Published November 2000
Speculative Identities: Contemporary Italian Women’s Narrative
Rita Wilson
Italian Perspectives 3
Italo Calvino and the Landscape of Childhood
Claudia Nocentini
Italian Perspectives 6
Published July 2001
Eugenio Montale: The Poetry of the Later Years
Éanna Ó Ceallacháin
Legenda (General Series)
- ‘Explores the ways in which Montale demystifies his own status as a great modernist, satirizes historical progress and current social life, places himself as a 'ghost' among other ghosts, awaiting his dissolution into non-being which may or may not imply some hidden divine presence, and enters into the 'trivial' contingencies of everyday life... From what may have been the old poet's isolated and disillusioned position, he hits the mark time and again, as this well-crafted study shows.’ — Rebecca West, Modern Language Review 98.2, 2003, 479-80 (full text online)
- ‘Let me declare myself at the outset: this is an excellent piece of work. It is the quintessence of scholarship: meticulously researched, methodologically sound and lucidly written... I cannot emphasise strongly enough the importance of this volume: every student of Montale should be encouraged to read Ó Ceallacháin's perceptive, and above all, comprehensible interpretations of Montale's later poetry. It goes without saying that the notes, bibliography and indices are impeccably produced.’ — Elizabeth Schächter, Italian Studies LVIII, 2003
- ‘Effectively charts the continuities and changes in the the relationship between the poet and his history.’ — unsigned notice, Forum for Modern Language Studies XL.2, April 2004, 237
Published January 2002
Fragments of Impegno
Jennifer Burns
Italian Perspectives 9
Published November 2002
Multilingualism in Italy Past and Present
Edited by Anna Laura Lepschy and Arturo Tosi
Studies In Linguistics 1
- ‘A wide-ranging but coherent discussion of some central questions regarding the formation and present state of the Italian language itself, its varieties and its relationship with dialects. This important book contains twelve essays, ranging chronologically from Renaissance elites to the European Union.’ — unsigned notice, Forum for Modern Language Studies XL.1, 2004, 113
- ‘Clear and instructive, suitable both for scholars looking for some of the latest research in Italian linguistics, and for a more general readership interested in exploring some of the central questions in the history and development of the Italian language, a topic of enduring interest and endless fascination. Particularly rewarding are the sections devoted to Italian dialects, often left by the wayside in general discussions of the Italian language.’ — Luigi Bonaffini, Forum Italicum 37/2, Fall 2003, 582-4
- ‘Offers a stimulating reading on central questions in Italian linguistics ... For the range of topics examined and the accessibility of the contributions, this volume will be a useful tool for students, teachers, and researchers, and in general for everyone interested in the Italian language, while exemplifying the liveliness and high level of research in the field of Italian linguistics in the UK.’ — Helena Sanson, Modern Language Review 100.1, 2005, 228-9 (full text online)
- ‘There can be no doubt that the majority of these papers will indeed be understood by the non-expert. Their authors manage to explain notions, situations, and developments, some of them obviously complex, with a simplicity and clarity which will be satisfying and illuminating to those with a non-specialist interest. But they do not fail either to bring in new ideas and research which offer food for thought to specialists in Italian linguistics and linguistics history.’ — Howard Moss, Italian Studies Volume LIX, 2004, 192-4
Published June 2003
Secrets and Puzzles: Silence and the Unsaid in Contemporary Italian Writing
Nicoletta Simborowski
Legenda (General Series)
- ‘Simborowski's book provides a novel, interpretative angle for some of the most studied authors of 20th century Italian literature, inviting a reading which overcomes the limitations of the said by engaging the reader in an operation of 'voicing the silence.' The book is clearly written and Simborowski's positions convincingly argued.’ — Nicoletta Di Ciolla McGowan, Forum Italicum 38/1, 2004, 267-9
