Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's Die Klavierspielerin, Günter Grass's Ein weites Feld, and Herta Müller's Niederungen and Reisende auf einem Bein
Morwenna Symons
Bithell Series of Dissertations 28 / MHRA Texts and Dissertations 64•7 December 2005
Vienna 1900: From Altenberg to Wittgenstein
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 1•7 June 1990
The Austrian Enlightenment and its Aftermath
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 2•30 July 1991
Psychoanalysis in its Cultural Context
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 3•17 September 1992
Theatre and Performance in Austria From Mozart to Jelinek
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 4•8 November 1993
The Habsburg Legacy: National Identity in Historical Perspective
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 5•1 December 1994
Austrian Exodus: The Creative Achievements of Refugees from National Socialism
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 6•27 April 1995
Gender and Politics in Austrian Fiction
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 7•17 May 1996
Theodor Herzl and the Origins of Zionism
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 8•1 June 1997
Sacramental Realism: Gertrud von le Fort and German Catholic Literature in the Weimar Republic and Third Reich (1924-46)
Helena M. Tomko
Bithell Series of Dissertations 31 / MHRA Texts and Dissertations 68•14 January 2007
- ‘Helena Tomko’s impressive dissertation on Gertrud von le Fort may very well inspire at least a younger generation of German literature scholars to investigate religious themes and motifs, as well as important but often unjustly overlooked texts by authors, such as le Fort, whose works were influenced by their religious beliefs.’ — Gregor Thuswaldner, Modern Language Review 104, 2009, 604 (full text online)
Affective Spaces: Migration in Scandinavian and German Transnational Narratives
Anja Tröger
Germanic Literatures 24•26 July 2021
- ‘Anja Tröger’s 2021 monograph Affective Spaces: Migration in Scandinavian and German Transnational Narratives examines twelve novels whose fairly recent publication dates are bookended by Vigdis Hjorth’s Snakk til meg (2011) and Zeshan Shakar’s Tante Ulrikkes vei (2017)... twelve very compelling transnational narratives that are well worth the engagement.’ — Thomas Herold, German Studies Review 46.2, May 2023, 328-30
Pedro Calderón de la Barca, La devoción de la Cruz/August Wilhelm Schlegel, Die Andacht zum Kreuze
Edited by Carol Tully
European Translations 3•1 December 2012
- ‘There can be no doubt about the importance of this parallel edition of Calderón’s La devoción de la cruz and Schlegel’s groundbreaking German translation, published as Volume 3 of the interesting new MHRA European Translations Series.’ — Sofie Kluge, Bulletin of Spanish Studies 92, 2015, 144
Shandean Humour in English and German Literature and Philosophy
Edited by Klaus Vieweg, James Vigus and Kathleen M. Wheeler
Legenda (General Series) •4 March 2013
Henry Crabb Robinson, Essays on Kant, Schelling, and German Aesthetics
Edited by James Vigus
Critical Texts 18•15 October 2010
- ‘Robinson's expertise in German philosophy can now be studied in significant detail in the well-documented edition prepared by James Vigus ... Vigus has not only brought together for the first time a full collection of Robinson's essays on German Philosophy, he has made these bold forays into the complexities of Kant and Schelling readily accessible in his general Introduction ... and his notes on the origin and provenance of each of the manuscripts. His volume is a valuable resource ... Scholars of the reception of German Philosophy in the British Romantic period will find it worthwhile to put Robinson alongside of Coleridge at the top of their reading list ... [A] remarkable achievement.’ — Frederick Burwick, The Wordsworth Circle XLI.4, 2010, 244-47
- ‘Vigus' [edition] bears impressive witness to Robinson's expertise and fills a void [...] the corpus of published and manuscript material remains a fascinating guide to the dynamic intellectual and literary culture of Germany at the beginning of the nineteenth century. [...] Vigus' authoritative, scholarly edition of Robinson's Essays is an essential text for anyone interested in late Enlightenment and early Romantic thought in Germany and in what Robinson did to disseminate that thought beyond the borders of the German-speaking world.’ — Eugene Stelzig, New Books On Literature 19, 28 June 2011
