| 1-18 | Cultural Possession, Imperial Control, and Comparative Religion: The Calcutta Perspectives of Sir William Jones and Nathaniel Brassey Halhed Michael J. Franklin doi:10.2307/3509044 | Cite |
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| 19-35 | Faithful to the Greek?: Swinburnian Patterning (Hopkinsian Dapple) Malcolm Hardman doi:10.2307/3509045 | Cite |
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| 36-51 | | Cite |
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| 52-64 | | Cite |
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| 65-76 | Prefiguring Cantonic Time: Temporal Categories in the Collected Shorter Poems of Ezra Pound Peter Wilson doi:10.2307/3509048 | Cite |
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| 77-94 | Children in Literature: 'Holiday House': Grist to 'The Mill on the Floss', or Childhood as Text Karin Lesnik-Oberstein doi:10.2307/3509049 | Cite |
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| 95-109 | Anchorage and Play in 'Frenchman's Creek': Children, Gender, and National Identity Josephine Dolan doi:10.2307/3509050 | Cite |
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| 110-126 | | Cite |
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| 127-139 | | Cite |
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| 140-150 | | Cite |
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| 151-162 | | Cite |
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| 163-176 | Almost Human: Indeterminate Children and Dogs in 'Flush' and 'The Sound and the Fury' Jacqui Griffiths doi:10.2307/3509055 | Cite |
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| 177-185 | | Cite |
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| 186-204 | 'Tendency to Precocity' and 'Childish Uncertainties' of a 'Virago at Fourteen': Djuna Barnes's 'The Diary of a Dangerous Child' Daniela Caselli doi:10.2307/3509057 | Cite |
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| 205-216 | From Stunted Child to 'New Woman': The Significance of Physical Growth in Late-Nineteenth-Century Medicine and Fiction Lucy Bending doi:10.2307/3509058 | Cite |
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| 217-228 | | Cite |
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| 229-243 | | Cite |
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| 244-259 | | Cite |
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| 260-261 | Review of Jennifer Neville, Representations of the Natural World in Old English Poetry Jane Roberts doi:10.2307/3509062 | Cite |
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| 261-262 | Review of Hugh Magennis, Anglo-Saxon Appetites: Food and Drink and Their Consumption in Old English and Related Literature Peter Dendle doi:10.2307/3509063 | Cite |
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| 262-263 | Review of Edelgard E. Dubrick, Barbara I. Gusick, Death and Dying in the Middle Ages Lucinda Becker doi:10.2307/3509064 | Cite |
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| 264-265 | Review of Erica Fudge, Ruth Gilbert, Susan Wiseman, At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period Gillian Rudd doi:10.2307/3509065 | Cite |
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| 266-267 | Review of Kathleen Coyne Kelly, Marina Leslie, Menacing Virgins: Representing Virginity in the Middle Ages and Renaissance Helen Hackett doi:10.2307/3509066 | Cite |
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| 267-268 | Review of Edward I. Condren, Chaucer and the Energy of Creation: The Design and the Organization of the 'Canterbury Tales' Gerald Morgan doi:10.2307/3509067 | Cite |
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| 268-269 | Review of Bruce R. Smith, The Acoustic World of Early Modern England: Attending to the O-Factor Edward Doughtie doi:10.2307/3509068 | Cite |
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| 269-270 | Review of Agnes Latham, Joyce Youings, Walter Ralegh, The Letters of Sir Walter Ralegh Anna Beer doi:10.2307/3509069 | Cite |
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| 270-271 | Review of Linda McJannet, The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code Michela Calore doi:10.2307/3509070 | Cite |
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| 271-273 | Review of Ian McAdam, The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe Darryll Grantley doi:10.2307/3509071 | Cite |
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| 273-275 | Review of Pauline Kiernan, Staging Shakespeare at the New Globe Charles Whitney doi:10.2307/3509072 | Cite |
