W. S. Maney & Son Ltd for the Modern Humanities Research Association
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1-4 | | Cite |
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5-20 | Missing and Mending: Romeo and Juliet at Play in the Romance Chronotope G. G. Heyworth doi:10.2307/3509238 | Cite |
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21-33 | | Cite |
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34-45 | | Cite |
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46-59 | | Cite |
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60-70 | | Cite |
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71-81 | | Cite |
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82-95 | | Cite |
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96-105 | Time, Tense, Weather in Three 'Flood Novels', 'Bleak House', 'The Mill on the Floss', 'To the Lighthouse' Anny Sadrin doi:10.2307/3509245 | Cite |
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106-123 | | Cite |
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124-136 | Greenwich Meanings: Clocks and Things in Modernist and Postmodernist Fiction Randall Stevenson doi:10.2307/3509247 | Cite |
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137-152 | 'The Existence I Ascribe': Memory, Invention, and Autobiography in Beckett's Fiction Peter Boxall doi:10.2307/3509248 | Cite |
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153-165 | | Cite |
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166-176 | Changing of the Old Guard: Time Travel and Literary Technique in the Work of Kurt Vonnegut Daniel Cordle doi:10.2307/3509250 | Cite |
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177-186 | | Cite |
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187-201 | Return of the Century: Time, Modernity, and the End of History in Angela Carter's 'Nights at the Circus' Rachel Carroll doi:10.2307/3509252 | Cite |
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202-220 | Walter Abish: Plotting a 'Terrorism' of Postmodernist Fiction Alexander Houen doi:10.2307/3509253 | Cite |
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221-233 | Remembering the Future: Edwin Morgan's Science Fiction Poetry Colin Nicholson doi:10.2307/3509254 | Cite |
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234-249 | Occasions for Solidarity: Ashbery, Riley, and the Tradition of the New David Herd doi:10.2307/3509255 | Cite |
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250-262 | Telling Stories Again: On the Replenishment of Narrative in the Postmodernist Long Poem Brian Mchale doi:10.2307/3509256 | Cite |
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263-264 | Review of Robert Scholes, The Rise and Fall of English: Reconstructing English as a Discipline Philip Hobsbaum doi:10.2307/3509257 | Cite |
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264-265 | Review of Claire Colebrook, New Literary Histories: New Historicism and Contemporary Criticism Joe Carter doi:10.2307/3509258 | Cite |
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265-266 | | Cite |
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266-267 | Review of Julian Wolfreys, The Rhetoric of Affirmative Resistance: Dissonant Identities from Carroll to Derrida Joe Brooker doi:10.2307/3509260 | Cite |
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268 | Review of Eve Kosofsky Sedgwick, Novel Gazing: Queer Readings in Fiction Peter Coe doi:10.2307/3509261 | Cite |
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269 | Review of Ursula K. Heise, Chronoschisms: Time, Narrative, and Postmodernism Joe Carter doi:10.2307/3509262 | Cite |
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270-271 | Review of A. D. Harvey, A Muse of Fire: Literature, Art and War Adrian Caesar doi:10.2307/3509263 | Cite |
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271-272 | Review of Robert E. Bjork, John D. Niles, A 'Beowulf' Handbook David J. Williams doi:10.2307/3509264 | Cite |
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272-274 | Review of Jane Roberts, Janet L. Nelson, Malcolm Godden, Alfred the Wise: Studies in Honour of Janet Bately on the Occasion of Her Sixty-Fifth Birthday Richard Marsden doi:10.2307/3509265 | Cite |
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274-275 | Review of Scott Gwara, David W. Porter, Ælfric Bata, Anglo-Saxon Conversations: The Colloquies of Ælfric Bata Nicholas Howe doi:10.2307/3509266 | Cite |
