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1 | | Cite |
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2-9 | | Cite |
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10-23 | Imperilled Communities in Edward P. Jones's 'Lost in the City' and Dagoberto Gilb's 'The Magic of Blood' J. Gerald Kennedy, Robert Beuka doi:10.2307/3509370 | Cite |
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24-38 | Breaking the Silences: Jewish-American Women Writing the Holocaust David Brauner doi:10.2307/3509371 | Cite |
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39-49 | 'Do You See What I'm Saying?': The Inadequacy of Explanation and the Uses of Story in the Short Fiction of Raymond Carver Charles E. May doi:10.2307/3509372 | Cite |
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50-61 | 'The Crack-House Flicker': The Sacred and the Absurd in the Short Stories of Dennis Cooper, Dennis Johnson, and Thom Jones Kevin McCarron doi:10.2307/3509373 | Cite |
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62-73 | | Cite |
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74-92 | | Cite |
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93-108 | Winging It: Realism and Invention in the Stories of Tobias Wolff Martin Scofield doi:10.2307/3509376 | Cite |
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109-117 | | Cite |
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118-124 | | Cite |
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125-132 | Short Fiction with Attitude: The Lives of Boys and Men in the 'Lives of Girls and Women' Janet Beer doi:10.2307/3509379 | Cite |
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133-143 | Story Cycles of Future History: Cordwainer Smith's 'Instrumentality of Mankind' David Seed doi:10.2307/3509380 | Cite |
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144-154 | In the Subjunctive Mood: Carol Shields's 'Dressing up for the Carnival' Coral Ann Howells doi:10.2307/3509381 | Cite |
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155-167 | Escape Stories: Narratives and Native Americans in Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' Andrew Dix doi:10.2307/3509382 | Cite |
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168-181 | | Cite |
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182-191 | The Thick-Skinned Art of John Updike: 'From the Journal of a Leper' Jay Prosser doi:10.2307/3509384 | Cite |
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192-204 | | Cite |
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205-217 | Fraternizing with the Enemy: Constructions of Masculinity in the Short Fiction of Timothy Findley Susan E. Billingham doi:10.2307/3509386 | Cite |
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218-229 | | Cite |
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230-231 | Review of Cecile M. Jagodzinski, Privacy and Print: Reading and Writing in Seventeenth-Century England Sheila Ottway doi:10.2307/3509388 | Cite |
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231-233 | Review of John K. Hale, John Milton, John Milton: Latin Writings. A Selection Bruce Danner doi:10.2307/3509389 | Cite |
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233-234 | Review of Janet Todd, The Critical Fortunes of Aphra Behn Carolyn D. Williams doi:10.2307/3509390 | Cite |
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234-236 | Review of Blanford Parker, The Triumph of Augustan Poetics: English Literary Culture from Butler to Johnson Keith Walker doi:10.2307/3509391 | Cite |
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236-237 | Review of Harold Love, John Wilmot, Earl of Rochester, The Works of John Wilmot, Earl of Rochester Keith Walker doi:10.2307/3509392 | Cite |
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238-239 | | Cite |
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239-240 | Review of Paulina Kewes, Authorship and Appropriation: Writing for the Stage in England, 1660-1710 Malcolm Kelsall doi:10.2307/3509394 | Cite |
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240-241 | Review of Paul Baines, The House of Forgery in Eighteenth-Century Britain Allan Ingram doi:10.2307/3509395 | Cite |
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241-242 | Review of William B. Warner, Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684-1750 Robert D. Hume doi:10.2307/3509396 | Cite |
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242-243 | Review of Edward A. Bloom, Lillian D. Bloom, O. M. Brack, Jr., Hester Lynch Piozzi, The Piozzi Letters: Correspondence of Hester Lynch Piozzi, 1784-1821 (Formerly Mrs. Thrale). Vol. 5. 1811-1816 Allan Ingram doi:10.2307/3509397 | Cite |
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243-244 | Review of Audrey Bilger, Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen Ashley Montague doi:10.2307/3509398 | Cite |
