1-9 | | Cite |
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10-22 | | Cite |
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23-42 | | Cite |
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43-52 | | Cite |
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53-67 | | Cite |
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68-74 | | Cite |
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75-80 | Gabriel Harvey, 'Pasquill', Spenser's Lost 'Dreames,' and 'The Faerie Queene' Timothy Cook doi:10.2307/3507256 | Cite |
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81-85 | | Cite |
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86-90 | | Cite |
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91-107 | 'The Entire Works of Clarinda': Unpublished Juvenile Verse by Lady Mary Wortley Montagu Isobel Grundy doi:10.2307/3507259 | Cite |
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108-120 | | Cite |
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121-127 | | Cite |
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128-140 | 'A Dialogue on Idealities': An Unpublished Manuscript of Thomas Love Peacock Thomas Love Peacock, Nicholas A. Joukovsky doi:10.2307/3507262 | Cite |
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141-147 | | Cite |
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148-156 | | Cite |
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157-165 | Conrad and Cunninghame Graham: A Discussion with Addenda to Their Correspondence G. K. Hunter, C. J. Rawson doi:10.2307/3507265 | Cite |
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166-171 | Frances Hodgson Burnett's 'The Secret Garden': A Possible Source for T. S. Eliot's 'Rose Garden' Christopher Heywood doi:10.2307/3507266 | Cite |
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172-173 | Review of Michael M. Reynolds, A Guide to Theses and Dissertations: An Annotated, International Bibliography of Bibliographies; Gary C. Tarbert, Book Review Index: 1974 Cumulation. Volume X; Clare D. Kinsman, Contemporary Authors: A Bio-Bibliographical Guide to Current Authors and Their Works. Volumes 53-56 Jenny Mezciems doi:10.2307/3507267 | Cite |
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174 | Review of S. K. Heninger, Jr., English Prose, Prose Fiction, and Criticism to 1660: A Guide to Information Sources Stanley Wells doi:10.2307/3507268 | Cite |
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175 | | Cite |
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176-177 | Review of O. R. Dathorne, The Black Mind: A History of African Literature Paul Edwards doi:10.2307/3507270 | Cite |
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177-178 | Review of Vineta Colby, Yesterday's Woman: Domestic Realism in the English Novel Patricia Thomson doi:10.2307/3507271 | Cite |
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178-179 | Review of G. B. Tennyson, Edward E. Ericson, Jr., Religion and Modern Literature: Essays in Theory and Criticism Terry Eagleton doi:10.2307/3507272 | Cite |
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180 | Review of Harold L. Weatherby, The Keen Delight: The Christian Poet in the Modern World Terry Eagleton doi:10.2307/3507273 | Cite |
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181-182 | Review of Eleanor Wilner, Gathering the Winds: Visionary Imagination and Radical Transformation of Self and Society Terry Eagleton doi:10.2307/3507274 | Cite |
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182 | Review of C. B. Williams, Style and Vocabulary: Numerical Studies J. M. Sinclair doi:10.2307/3507275 | Cite |
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182-183 | Review of Antti Mutanen, Factors Conditioning Consonant Duration in Consonantal Context: With Special Reference to Initial and Final Consonant Clusters in English M. G. Ashby doi:10.2307/3507276 | Cite |
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183-184 | Review of Eugene J. Crook, Richard Jordan, Richard Jordan's Handbook of Middle English Grammar: Phonology Margaret Espinasse doi:10.2307/3507277 | Cite |
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184-185 | Review of Dieter Bähr, Standard English und seine geographische Varianten D. Cavanagh doi:10.2307/3507278 | Cite |
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185-187 | Review of Wolfgang Viereck, Regionale und soziale Erscheinungsformen des britischen und amerikanischen Englisch Simeon Potter doi:10.2307/3507279 | Cite |
