ix | | Cite |
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1-5 | | Cite |
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6-17 | Colonialism and Gender in the East: Representations of the Harem in the Writings of Women Travellers Shirley Fosterdoi:10.2307/3509480 | Cite |
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18-30 | Negotiating the Landscape: Travel, Transaction, and the Mapping of Colonial India Alex Tickelldoi:10.2307/3509481 | Cite |
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31-45 | 'Isn't it your own country?': The Stranger in Nineteenth-Century Irish Literature Melissa Fegandoi:10.2307/3509482 | Cite |
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46-60 | | Cite |
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61-73 | Black Books and Southern Tours: Tone and Perspective in the Travel Writing of Mrs. Anne Royall Elizabeth J. Clappdoi:10.2307/3509484 | Cite |
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74-87 | | Cite |
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88-99 | The Winning of the West: Washington Irving's 'A Tour on the Prairies' Guy Reynoldsdoi:10.2307/3509486 | Cite |
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100-111 | 'The Best of Nations'? Race and Imperial Destinies in Emerson's 'English Traits' Susan Castillodoi:10.2307/3509487 | Cite |
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112-126 | Round the World without a Man: Feminism and Decadence in Sara Jeannette Duncan's 'A Social Departure' Faye Hammilldoi:10.2307/3509488 | Cite |
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127-137 | 'The Wrong Side of the Tapestry': Hawthorne's English Travel Writing Allan Lloyd Smithdoi:10.2307/3509489 | Cite |
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138-154 | | Cite |
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155-170 | Touring the Metropolis: The Shifting Subjects of Dickens's London Sketches David Seeddoi:10.2307/3509491 | Cite |
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171-185 | | Cite |
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186-193 | 'While I waggled my small feet': Henry James's Return to Paris Nicola Bradburydoi:10.2307/3509493 | Cite |
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194-213 | Levels of Disclosure: Voices and People in Henry James's 'Italian Hours' Peter Collisterdoi:10.2307/3509494 | Cite |
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214-229 | | Cite |
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230-239 | Constructing the Englishman in Rudyard Kipling's 'Letters of Marque' Mary Condédoi:10.2307/3509496 | Cite |
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240-252 | 'Home is the sailor, home from sea': Robert Louis Stevenson and the End of Wandering Sue Zlosnikdoi:10.2307/3509497 | Cite |
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253-254 | Review of Reed Way Dasenbrock, Truth and Consequences: Intentions, Conventions, and the New ThematicsThomas Dochertydoi:10.2307/3509498 | Cite |
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254-255 | Review of John Schad, Writing the Bodies of Christ: The Church from Carlyle to DerridaMark Knightdoi:10.2307/3509499 | Cite |
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255-256 | Review of Eric Gidal, Poetic Exhibitions: Romantic Aesthetics and the Pleasures of the British MuseumAlan Rawesdoi:10.2307/3509500 | Cite |
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256-257 | Review of Frederick Burwick, Mimesis and Its Romantic ReflectionsHeidi Thomsondoi:10.2307/3509501 | Cite |
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257-258 | Review of Onno Oerlemans, Romanticism and the Materiality of NatureGillian Rudddoi:10.2307/3509502 | Cite |
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258-259 | Review of Diego Saglia, Poetic Castles in Spain: British Romanticism and Figurations of IberiaMaría Jesús Lorenzo Modiadoi:10.2307/3509503 | Cite |
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259-261 | Review of Ghislaine McDayter, Guinn Batten, Barry Milligan, Romantic Generations: Essays in Honor of Robert F. GlecknerDavid Vallinsdoi:10.2307/3509504 | Cite |
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261-262 | | Cite |
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262-263 | Review of Jesse Matz, Literary Impressionism and Modernist AestheticsKeith Carabinedoi:10.2307/3509506 | Cite |
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263-265 | Review of George Bornstein, Material Modernism: The Politics of the PageIan F. A. Belldoi:10.2307/3509507 | Cite |
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265-266 | Review of David Kadlec, Mosaic Modernism: Anarchism, Pragmatism, CultureAndrzej Gasiorekdoi:10.2307/3509508 | Cite |
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266-267 | Review of Edward Engelberg, Solitude and Its Ambiguities in Modernist FictionPeter Boxalldoi:10.2307/3509509 | Cite |
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267-268 | Review of Elleke Boehmer, Empire, the National, and the Postcolonial: 1890-1920. Resistance in InteractionAngela Smithdoi:10.2307/3509510 | Cite |
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268-269 | Review of Nicholas R. Clifford, 'A Truthful Impression of the Country': British and American Travel Writing in China, 1880-1949David Seeddoi:10.2307/3509511 | Cite |
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269-271 | Review of Kenneth Womack, Postwar Academic Fiction: Satire, Ethics, CommunityMichael Greaneydoi:10.2307/3509512 | Cite |
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271-272 | Review of David Punter, Postcolonial Imaginings: Fictions of a New World OrderSue Walshdoi:10.2307/3509513 | Cite |
