Yearbook of English Studies 6

G. K. Hunter; C. J. Rawson

Yearbook of English Studies 6

Edited by G. K. Hunter and C. J. Rawson

Booksellers & libraries:
ipage® at Ingram

Yearbook of English Studies 6

Modern Humanities Research Association

1 January 1976 • 350pp

ISBN: 0-900547-43-X (paperback)

Access online: At JSTOR

English

Contents:

1-4	The Sections in Old English Poetry David Wells doi:10.2307/3506382	Cite
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5-15	The Uses of the Past in 'Sir Orfeo' Felicity Riddy doi:10.2307/3506383	Cite
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16-25	The Morality of 'The Merchant's Tale' J. D. Burnley doi:10.2307/3506384	Cite
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26-37	'Troilus and Criseyde' and 'Romeo and Juliet' Ann Thompson doi:10.2307/3506385	Cite
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38-40	Jan Kott's 'Lucian in Cymbeline' Karl Haffenreffer doi:10.2307/3506386	Cite
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41-52	Abraham Cowley's 'Brutus': Royalist or Republican? T. R. Langley doi:10.2307/3506387	Cite
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53-62	A Reading of 'Absalom and Achitophel' Ken Robinson doi:10.2307/3506388	Cite
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63-69	Notes on Swift's Proverb Lore W. B. Carnochan doi:10.2307/3506389	Cite
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70-79	The Twickenham 'Homer' and the Matter of Parallels Arthur Sherbo doi:10.2307/3506390	Cite
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80-91	Samuel Johnson's Text of 'King Lear': 'Dull Duty' Reassessed Shirley White Johnston doi:10.2307/3506391	Cite
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92-100	'Satirical Landscape': Churchill and Crabbe D. W. Jefferson doi:10.2307/3506392	Cite
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101-112	The Mirror and the Lute: Wordsworth's Fine Art of Poetic Auscultation William C. Stephenson doi:10.2307/3506393	Cite
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113-119	Ultimate Affirmation: A Critical Analysis of Wordsworth's Sonnet, 'Composed upon Westminster Bridge', and the Image of the City in 'The Prelude' Harvey Peter Sucksmith doi:10.2307/3506394	Cite
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120-140	Scott and the Highlanders: The Non-Fictional Evidence Robert S. C. Gordon doi:10.2307/3506395	Cite
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141-143	The Source of Coleridge's 'Imitated from the Welsh' Arthur Johnston doi:10.2307/3506396	Cite
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144-155	Byron, Dickens, Tennyson, and the Monstrous Efts Susan Shatto doi:10.2307/3506397	Cite
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156-175	John Camden Hotten and Emerson's Uncollected Essays Dennis Welland doi:10.2307/3506398	Cite
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176-193	'North and South': Varieties of Love and Power John Pikoulis doi:10.2307/3506399	Cite
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194-201	The Governess's Feelings and the Argument from Textual Revision of 'The Turn of the Screw' David Timms doi:10.2307/3506400	Cite
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202	Review of James Thorpe, The Use of Manuscripts in Literary Research: Problems of Access and Literary Property Rights K. W. Humphreys doi:10.2307/3506401	Cite
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202-204	Review of Randolph Quirk, The Linguist and the English Language Simeon Potter doi:10.2307/3506402	Cite
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204-206	Review of Gerald Prince, A Grammar of Stories: An Introduction Cristopher Nash doi:10.2307/3506403	Cite
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207-208	Review of Arne Zettersten, A Critical Facsimile Edition of Thomas Batchelor, 'An Orthoëpical Analysis of the English Language' and 'An Orthoëpical Analysis of the Dialect of Bedfordshire' (1809). Part I Simeon Potter doi:10.2307/3506404	Cite
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208	Review of Willy Elmer, The Terminology of Fishing: A Survey of English and Welsh Inshore-Fishing Things and Words T. R. Henn doi:10.2307/3506405	Cite
