 2023 (full text online)
- ‘To add to the many merits of Muratori’s accomplishment, the book includes a bibliography that is comprehensive as well as carefully selected. The index of names and subjects is thorough and extremely helpful. The many philosophical discussions never read stiltedly and are always recounted in a thought-provoking and engaging style. Above all, this tour de force on the history of vegetarianism makes the reader reflect on a central question that remains unanswered to this day: can a being that is sentient and rational be legitimately consumed and turned into food?’ — E. Giada Capasso, Modern Language Review 118.3, July 2023, 403-05 (full text online)
Italo Calvino and the Landscape of Childhood
Claudia Nocentini
Italian Perspectives 6•30 November 2000
Ugo Foscolo and English Culture
Sandra Parmegiani
Italian Perspectives 20•12 May 2011
- ‘Partecipe di un consistente e costruttivo dialogo critico con altri studiosi, Parmegiani non trascura di sondare, nel corso della propria disamina, il circostante terreno di ricerca presentando al lettore un resoconto attento ed attuale. Il libro costituisce in questa prospettiva un compendio indispensabile agli studi, tuttora in fieri, sui variegati rapporti intrattenuti da Foscolo con la cultura inglese. A questo elaborato mosaico Parmegiani ha avuto il merito di aggiungere con la propria indagine un autorevole tassello mancante.’ — Maria Giulia Carone, Annali d'Italianistica 2012
- ‘A well written and highly informative account of Foscolo's career... Most readers of The Shandean will think of Foscolo predominantly as the translator of Sterne: it is fascinating to read of his attempts to make a literary career in London in the last decade of his life where, encouraged by John Cam Hobhouse, he crosses paths (and often swords) with such luminaries as Wordsworth, Byron, Samuel Rogers, Thomas Moore, John Murray, and Sir Walter Scott.’ — W. G. Day, The Shandean 167-72
- ‘This book proves itself to be extremely important for a more global and at the same detailed analysis of Italian proto-Romanticism and Romanticism from a comparatively European viewpoint... The result is a convincing portrayal of Foscolo’s relationship with English culture, which will surely be helpful for both the Italian and Anglo-Saxon scholarships in Italian studies, as well as for the broader community of scholars in eighteenth-century and Romantic studies.’ — Fabio Camilletti, Journal of Modern Italian Studies 18.3, 2013, 364-65
Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation
Emanuela Patti
Italian Perspectives 35•1 September 2016
Saracens and their World in Boiardo and Ariosto
Maria Pavlova
Italian Perspectives 47•28 September 2020
- ‘This carefully-researched monograph achieves its aim of offering “a comprehensive insight” into the vast system of pagan characters within the romance epics of Boiardo and Ariosto... Scholars and graduate students invested in the Este and the Italian chivalric poem will be the most likely to follow the fine-grained analyses of the incredible genealogy and fictional heroes. The broader strokes will interest specialists in adjacent languages and fields. Pavlova’s results should be made available also to undergraduates, albeit in more accessible forms, when we teach these spacious poems from Renaissance Ferrara.’ — Jennifer Kathleen Mackenzie, Annali d'Italianistica 39, 2021, 514-516
- ‘Scholars have usually highlighted an opposition between Boiardo’s admired representation of the Saracen world and its negative portrayal in Ariosto’s poem, and have interpreted these different approaches in the light of the historical, political, and religious transformations that took place in Italy between the fifteenth and sixteenth centuries. Pavlova aims to challenge this reading by reconsidering the close relationship between Italy and the Islamic world through an original postcolonial perspective, and by reading the two poems in the context of the literary tradition to which they belong.’ — Francesco Lucioli, Modern Language Review 118.2, 2023, 260-61 (full text online)
Narrative Strategies for Participation in Dante's Divine Comedy
Katherine Powlesland
Italian Perspectives 53•13 September 2022
Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini
Italian Perspectives 48•22 January 2023
Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30•1 November 2014
Pastoral Drama in Early Modern Italy: The Making of a New Genre
Lisa Sampson
Italian Perspectives 15•5 September 2006
- ‘Handsomely produced (a tribute to its publishers and copy-editor), meticulously researched, agreeably written,with copious notes, a generous bibliography, and English translationsof all the original quotations, it is packed full with fascinating and thought-provoking information.’ — Eric Haywood, Modern Language Review 103.4, October 2008, 1138 (full text online)
- ‘Vanno complimentati, infine, anche gli editori di Legenda (la fruttuosa collaborazione tra Maney Publishing e la Modern Humanities Research Association) che hanno curato questa pubblicazione impeccabile, e che hanno dato ampio spazio — scelta felice — ai citati originali in italiano (provveduti sempre di una traduzione inglese della stessa studiosa). In aggiunta alle note concise poste alla fine di ogni capitolo, la bibliografia e l’indice generale che concludono il libro costituiranno un utile strumento di consultazione ai molti studenti e ricercatori che troveranno una ricchissima fonte d’informazioni preziose (dalla descrizione meticolosa delle innumerevoli opere individuali, al contesto sociale, culturale e politico sempre ottimamente documentato) in questa monografia, la quale combina una chiarezza di argomentazione con un’analisi sfaccettata di un fenomeno significativo — se non proprio determinante — nel campo culturale della prima epoca moderna.’ — Rolien Scheffer, Italian Studies 64.2, Autumn 2009
Origin and Identity: Essays on Svevo and Trieste
Elizabeth Schächter
Italian Perspectives 5•1 November 2000
Dante and Petrarch in the Garden of Language
Francesca Southerden
Italian Perspectives 57•13 September 2022
Sweet Thunder: Music and Libretti in 1960s Italy
Vivienne Suvini-Hand
Italian Perspectives 16•7 December 2006
- ‘Chapter 7 displays the dominating element of the five compositions: the reassertion of spiritual values over the material values of 1960s Italy. This distinctive tone makes these compositions uniquely commendable for further investigations into their influence on Italy’s artistic canon.’ — unsigned notice, Forum for Modern Language Studies 47.1, January 2011
- ‘A welcome addition to the literature on recent opera, valuable to both the musicologist and the literary scholar... The literary readings are so detailed and sophisticated that it is impossible to do justice to them here... Definitely recommended reading for those with an interest in post-war Italian culture.’ — Emiliano Ricciardi, Cambridge Opera Journal 20.3, 299-302
Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29•1 November 2014
- ‘Katrin Wehling-Giorgi’s comparative reading of the works of two giants of European literature is both enlightening and fascinating... The book is written in an elegant style and has the great merit of spelling out with admirable clarity the philosophical implications of Gadda’s and Beckett’s narrative projects.’ — Olivia Santovetti, Modern Language Review 112.1, January 2017, 225-27 (full text online)
Unidentified Narrative Objects and the New Italian Epic
Kate Elizabeth Willman
Italian Perspectives 42•25 February 2019
Speculative Identities: Contemporary Italian Women’s Narrative
Rita Wilson
Italian Perspectives 3•1 November 2000