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272-273 | Review of Jahan Ramazani, The Hybrid Muse: Postcolonial Poetry in EnglishAngela Smithdoi:10.2307/3509514 | Cite |
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273-274 | Review of Cristopher Nash, The Unravelling of the Postmodern MindClaudia Mosovicidoi:10.2307/3509515 | Cite |
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274-275 | Review of Dalia Judovitz, The Culture of the Body: Genealogies of ModernityClaudia Moscovicidoi:10.2307/3509516 | Cite |
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275-277 | Review of Roberta Seelinger Trites, Disturbing the Universe: Power and Repression in Adolescent LiteratureStephen Thomsondoi:10.2307/3509517 | Cite |
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277-278 | Review of Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic MediaNiran B. Abbasdoi:10.2307/3509518 | Cite |
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278-279 | Review of Dominic Rainsford, Literature, Identity and the English Channel: Narrow Seas ExpandedMalcolm Kelsalldoi:10.2307/3509519 | Cite |
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279-281 | Review of Jeremy Tambling, Lost in the American City: Dickens, James, KafkaJohn Pillingdoi:10.2307/3509520 | Cite |
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281-282 | Review of Jeffrey Skoblow, Dooble Tongue: Scots, Burns, ContradictionAlan Riachdoi:10.2307/3509521 | Cite |
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283-284 | Review of Ann Blake, Leela Ghandi, Sue Thomas, England through Colonial Eyes in Twentieth-Century FictionAngela Smithdoi:10.2307/3509522 | Cite |
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284-285 | Review of Suzanne Keen, Romances of the Archive in Contemporary British FictionMichael Bottdoi:10.2307/3509523 | Cite |
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285-286 | Review of Alison Donnell, Companion to Contemporary Black British CultureSusanne Reichldoi:10.2307/3509524 | Cite |
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286-288 | | Cite |
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288-289 | Review of Anna Neill, British Discovery Literature and the Rise of Global CommerceMatthew Dimmockdoi:10.2307/3509526 | Cite |
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289-290 | Review of Jonathan Lamb, Preserving the Self in the South Seas: 1680-1840Janet Bertschdoi:10.2307/3509527 | Cite |
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290-293 | Review of David Armitage, The Ideological Origins of the British EmpirePaul Stevensdoi:10.2307/3509528 | Cite |
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293-294 | Review of Alison Conway, Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791Clare Brantdoi:10.2307/3509529 | Cite |
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294-295 | Review of Saba Bahar, Mary Wollstonecraft's Social and Aesthetic Philosophy: 'An Eve to Please Me'Fiona Pricedoi:10.2307/3509530 | Cite |
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295-296 | Review of Ashley Tauchert, Mary Wollstonecraft and the Accent of the FeminineHeidi Thomsondoi:10.2307/3509531 | Cite |
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296-298 | Review of Jane Stabler, Burke to Byron, Barbauld to Baillie, 1790-1830Malcolm Kelsalldoi:10.2307/3509532 | Cite |
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298-299 | Review of Jeffery W. Vail, The Literary Relationship of Lord Byron & Thomas MooreMalcolm Kelsalldoi:10.2307/3509533 | Cite |
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299-301 | Review of Betty T. Bennett, Stuart Curran, Mary Shelley in Her TimesHeidi Thomsondoi:10.2307/3509534 | Cite |
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301-302 | Review of Mark Parker, Literary Magazines and British RomanticismChristopher Smithdoi:10.2307/3509535 | Cite |
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302-303 | Review of Joanne Shattock, Women and Literature in Britain, 1800-1900Alison Chapmandoi:10.2307/3509536 | Cite |
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303-304 | Review of Leila Silvana May, Disorderly Sisters: Sibling Relations and Sororal Resistance in Nineteenth-Century British LiteratureAlison Chapmandoi:10.2307/3509537 | Cite |
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304-306 | Review of Lila Marz Harper, Solitary Travels: Nineteenth-Century Women's Travel Narratives and the Scientific VocationNicola Bradburydoi:10.2307/3509538 | Cite |
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306-307 | Review of Robert Douglas-Fairhurst, Victorian Afterlives: The Shaping of Influence in Nineteenth-Century LiteratureCatherine Maxwelldoi:10.2307/3509539 | Cite |
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308-309 | Review of Cecilia Wadsö Lecaros, The Victorian Governess NovelRichard Nemesvaridoi:10.2307/3509540 | Cite |
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309-310 | Review of Deborah Wynne, The Sensation Novel and the Victorian Family MagazineBarbara Onslowdoi:10.2307/3509541 | Cite |
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310-311 | Review of Lillian Nayder, Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian AuthorshipPatricia Pulhamdoi:10.2307/3509542 | Cite |
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311-312 | Review of G. A. Cevasco, The Breviary of the Decadence: J. -K. Huysman's 'A Rebours' and English LiteratureColin Cruisedoi:10.2307/3509543 | Cite |
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312-314 | Review of Melissa Knox, Oscar Wilde in the 1990s: The Critic as CreatorNick Knealedoi:10.2307/3509544 | Cite |
