v-vi | | Cite |
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1-16 | | Cite |
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17-33 | Counterfet Countenaunce: (Mis)representation and the Challenge to Allegory in Sixteenth-Century Morality Plays Jane Griffithsdoi:10.2307/20479319 | Cite |
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34-48 | The Defence of Religious Orthodoxy in John Heywood's 'The Pardoner and the Frere' Nicoletta Caputodoi:10.2307/20479320 | Cite |
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49-67 | Print, Patronage, and the Reception of Continental Reform: 1521-1603 John N. King, Mark Rankindoi:10.2307/20479321 | Cite |
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68-85 | 'Writers to Solemnise and Celebrate... Actes and Memory': Foxe and the Business of Textual Memory Andrew Hiscockdoi:10.2307/20479322 | Cite |
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86-101 | Print, Patronage, and Occasion: Translations of Plutarch's 'Moralia' in Tudor England Fred Schurinkdoi:10.2307/20479323 | Cite |
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102-118 | Trollers and Dreamers: Defining the Citizen-Subject in Sixteenth-Century Cheap Print Cathy Shrankdoi:10.2307/20479324 | Cite |
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119-135 | | Cite |
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136-149 | | Cite |
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150-167 | 'Whosoever Resisteth Shall Get to Themselfes Dampnacioun': Tyranny and Resistance in 'Cambises' and 'Horestes' Allyna E. Warddoi:10.2307/20479327 | Cite |
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168-182 | 'A World of Ground': Terrestrial Space in Marlowe's 'Tamburlaine' Plays E. H. Jonesdoi:10.2307/20479328 | Cite |
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183-198 | | Cite |
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199-215 | | Cite |
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216-233 | Mary Sidney's 'Antonius' and the Ambiguities of French History Anne Lake Prescottdoi:10.2307/20479331 | Cite |
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234-250 | | Cite |
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251-252 | | Cite |
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252-253 | Review of Stefan Jurasinski, Ancient Privileges: 'Beowulf', Law, and the Making of Germanic AntiquityAndrew Breezedoi:10.2307/20479334 | Cite |
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253-254 | | Cite |
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254-255 | Review of Alan Lupack, The Oxford Guide to Arthurian Literature and LegendElizabeth Archibalddoi:10.2307/20479336 | Cite |
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255-256 | Review of Corinne Saunders, Cultural Encounters in the Romance of Medieval EnglandJuliette Dordoi:10.2307/20479337 | Cite |
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256-257 | | Cite |
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258-259 | Review of Kathy Lavezzo, Angels on the Edge of the World: Geography, Literature, and English Community, 1000-1534Andrew Breezedoi:10.2307/20479339 | Cite |
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259-260 | Review of David Johnson, Elaine Treharne, Readings in Medieval Texts: Interpreting Old and Middle English LiteratureJulia Boffeydoi:10.2307/20479340 | Cite |
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260-261 | Review of Thomas G. Duncan, A Companion to the Middle English LyricHelen Phillipsdoi:10.2307/20479341 | Cite |
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262-263 | | Cite |
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263-264 | Review of Katherine C. Little, Confession and Resistance: Defining the Self in Late Medieval EnglandAlcuin Blamiresdoi:10.2307/20479343 | Cite |
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264-265 | Review of Gerald Morgan, The Tragic Argument of 'Troilus and Criseyde'Nigel Mortimerdoi:10.2307/20479344 | Cite |
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265-266 | Review of Catherine A. M. Clarke, Literary Landscapes and the Idea of England, 700-1400Andrew Breezedoi:10.2307/20479345 | Cite |
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266-267 | Review of Jane Griffiths, John Skelton and Poetic Authority: Defining the Liberty to SpeakMark Rankindoi:10.2307/20479346 | Cite |
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268-269 | Review of Richard Chamberlain, Radical Spenser: Pastoral, Politics and the New AestheticismRichard Danson Browndoi:10.2307/20479347 | Cite |
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269-271 | Review of Andrew Hadfield, Shakespeare and Renaissance PoliticsRichard Danson Browndoi:10.2307/20479348 | Cite |
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271-272 | Review of Louis Montrose, The Subject of Elizabeth: Authority, Gender and RepresentationJacqueline Vanhouttedoi:10.2307/20479349 | Cite |
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272-274 | | Cite |
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274-275 | Review of Katharine Wilson, Fictions of Authorship in Late Elizabethan Narratives: Euphues in ArcadiaAndrew Hiscockdoi:10.2307/20479351 | Cite |
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275-276 | | Cite |
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276-277 | | Cite |
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277-278 | Review of Susan Zimmerman, The Early Modern Corpse and Shakespeare's TheatreRoger Pooleydoi:10.2307/20479354 | Cite |
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278-279 | Review of Barbara Ravelhofer, The Early Stuart Masque: Dance, Costume, and MusicDiana Devlindoi:10.2307/20479355 | Cite |
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279-280 | | Cite |
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281-282 | Review of Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of ShakespeareR. S. Whitedoi:10.2307/20479357 | Cite |
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282-283 | Review of Clare Asquith, Shadowplay: The Hidden Beliefs and Coded Politics of William ShakespeareCatherine M. S. Alexanderdoi:10.2307/20479358 | Cite |
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284-285 | Review of Will Fisher, Materializing Gender in Early Modern English Literature and CultureJohn Drakakisdoi:10.2307/20479359 | Cite |
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285-286 | Review of Pamela Allen Brown, Peter Parolin, Women Players in England, 1500-1660: Beyond the All-Male StageR. A. Foakesdoi:10.2307/20479360 | Cite |
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286-288 | Review of Stephen M. Fallon, Milton's Peculiar Grace: Self-Representation and AuthorityJoad Raymonddoi:10.2307/20479361 | Cite |
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288-289 | Review of Diane E. Henderson, Collaborations with the past: Reshaping Shakespeare across Time and MediaRuth Abrahamdoi:10.2307/20479362 | Cite |
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289-290 | Review of Robert N. Watson, Back to Nature: The Green and the Real in the Late RenaissanceJohn Leedoi:10.2307/20479363 | Cite |
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