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208-209	Review of P. S. Jolliffe, A Check-List of Middle English Prose Writings of Spiritual Guidance Anne Hudson doi:10.2307/3506406	Cite
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209-210	Review of Peter Rickard, Alan Deyermond, Peter King, David Blamires, Michael Lapidge, Derek Brewer, Medieval Comic Tales Gloria Cigman doi:10.2307/3506407	Cite
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210-211	Review of Beryl Rowland, Chaucer and Middle English Studies in Honour of Rossell Hope Robbins Rita Wilson doi:10.2307/3506408	Cite
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211-213	Review of Jerome Mitchell, William Provost, Chaucer the Love Poet Derek Pearsall doi:10.2307/3506409	Cite
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213-214	Review of Stephen Knight, Rymyng Craftily: Meaning in Chaucer's Poetry Stanley Hussey doi:10.2307/3506410	Cite
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214-215	Review of Stephen Knight, The Poetry of the Canterbury Tales Derek Pearsall doi:10.2307/3506411	Cite
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216-217	Review of Claus Uhlig, Chaucer und die Armut: Zum Prinzip der kontextuellen Wahrheit in den 'Canterbury Tales' Derek Pearsall doi:10.2307/3506412	Cite
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217	Review of Götz Schmitz, The Middel Weie. Stil- und Aufbauformen in John Gowers 'Confessio Amantis' Rita Wilson doi:10.2307/3506413	Cite
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217-218	Review of R. M. Lumiansky, David Mills, The Chester Mystery Cycle A. C. Cawley doi:10.2307/3506414	Cite
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218-219	Review of J. A. B. Somerset, Four Tudor Interludes Catherine Belsey doi:10.2307/3506415	Cite
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220-221	Review of Patricia Thomson, Wyatt: The Critical Heritage Maurice Evans doi:10.2307/3506416	Cite
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222-223	Review of Humphrey Tonkin, Spenser's Courteous Pastoral: Book Six of the 'Faerie Queene' David R. Shore doi:10.2307/3506417	Cite
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223-225	Review of Patrick Cullen, Infernal Triad: The Flesh, the World, and the Devil in Spenser and Milton Mary Ann Radzinowicz doi:10.2307/3506418	Cite
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225-227	Review of J. G. Nichols, The Poetry of Sir Philip Sidney: An Interpretation in the Context of His Life and Times R. F. Hill doi:10.2307/3506419	Cite
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227-228	Review of S. Schoenbaum, Alan C. Dessen, Renaissance Drama. New Series, 5 (1972): Essays Principally on Comedy J. A. B. Somerset doi:10.2307/3506420	Cite
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229	Review of Mathilde Benedukt, Bild und Bedeutung in der elisabethanischen Tragödie zwischen 1550 und 1600 Werner Habicht doi:10.2307/3506421	Cite
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230-231	Review of Hans-Joachim Hermes, Die Lieder im anonymen englischen Renaissance-Drama, 1580-1603 Dieter Mehl doi:10.2307/3506422	Cite
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231-232	Review of Charlotte N. Clay, The Role of Anxiety in English Tragedy, 1580-1642 Gordon Williams doi:10.2307/3506423	Cite
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232-233	Review of M. L. Wine, The Tragedy of Master Arden of Faversham Douglas Sedge doi:10.2307/3506424	Cite
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234	Review of Irving Ribner, Christopher Marlowe's 'Tamburlaine' Part One and Part Two: Text and Major Criticism J. C. Maxwell doi:10.2307/3506425	Cite
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235-236	Review of Claude J. Summers, Christopher Marlowe and the Politics of Power Roma Gill doi:10.2307/3506426	Cite
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236-238	Review of Geoffrey Bullough, Narrative and Dramatic Sources of Shakespeare. Volume Eight: Romances Kenneth Muir doi:10.2307/3506427	Cite
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238-239	Review of Milton Crane, Shakespeare's Art: Seven Essays Philip Edwards doi:10.2307/3506428	Cite
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239-240	Review of Patrick Swinden, An Introduction to Shakespeare's Comedies Ernest Schanzer doi:10.2307/3506429	Cite
