Todd, Christopher, Voltaire's Disciple: Jean François de La Harpe, MHRA Texts and Dissertations, 7 (MHRA, 1972)

Subiotto, Arrigo, Bertolt Brecht's Adaptations for the Berliner Ensemble, MHRA Texts and Dissertations, 8 (MHRA, 1975)

Davies, Judith, The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism, MHRA Texts and Dissertations, 13 (MHRA, 1979)

James, Dorothy, Georg Büchner's 'Dantons Tod': A Reappraisal, MHRA Texts and Dissertations, 16 (MHRA, 1982)

Silva, M. Helena Gonçalves da, Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht, MHRA Texts and Dissertations, 21 (MHRA, 1985)

Udall, Joanna, A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662), MHRA Texts and Dissertations, 31 (MHRA, 1991)

London, John, Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA, 1997)

Beniston, Judith, Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934, Bithell Series of Dissertations, 23 (MHRA, 1998)

Simpson, James, Goethe and Patriarchy: Faust and the Fates of Desire (Legenda, 1999)

Wygant, Amy, Towards a Cultural Philology: Phèdre and the Construction of 'Racine', Research Monographs in French Studies, 4 (Legenda, 1999)

Davies, Peter, Divided Loyalties: East German Writers and the Politics of German Division 1945-1953, Bithell Series of Dissertations, 24 (MHRA, 2000)

Smith, Peter D., Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Legenda, 2000)

Saint, Nigel, Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Legenda, 2000)

Günsberg, Maggie, Playing with Gender: The Comedies of Goldoni, Italian Perspectives, 7 (Legenda, 2002)

Renton, Linda, Pinter and the Object of Desire: An Approach through the Screenplays (Legenda, 2002)

Phillippo, Susanna, Silent Witness: Racine's Non-Verbal Annotations of Euripides, Research Monographs in French Studies, 14 (Legenda, 2003)

Weller, Shane, A Taste for the Negative: Beckett and Nihilism (Legenda, 2005)

O'Rawe, Catherine, Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello (Legenda, 2005)

Sampson, Lisa, Pastoral Drama in Early Modern Italy: The Making of a New Genre, Italian Perspectives, 15 (Legenda, 2006)

Connon, Derek, Identity and Transformation in the Plays of Alexis Piron (Legenda, 2007)

Pyrah, Robert, The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38 (Legenda, 2007)

Fischer, Donatella, Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale, Italian Perspectives, 17 (Legenda, 2007)

Townsend, Julie, The Choreography of Modernism in France: La Danseuse, 1830-1930, Research Monographs in French Studies, 28 (Legenda, 2010)

Connors, Clare, Force from Nietzsche to Derrida (Legenda, 2010)

Held, Phoebe von, Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda, 2011)