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245-246 | Review of David Punter, Gothic Pathologies: The Text, the Body and the Law David H. Richter doi:10.2307/3509399 | Cite |
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246-247 | Review of Diane Long Hoeveler, Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës Frances Wilson doi:10.2307/3509400 | Cite |
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247-248 | Review of Emerson R. Marks, Taming the Chaos: English Poetic Diction Theory since the Renaissance Richard Taylor doi:10.2307/3509401 | Cite |
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248-249 | Review of Nick Havely, Dante's Modern Afterlife: Reception and Response from Blake to Heaney Piero Boitani doi:10.2307/3509402 | Cite |
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249-251 | Review of Joseph E. Riehl, That Dangerous Figure: Charles Lamb and the Critics Philip Shaw doi:10.2307/3509403 | Cite |
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251-252 | | Cite |
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252-253 | Review of Tilottama Rajan, Julia M. Wright, Romanticism, History, and the Possibilities of Genre: Reforming Literature, 1789-1837 R. A. Foakes doi:10.2307/3509405 | Cite |
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254-255 | Review of Elizabeth A. Fay, A Feminist Introduction to Romanticism Marion Shaw doi:10.2307/3509406 | Cite |
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256-257 | Review of Tim Fulford, Romanticism and Masculinity: Gender, Politics and Poetics in the Writing of Burke, Coleridge, Cobbett, Wordsworth, De Quincey and Hazlitt Myra Cottingham doi:10.2307/3509407 | Cite |
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257-258 | Review of Anne Janowitz, Lyric and Labour in the Romantic Tradition J. H. Alexander doi:10.2307/3509408 | Cite |
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258-259 | Review of Kerry McSweeney, The Language of the Senses: Sensory-Perceptual Dynamics in Wordsworth, Coleridge, Thoreau, Whitman, and Dickinson Massimo Bacigalupo doi:10.2307/3509409 | Cite |
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259-261 | Review of Isobel Armstrong, Virginia Blain, Women's Poetry in the Enlightenment: The Making of a Canon, 1730-1820 Catherine Maxwell doi:10.2307/3509410 | Cite |
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261-262 | Review of Alan Bacon, The Nineteenth-Century History of English Studies Robert Fraser doi:10.2307/3509411 | Cite |
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262-263 | Review of Megan Perigoe Stitt, Metaphors of Change in the Language of Nineteenth-Century Fiction: Scott, Gaskell, and Kingsley Robert D. Aguirre doi:10.2307/3509412 | Cite |
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263-264 | Review of Joss Marsh, Word Crimes: Blasphemy, Culture, and Literature in Nineteenth-Century England William R. McKelvy doi:10.2307/3509413 | Cite |
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264-266 | Review of William B. Todd, Ann Bowden, Sir Walter Scott: A Bibliographical History, 1796-1832 G. A. M. Wood doi:10.2307/3509414 | Cite |
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266-267 | Review of J. Douglas Kneale, Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge David Vallins doi:10.2307/3509415 | Cite |
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267-268 | Review of Samuel Taylor Coleridge, H. J. Jackson, George Whalley, The Collected Works of Samuel Taylor Coleridge. Vol. 12. Marginalia, IV. Pamphlets to Shakespeare Brian Vickers doi:10.2307/3509416 | Cite |
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269 | Review of Jeffrey C. Robinson, Reception and Poetics in Keats: 'My Ended Poet' Heidi Thomson doi:10.2307/3509417 | Cite |
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270-271 | Review of Charles Donelan, Romanticism and Male Fantasy in Byron's 'Don Juan': A Marketable Vice Malcolm Kelsall doi:10.2307/3509418 | Cite |
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271-272 | | Cite |
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272-273 | Review of Susan Zlotnick, Women, Writing, and the Industrial Revolution Deborah Parsons doi:10.2307/3509420 | Cite |
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273-274 | Review of David Alderson, Mansex Fine: Religion, Manliness and Imperialism in Nineteenth-Century British Culture Robert Fraser doi:10.2307/3509421 | Cite |
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274-275 | Review of Ian J. McNiven, Lynette Russell, Kay Schaffer, Constructions of Colonialism: Perspectives on Eliza Fraser's Shipwreck Angela Smith doi:10.2307/3509422 | Cite |
