From Decadent to Modernist
And Other Essays

Edited by John Batchelor

Yearbook of English Studies 37.1

Maney Publishing for the Modern Humanities Research Association

1 January 2007  •  262pp

ISBN: 978-1-905981-31-1 (paperback)

Access online: At JSTOR

ModernEnglishFictionPoetry


This collection comprises twelve essays offering new research on literature within the period 1880–1939 followed by two essays on later literature which take us to the present day. Within the group of themed essays are included studies of such celebrated literary milieux as the fin de siècle and Bloomsbury, and of major individual writers such as Oscar Wilde, H. G. Wells, Henry James, Virginia Woolf and Edith Wharton, as well as lesser-known and under- explored figures from the period including Theodore Watts-Dunton, Olive Custance and Mary Elizabeth Coleridge.

Contents:

v-vi
Editor's Preface
John Batchelor
doi:10.2307/20479273
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1-21
Theodore Watts-Dunton's 'Aylwin (1898)' and the Reduplications of Romanticism
Catherine Maxwell
doi:10.2307/20479275
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22-40
Modernist 'Homage' to the 'Fin de siècle'
Marion Thain
doi:10.2307/20479276
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41-57
'Lane, You're a Perfect Pessimist': Pessimism and the English 'Fin de siècle'
Nicholas Shrimpton
doi:10.2307/20479277
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58-74
Primitive Modernity: H. G. Wells and the Prehistoric Man of the 1890s
Richard Pearson
doi:10.2307/20479278
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75-88
Lessons of the Master: The Henry James Novel
John Harvey
doi:10.2307/20479279
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89-106
Henry James's 'Brooksmith': Devotion and Its Discontents
Denis Flannery
doi:10.2307/20479280
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107-125
Bloomsbury's Beasts: The Presence of Animals in the Texts and Lives of Bloomsbury
Wendy B. Faris
doi:10.2307/20479281
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126-144
Socialism in Bloomsbury: Virginia Woolf and the Political Aesthetics of the 1880s
Ruth Livesey
doi:10.2307/20479282
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145-160
Mary Elizabeth Coleridge and the Flight to Lyric
Alison Chapman
doi:10.2307/20479283
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161-176
Tinted and Tainted Love: The Sculptural Body in Olive Custance's Poetry
Patricia Pulham
doi:10.2307/20479284
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177-192
Wharton the 'Renovator': 'Twilight Sleep' as Gothic Satire
Janet Beer, Avril Horner
doi:10.2307/20479285
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193-208
Sinful Cities and Ecclesiastical Excuses: The 'Churches for Art's Sake' Movement from the Century Guild to Eliot
Matthew Bradley
doi:10.2307/20479286
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209-226
Doomed to Smallness: Violence, V. S. Naipaul, and the Global South
Pablo Mukherjee
doi:10.2307/20479287
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227-244
The Abandoned Church and the Contemporary British Novel
Colin Hutchinson
doi:10.2307/20479288
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245-246
Review of J. B. Bullen, Continental Crosscurrents: British Criticism and European Art 1810-1910
Leonee Ormond
doi:10.2307/20479289
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246-247
Review of Chris Baldick, The Oxford English Literary History, Volume X: 1910-1940: The Modern Movement
Jeremy Hawthorn
doi:10.2307/20479290
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247-248
Review of Kevin McLaughlin, Paperwork: Fiction and Mass Mediacy in the Paper Age
Roger Ebbatson
doi:10.2307/20479291
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248-249
Review of Thomas J. Cousineau, Ritual Unbound: Reading Sacrifice in Modernist Fiction
Robert Hampson
doi:10.2307/20479292
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249-250
Review of Margaret Buckley, Brian Buckley, Challenge and Continuity: Aspects of the Thematic Novel 1830-1950
Philip Tew
doi:10.2307/20479293
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Bibliography entry:

Batchelor, John (ed.), From Decadent to Modernist: And Other Essays (= Yearbook of English Studies, 37.1 (2007))

First footnote reference: 35 From Decadent to Modernist: And Other Essays, ed. by John Batchelor (= Yearbook of English Studies, 37.1 (2007)), p. 21.

Subsequent footnote reference: 37 Batchelor, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Batchelor, John (ed.). 2007. From Decadent to Modernist: And Other Essays (= Yearbook of English Studies, 37.1)

Example citation: ‘A quotation occurring on page 21 of this work’ (Batchelor 2007: 21).

Example footnote reference: 35 Batchelor 2007: 21.

(To see how these citations were worked out, follow this link.)


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