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240	Review of Jörg Hasler, Shakespeare's Theatrical Notation: The Comedies John Russell Brown doi:10.2307/3506430	Cite
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241	Review of Gino J. Matteo, Shakespeare's Othello: The Study and the Stage, 1604-1904 Kenneth Muir doi:10.2307/3506431	Cite
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241-242	Review of Arthur G. Davis, The Royalty of Lear S. P. Zitner doi:10.2307/3506432	Cite
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242-244	Review of Brian Vickers, Shakespeare: The Critical Heritage. Volume One: 1623-1692 G. Bullough doi:10.2307/3506433	Cite
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244-245	Review of Ben Jonson, Alvin B. Kernan, F. H. Mares, The Alchemist R. B. Parker doi:10.2307/3506434	Cite
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246-247	Review of William Blissett, Julian Patrick, R. W. Van Fossen, A Celebration of Ben Jonson J. B. Bamborough doi:10.2307/3506435	Cite
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247-248	Review of Marilyn L. Johnson, Images of Women in the Works of Thomas Heywood Juliet Dusinberre doi:10.2307/3506436	Cite
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248-250	Review of Florence Ali, Opposing Absolutes: Conviction and Convention in John Ford's Plays Peter Davison doi:10.2307/3506437	Cite
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250-251	Review of Everard Guilpin, D. Allen Carroll, Skialetheia, or a Shadow of Truth, in Certaine Epigrams and Satires John Buxton doi:10.2307/3506438	Cite
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251-253	Review of Gerald Hammond, The Metaphysical Poets: A Casebook Donald L. Guss doi:10.2307/3506439	Cite
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253-255	Review of Murray Roston, The Soul of Wit: A Study of John Donne Joan Grundy doi:10.2307/3506440	Cite
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255-256	Review of John Taylor, Iohn Taylor, All the Workes of Iohn Taylor the Water-Poet (1630) Arthur Colby Sprague doi:10.2307/3506441	Cite
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256-257	Review of Robert H. Deming, Ceremony and Art: Robert Herrick's Poetry Robert Wilcher doi:10.2307/3506442	Cite
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258-259	Review of A. Leigh Deneef, 'This Poetick Liturgie': Robert Herrick's Ceremonial Mode Paulina Palmer doi:10.2307/3506443	Cite
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259-260	Review of H. F. Lippincott, Nicholas Le Strange, 'Merry Passages and Jeasts': A Manuscript Notebook of Sir Nicholas Le Strange (1603-1655) J. A. B. Somerset doi:10.2307/3506444	Cite
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260-261	Review of Ted-Larry Pebworth, Claude J. Summers, Owen Felltham, The Poems of Owen Felltham, 1604?-1668 T. R. Langley doi:10.2307/3506445	Cite
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262-263	Review of David Shelley Berkeley, Inwrought with Figures Dim: A Reading of Milton's 'Lycidas' Joseph Anthony Wittreich Jr. doi:10.2307/3506446	Cite
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264-265	Review of George R. Guffey, Andrew Marvell, A Concordance to the English Poems of Andrew Marvell Robert Wilcher doi:10.2307/3506447	Cite
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265-266	Review of A. E. Dyson, The English Novel: Select Bibliographical Guides Sheila M. Smith doi:10.2307/3506448	Cite
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266-267	Review of Michael W. Alssid, Dryden's Rhymed Heroic Tragedies: A Critical Study of the Plays and of Their Place in Dryden's Poetry William Myers doi:10.2307/3506449	Cite
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267-269	Review of John Adlard, The Debt to Pleasure: John Wilmot, Earl of Rochester, in the Eyes of His Contemporaries and in His Own Poetry and Prose David M. Vieth doi:10.2307/3506450	Cite
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269-270	Review of Thomas Southerne, The Wive's Excuse; Or, Cuckolds Make Themselves James Leach doi:10.2307/3506451	Cite
