Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 461 January 1998

Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
Bithell Series of Dissertations 24 / MHRA Texts and Dissertations 491 January 2000

Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 8130 May 2012

Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria
Matthew McCarthy-Rechowicz
Germanic Literatures 125 May 2018

Yvan Goll: The Thwarted Pursuit of the Whole
Robert Vilain 
Germanic Literatures 14

Foreign Parts: German and Austrian Actors on the British Stage 1933-1960
Richard Dove
Germanic Literatures 1529 September 2017

Playing with Gender: The Comedies of Goldoni
Maggie Günsberg
Italian Perspectives 731 January 2002

Pastoral Drama in Early Modern Italy: The Making of a New Genre
Lisa Sampson
Italian Perspectives 155 September 2006

Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale
Donatella Fischer
Italian Perspectives 1714 November 2007

Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 291 November 2014

A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 4030 September 2018

Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini 
Italian Perspectives 481 June 2022

A Taste for the Negative: Beckett and Nihilism
Shane Weller
Legenda (General Series) 4 February 2005

Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series) 4 February 2005

Goethe and Patriarchy: Faust and the Fates of Desire
James Simpson
Legenda (General Series) 2 January 1999

Pinter and the Object of Desire: An Approach through the Screenplays
Linda Renton
Legenda (General Series) 1 May 2002

The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38
Robert Pyrah
Legenda (General Series) 5 July 2007

Identity and Transformation in the Plays of Alexis Piron
Derek Connon
Legenda (General Series) 23 February 2007

Force from Nietzsche to Derrida
Clare Connors
Legenda (General Series) 23 April 2010

Reading Literature in Portuguese: Commentaries in Honour of Tom Earle
Cláudia Pazos Alonso and Stephen Parkinson
Legenda (General Series) 25 September 2013

Towards a Cultural Philology: Phèdre and the Construction of 'Racine'
Amy Wygant
Research Monographs in French Studies 41 July 1999

Silent Witness: Racine's Non-Verbal Annotations of Euripides
Susanna Phillippo
Research Monographs in French Studies 141 June 2003

The Choreography of Modernism in France: La Danseuse, 1830-1930
Julie Townsend
Research Monographs in French Studies 2812 April 2010

The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu
Marieke Dubbelboer
Research Monographs in French Studies 3530 January 2012

Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude
Mary Noonan
Research Monographs in French Studies 361 July 2014

Genet's Genres of Politics
Mairéad Hanrahan 
Research Monographs in French Studies 501 August 2022

Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits
Paul Humphrey
Studies in Hispanic and Lusophone Cultures 1225 February 2019

Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García 
Studies in Hispanic and Lusophone Cultures 4910 January 2022

The Experience of Colour in Lorca's Theatre
Jade Boyd 
Studies in Hispanic and Lusophone Cultures 541 August 2022

Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith
Studies In Comparative Literature 41 June 2000

Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 51 November 2000

Alienation and Theatricality: Diderot after Brecht
Phoebe von Held
Studies In Comparative Literature 1725 March 2011

Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 351 July 2015

Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li 
Studies In Comparative Literature 531 February 2022

The First English Translations of Molière: Drama in Flux 1663-1732
Suzanne Jones
Transcript 1328 September 2020

Uruguayan Theatre in Translation: Theory and Practice
Sophie Stevens 
Transcript 151 March 2022

Poetics, Performance and Politics in French and Italian Renaissance Comedy
Lucy Rayfield 
Transcript 1820 December 2021

Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 71 January 1972

Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 81 January 1975

The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 131 January 1979

Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James
MHRA Texts and Dissertations 161 January 1982

Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 211 January 1985

A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 311 January 1991

Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 451 January 1997

The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 831 February 2013

El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 911 May 2014

Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller
MHRA Texts and Dissertations 10022 June 2015