- ‘This book throws new light on a crucial period of Italian culture. In the analysis of silence and the unsaid it provides a key for interpretation, which works well (although not infallibly), and which highlights fundamental issues in Italian literature of the second half of the twentieth century.’ — Olivia Santovetti, Modern Language Review 100.3, 7 July 2005, 843-44 (full text online)
- ‘Secrets and Puzzles foregrounds and consolidates an important interpretative issue, offering a new perspective on mainstream authors and a new critical context in which to view other writers of the post-war period. An impressive contribution to the study, at undergraduate level and beyond, of contemporary Italian literature.’ — Jennifer Burns, Italian Studies 60.1, 2005, 111-12
Published February 2005
Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series)
- ‘A short review cannot do justice to this arresting critical work. A combination of bold ideas with a meticulous attention to detail and a broad theoretical foundation characterizes O'Rawe's critical approach. Insights are always well substantiated with abundant evidence... Both a major contribution to Pirandello scholarship and a seminal challenge to narrative criticism.’ — Jennifer Lorch, Modern Language Review 103.4, October 2008, 1140-41 (full text online)
Published July 2005
Contesting the Monument: The Anti-Illusionist Italian Historical Novel
Ruth Glynn
Italian Perspectives 10
Published September 2005
Culture, Censorship and the State in Twentieth-Century Italy
Edited by Guido Bonsaver and Robert Gordon
Legenda (General Series)
Published January 2006
Speaking Out and Silencing: Culture, Society and Politics in Italy in the 1970s
Edited by Anna Cento Bull and Adalgisa Giorgio
Italian Perspectives 12
- ‘An excellent analysis of the 1970s... important new insights into the anni di piombo.’ — Liz Wren-Owens, Modern Language Review 104.1, January 2009, 213-14 (full text online)
- ‘Each of these essays confirms that terrorism is an ineluctable topic in any discussion of the long 1970s... Indeed, the two longest entries in the index to the volume are for ‘terrorism’ and for ‘Moro, Aldo’. Aldo Moro is all over the book, just as he is uncannily omnipresent in Italian culture...’ — Alan O'Leary, Modern Italy 13.3, August 2008, 361-63
Rethinking Languages in Contact: The Case of Italian
Edited by Anna Laura Lepschy and Arturo Tosi
Studies In Linguistics 2
Published May 2006
Orality and Literacy in Modern Italian Culture
Edited by Michael Caesar and Marina Spunta
Italian Perspectives 14
- ‘Other strands link the twelve essays: one centres on the idea that 'voice' is something vulnerable and short-lived, while another focuses on the 'hierarchy' implicit in the relationship between orality and literacy. Both are demonstrated, for instance, when 'folk', 'women's' and 'youth' cultures are 'textualised' and thus potentially destroyed, rather than preserved, in writing, leading to the hypothesis that 'orality' is, essentially, irreproducible as 'literacy'.’ — unsigned notice, Forum for Modern Language Studies 46.2, 2010, 247-48
Published December 2006
Camorristi, Politicians and Businessmen: The Transformation of Organized Crime in Post-War Naples
Felia Allum
Italian Perspectives 11
Sweet Thunder: Music and Libretti in 1960s Italy
Vivienne Suvini-Hand
Italian Perspectives 16
- ‘Chapter 7 displays the dominating element of the five compositions: the reassertion of spiritual values over the material values of 1960s Italy. This distinctive tone makes these compositions uniquely commendable for further investigations into their influence on Italy’s artistic canon.’ — unsigned notice, Forum for Modern Language Studies 47.1, January 2011
- ‘A welcome addition to the literature on recent opera, valuable to both the musicologist and the literary scholar... The literary readings are so detailed and sophisticated that it is impossible to do justice to them here... Definitely recommended reading for those with an interest in post-war Italian culture.’ — Emiliano Ricciardi, Cambridge Opera Journal 20.3, 299-302
Published February 2007
Biographies and Autobiographies in Modern Italy
Edited by Martin McLaughlin and Peter Hainsworth
Legenda (General Series)
