1-17 | | Cite |
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18-30 | | Cite |
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31-42 | The Difficulty of We: The Epistolary Poems of Michael Longley and Derek Mahon Gavin Drummond doi:10.2307/3509323 | Cite |
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43-57 | 'A brief glow in the dark': Samuel Beckett's Presence in Modern Irish Poetry Mark Nixon doi:10.2307/3509324 | Cite |
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58-71 | 'Friendship's Garland' and the Manuscripts of Seamus Heaney's 'Fosterage' Jonathan Allison doi:10.2307/3509325 | Cite |
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72-90 | Eavan Boland and the Politics of Authority in Irish Poetry Catriona Clutterbuck doi:10.2307/3509326 | Cite |
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91-106 | | Cite |
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107-130 | From Inis Fraoigh to Innisfree... and Back Again? Sense of Place in Poetry in Irish since 1950 Gearoid Denvir doi:10.2307/3509328 | Cite |
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131-145 | | Cite |
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146-160 | 'The best banned in the land': Censorship and Irish Writing since 1950 Donal Ó Drisceoil doi:10.2307/3509330 | Cite |
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161-170 | | Cite |
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171-185 | 'Tracing Again the Tiny Snail Track': Southern Protestant Memoir since 1950 Robert Tobin doi:10.2307/3509332 | Cite |
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186-198 | | Cite |
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199-211 | 'Not a son but a survivor': Beckett... Joyce... Banville Kersti Tarien Powell doi:10.2307/3509334 | Cite |
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212-231 | The Novel in Irish since 1950: From National Narrative to Counter-Narrative Brian Ó Conchubhair doi:10.2307/3509335 | Cite |
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232-248 | | Cite |
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249-263 | Strategies of Silence: Colonial Strains in Short Stories of the Troubles Ronan McDonald doi:10.2307/3509337 | Cite |
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264-278 | Irish Studies and the Adequacy of Theory: The Case of Brian Friel Shaun Richards doi:10.2307/3509338 | Cite |
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279-297 | | Cite |
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298-311 | | Cite |
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312-322 | | Cite |
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323-324 | Review of Glenn Hooper, Colin Graham, Irish and Postcolonial Writing: History, Theory, Practice David Dwan doi:10.2307/3509342 | Cite |
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324-325 | Review of Helen M. Burke, Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712-1784 John Greene doi:10.2307/3509343 | Cite |
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325-330 | Review of Ben Levitas, The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916; Christopher Morash, A History of the Irish Theatre 1601-2000 Mary C. King doi:10.2307/3509344 | Cite |
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330-331 | Review of Luke Gibbons, Edmund Burke and Ireland: Aesthetics, Politics, and the Colonial Sublime Tadhg O'Sullivan doi:10.2307/3509345 | Cite |
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331-332 | | Cite |
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332-334 | | Cite |
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334-336 | Review of R. F. Foster, W. B. Yeats: A Life; II: The Arch Poet 1915-1939 Ronan McDonald doi:10.2307/3509348 | Cite |
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336-337 | Review of Margot Norris, Suspicious Readings of Joyce's 'Dubliners' Thomas Docherty doi:10.2307/3509349 | Cite |
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337-338 | Review of Jean Kimball, Joyce and the Early Freudians: A Synchronic Dialogue of Texts Craig Monk doi:10.2307/3509350 | Cite |
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338-340 | Review of Daniel Albright, Modernism and Music: An Anthology of Sources Thomas Mansell doi:10.2307/3509351 | Cite |
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340-341 | Review of Linden Peach, The Contemporary Irish Novel: Critical Readings Thomas Mansell doi:10.2307/3509352 | Cite |
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341-342 | | Cite |
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343-344 | Review of Laura Chrisman, Postcolonial Contraventions: Cultural Readings of Race, Imperialism and Transnationalism Angela Smith doi:10.2307/3509354 | Cite |
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344-347 | Review of John Burr Foster Jr., Wayne J. Froman, Thresholds of Western Culture: Identity, Postcoloniality, Transnationalism; James Swearingen, Joanne Cutting-Gray, Extreme Beauty: Aesthetics, Politics, Death Jeremy Tambling doi:10.2307/3509355 | Cite |
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347-348 | Review of John Zilcosky, Kafka's Travels: Exoticism, Colonialism, and the Traffic of Writing John Pilling doi:10.2307/3509356 | Cite |
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348-349 | Review of Julie F. Codell, Imperial Co-Histories: National Identities and the British and Colonial Press Matthew Dimmock doi:10.2307/3509357 | Cite |
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349-351 | Review of Amy Hungerford, The Holocaust of Texts: Genocide, Literature, and Personification David Brauner doi:10.2307/3509358 | Cite |
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351-352 | Review of John Kirk, Twentieth-Century Writing and the British Working Class Alf Louvre doi:10.2307/3509359 | Cite |
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352-353 | Review of Catherine Turner, Marketing Modernism between the Two World Wars Craig Monk doi:10.2307/3509360 | Cite |
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353-354 | Review of Ann L. Ardis, Leslie W. Lewis, Women's Experience of Modernity. 1875-1945 Morag Shiach doi:10.2307/3509361 | Cite |
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354-356 | | Cite |
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356-359 | Review of Melba Cuddy-Keane, Virginia Woolf, the Intellectual and the Public Sphere Anna Snaith doi:10.2307/3509363 | Cite |
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359-363 | Review of Keith Cushman, Earl G. Ingersoll, D. H. Lawrence: New Worlds; N. H. Reeve, Reading Late Lawrence Margaret Storch doi:10.2307/3509364 | Cite |
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