Marchand, Sophie (ed.). 2011. Monvel, Les Victimes cloîtrées, Phoenix, 1 (MHRA)

Held, Phoebe von. 2011. Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda)

Connon, Derek (ed.). 2011. Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige, Phoenix, 2 (MHRA)

Wynn, Thomas (ed.). 2011. Delisle de Sales, Théâtre d'amour and Baculard d’Arnaud, L’Art de foutre, ou Paris foutant, Phoenix, 3 (MHRA)

Darlow, Mark, and Yann Robert (eds). 2011. Laya, L'Ami des lois, Phoenix, 4 (MHRA)

Dubbelboer, Marieke. 2012. The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu, Research Monographs in French Studies, 35 (Legenda)

Schofield, Benedict. 2012. Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895), Bithell Series of Dissertations, 37 (MHRA)

Estraikh, Gennady, Jordan Finkin, Kerstin Hoge, and Mikhail Krutikov (eds). 2012. Translating Sholem Aleichem: History, Politics and Art, Studies In Yiddish, 10 (Legenda)

King, Pamela M., Sue Niebrzydowski, and Diana Wyatt (eds). 2013. Early English Drama (= Yearbook of English Studies, 43.1)

Henry, Melanie. 2013. The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA)

Chirumbolo, Paolo, and John Picchione (eds). 2013. Edoardo Sanguineti: Literature, Ideology and the Avant-Garde, Italian Perspectives, 26 (Legenda)

Shoemaker, Peter William (ed.). 2013. Les Costeaux, ou les marquis frians, by Jean Donneau de Visé, Critical Texts, 31 (MHRA)

Hostiou, Jeanne-Marie (ed.). 2013. Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé, Phoenix, 5 (MHRA)

Fischer, Donatella (ed.). 2013. The Tradition of the Actor-Author in Italian Theatre, Italian Perspectives, 27 (Legenda)

Alonso, Cláudia Pazos, and Stephen Parkinson. 2013. Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Legenda)

Bowie, Malcolm. 2013. Selected Essays of Malcolm Bowie II: Song Man (Legenda)

Loughnane, Rory, Andrew J. Power, and Peter Sillitoe (eds). 2014. Caroline Literature (= Yearbook of English Studies, 44.1)

Bardzińska, Joanna. 2014. El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (MHRA)

Noonan, Mary. 2014. Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude, Research Monographs in French Studies, 36 (Legenda)

Connors, Logan J. (ed.). 2014. Le Siège de Calais by Pierre-Laurent De Belloy, Phoenix, 6 (MHRA)

Wehling-Giorgi, Katrin. 2014. Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda)

Fiddler, Allyson, and Karen Jürs-Munby (eds). 2014. Elfriede Jelinek in the Arena: Sport, Cultural Understanding and Translation to Page and Stage (= Austrian Studies, 22)

Santis, Vincenzo De (ed.). 2015. Christophe Colomb par Népomucène Louis Lemercier, Phoenix, 7 (MHRA)

Earle, T. F., and Catarina Fouto (eds). 2015. The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance (Legenda)

Fuller, Amy. 2015. Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz, MHRA Texts and Dissertations, 100 (MHRA)