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| 275-276 | Review of Nina S. Levine, Women's Matters: Politics, Gender, and Nation in Shakespeare's Early History Plays Joan Larsen Klein doi:10.2307/3509073 | Cite |
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| 276-278 | Review of Takashi Sasayama, J. R. Mulryne, Margaret Shewring, Shakespeare and the Japanese Stage Peter Rawlings doi:10.2307/3509074 | Cite |
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| 278-279 | Review of Jay L. Halio, Hugh Richmond, Shakespearean Illuminations: Essays in Honor of Marvin Rosenberg David Brauner doi:10.2307/3509075 | Cite |
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| 279-281 | Review of Virginia Mason Vaughan, Alden T. Vaughan, William Shakespeare, The Tempest Andrew Gurr doi:10.2307/3509076 | Cite |
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| 281-282 | Review of Richard Madelaine, William Shakespeare, Antony and Cleopatra R. B. Parker doi:10.2307/3509077 | Cite |
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| 283 | Review of John Ripley, 'Coriolanus' on Stage in England and America, 1609-1994 David Daniell doi:10.2307/3509078 | Cite |
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| 284 | Review of Gerald M. Pinciss, Forbidden Matter: Religion in the Drama of Shakespeare and His Contemporaries David Daniell doi:10.2307/3509079 | Cite |
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| 284-285 | Review of Matthew Steggle, Wars of the Theatres: The Poetics of Personation in the Age of Jonson Stephen Longstaffe doi:10.2307/3509080 | Cite |
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| 285-286 | Review of David Skeele, Thwarting the Wayward Seas: A Critical and Theatrical History of Shakespeare's 'Pericles' in the Nineteenth and Twentieth Centuries Ros King doi:10.2307/3509081 | Cite |
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| 286-287 | Review of Katherine Eggert, Showing like a Queen: Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton Tom Rutter doi:10.2307/3509082 | Cite |
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| 287-288 | Review of Jonathan F. S. Post, English Lyric Poetry: The Early Seventeenth Century J. Christopher Warner doi:10.2307/3509083 | Cite |
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| 288-290 | Review of Michael Bath, Daniel Russell, Deviceful Settings: The English Renaissance Emblem and Its Contexts C. W. R. D. Moseley doi:10.2307/3509084 | Cite |
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| 290-292 | | Cite |
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| 292-293 | Review of Julia Carolyn Guernsey, The Pulse of Praise: Form as a Second Self in the Poetry of George Herbert Richard Todd doi:10.2307/3509086 | Cite |
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| 293-294 | Review of Alison Findlay, A Feminist Perspective on Renaissance Drama Janette Dillon doi:10.2307/3509087 | Cite |
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| 294-295 | Review of David Gay, James G. Randall, Arlette Zinck, Awakening Words: John Bunyan and the Language of Community Malcolm Hardman doi:10.2307/3509088 | Cite |
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| 295-296 | Review of Dolors Altaba-Artal, Aphra Behn's English Feminism: Wit and Satire Carolyn D. Williams doi:10.2307/3509089 | Cite |
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| 297-298 | Review of Andrew Varney, Eighteenth-Century Writers in Their World: A Mighty Maze Shaun Regan doi:10.2307/3509090 | Cite |
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| 298-299 | Review of David F. Venturo, Johnson the Poet: The Poetic Career of Samuel Johnson Allan Ingram doi:10.2307/3509091 | Cite |
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| 299-300 | Review of Elisabeth Soubrenie, Présence de la solitude: La Poésie anglaise entre néoclassicism et préromantisme Carolyn D. Williams doi:10.2307/3509092 | Cite |
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| 300-301 | Review of Alison A. Case, Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel Myra Cottingham doi:10.2307/3509093 | Cite |
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| 301-302 | | Cite |
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| 302-303 | | Cite |
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| 303-304 | Review of David Vallins, Coleridge and the Psychology of Romanticism: Feeling and Thought R. A. Foakes doi:10.2307/3509096 | Cite |
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| 304-305 | Review of Linda H. Peterson, Traditions of Victorian Women's Autobiography: The Poetics and Politics of Life Writing Judith Woolf doi:10.2307/3509097 | Cite |