- ‘This volume will be of interest to scholars elucidating the state of Rational Dissent around 1800; to Kant specialists who deal with the early responses to Kant in Great Britain, especially given that Robinson's reception of Kant was superior to that of most of his British contemporaries; to Schelling specialists focussing on the development of Schelling's philosophy between 1800 and 1805; to Staël specialists investigating the background of her work on Germany De l'Allemagne [...] and perhaps most interestingly, Robinson's attempt to understand German philosophy will be relevant to those historians of philosophy and of ideas who believe that much can be learned from comparing radically different philosophical movements [...]. The introduction provides a fine overview and the editor's notes are helpful.’ — Vilem Mudroch, Enlightenment and Dissent 27, 2011, 188-91
- ‘James Vigus's excellent edition of Crabb Robinson's writings marks a new appreciation of his life and work. Crabb Robinson emerges from this volume as a writer and intellectual of considerable significance in his own right, and as one whose ideas contributed to the genesis and development of European Romanticism.’ — Stephen Burley, The Charles Lamb Bulletin n.s. 154, Autumn 2011, 161-63
- ‘As a pioneer of intercultural exchange, Robinson remains too little known today. James Vigus’s edition of his philosophical writings provides a valuable adjunct to the ongoing Crabb Robinson Project of the Dr Williams Centre for Dissenting Studies.’ — H. B. Nisbet, Modern Language Review 107.3, 2012, 970-71 (full text online)
- ‘This collection is a most welcome addition to the slowly growing number of editions of writings by one of Romanticism's most fascinating literary figures. [...] The resultant picture, perspicuously outlined in Vigus's introduction, is of 'a complex process of cultural transfer by which the metaphysics and aesthetics topical in Jena and Weimar around 1800 spread to Europe'. [...] [T]he texts presented in this volume [...] enable us to appreciate [Robinson's] own intellectual achievements more fully and justly than ever before.’ — Nicholas Halmi, The Coleridge Bulletin n.s. 39, Summer 2012, 100-02
Depicting the Divine: Mikhail Bulgakov and Thomas Mann
Olga G. Voronina
Studies In Comparative Literature 47•23 April 2019
- ‘Olga G. Voronina’s careful comparative study brings to light many of the parallel narrative strategies in Mikhail Bulgakov’s The Master and Margarita and Thomas Mann’s Joseph and His Brothers... What sets Bulgakov and Mann apart from the mainstream, as Voronina convincingly shows, is their decision to engage polemically with biblical texts.’ — Thomas Seifrid, Comparative Literature Studies 57.3, 2020, 559-62
- ‘В заключение хочу сказать, что книга Ольги Ворониной инновативна в постановке исследовательской проблемы и плодотворна в ее решении. Завершаю рецензию на книгу цитатой из другого булгаковского романа: «Она дышит! Она живет!».’ — Irina Belobrovtseva, Scando-Slavica 67.2, 2021, 287-94 (full text online)
- ‘Voronina has created a convincing, far-researching, unique and engaging study of Bulgakov's and Mann's poetic versions of biblical narratives, which both de- and re-mythologize the source text and are characterized by syncretism and rich intertextuality. The book is undoubtedly interesting and inspiring not only for Slavic and German scholars but also for any reader who is interested in a different and innovative approach to the study of comparative literature. The spiritual, scientific, and scholarly merits of this book perfectly complement one another.’ — Natalia Kaloh Vid, Slavic Review full text online)
- ‘The first comparative study of The Master and Margarita and Joseph and His Brothers, and an important and original contribution to research on Bulgakov’s and Mann’s novels as well as on biblical literature in more general terms.’ — Sarah Fengler, Oxford Comparative Criticism and Translation 30 September 2021
- ‘Depicting the Divine is a meticulously researched, impressive close reading of two novels... a valuable contribution to literary studies. In her nuanced close readings and thorough research of the two novels Voronina applies a specialist’s insight to both Bulgakov and Mann, paying attention to linguistic subtleties in the two languages and explaining them well to the English reader.’ — Eric Laursen, Russian Review 80.4, October 2021, 713-14 (full text online)
The Truth of Realism: A Reassessment of the German Novel 1830-1900
John Walker
Legenda (General Series) •6 July 2011
- ‘An ambitious contribution to a revaluation of German realism that will have to be weighed and taken into account in any further treatment of the topic.’ — Jeffrey L. Sammons, Monatshefte 104.1, 2012, 130-33
- ‘This volume offers a new approach to German Realism and contributes to research that establishes a reading of German Realist literature as in no ways inferior to other European Realist traditions, which has been the dominant viewpoint for decades.’ — unsigned notice, Forum for Modern Language Studies 49.2, 2013, 227
