Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Italian Perspectives 55•20 October 2022
- ‘An encyclopedic contribution to the history of comedy, with a particular focus on the transformation of comedy in Paris, where the greatest playwrights preserved the genre’s positive vision and harnessed the vitality of the Italian “Arte” to create their more serious comedies of character... The “Analyses” section is particularly valuable. It is divided between technical questions and plot or character issues, and the technical discussions, informed by Andrews extraordinary knowledge and deep understanding of how comedy works, are outstanding.’ — 552-54, Annali d'Italianistica 2023, 41, Laurie Shepard
The Italian Academies 1525-1700: Networks of Culture, Innovation and Dissent
Edited by Jane E. Everson, Denis V. Reidy and Lisa Sampson
Italian Perspectives 31•1 September 2016
- ‘With new archival research, new areas of study, and an innovative approach, Italian Academies challenges preconceived ideas about academies and successfully demonstrates the fundamental role played by these associations in disseminating ideas, culture, innovation, and dissent in the early modern period.’ — Patrizia Bettella, Quaderni d'Italianistica 39.1, 2017, 265-68
Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy
Edited by Maiko Favaro
Italian Perspectives 49•10 December 2021
- ‘Angesichts des wenig bekannten Textkorpus stellt Favaros Sammelband eine wichtige Bereicherung der Petrarca-Forschung der letzten Jahre dar. Auf der einen Seite wirft das Buch die Frage auf, inwieweit der Begriff des Petrarkismus für die aktuelle Diskussion noch fruchtbar sein kann. Auf der anderen Seite erweist sich Petrarca als eine Funktion, die die Literaturwissenschaft dazu anregt, das Textkorpus zu erweitern, um im Dialog mit anderen Disziplinen auch sonst vernachlässigte Diskurse zu berücksichtigen. Wie Interpreting and judging Petrarch’s Canzoniere in early modern Italy zeigt, ist die Petrarca-Funktion nicht nur in der Lage, wesentliche Teile der italienischen Literaturgeschichte zusammenzufassen, sondern auch neue Perspektiven auf die italienische Kulturgeschichte zu eröffnen.’ — Nicolas Longinotti, Germanische-Romanische Monatsschrift 74.1, 2024, 115-17
- ‘Favaro’s volume is a good place to start to understand the critical phenomena associated with the reception, study, and influence of the Renaissance’s refashioned Canzoniere.’ — H. Wayne Storey, Renaissance and Reformation 46.2, Spring 2024, 216-19 (full text online)
Nelle Carceri di G. B. Piranesi
Silvia Gavuzzo-Stewart
Italian Perspectives 2•31 October 1999
Playing with Gender: The Comedies of Goldoni
Maggie Günsberg
Italian Perspectives 7•31 January 2002
Ugo Foscolo and English Culture
Sandra Parmegiani
Italian Perspectives 20•12 May 2011
- ‘Partecipe di un consistente e costruttivo dialogo critico con altri studiosi, Parmegiani non trascura di sondare, nel corso della propria disamina, il circostante terreno di ricerca presentando al lettore un resoconto attento ed attuale. Il libro costituisce in questa prospettiva un compendio indispensabile agli studi, tuttora in fieri, sui variegati rapporti intrattenuti da Foscolo con la cultura inglese. A questo elaborato mosaico Parmegiani ha avuto il merito di aggiungere con la propria indagine un autorevole tassello mancante.’ — Maria Giulia Carone, Annali d'Italianistica 2012
- ‘A well written and highly informative account of Foscolo's career... Most readers of The Shandean will think of Foscolo predominantly as the translator of Sterne: it is fascinating to read of his attempts to make a literary career in London in the last decade of his life where, encouraged by John Cam Hobhouse, he crosses paths (and often swords) with such luminaries as Wordsworth, Byron, Samuel Rogers, Thomas Moore, John Murray, and Sir Walter Scott.’ — W. G. Day, The Shandean 167-72
- ‘This book proves itself to be extremely important for a more global and at the same detailed analysis of Italian proto-Romanticism and Romanticism from a comparatively European viewpoint... The result is a convincing portrayal of Foscolo’s relationship with English culture, which will surely be helpful for both the Italian and Anglo-Saxon scholarships in Italian studies, as well as for the broader community of scholars in eighteenth-century and Romantic studies.’ — Fabio Camilletti, Journal of Modern Italian Studies 18.3, 2013, 364-65