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275-277 | Review of Derek Brewer, Jonathan Gibson, A Companion to the 'Gawain'-Poet Phillipa Hardman doi:10.2307/3509267 | Cite |
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277-278 | Review of Piero Boitani, Anna Torti, Mediaevalitas: Reading the Middle Ages. The J. A. W. Bennett Memorial Lectures. Ninth Series. Perugia, 1995 Ruth Evans doi:10.2307/3509268 | Cite |
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279-280 | Review of Chaucer, T. L. Burton, Rosemary Greentree, Chaucer's 'Miller's', 'Reeve's', and 'Cook's' Tales: An Annotated Bibliography 1900 to 1992 Peter Brown doi:10.2307/3509269 | Cite |
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280-281 | Review of Thomas Hahn, Alan Lupack, Retelling Tales: Essays in Honor of Russell Peck Stanley Hussey doi:10.2307/3509270 | Cite |
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281-283 | Review of Peter J. Lucas, From Author to Audience: John Capgrave and Medieval Publication Derek Pearsall doi:10.2307/3509271 | Cite |
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283-284 | Review of Andrew Lynch, Malory's Book of Arms: The Narrative of Combat in 'Le Morte Darthur' Janet Cowen doi:10.2307/3509272 | Cite |
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285-286 | Review of Sally Mapstone, Juliette Wood, The Rose and the Thistle: Essays on the Culture of Late Medieval and Renaissance Scotland A. S. G. Edwards doi:10.2307/3509273 | Cite |
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286-287 | Review of Stanley Stewart, 'Renaissance' Talk: Ordinary Language and the Mystique of Critical Problems Ralph Berry doi:10.2307/3509274 | Cite |
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287-289 | Review of R. W. Maslen, Elizabethan Fictions: Espionage, Counter-Espionage and the Duplicity of Fiction in Early Elizabethan Prose Narratives Mark Thornton Burnett doi:10.2307/3509275 | Cite |
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289-290 | Review of Patricia Hyde, Thomas Arden in Faversham: The Man behind the Myth Lena Cowen Orlin doi:10.2307/3509276 | Cite |
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290-292 | Review of Mark Thornton Burnett, Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience Charles Whitney doi:10.2307/3509277 | Cite |
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292-293 | | Cite |
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293-294 | Review of Philip Edwards, Sea-Mark: The Metaphorical Voyage, Spenser to Milton Jerry Brotton doi:10.2307/3509279 | Cite |
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294-295 | Review of Kenneth J. Larsen, Edmund Spenser's 'Amoretti' and 'Epithalamion': A Critical Edition Andrew Hadfield doi:10.2307/3509280 | Cite |
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295-297 | Review of Diane Kelsey McColley, Poetry and Music in Seventeenth-Century England Edward Doughtie doi:10.2307/3509281 | Cite |
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297-298 | Review of Scott McMillin, Sally-Beth MacLean, The Queen's Men and Their Plays Michela Calore doi:10.2307/3509282 | Cite |
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298-299 | Review of John C. Meagher, Shakespeare's Shakespeare: How the Plays Were Made Pauline Kiernan doi:10.2307/3509283 | Cite |
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299-300 | Review of James Ogden, Arthur H. Scouten, 'Lear' from Study to Stage: Essays in Criticism René Weis doi:10.2307/3509284 | Cite |
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300-303 | Review of Giorgio Melchiori, King Edward III; Doreen Del Vecchio, Antony Hammond, Pericles, Prince of Tyre Brian Vickers doi:10.2307/3509285 | Cite |
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303-304 | Review of George Walton Williams, Shakespeare, Shakespeare's Speech-Headings: Speaking the Speech in Shakespeare's Plays Pauline Kiernan doi:10.2307/3509286 | Cite |
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304-305 | Review of Peter Holland, English Shakespeares: Shakespeare on the English Stage in the 1990s Christopher Baugh doi:10.2307/3509287 | Cite |