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| 305-306 | Review of Bette London, Writing Double: Women's Literary Partnerships Frances Wilson doi:10.2307/3509098 | Cite |
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| 306-307 | Review of Barbara J. Black, On Exhibit: Victorians and Their Museums Hilary Fraser doi:10.2307/3509099 | Cite |
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| 308 | Review of Heta Pyrhönen, Mayhem and Murder: Narrative and Moral Problems in the Detective Story Morag Shiach doi:10.2307/3509100 | Cite |
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| 308-309 | | Cite |
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| 310-312 | Review of Daphna Erdinast-Vulcan, The Strange Short Fiction of Joseph Conrad: Writing, Culture, and Subjectivity; Linda Dryden, Joseph Conrad and the Imperial Romance Keith Carabine doi:10.2307/3509102 | Cite |
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| 312-313 | Review of Laura Chrisman, Benita Parry, Postcolonial Theory and Criticism Stuart Murray doi:10.2307/3509103 | Cite |
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| 313-314 | | Cite |
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| 314-316 | | Cite |
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| 316-317 | | Cite |
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| 317-318 | Review of Talia Schaffer, Kathy Alexis Psomiades, Women and British Aestheticism Catherine Maxwell doi:10.2307/3509107 | Cite |
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| 318-320 | Review of Talia Schaffer, The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England Catherine Maxwell doi:10.2307/3509108 | Cite |
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| 320 | Review of Anne Quéma, The Agon of Modernism: Wyndham Lewis's Allegories, Aesthetics, and Politics Alan Munton doi:10.2307/3509109 | Cite |
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| 321-322 | Review of Tanja Vesala-Varttala, Sympathy and Joyce's 'Dubliners': Ethical Probing of Reading, Narrative, and Textuality Craig Monk doi:10.2307/3509110 | Cite |
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| 322-323 | Review of Keith Sagar, The Laughter of Foxes: A Study of Ted Hughes James Booth doi:10.2307/3509111 | Cite |
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| 323-324 | Review of Elizabeth Young, Disarming the Nation: Women's Writing and the American Civil War R. W. (Herbie) Butterfield doi:10.2307/3509112 | Cite |
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| 324-325 | Review of Collin Meissner, Henry James and the Language of Experience Peter Rawlings doi:10.2307/3509113 | Cite |
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| 325-326 | Review of Barbara Voglino, 'Perverse Mind': Eugene O'Neill's Struggle with Closure Steven Price doi:10.2307/3509114 | Cite |
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| 326-327 | | Cite |
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| 327-328 | Review of Laura Jehn Menides, Angela G. Dorenkamp, 'In Worcester, Massachusetts': Essays on Elizabeth Bishop. From the 1997 Elizabeth Bishop Conference at WPI Pat Righelato doi:10.2307/3509116 | Cite |
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| 328-330 | Review of Charles A. Carpenter, Dramatists and the Bomb: American and British Playwrights Confront the Nuclear Age, 1945-1964 Robert Wilcher doi:10.2307/3509117 | Cite |
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| 330-331 | Review of Andrew Hook, From Goosecreek to Gandercleugh: Studies in Scottish-American Literary and Cultural History Robert Lawson-Peebles doi:10.2307/3509118 | Cite |
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| 331-333 | Review of Ken Hirschkop, Mikhail Bakhtin: An Aesthetic for Democracy Jeremy Tambling doi:10.2307/3509119 | Cite |
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| 333-335 | Review of Joseph G. Kronick, Derrida and the Future of Literature Jeremy Tambling doi:10.2307/3509120 | Cite |
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| 335-336 | Review of Jill Robbins, Altered Reading: Levinas and Literature Andrew Gibson doi:10.2307/3509121 | Cite |
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| 336-337 | Review of Ellen Pifer, Demon or Doll: Images of the Child in Contemporary Writing and Culture Stephen Thomson doi:10.2307/3509122 | Cite |
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| 337-338 | Review of Beverly Lyon Clark, Margaret R. Higonnet, Girls, Boys, Books, Toys: Gender in Children's Literature and Culture Stephen Thomson doi:10.2307/3509123 | Cite |
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