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270-272	Review of Paul Fritz, David Williams, The Triumph of Culture: Eighteenth-Century Perspectives G. S. Rousseau doi:10.2307/3506452	Cite
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273-275	Review of Leon Guilhamet, The Sincere Ideal: Studies on Sincerity in Eighteenth-Century English Literature Donald Greene doi:10.2307/3506453	Cite
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275-278	Review of Richard Gravil, Swift, 'Gulliver's Travels': A Casebook Colin J. Horne doi:10.2307/3506454	Cite
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278-281	Review of Colley Cibber, Maureen Sullivan, Three Sentimental Comedies (Love's Last Shift; The Careless Husband; The Lady's Last Stake Peter Lewis doi:10.2307/3506455	Cite
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282-283	Review of Mark Kinkead-Weekes, Samuel Richardson: Dramatic Novelist Andrew Wright doi:10.2307/3506456	Cite
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283-285	Review of Elizabeth Bergen Brophy, Samuel Richardson: The Triumph of Craft Margaret Anne Doody doi:10.2307/3506457	Cite
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286	Review of Donald A. Low, Robert Burns: The Critical Heritage James Kinsley doi:10.2307/3506458	Cite
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286-287	Review of Harold Orel, English Romantic Poets and the Enlightenment: Nine Essays on a Literary Relationship Geoffrey Carnall doi:10.2307/3506459	Cite
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287-288	Review of Raymond Benoit, Single Nature's Double Name: The Collectedness of the Conflicting in British and American Romanticism Richard Gravil doi:10.2307/3506460	Cite
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288	Review of Wordsworth Circle, W. J. B. Owen, Wordsworth's Literary Criticism J. C. Maxwell doi:10.2307/3506461	Cite
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289	Review of Alan Bell, Scott Bicentenary Essays: Selected Papers Read at the Sir Walter Scott Bicentenary Conference James Kinsley doi:10.2307/3506462	Cite
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289-290	Review of Lars Hartveit, Dream within a Dream: A Thematic Approach to Scott's Vision of Fictional Reality Andrew Hook doi:10.2307/3506463	Cite
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290-293	Review of John Beer, Coleridge's Variety: Bicentenary Studies J. H. Alexander doi:10.2307/3506464	Cite
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293-294	Review of Patricia Beer, 'Reader, I Married Him': A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell, and George Eliot Tom Winnifrith doi:10.2307/3506465	Cite
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294-296	Review of Stuart M. Tave, Some Words of Jane Austen Andrew Wright doi:10.2307/3506466	Cite
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296-297	Review of Joseph A. Kestner, III, Jane Austen: Spatial Structure of Thematic Variations Margaret Anne Doody doi:10.2307/3506467	Cite
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297-298	Review of William H. Hildebrand, Shelley's Polar Paradise: A Reading of 'Prometheus Unbound' P. H. Butter doi:10.2307/3506468	Cite
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298-300	Review of Maurice-Paul Gautier, Captain Frederick Marryat: L'Homme et l'œuvre Sylvère Monod doi:10.2307/3506469	Cite
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300	Review of Mark Storey, The Poetry of John Clare: A Critical Introduction John D. Jump doi:10.2307/3506470	Cite
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300-302	Review of Robert Bernard Martin, The Triumph of Wit: A Study of Victorian Comic Theory Stuart M. Tave doi:10.2307/3506471	Cite
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302-303	Review of Egbert Faas, Poesie als Psychogramm: Die dramatisch-monologische Verdichtung im viktorianischen Zeitalter John Rignall doi:10.2307/3506472	Cite
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303-304	Review of John Clubbe, Two Reminiscences of Thomas Carlyle Peter Faulkner doi:10.2307/3506473	Cite
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305-306	Review of Merton M. Sealts, Jr., The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. Volume Ten: 1847-1848 Carl Bode doi:10.2307/3506474	Cite