- ‘Cultural studies, systems theory, postcolonial studies, gender studies, media history, and a number of other more recent approaches have given new impetus to research into nineteenth-century Realism and initiated a reassessment of German Realism within the overarching European development from Romanticism to Modernism. Walker’s study of a small number of selected novels by Keller, Raabe, and Fontane makes an interesting contribution to this reassessment by arguing that ‘the distinguishing capacity of German narrative realism, and the source of that realism’s unique contribution to the European tradition’ is the critique of internalized ideology.’ — Dirk Göttsche, Modern Language Review 109.3, July 2014, 847-48 (full text online)
The Present Word: Culture, Society and the Site of Literature
Edited by John Walker
Legenda (General Series) •25 September 2013
Sexuality and the Sense of Self in the Works of Georg Trakl and Robert Musil
Andrew Webber
Bithell Series of Dissertations 15 / MHRA Texts and Dissertations 30•1 January 1990
Günter Grass's Use of Baroque Literature
Alexander Weber
Bithell Series of Dissertations 20 / MHRA Texts and Dissertations 41•1 January 1995
The Vorau 'Moses' and 'Balaam': A Study of Their Relationship to Exegetical Tradition
D. A. Wells
MHRA Texts and Dissertations 2•1 January 1970
Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43•29 September 2017
- unsigned notice, The Year's Work in English Studies 98.1, 2019, 657-58
Space in Theodor Fontane's Works: Theme and Poetic Function
Michael James White
Bithell Series of Dissertations 38 / MHRA Texts and Dissertations 82•30 May 2012
- ‘The book is exceptionally well written, precise, compact, and lean. It has been well edited with very few faults.’ — Jeffrey L. Sammons, Modern Language Review 109, 2014, 277-79 (full text online)
Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies
Edgar Wind
Legenda (General Series) •1 May 2001
A Modernist in Exile: The International Reception of H. G. Adler (1910-1988)
Edited by Lynn L. Wolff
Studies In Comparative Literature 42•23 April 2019
- ‘A very impressive collection of moving and thought-provoking essays... Because the contributors to this book have such detailed and specialized knowledge of H. G.’s life and work, and such a masterly ability to contextualize his wide-ranging achievement and relate their new work to earlier critical work, they set a new standard in Adler scholarship. Consequently this fascinating volume will doubtless enhance H. G.’s reputation both as an intellectual and as a writer of prose fiction, and become necessary reading for anyone who has any kind of interest in him and his work.’ — Richard Sheppard, Journal of European Studies 50.3, Autumn 2020, 295–301 (full text online)
- ‘This volume dedicated to H.G. Adler will prove edifying to seasoned scholars and newcomers alike... In contrast to Adorno, who - similar to many postmodernists - collapses traditions of value into barbarity and admits no distinction between the two, Adler struggles to maintain, describe, and explain the possibility of human goodness in the face of overwhelming evil. It is certainly true for Adler that in the world of the camps much, if not most, of the ability for ethical action was destroyed - but not all. And since this is true, Adler’s work challenges his readers to face the truth in its entirety and to define the scale of human value they will adhere to in the face of barbarity.’ — Traci S. O’Brien, Monatshefte 112.4, Winter 2020, 747-50
Women, Emancipation and the German Novel 1871-1910: Protest Fiction in its Cultural Context
Charlotte Woodford
Germanic Literatures 6•1 November 2014
- ‘This substantial, illuminating, and crisply written study looks once again at women’s writing in Germany and Austria in the period of its major impact on a wide reading public between the Franco-Prussian and First World Wars... The book is not only a nuanced contribution to feminist scholarship but also a significant intervention in the wider debate about committed literature. Woodford argues unambiguously for literature’s capacity to function as a driver of social change.’ — Helen Chambers, Modern Language Review 110.4, October 2015, 1161-62 (full text online)
- ‘It has been estimated that women constituted one-third of the authors of the century. However, women’s protest writing encountered a backlash around the time of World War I: it was viewed as contrary to the true German attitude to gender relations, despised as a foreign implant from France and Scandinavia, and somehow Jewish. The women writers disappeared from the literary histories, and most of them remained invisible until the time I was a student... Woodford’s book is recommendable to teachers and students working in this period because it is full of indicators of how one might enrich the fabric of literary life of the time.’ — Jeffrey L. Sammons, Monatshefte 107.4, December 2015, 673-76