- ‘Hainsworth and McLaughlin open the volume with a succinct, clear and meaty disquisition on the nature of biography and autobiography. Their Introduction furnishes, in lively prose, an overview of the state of such writing in Italy... A fascinating glimpse into the life histories, and the shaping of life histories, by an eclectic group of Italians. Its chapters provide useful information on the less-known and engrossing new insights into familiar canonical figures.’ — Risa Sodi, Biography 32.3, Summer 2009, pp. 562-65
- ‘These pieces all share John Woodhouse's sentiment that the life lived and written by an author are "mutually illuminating" and that writing loses much when "seen solely within the terms of a textual universe".’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 107-08
Image, Eye and Art in Calvino: Writing Visibility
Edited by Birgitte Grundtvig, Martin McLaughlin and Lene Waage Petersen
Legenda (General Series)
- ‘Andrea Battistini's chapter, finally, is one of the most enjoyable; it could be defined as the critical equivalent of Eco’s novel La misteriosa fiamma della regina Loana, in the sense that it shows quite convincingly how the "fantastic iconology of cartoons" and comic books is deeply rooted in Calvino's imagination and how this could be traced in his narrative style, also testifying to the extent of Calvino's engagement with the products of mass culture.’ — Pierpaolo Antonello, Modern Language Review 104.1, January 2009, 210-12 (full text online)
- ‘These notes give but a hint of the richness of Image, Eye and Art in Calvino. This is a compelling volume for Calvino scholars; it should also have a strong appeal for those more generally interested in the relation between the verbal and the visual.’ — Luca Pocci, Angles on the English-Speaking World 8, 2008, 127-29
- ‘A vital tool for further research not only into the works of Calvino but also into the contemporary cultural interweaving of literature and the arts.’ — unsigned notice, Forum for Modern Language Studies 47.1, January 2011
Published August 2007
Contemporary Italian Women Writers and Traces of the Fantastic: The Creation of Literary Space
Danielle E. Hipkins
Legenda (General Series)
- ‘In her captivating first book, Danielle E. Hipkins assumes the challenging task of applying feminist literary theory to a complex form and attendant writing practice.’ — Lynn Makau, Contemporary Women's Writing 2:2, December 2008, 181-82
- ‘Rimane aperta la discussione, extratestuale, sullo spazio occupato dalle scrittrici contempo- ranee nel canone letterario. Non sono sicura che, come suggerisce Hipkins, la marginalità della Ombres sia legata al fatto che la scrittrice ‘points to a literature beyond a claustrophobic space of epigonality’ (p. 168), e non, semplicemente, a un mercato letterario dai ritmi di produzione e consumo di durata sempre più breve. Ma questa considerazione nulla toglie all’interesse dello studio proposto: abbiamo bisogno di letture puntuali e teoricamente ponder- ate dei percorsi letterari della post-modernità per arrivare a una migliore comprensione delle dinamiche culturali, di genere ma non solo, che attraversano la società in cui viviamo.’ — Gigliola Sulis, Italian Studies 64.1, Spring 2009
- ‘Plenty of new wine and new research... a new interdisciplinarity in Italian gender and sexuality studies.’ — Carol Lazzaro-Weis, Journal of Romance Studies 10.2, Summer 2010, review article, 97-106
Published November 2007
Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale
Donatella Fischer
Italian Perspectives 17
Published July 2009
Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 1969-2009
Edited by Pierpaolo Antonello and Alan O'Leary
Italian Perspectives 18
- ‘This is a thought-provoking collection that requires the reader to engage with representations and form as critical sites of historical understanding.’ — Derek Duncan, Modern Language Review 106.3, 2011, 889-90 (full text online)
- ‘For many, the murder of former Prime Minister Aldo Moro in 1978 by the BR and the various neofascist bombings have become myths or legendary occurrences ones fraught with profound meaning for the human condition. Even some of the former militants and terrorists — the perpetrators, in other words — have participated in these productions (Moro’s killers, for example). In fact, one cannot help be left with the impression that the artists and the ex-militants are really talking to each other.’ — Leonard Weinberg, Journal of Modern History 84.3 (September 2012), 752-54