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187-188 | | Cite |
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188-189 | | Cite |
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189-193 | | Cite |
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193-194 | | Cite |
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194 | Review of Philip G. Buehler, The Middle English 'Genesis and Exodus': A Running Commentary on the Text of the Poem Rita Wilson doi:10.2307/3507284 | Cite |
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195-196 | Review of Mary Arthur Knowlton, The Influence of Richard Rolle and of Julian of Norwich on the Middle English Lyrics Gay Clifford doi:10.2307/3507285 | Cite |
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196-198 | Review of Maxwell S. Luria, Richard L. Hoffman, Middle English Lyrics: Authoritative Texts, Critical and Historical Backgrounds, Perspectives on Six Poems R. T. Davies doi:10.2307/3507286 | Cite |
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198-199 | | Cite |
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199-201 | Review of Urs Dürmüller, Narrative Possibilities of the Tail-Rime Romance Dieter Mehl doi:10.2307/3507288 | Cite |
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201-202 | Review of Robert Potter, The English Morality Play: Origins, History and Influence of a Dramatic Tradition Catherine Belsey doi:10.2307/3507289 | Cite |
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202-203 | Review of Gillis Kristensson, John Mirk, John Mirk's 'Instructions for Parish Priests' Anne Hudson doi:10.2307/3507290 | Cite |
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203-205 | Review of Conrad Lindberg, The Earlier Version of the Wycliffite Bible: Volume 6: Baruch 3.20 -- End of OT, Edited from MS Christ Church 145 H. Hargreaves doi:10.2307/3507291 | Cite |
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205-207 | Review of Robert A. Pratt, Geoffrey Chaucer, The Tales of Canterbury Complete Derek Brewer doi:10.2307/3507292 | Cite |
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208-209 | Review of Geoffrey Chaucer, Gloria Cigman, The Wife of Bath's Prologue and Tale and the Clerk's Prologue and Tale from 'The Canterbury Tales' Dorothy Colmer doi:10.2307/3507293 | Cite |
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209-210 | Review of Eric Rothstein, Joseph Anthony Wittreich, Jr., Literary Monographs. Volume 6. Medieval and Renaissance Literature E. D. Mackerness doi:10.2307/3507294 | Cite |
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210-211 | Review of Dennis G. Donovan, A. Leigh Deneef, Renaissance Papers 1974 Joan Grundy doi:10.2307/3507295 | Cite |
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211-212 | Review of A. L. Rowse, Discoveries and Reviews: From Renaissance to Restoration E. D. Pendry doi:10.2307/3507296 | Cite |
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213-214 | Review of Heinz-Dieter Leidig, Das Historiengedicht in der englischen Literaturtheorie: Die Rezeption von Lucans 'Pharsalia' von der Renaissance bis zum Ausgang des achtzehnten Jahrhunderts O. A. W. Dilke doi:10.2307/3507297 | Cite |
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214-215 | | Cite |
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216 | Review of E. D. Pendry, Elizabethan Prisons and Prison Scenes Joel Hurstfield doi:10.2307/3507299 | Cite |
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216-217 | Review of Steven C. Young, The Frame Structure in Tudor and Stuart Drama Neil Taylor doi:10.2307/3507300 | Cite |
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218 | Review of Robert E. Morsberger, Swordplay and the Elizabethan and Jacobean Stage Ernst de Chickera doi:10.2307/3507301 | Cite |
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218-219 | Review of James T. Henke, Renaissance Dramatic Bawdy (Exclusive of Shakespeare): An Annotated Glossary and Critical Essays Gordon Williams doi:10.2307/3507302 | Cite |
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220-221 | Review of Arthur F. Kinney, Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson E. D. Mackerness doi:10.2307/3507303 | Cite |
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221-222 | Review of George Peele, G. K. Dreher, The Chronicle of King Edward the First, Surnamed Longshanks with the Life of Lluellen, Rebel in Wales Frank S. Hook doi:10.2307/3507304 | Cite |
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222-223 | Review of Peter Bement, George Chapman: Action and Contemplation in His Tragedies R. P. Corballis doi:10.2307/3507305 | Cite |
