Blake, Lavater and Physiognomy
Sibylle Erle
Studies In Comparative Literature 216 September 2010

  • ‘Erle’s conclusion is that Lavater could be seen by Blake to be superficial, and that Blake was more interested in showing how identity was constructed through the body, rather than through a given soul: bringing back the body means showing how that is connected to historical and material circumstances and culture operating, for instance, in the 1790s, the decade of Blake’s creation myths.’ — Jeremy Tambling, Modern Language Review 106.4, 2011, 1132-33 (full text online)
  • ‘By developing this art-historical context [i.e., of Henry Fuseli], Erle produces many informative analyses of the ways in which both Blake's poetry and his prints reveal an abiding interest 'in how the human form acquires its embodied identity and the pitfalls inherent in likeness-making'.’ — Joseph Bristow, Studies in English Literature 51.4, Autumn 2011, 927
  • ‘Erle deserves great credit for returning the role of Lavater to Blake studies - especially as Blake’s interests in physiognomy remained with him all through his life, surfacing again in his late Visionary Heads—and her chapter on the editing that took place in transforming the Physiognomische Fragmente into the Essays on Physiognomy is a superb piece of scholarship on this often neglected text.’ — unsigned review, The Year's Work in English Studies 91.1, 2012, 673
  • ‘Erle’s thorough knowledge of the German and British settings puts her in an exceptionally good position to elucidate a Blake connected to international literary, philosophical, and artistic circles, participating in collective publication projects that circulate knowledge between Britain and the Continent. Indeed, one of the most attractive features of the book is its attention to the intellectual exchanges and emotional bonds between men. In Erle’s view of the annotations to Lavater, we see a Blake who is, perhaps surprisingly, as eager to please, heartily agree, and find affinities as he is to denounce Error.’ — Tristanne Connolly, Blake, An Illustrated Quarterly 47.4, Spring 2014

A Culture of Mimicry: Laurence Sterne, His Readers and the Art of Bodysnatching
Warren L. Oakley
MHRA Texts and Dissertations 736 September 2010

  • ‘A brief but fascinating study of the appropriations of Sterne's fiction.’ — Devoney Looser, Studies in English Literature 51.3, 2011, 713-14
  • ‘Sterne's body was snatched after his death, turned up in an operating theatre, was recognized, and reburied. As Warren Oakley makes very clear in this brilliant dissertation, it was not only his corpse but also his corpus (in the sense of literary output) which underwent remarkable transformations.’ — Peter de Voogd, The Shandean 22, 2011, 168-70

Diderot and Lessing as Exemplars of a Post-Spinozist Mentality
Louise Crowther
MHRA Texts and Dissertations 786 September 2010

Hamann's Prophetic Mission: A Genetic Study of Three Late Works against the Enlightenment
Timothy Beech
Bithell Series of Dissertations 34 / MHRA Texts and Dissertations 7423 April 2010

Louis-Charles Fougeret de Monbron, Le Cosmopolite, ou le citoyen du monde (1750)
Edited by Édouard Langille
Critical Texts 2214 June 2010

Personality and Place in Russian Culture
Edited by Simon Dixon
Slavonic and East European Review 88.11 April 2010

  • ‘A most worthy homage to [Lindsey Hughes's] legacy and offers fascinating perspectives on Russian history and culture.’ — Andreas Schönle, Modern Language Review 106.2, 2011, 612-13 (full text online)
  • ‘This is a collection of stimulating essays on people and places relating to Russian culture, written by scholars who are at the top of their game. As such it is a fitting tribute to Lindsey's academic life.’ — Geoffrey Swain, European History Quarterly 43.1, 2013, 137-38

Stéphanie de Genlis, ‘Histoire de la duchesse de C***’
Edited by Mary S. Trouille
Critical Texts 211 October 2010

  • ‘This fine edition would be a welcome addition to undergraduate and graduate courses on the Gothic novel, alongside now more familiar English authors ... Trouille has done those of us who focus on women’s writing in the pre-Revolutionary period a great service.’ — Gillian Dow, Modern Language Review 107.3, 2012, 944-45 (full text online)

The Wallenstein Figure in German Literature and Historiography 1790-1920
Steffan Davies
Bithell Series of Dissertations 36 / MHRA Texts and Dissertations 7619 February 2010