| Series | Extent | Year | Author | Title |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| T 14 | — | 2022 | ed Adriana X. Jacobs,
Claire Williams | After Clarice |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| CT 76 | — | 2022 | A Bilingual Edition by Jean-Alexandre Perras | La Découverte de l’île Frivole by Gabriel-François Coyer |
| SEER 100.1 | — | 2022 | | Slavonic and East European Review 100.1 |
| GL 26 | — | 2022 | Joanna Raisbeck | Karoline von Günderrode |
| SHLC 58 | — | 2022 | Dorothée Boulanger | Fiction as History |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| MLR 117.4 | — | 2022 | | Modern Language Review 117.4 |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,,
Emanuela Tandello | A Gaping Wound |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| LGS | — | 2022 | Georgina Barker | SPQR in the USSR |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| SHLC 56 | — | 2022 | Deborah Madden | Matilde de la Torre |
| SEER 100.2 | — | 2022 | | Slavonic and East European Review 100.2 |
CT 78
JT 10 | — | 2022 | ed Sasha Dovzhyk,
Simon Wilson | Decadent Writings of Aubrey Beardsley |
| YES 52 | — | 2022 | ed Clare A. Lees,
Joshua Davies | Literature to 1200 |
| CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
| RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
| T 19 | — | 2022 | ed Mohamed-Salah Omri,
Philippe Roussin | Literature, Democracy and Transitional Justice |
| PS 38.2 | — | 2022 | ed Ami Schiess,
Giulia Champion | From Antropofagia to Global Lusophone Studies |
| SEER 100.3 | — | 2022 | | Slavonic and East European Review 100.3 |