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223-225 | | Cite |
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225-226 | Review of Charles Howard Larson, A Critical Edition of Robert Greene's 'Ciceronis Amor: Tullies Love' Norman Sanders doi:10.2307/3507307 | Cite |
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226-227 | | Cite |
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227-228 | Review of Louise Hutchings Westling, The Evolution of Michael Drayton's 'Idea' John Buxton doi:10.2307/3507309 | Cite |
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228-230 | | Cite |
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230-231 | Review of James G. McManaway, Jeanne Addison Roberts, A Selective Bibliography of Shakespeare: Editions, Textual Studies, Commentary Kenneth Muir doi:10.2307/3507311 | Cite |
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231-233 | Review of Herbert A. Ellis, Shakespeare's Lusty Punning in 'Love's Labour's Lost': With Contemporary Analogues M. M. Mahood doi:10.2307/3507312 | Cite |
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233-235 | Review of Cay Dollerup, Denmark, 'Hamlet', and Shakespeare: A Study of Englishmen's Knowledge of Denmark Towards the End of the Sixteenth Century with Special Reference to 'Hamlet' Harold Jenkins doi:10.2307/3507313 | Cite |
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235-236 | | Cite |
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237-238 | Review of William Shakespeare, Lawrence J. Ross, The Tragedy of Othello, the Moor of Venice Leah Scragg doi:10.2307/3507315 | Cite |
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238-239 | Review of Philip E. Blank, Jr., Lyric Forms in the Sonnet Sequences of Barnabe Barnes Paulina Palmer doi:10.2307/3507316 | Cite |
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240-241 | | Cite |
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241-243 | Review of Thomas Heywood, Brownell Salomon, The Fair Maid of the West, Part I: A Critical Edition Robert K. Turner Jr. doi:10.2307/3507318 | Cite |
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243-244 | Review of Francis Beaumont, John Fletcher, Dora Jean Ashe, Philaster Andrew Gurr doi:10.2307/3507319 | Cite |
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244-247 | | Cite |
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247-248 | Review of G. A. E. Parfitt, Silver Poets of the Seventeenth Century John Buxton doi:10.2307/3507321 | Cite |
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248-249 | Review of David Farley-Hills, The Benevolence of Laughter: Comic Poetry of the Commonwealth and Restoration J. Donovan doi:10.2307/3507322 | Cite |
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249-251 | | Cite |
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251-252 | Review of Burton Jasper Weber, Wedges and Wings: The Patterning of 'Paradise Regained' Marcia Landy doi:10.2307/3507324 | Cite |
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252-254 | Review of Richard Leslie Larson, Studies in Dryden's Dramatic Technique: The Use of Scenes Depicting Persuasion and Accusation Derek Hughes doi:10.2307/3507325 | Cite |
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254-256 | Review of Sacvan Bercovitch, The American Puritan Imagination: Essays in Revaluation Stephen Fender doi:10.2307/3507326 | Cite |
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256-258 | | Cite |
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258-259 | Review of George Guffey, Andrew Wright, Two English Novelists: Aphra Behn and Anthony Trollope Valerie Shaw doi:10.2307/3507328 | Cite |
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259-261 | Review of Hazel M. Batzer Pollard, From Heroics to Sentimentalism: A Study of Thomas Otway's Tragedies Malcolm Kelsall doi:10.2307/3507329 | Cite |
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261-262 | | Cite |
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262-263 | | Cite |
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263 | Review of Allan Ramsay, Robert Fergusson, Alexander Manson Kinghorn, Alexander Law, Poems by Allan Ramsay and Robert Fergusson James Kinsley doi:10.2307/3507332 | Cite |
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263-265 | Review of Murial Brittain Williams, Marriage: Fielding's Mirror of Morality Douglas Brooks doi:10.2307/3507333 | Cite |
