Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 7•1 January 1972
Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 46•1 January 1998
Women in Italian Renaissance Culture and Society
Edited by Letizia Panizza
Legenda (General Series) •1 July 2000
- ‘In her introduction Letizia Panizza writes that one of the aims of the collection is to recover neglected areas of Italian culture and society, which she has done... Many of the essays are quite good; all are informative.’ — Elissa B. Weaver, Renaissance Quarterly 2002, 713-15
- ‘Offers a vast and well-organized view of the position that early modern women occupied in Italy from 1400 to 1650... I highly recommend the collection.’ — Rinaldini Russell, Forum Italicum 36.1, 2002, 214-15
- ‘The above is merely a fraction of the content. There is certainly richness in this volume. Many branches of scholarship gain by having these articles in print and they are an eloquent testimony to the vitality of scholarship in this area.’ — Olwen Hufton, Modern Language Review 97.1, 2002 (full text online)
- ‘This excellent book of essays... retains the liveliness and originality of the conference held at Royal Holloway, University of London, ... with the added bonus that all those given in Italian have been translated, so that - as the editor says - we can benefit from the work of many specialists, some of whose work has not previously been available in English.’ — Alison Brown, Italian Studies LVII, 2002, 171-2
- ‘Without doubt, the most important volume yet published in English on the specific contribution of women to culture and society in Italy in the Renaissance... The coherence of the volume is assured by a number of overarching themes.’ — unsigned notice, Forum for Modern Language Studies XXXIX, 2003, 480
Women on the Yiddish Stage
Edited by Alyssa Quint and Amanda Miryem-Khaye Seigel 
Studies In Yiddish 19•31 August 2023
- ‘Women and men have shared the stage in equal numbers practically since its inception... Moreover, participation of women extends behind the scenes, where they have also served as directors, impresarios, and creators. The topical, chronological, and geographic scope of the twelve essays in this pioneering collection is quite impressive. The theater personalities treated in this nicely illustrated volume include major stars alongside overlooked figures... Highly recommended for research libraries.’ — Zachary M. Baker, Association of Jewish Libraries Reviews 4.3, January 2024, 38-39
Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 8•12 April 2010
- ‘In the 1920s, Yiddish was more than just a lingua franca for East European Jewish émigrés; it was also a language of high culture, as demonstrated by a brilliant new book, Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture.’ — Benjamin Ivry, The Arty Semite online
- ‘To be commended for keeping alive the names, literary output, and civilization of a Yiddish world that is lost forever.’ — Ellen Share, Association of Jewish Libraries Reviews February/March 2011, 15
- ‘There are many interesting articles in this volume. It is clear that in this brief period of flourishing Yiddish cultural activity there is much to disentangle. Berlin is a cultural and political hub in the Weimar period. An influx of multilingual Jews... enter a German Jewish world within a German world. Each of these ‘migrants’ arrives with existing cultural attachments into a war-time/post-war landscape which is signalling all kinds of modernisms. Some Yiddish writers in Berlin acknowledge the city in their literary work, others do not or only minimally. Berlin often emerges later once writers have moved elsewhere and begin to ‘recreate their past’.’ — Helen Beer, Slavonic and East European Review 90.2, April 2012, 332-34 (full text online)
Christophe Colomb par Népomucène Louis Lemercier
Edited by Vincenzo De Santis
Phoenix 7•1 January 2015
- ‘Grâce à cette édition, Vincenzo De Santis met en lumière, à travers la redécouverte d’une pièce emblématique de l’expérimentation dramatique sous l’Empire, les enjeux d’un théâtre à la recherche d’une identité nouvelle au seuil de la modernité.’ — Maurizio Melai, Studi francesi 178, 2016, 134
Le Philosophe sans le savoir, by Michel-Jean Sedaine
Translated by Derek Connon
New Translations 19•26 June 2023
Le Siège de Calais by Pierre-Laurent De Belloy
Edited by Logan J. Connors
Phoenix 6•1 August 2014
- ‘This scholarly edition will be of use in the undergraduate and graduate classroom as well as of interest to all those who are fascinated by French theatre and drama on the eve of the Revolution.’ — Jessica Munns, Restoration and Eighteenth-Century Theatre Research 28, 2013, 117-19
Les Costeaux, ou les marquis frians, by Jean Donneau de Visé
Edited by Peter William Shoemaker
Critical Texts 31•1 June 2013
- ‘Complemented with a plethora of detailed endnotes providing much detail about areas such as culinary practice (from wild-duck recipes to the oenophilic topography of France), this edition has much to offer scholars of, and all those interested in, the early modern period.’ — Paul Scott, French Studies 69, 2015, 527