Early English Drama

Edited by Pamela M. King, Sue Niebrzydowski and Diana Wyatt

Yearbook of English Studies 43

Modern Humanities Research Association

1 January 2013  •  392pp

ISBN: 978-1-781880-80-7 (paperback)

Access online: At JSTOR

EnglishDrama


The Yearbook of English Studies 2013 is devoted to early English drama, ranging from what is generally understood as ‘medieval’ to plays of the early Tudor period, while also including chapters on modern theatrical responses to the surviving corpus of texts. The volume is edited by Pamela King (Professor of English at the University of Glasgow), Sue Niebrzydowski (Senior Lecturer in Medieval English Literature at Bangor University, Wales) and Diana Wyatt (Research Associate at the University of Durham). This rich and varied collection is deliberately loosely ordered in order to encourage the reader to think again about the old canonical categories, particularly ‘mysteries’ and ‘moralities’. The authors lead the reader to engage with recent scholarship in the field which has, for example, drawn on archival research into lost plays to question old certainties about genre, about chronology, and about evolution, and which has taken another look at surviving texts in ways that resist categorization, and found them to be more problematic than hitherto assumed.

This volume does not aim to offer coverage of new work in a known field, so there is, for example, no essay dedicated to the York Cycle, although references to it are shot through the whole. Rather, individual chapters reflect not only their authors’ specialist sub-fields but also a variety of approaches, from the study of sources and the materiality of surviving witnesses to the texts, to various critical readings and approaches, to studies in the history of staging. In addition, essays on modern productions stake the claim for a new and distinct area in the study of medievalism, as modern authors and producers draw inspiration from the original early scripts. The reader will encounter old favourites in this volume — the Towneley Plays, the Chester Cycle, The Castle of Perseverance, Ane Satyre of the Thrie Estaitis, to name a few — as well as Bewnans Ke, the Cornish saint’s play discovered only in 1999, and an intriguing mixture of hagiography and Arthuriana. Equally, the reader will be led to reconsider some lesser-read texts and to encounter traces of wonderful plays which have been lost forever. Overall, the volume seeks to engage with a dramatic tradition which was at once richer and more varied than has been conventionally imagined.

Contents:

1-3
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4-11

Introduction: ‘Hither we are sent a Message for to say’
Pamela M. King, Sue Niebrzydowski, Diana Wyatt
doi:10.5699/yearenglstud.43.2013.0004

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12-30

On Lawrence of Durham's Peregrini
John McKinnell
doi:10.5699/yearenglstud.43.2013.0012

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31-47

‘Olde playes or maskes but Imperfect & little worthe’
Alexandra F. Johnston
doi:10.5699/yearenglstud.43.2013.0031

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48-68

Arks, Crafts and Authorities: Textual and Contextual Evidence for North-Eastern English Noah Plays
Diana Wyatt
doi:10.5699/yearenglstud.43.2013.0048

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69-86

The Early English Passion Play
Pamela M. King
doi:10.5699/yearenglstud.43.2013.0069

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87-104

Re-editing Towneley
Garrett P. J. Epp
doi:10.5699/yearenglstud.43.2013.0087

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105-120

‘Faming of the Shrews’: Medieval Drama and Feminist Approaches
Katie Normington
doi:10.5699/yearenglstud.43.2013.0105

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121-139

Secular Women and Late-Medieval Marian Drama
Sue Niebrzydowski
doi:10.5699/yearenglstud.43.2013.0121

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140-155

Speculum Urbis: The Chester Cycle as a Tool of Social Cohesion and Transformation
Sheila Christie
doi:10.5699/yearenglstud.43.2013.0140

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156-173

The Staging of the Middle Cornish Play Bewnans Ke (‘The Life of St Kea’)
Alan J. Fletcher
doi:10.5699/yearenglstud.43.2013.0156

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174-202

Directing Mankind in the Twenty-First Century
Philip Crispin
doi:10.5699/yearenglstud.43.2013.0174

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203-222

Towards a Reformed Theatre: David Lyndsay and Ane Satyre of the Thrie Estaitis
Sarah Carpenter
doi:10.5699/yearenglstud.43.2013.0203

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223-242

Conscience and Satire in John Heywood's Play of Love
Greg Walker
doi:10.5699/yearenglstud.43.2013.0223

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243-261

Playing with Books in John Bale's Three Laws
Tamara Atkin
doi:10.5699/yearenglstud.43.2013.0243

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262-280

The Widow and Nemesis: Costuming Two Allegorical Figures in a Play for Queen Mary Tudor
Meg Twycross
doi:10.5699/yearenglstud.43.2013.0262

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281-298

‘Obedience is good, but …’: Christopher Goodman, the Chester Plays, and the Problem of Authority
Elizabeth Baldwin
doi:10.5699/yearenglstud.43.2013.0281

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299-317

Tryfyls, Toys, Mokkes, Fables, and Nyfyls: The Government of Fools and Fabliaux in Johan Johan (1533)
Andrew Hiscock
doi:10.5699/yearenglstud.43.2013.0299

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318-342

Late Medieval Performing Dragons
Philip Butterworth
doi:10.5699/yearenglstud.43.2013.0318

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343-366

Medieval Mystery Plays in the Modern World: A Question of Relevance?
Margaret Rogerson
doi:10.5699/yearenglstud.43.2013.0343

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367-373

The Fortune of Wheels: Pageant Staging Rediscovered
Jane Oakshott, Mbe
doi:10.5699/yearenglstud.43.2013.0367

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Bibliography entry:

King, Pamela M., Sue Niebrzydowski, and Diana Wyatt (eds), Early English Drama (= Yearbook of English Studies, 43.1 (2013))

First footnote reference: 35 Early English Drama, ed. by Pamela M. King, Sue Niebrzydowski and Diana Wyatt (= Yearbook of English Studies, 43.1 (2013)), p. 21.

Subsequent footnote reference: 37 King, Niebrzydowski, and Wyatt, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

King, Pamela M., Sue Niebrzydowski, and Diana Wyatt (eds). 2013. Early English Drama (= Yearbook of English Studies, 43.1)

Example citation: ‘A quotation occurring on page 21 of this work’ (King, Niebrzydowski, and Wyatt 2013: 21).

Example footnote reference: 35 King, Niebrzydowski, and Wyatt 2013: 21.

(To see how these citations were worked out, follow this link.)


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