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265-266 | | Cite |
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266-268 | Review of Sven Bäckman, This Singular Tale: A Study of 'The Vicar of Wakefield' and Its Literary Background Rosalind Nicol doi:10.2307/3507335 | Cite |
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268-269 | Review of Françoise Chatel de Brançion, R. B. Sheridan: personnalité, carrière politique Cecil Price doi:10.2307/3507336 | Cite |
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269-271 | | Cite |
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271-272 | Review of Richard Harter Fogle, The Permanent Pleasure: Essays on Classics of Romanticism John Colmer doi:10.2307/3507338 | Cite |
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273-274 | Review of Jürgen Schlaeger, Imitatio und Realisation: Funktionen poetischer Sprache von Pope bis Wordsworth R. H. Lass doi:10.2307/3507339 | Cite |
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274-275 | Review of Frank D. McConnell, The Confessional Imagination: A Reading of Wordsworth's 'Prelude' Richard Gravil doi:10.2307/3507340 | Cite |
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276-277 | | Cite |
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277-278 | | Cite |
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278-279 | | Cite |
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280-282 | Review of Claude Fierobe, Charles Robert Maturin (1780-1824): L'Homme et l'Œuvre A. Norman Jeffares doi:10.2307/3507344 | Cite |
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282-283 | | Cite |
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283-285 | Review of Judy Little, Keats as a Narrative Poet: A Test of Invention John D. Jump doi:10.2307/3507346 | Cite |
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285-286 | Review of Edgar Lohner, Der amerikanische Roman im 19. und 20. Jahrhundert: Interpretationen John Rignall doi:10.2307/3507347 | Cite |
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286-287 | | Cite |
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287-288 | Review of Carol T. Christ, The Finer Optic: The Aesthetic of Particularity in Victorian Poetry Patricia M. Ball doi:10.2307/3507349 | Cite |
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288-289 | Review of Eric Rothstein, Joseph Anthony Wittreich, Jr., Literary Monographs. Volume 7. Thackeray, Hawthorne and Melville, and Dreiser K. J. Fielding doi:10.2307/3507350 | Cite |
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290-291 | Review of Peter N. Heydon, Philip Kelley, Elizabeth Barrett Browning, Elizabeth Barrett Browning's Letters to Mrs. David Ogilvy, 1849-1861 Michael Hancher doi:10.2307/3507351 | Cite |
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291-293 | | Cite |
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293 | Review of J. W. Harper, Robert Browning: 'Men and Women' and Other Poems Philip Drew doi:10.2307/3507353 | Cite |
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294 | Review of Lawrence Poston III, Loss and Gain: An Essay on Browning's 'Dramatis Personae' Ian Ousby doi:10.2307/3507354 | Cite |
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294-295 | Review of Robert B. Partlow, Jr., Dickens Studies Annual. Volume 4 P. F. Fairclough doi:10.2307/3507355 | Cite |
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295-296 | Review of Virgil Grillo, Charles Dickens' 'Sketches by Boz': End in the Beginning K. J. Fielding doi:10.2307/3507356 | Cite |
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296-297 | Review of Terry Eagleton, Myths of Power: A Marxist Study of the Brontës Tom Winnifrith doi:10.2307/3507357 | Cite |
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297-298 | Review of Harriet Björk, The Language of Truth: Charlotte Brontë, the Woman Question and the Novel Tom Winnifrith doi:10.2307/3507358 | Cite |
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298-299 | Review of Enid L. Duthie, The Foreign Vision of Charlotte Brontë Tom Winnifrith doi:10.2307/3507359 | Cite |
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299-301 | | Cite |
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301-302 | Review of Gerard M. Sweeney, Melville's Use of Classical Mythology Hershel Parker doi:10.2307/3507361 | Cite |
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302-303 | | Cite |
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303-305 | Review of Diane Wood Middlebrook, Walt Whitman and Wallace Stevens C. J. Rawson doi:10.2307/3507363 | Cite |
