| Series | Extent | Year | Author | Title |
| TD 7 | — | 1972 | Christopher Todd | Voltaire's Disciple |
| TD 8 | — | 1975 | Arrigo Subiotto | Bertolt Brecht's Adaptations for the Berliner Ensemble |
| TD 13 | 180pp | 1979 | Judith Davies | The Realism of Luigi Capuana |
| TD 16 | 146pp | 1982 | Dorothy James | Georg Büchner's 'Dantons Tod' |
| TD 21 | 156pp | 1985 | M. Helena Gonçalves da Silva | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
| TD 31 | — | 1991 | Joanna Udall | A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662) |
| TD 45 | 288pp | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
BSD 23
TD 46 | 294pp | 1998 | Judith Beniston | Welttheater |
| LGS | 336pp | 1999 | James Simpson | Goethe and Patriarchy |
| RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
BSD 24
TD 49 | 282pp | 2000 | Peter Davies | Divided Loyalties |
| SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| IP 7 | 274pp | 2002 | Maggie Günsberg | Playing with Gender |
| LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
| RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
| LGS | 224pp | 2005 | Shane Weller | A Taste for the Negative |
| LGS | — | 2005 | Catherine O'Rawe | Authorial Echoes |
| IP 15 | 282pp | 2006 | Lisa Sampson | Pastoral Drama in Early Modern Italy |
| LGS | — | 2007 | Derek Connon | Identity and Transformation in the Plays of Alexis Piron |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| IP 17 | — | 2007 | Donatella Fischer | Il teatro di Eduardo De Filippo |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
BSD 37
TD 81 | — | 2012 | Benedict Schofield | Private Lives and Collective Destinies |
| TD 83 | — | 2013 | Melanie Henry | The Signifying Self |
| LGS | 294pp | 2013 | Cláudia Pazos Alonso,
Stephen Parkinson | Reading Literature in Portuguese |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
| IP 29 | — | 2014 | Katrin Wehling-Giorgi | Gadda and Beckett |
| TD 100 | — | 2015 | Amy Fuller | Between Two Worlds |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| GL 15 | — | 2017 | Richard Dove | Foreign Parts |
| GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| GL 14 | — | 3000 | Robert Vilain | Yvan Goll |