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314-315 | Review of Donald J. Childs, Modernism and Eugenics: Woolf, Eliot, Yeats, and the Culture of DegenerationTim Armstrongdoi:10.2307/3509545 | Cite |
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315-316 | Review of Michael Black, Lawrence's England: The Major Fiction, 1913-1920Margaret Storchdoi:10.2307/3509546 | Cite |
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316-317 | Review of Tony Thwaites, Joycean Temporalities: Debts, Promises, and CountersignaturesAlan Riachdoi:10.2307/3509547 | Cite |
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317-319 | Review of Sebastian D. G. Knowles, The Dublin Helix: The Life of Language in Joyce's 'Ulysses'Andrew Gibsondoi:10.2307/3509548 | Cite |
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319-320 | | Cite |
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320-321 | Review of Norma Bouchard, Céline, Gadda, Beckett: Experimental Writings of the 1930sLeslie Hilldoi:10.2307/3509550 | Cite |
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321-322 | Review of Jason Harding, The 'Criterion': Cultural Politics and Periodical Networks in Inter-War BritainIan F. A. Belldoi:10.2307/3509551 | Cite |
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323-324 | Review of Elizabeth Podnieks, Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart, and Anaïs NinMaria Del Sapio Garberodoi:10.2307/3509552 | Cite |
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324-325 | Review of Barbara Stevens Heusel, Iris Murdoch's Paradoxical Novels: Thirty Years of Critical ReceptionAndrzej Gasiorekdoi:10.2307/3509553 | Cite |
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325-327 | Review of Amy J. Elias, Sublime Desire: History and Post-1960s FictionJeremy Tamblingdoi:10.2307/3509554 | Cite |
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327-329 | Review of Nicola Pitchford, Tactical Readings: Feminist Postmodernism in the Novels of Kathy Acker and Angela CarterRachel Carrolldoi:10.2307/3509555 | Cite |
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329-330 | Review of Laura Hapke, Labor's Text: The Worker in American FictionGraham Thompsondoi:10.2307/3509556 | Cite |
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330-331 | Review of Amy Kaplan, The Anarchy of Empire in the Making of U.S. CultureDavid Seeddoi:10.2307/3509557 | Cite |
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331-332 | Review of Werner Sollors, Interracialism: Black-White Intermarriage in American History, Literature, and LawA. Robert Leedoi:10.2307/3509558 | Cite |
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333-334 | Review of George Monteiro, Fernando Pessoa and Nineteenth-Century Anglo-American LiteratureThomas Marchdoi:10.2307/3509559 | Cite |
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334-336 | Review of Henry James, Susan E. Gunter, Steven H. Jobe, Dearly Beloved Friends: Henry James's Letters to Younger MenAnna Despotopouloudoi:10.2307/3509560 | Cite |
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336-338 | Review of Helen Killoran, The Critical Reception of Edith WhartonClaire Prestondoi:10.2307/3509561 | Cite |
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338-339 | Review of Georgina Taylor, H. D. and the Public Sphere of Modernist Women Writers, 1913-1946: Talking WomenVictoria Bazindoi:10.2307/3509562 | Cite |
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339 | Review of R. Rio-Jelliffe, Obscurity's Myriad Components: The Theory and Practice of William FaulknerDoreen Fowlerdoi:10.2307/3509563 | Cite |
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340-341 | Review of Thomas Carl Austenfeld, American Women Writers and the Nazis: Ethics and Politics in Boyle, Porter, Stafford, and HellmanJudie Newmandoi:10.2307/3509564 | Cite |
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341-342 | Review of Nancy Berke, Women Poets on the Left: Lola Ridge, Genevieve Taggard, Margaret WalkerStephen Mattersondoi:10.2307/3509565 | Cite |
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342-343 | Review of Geneviève Fabre, Michel Feith, Jean Toomer and the Harlem RenaissanceChristine MacLeoddoi:10.2307/3509566 | Cite |
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343-345 | Review of Hazel Smith, Hyperscapes in the Poetry of Frank O'Hara: Difference/Homosexuality/TopographyMark Forddoi:10.2307/3509567 | Cite |
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345-346 | Review of David Brauner, Post-War Jewish Fiction: Ambivalence, Self-Explanation and Transatlantic ConnectionsEdward A. Abramsondoi:10.2307/3509568 | Cite |
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346-347 | Review of Marcel Cornis-Pope, Narrative Innovation and Cultural Rewriting in the Cold War Era and afterDavid Seeddoi:10.2307/3509569 | Cite |
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347-348 | Review of Robert Rebein, Hicks, Tribes, and Dirty Realists: American Fiction after PostmodernismRobert Beukadoi:10.2307/3509570 | Cite |
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349-350 | Review of Aliki Varvogli, The World That Is the Book: Paul Auster's FictionJudie Newmandoi:10.2307/3509571 | Cite |
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350-351 | Review of Therese Steffen, Crossing Color: Transcultural Space and Place in Rita Dove's Poetry, Fiction, and DramaPat Righelatodoi:10.2307/3509572 | Cite |
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351-352 | Review of Roxanne Rimstead, Remnants of Nation: On Poverty Narratives by WomenFaye Hammilldoi:10.2307/3509573 | Cite |
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