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305-307 | Review of William Wilkie Collins, Harvey Peter Sucksmith, The Woman in White John Sutherland doi:10.2307/3507364 | Cite |
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307-308 | Review of Sven-Johan Spånberg, 'The Ordeal of Richard Feverel' and the Traditions of Realism David Howard doi:10.2307/3507365 | Cite |
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308-309 | Review of Delbert R. Gardner, An 'Idle Singer' and His Audience: A Study of William Morris's Poetic Reputation in England, 1858-1900 Peter Faulkner doi:10.2307/3507366 | Cite |
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309-310 | Review of Blue Calhoun, The Pastoral Vision of William Morris: 'The Earthly Paradise' Peter Faulkner doi:10.2307/3507367 | Cite |
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310-311 | Review of F. B. Pinion, Thomas Hardy and the Modern World: Papers Presented at the 1973 Summer School Sheila M. Smith doi:10.2307/3507368 | Cite |
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311-313 | Review of Andrew Kennedy, Six Dramatists in Search of a Language: Studies in Dramatic Language Katharine J. Worth doi:10.2307/3507369 | Cite |
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313-315 | Review of Gordon W. Couchman, This Our Caesar: A Study of Bernard Shaw's Caesar and Cleopatra Frances M. Frazer doi:10.2307/3507370 | Cite |
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315-316 | | Cite |
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316-317 | | Cite |
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317-319 | Review of J. Noel Heermance, Charles W. Chesnutt: America's First Great Black Novelist Harold Beaver doi:10.2307/3507373 | Cite |
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319 | Review of Andrew T. Crosland, Stephen Crane, A Concordance to the Complete Poetry of Stephen Crane Andrew Hook doi:10.2307/3507374 | Cite |
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319-320 | Review of E. K. Mikhail, J. M. Synge: A Bibliography of Criticism Nicholas Grene doi:10.2307/3507375 | Cite |
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321 | | Cite |
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322-323 | | Cite |
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323-324 | | Cite |
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324-325 | | Cite |
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325-326 | Review of Don Dale-Jones, Randal Jenkins, Twelve Modern Anglo-Welsh Poets Walford Davies doi:10.2307/3507380 | Cite |
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327-328 | Review of Robert Rougé, L'Inquiétude religieuse dans le roman américain moderne Susan E. Bassnett-McGuire doi:10.2307/3507381 | Cite |
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328-329 | Review of Ihab Hassan, Die moderne amerikanische Literatur: Eine Einführung Harold Beaver doi:10.2307/3507382 | Cite |
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329-331 | Review of E. C. Bufkin, P. H. Newby; Harry Keyishian, Michael Arlen Michael Wilding doi:10.2307/3507383 | Cite |
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331-332 | Review of John O. Stark, The Literature of Exhaustion: Borges, Nabokov, and Barth Cristopher Nash doi:10.2307/3507384 | Cite |
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333-335 | Review of Jean E. Kennard, Number and Nightmare: Forms of Fantasy in Contemporary Fiction Cristopher Nash doi:10.2307/3507385 | Cite |
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335-336 | | Cite |
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336-337 | Review of Virginia Tiger, William Golding: The Dark Fields of Discovery David Lodge doi:10.2307/3507387 | Cite |
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337-338 | Review of William F. Nolan, The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings with Facsimiles from Ray Bradbury's Unpublished and Uncollected Work in All Media Cristopher Nash doi:10.2307/3507388 | Cite |
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338-339 | Review of Waltraud Mitgutsch, Zur Lyrik von Ted Hughes: Eine Interpretation nach Leitmotiven Marjorie Perloff doi:10.2307/3507389 | Cite |
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339-340 | Review of Lolette Kuby, An Uncommon Poet for the Common Man: A Study of Philip Larkin's Poetry David Timms doi:10.2307/3507390 | Cite |
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