| Series | Extent | Year | Author | Title |
| IP 32 | 272pp | 2015 | Guy Lanoue | Rome Eternal |
| IP 33 | 188pp | 2015 | Simone Brioni | The Somali Within |
| IP 35 | 186pp | 2016 | Emanuela Patti | Pasolini after Dante |
| LGS | 476pp | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
| IP 39 | 182pp | 2018 | ed Lesley Caldwell, Fabio Camilletti | Rome |
| IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
| IP 44 | 282pp | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| T 17 | 306pp | 2020 | Jamie McKendrick | The Foreign Connection |
| IP 45 | 210pp | 2021 | Marzia Beltrami | Spatial Plots |
| T 21 | 200pp | 2021 | Alice Loda | The Translingual Verse |
| SICL 40 | 178pp | 2022 | Georgia Panteli | From Puppet to Cyborg |
| IP 51 | — | 2022 | Alessandra Diazzi | Psychoanalysis, Ideology and Commitment in Italy 1945-1975 |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
| IP 64 | — | 2024 | Rebecca Walker | The Sense of Fracture in Goliarda Sapienza and Elena Ferrante |