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276-277 | Review of John Schad, Victorians in Theory: From Derrida to Browning Matthew Reynolds doi:10.2307/3509423 | Cite |
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277-278 | Review of Murray Baumgarten, H. M. Daleski, Homes and Homelessness in the Victorian Imagination Elisabeth Jay doi:10.2307/3509424 | Cite |
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278-279 | Review of Matthew Arnold, Cecil Y. Lang, The Letters of Matthew Arnold. Vol. 3. 1866-1870 Josephine M. Guy doi:10.2307/3509425 | Cite |
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279-281 | Review of Gail Marshall, Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth Diana Devlin doi:10.2307/3509426 | Cite |
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281-282 | Review of Kerry McSweeney, Supreme Attachments: Studies in Victorian Love Poetry Alison Chapman doi:10.2307/3509427 | Cite |
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282-284 | Review of Sharon Aronofsky Weltman, Ruskin's Mythic Queen: Gender Subversion in Victorian Culture Malcolm Hardman doi:10.2307/3509428 | Cite |
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284-285 | Review of Judith Stoddart, Ruskin's Culture Wars: 'Fors Clavigera' and the Crisis of Victorian Liberalism Malcolm Hardman doi:10.2307/3509429 | Cite |
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285-286 | Review of U. C. Knoepflmacher, Ventures into Childland: Victorians, Fairy Tales, and Femininity Karin Lesnik-Oberstein doi:10.2307/3509430 | Cite |
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286-287 | Review of Andrew Thompson, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento Hilary Fraser doi:10.2307/3509431 | Cite |
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287-288 | Review of Christina Rossetti, Anthony H. Harrison, The Letters of Christina Rossetti. Vol. 2. 1874-1881 J. B. Bullen doi:10.2307/3509432 | Cite |
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288-289 | Review of Robert M. Seiler, The Book Beautiful: Walter Pater and the House of Macmillan Nick Kneale doi:10.2307/3509433 | Cite |
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289-290 | Review of William Hughes, Andrew Smith, Bram Stoker: History, Psychoanalysis and the Gothic Fred Botting doi:10.2307/3509434 | Cite |
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290-291 | Review of Thomas Vargish, Delo E. Mook, Inside Modernism: Relativity Theory, Cubism, Narrative Alan Munton doi:10.2307/3509435 | Cite |
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291-292 | Review of Colleen Lamos, Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce, and Marcel Proust Craig Monk doi:10.2307/3509436 | Cite |
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292-294 | Review of Vincent J. Cheng, Kimberley J. Devlin, Margot Norris, Joycean Cultures/Culturing Joyces Alan Riach doi:10.2307/3509437 | Cite |
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294-295 | Review of Benjamin G. Lockerd, Jr., Aethereal Rumours: T. S. Eliot's Physics and Poetics Robert Crawford doi:10.2307/3509438 | Cite |
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295-296 | Review of S. P. Rosenbaum, Aspects of Bloomsbury: Studies in Modern Literary and Intellectual History Peter Faulkner doi:10.2307/3509439 | Cite |
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296-298 | Review of Oddvar Holmesland, Form as Compensation for Life: Fictive Patterns in Virginia Woolf's Novels Jane Goldman doi:10.2307/3509440 | Cite |
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298-299 | Review of Alan J. Peacock, Kathleen Devine, Louis MacNeice and His Influence Adam Frost doi:10.2307/3509441 | Cite |
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299-300 | Review of Lionel Adey, C. S. Lewis: Writer, Dreamer, and Mentor Sheridan Gilley doi:10.2307/3509442 | Cite |
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300-301 | | Cite |
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301-302 | Review of Thomas J. Cousineau, After the Final No: Samuel Beckett's Trilogy Peter Boxall doi:10.2307/3509444 | Cite |
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303-304 | Review of Howard Marchitello, Narrative and Meaning in Early Modern England; M. Lindsay Kaplan, The Culture of Slander in Early Modern England Roger Pooley doi:10.2307/3509445 | Cite |
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305-306 | Review of Jim Egan, Authorizing Experience: Reconfigurations of the Body Politic in Seventeenth-Century New England Writing Deborah L. Madsen doi:10.2307/3509446 | Cite |
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306-307 | Review of Jared Gardner, Master Plots: Race and the Founding of an American Literature, 1787-1845 R. W. (Herbie) Butterfield doi:10.2307/3509447 | Cite |