- ‘This broad-ranging collection of fourteen essays is innovative in offering an extremely rich and multi-faceted portrait of this complex topic... makes a real contribution to show how terrorist brutality was expressed, encoded and schematized by the people involved in these dramatic events even before the violent actions became the object of rhetorical analysis.’ — unsigned notice, Forum for Modern Language Studies 48.4 (October 2012), 490
The Power of Disturbance: Elsa Morante's Aracoeli
Edited by Sara Fortuna and Manuele Gragnolati
Legenda (General Series)
- ‘The chapters avail themselves of the entire arc of twentieth-century theories and models of subjectivity and sexuality, to try to unravel Manuele's search for freedom from his all-consuming passion for his mother Aracoeli, and include Freud, Jung, Klein, Bowlby, Stern, Sander, Winnicott, Laplanche and Pontalis, Kristeva, Lacan, Cavarero, Muraro, Silverman, (Jessica) Benjamin, and Butler. These theories serve the novel very well, illuminating the many strands and aspects of Manuele's 'condition' and of the novel... An invaluable teaching tool and thus an incentive to include Aracoeli in advanced university courses in Italian and European literature.’ — Adalgisa Giorgio, Italian Studies 66.1, March 2011, 144-46
Published January 2012
Remembering Aldo Moro: The Cultural Legacy of the 1978 Kidnapping and Murder
Edited by Ruth Glynn and Giancarlo Lombardi
Italian Perspectives 23
Published October 2012
Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini
Emma Bond
Italian Perspectives 24
Published May 2013
Edoardo Sanguineti: Literature, Ideology and the Avant-Garde
Edited by Paolo Chirumbolo and John Picchione
Italian Perspectives 26
- ‘Chirumbolo and Picchione’s impressive volume represents a significant and timely addition to the field, which scholars of Sanguineti will want to follow and explore in the future.’ — Florian Mussgnug, Modern Language Review 111.1, January 2016, 268-70 (full text online)
- ‘This dense but lucid collection makes a timely and valuable contribution to studies of Sanguineti's works and influence. The combination of critical and personal essays will make this volume particularly compelling to scholars interested in Sanguineti's legacy.’ — Mary Migliozzi, Forum Italicum 250-53
- ‘A tre anni dalla scomparsa di Edoardo Sanguineti, Paolo Chirumbolo e John Picchione propongono questo interessantissimo volume dedicato al poeta genovese. I due curatori sono da annoverare fra i più prolifici ed attenti critici letterari sulla neoavanguardia italiana in Nord America... Un’autentica perla, un volume essenziale per chi volesse non solo occuparsi di uno dei guru dello sperimentalismo italiano, ma anche per chi intendesse affrontare il variegato mondo della neoavanguardia italiana con più ampio respiro.’ — Beppe Cavatorta, Annali d'Italianistica 32, 2014, 670-72
Published September 2013
Holocaust Intersections: Genocide and Visual Culture at the New Millennium
Edited by Axel Bangert, Robert S. C. Gordon and Libby Saxton
Moving Image 4
- ‘The 'millennium' of this book's title stands for the reconstitution of Europe since the end of the Cold War - one effect of which has been an enhanced knowledge of the Holocaust based on archives in the former Eastern Bloc - and for the rise of digital media during the same period.’ — Henry K. Miller, Sight & Sound April 2014, 106
Likenesses: Translation, Illustration, Interpretation
Matthew Reynolds
Studies In Comparative Literature 30
- ‘The collection reveals an impressive breadth of scholarship, travelling between disciplines and across centuries from George Stubbs’s equestrian paintings, through the more familiar Reynoldian territory of Robert Browning, to the conspicuously contemporary, ‘Dante on the Tube’. This diversity effectively demonstrates ‘continuities’ in literature, impressing upon the reader the contemporary relevance of earlier works through juxtaposition.’ — Rebecca Butler, Modern Language Review 110.3, July 2015, 793-94 (full text online)