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306-308	Review of John Carey, The Violent Effigy: A Study of Dickens' Imagination Harvey Peter Sucksmith doi:10.2307/3506475	Cite
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308-310	Review of Anne Lohrli, 'Household Words': A Weekly Journal, 1850-1859, Conducted by Charles Dickens. Table of Contents, List of Contributors and Their Contributions, Based on the 'Household Words' Office Book in the Morris L. Parrish Collection of Victorian Novelists, Princeton K. J. Fielding doi:10.2307/3506476	Cite
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310-312	Review of Isobel Armstrong, Robert Browning J. L. Bradley doi:10.2307/3506477	Cite
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312-313	Review of Ian Jack, Browning's Major Poetry John F. Hulcoop doi:10.2307/3506478	Cite
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313-314	Review of J. R. Watson, Browning, 'Men and Women' and Other Poems: A Casebook Philip Drew doi:10.2307/3506479	Cite
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315	Review of Miriam Allott, The Brontës: The Critical Heritage Arthur Pollard doi:10.2307/3506480	Cite
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316-317	Review of Marc Reboul, Charles Kingsley: La Formation d'une personnalité et son affirmation littéraire (1819-1850) Sylvère Monod doi:10.2307/3506481	Cite
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317-318	Review of Joseph Flibbert, Melville and the Art of Burlesque Hershel Parker doi:10.2307/3506482	Cite
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318-319	Review of Norman Page, Wilkie: Collins: The Critical Heritage K. J. Fielding doi:10.2307/3506483	Cite
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319-321	Review of John Emerson Todd, Emily Dickinson's Use of the Persona Richard Kuhns doi:10.2307/3506484	Cite
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322-323	Review of Kathleen Blake, Play, Games, and Sport: The Literary Works of Lewis Carroll Jenny Mezciems doi:10.2307/3506485	Cite
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323-324	Review of Frank Miller Turner, Between Science and Religion: The Reaction to Scientific Naturalism in Late Victorian England Ian Ousby doi:10.2307/3506486	Cite
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324-325	Review of Colin Smythe, Lady Gregory, Seventy Years: Being the Autobiography of Lady Gregory Phillip L. Marcus doi:10.2307/3506487	Cite
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326-327	Review of J. L. Wisenthal, The Marriage of Contraries: Bernard Shaw's Middle Plays Kenneth Muir doi:10.2307/3506488	Cite
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327-328	Review of David Thorburn, Conrad's Romanticism W. T. Andrews doi:10.2307/3506489	Cite
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328-329	Review of Adalaide Kirby Morris, Wallace Stevens: Imagination and Faith Allan Rodway doi:10.2307/3506490	Cite
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329-330	Review of Sandra Djwa, E. J. Pratt: The Evolutionary Vision John Ferns doi:10.2307/3506491	Cite
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330-331	Review of Mowbray Allan, T. S. Eliot's Impersonal Theory of Poetry D. E. S. Maxwell doi:10.2307/3506492	Cite
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331-333	Review of Joseph W. Reed, Jr., Faulkner's Narrative; François Pitavy, Gillian E. Cook, Faulkner's 'Light in August' B. R. Harding doi:10.2307/3506493	Cite
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333-335	Review of Carlos Baker, Hemingway: The Writer as Artist B. R. Harding doi:10.2307/3506494	Cite
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335-336	Review of Pierre Michel, James Gould Cozzens D. E. S. Maxwell doi:10.2307/3506495	Cite
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336-338	Review of Richard Johnson, Man's Place: An Essay on Auden Edward Mendelson doi:10.2307/3506496	Cite
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338-340	Review of Philip Gardner, Norman Nicholson Edward Lowbury doi:10.2307/3506497	Cite
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340	Review of Robert Phillips, Denton Welch K. W. Gransden doi:10.2307/3506498	Cite
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