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307-309 | Review of Grantland S. Rice, The Transformation of Authorship in America Henry Claridge doi:10.2307/3509448 | Cite |
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309-310 | Review of Michael Newbury, Figuring Authorship in Antebellum America James Hurt doi:10.2307/3509449 | Cite |
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310-311 | Review of Margit Stange, Personal Property: Wives, White Slaves, and the Market in Women Janet Beer doi:10.2307/3509450 | Cite |
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311-312 | Review of A. Robert Lee, Designs of Blackness: Mappings in the Literature and Culture of Afro-America Sharon L. Moore doi:10.2307/3509451 | Cite |
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312-313 | Review of Anne Goodwyn Jones, Susan V. Donaldson, Haunted Bodies: Gender and Southern Texts Pamela Knights doi:10.2307/3509452 | Cite |
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313-315 | Review of Malcolm Kelsall, Jefferson and the Iconography of Romanticism: Folk, Land, Culture and the Romantic Nation Wil Verhoeven doi:10.2307/3509453 | Cite |
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315-316 | Review of Lois Parkinson Zamora, The Usable Past: The Imagination of History in Recent Fiction of the Americas Jerome Klinkowitz doi:10.2307/3509454 | Cite |
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316-317 | Review of Patricia Merivale, Susan Elizabeth Sweeney, Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism Morag Shiach doi:10.2307/3509455 | Cite |
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317-318 | Review of Jane M. Rabb, The Short Story and Photography, 1880's-1980's: A Critical Anthology Lionel Kelly doi:10.2307/3509456 | Cite |
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318-319 | Review of Philip Horne, Henry James, Henry James: A Life in Letters Peter Rawlings doi:10.2307/3509457 | Cite |
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320-321 | | Cite |
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321-322 | Review of Luke Carson, Consumption and Depression in Gertrude Stein, Louis Zukofsky and Ezra Pound Stephen Matterson doi:10.2307/3509459 | Cite |
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322-323 | Review of Elisabeth W. Joyce, Cultural Critique and Abstraction: Marianne Moore and the Avant-Garde Pat Righelato doi:10.2307/3509460 | Cite |
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323-324 | | Cite |
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325-326 | Review of Carl P. Eby, Hemingway's Fetishism: Psychoanalysis and the Mirror of Manhood Peter Coe doi:10.2307/3509462 | Cite |
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326-327 | | Cite |
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327-328 | Review of Jerome Klinkowitz, Vonnegut in Fact: The Public Spokesmanship of Personal Fiction Daniel Cordle doi:10.2307/3509464 | Cite |
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328-329 | Review of T. J. Cribb, Imagined Commonwealths: Cambridge Essays on Commonwealth and International Literature in English Angela Smith doi:10.2307/3509465 | Cite |
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330-331 | Review of Louise Yelin, From the Margins of Empire: Christina Stead, Doris Lessing, Nadine Gordimer Stephen Cowden doi:10.2307/3509466 | Cite |
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331-332 | Review of Kadiatu Kanneh, African Identities: Race, Nation and Culture in Ethnography, Pan-Africanism and Black Literatures Margo Hendricks doi:10.2307/3509467 | Cite |
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332-333 | Review of Jonathan Kertzer, Worrying the Nation: Imagining a National Literature in English Canada Coral Ann Howells doi:10.2307/3509468 | Cite |
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333-334 | Review of Sheng-Mei Ma, Immigrant Subjectivities in Asian American and Asian Diaspora Literatures A. Robert Lee doi:10.2307/3509469 | Cite |
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334-335 | Review of Verena Bühler Roth, Wilderness and the Natural Environment: Margaret Atwood's Recycling of a Canadian Theme Coral Ann Howells doi:10.2307/3509470 | Cite |
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335-336 | | Cite |
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336-337 | Review of Gregory A. Schirmer, Out of What Began: A History of Irish Poetry in English Bernard O'Donoghue doi:10.2307/3509472 | Cite |
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337-338 | Review of Sam Adams, Seeing Wales Whole: Essays on the Literature of Wales: In Honour of Meic Stephens J. B. Lethbridge doi:10.2307/3509473 | Cite |
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