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305-307 | Review of Marcus Walsh, Shakespeare, Milton, and Eighteenth-Century Literary Editing: The Beginnings of Interpretative Scholarship Michael Dobson doi:10.2307/3509288 | Cite |
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307-308 | Review of John K. Hale, Milton's Languages: The Impact of Multilingualism on Style Estelle Haan doi:10.2307/3509289 | Cite |
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308-309 | Review of Laura L. Runge, Gender and Language in British Literary Criticism, 1660-1790 Carolyn D. Williams doi:10.2307/3509290 | Cite |
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309-310 | Review of Clifford Siskin, The Work of Writing: Literature and Change in Britain, 1700-1830 Colin Nicholson doi:10.2307/3509291 | Cite |
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310-311 | Review of Ronald Paulson, Don Quixote in England: The Aesthetics of Laughter Malcolm Kelsall doi:10.2307/3509292 | Cite |
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311-312 | | Cite |
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312-314 | Review of Greg Clingham, The Cambridge Companion to Samuel Johnson Keith Walker doi:10.2307/3509294 | Cite |
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314 | Review of B. Eugene McCarthy, Thomas Gray: The Progress of a Poet Heidi Thomson doi:10.2307/3509295 | Cite |
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315 | Review of Judith Frank, Common Ground: Eighteenth-Century English Satiric Fiction and the Poor Allan Ingram doi:10.2307/3509296 | Cite |
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316-317 | Review of Robert M. Ryan, The Romantic Reformation: Religious Politics in English Literature, 1789-1824 Danian Walford Davies doi:10.2307/3509297 | Cite |
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317-318 | Review of Gary Dyer, British Satire and the Politics of Style, 1789-1832 Allan Ingram doi:10.2307/3509298 | Cite |
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318-319 | Review of Thomas J. McCarthy, Relationships of Sympathy: The Writer and the Reader in British Romanticism Helen Braithwaite doi:10.2307/3509299 | Cite |
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319-321 | Review of Martin Bidney, Patterns of Epiphany: From Wordsworth to Tolstoy, Pater, and Barrett Browning Helen Braithwaite doi:10.2307/3509300 | Cite |
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321-322 | Review of Regina Hewitt, The Possibilities of Society: Wordsworth, Coleridge, and the Sociological Viewpoint of English Romanticism Robert Fraser doi:10.2307/3509301 | Cite |
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322-323 | Review of Jennifer Ford, Coleridge on Dreaming: Romanticism, Dreams and the Medical Imagination Daniel P. Watkins doi:10.2307/3509302 | Cite |
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323-325 | Review of Syndy M. Conger, Frederick S. Frank, Gregory O'Dea, Iconoclastic Departures: Mary Shelley after 'Frankenstein': Essays in Honor of the Bicentenary of Mary Shelley's Birth Matthew Gibson doi:10.2307/3509303 | Cite |
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325-326 | Review of Margaret Homans, Adrienne Munich, Remaking Queen Victoria Rosemarie Morgan doi:10.2307/3509304 | Cite |
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326-327 | Review of Horst Dölvers, Fables Less and Less Fabulous: English Fables and Parables of the Nineteenth Century and Their Illustrations Robert Fraser doi:10.2307/3509305 | Cite |
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327-329 | Review of Rod Edmond, Representing the South Pacific: Colonial Discourse from Cook to Gauguin Ruth Brown doi:10.2307/3509306 | Cite |
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329-330 | Review of Alison Byerly, Realism, Representation, and the Arts in Nineteenth-Century Literature J. B. Bullen doi:10.2307/3509307 | Cite |
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330-332 | Review of Charles Dickens, Graham Storey, Margaret Brown, The Letters of Charles Dickens. Vol. 10. 1862-1864 K. J. Fielding doi:10.2307/3509308 | Cite |
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332-333 | Review of Dominic Rainsford, Authorship, Ethics and the Reader: Blake, Dickens, Joyce Harly Ramsey doi:10.2307/3509309 | Cite |
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333-334 | Review of Julia A. Stern, The Plight of Feeling: Sympathy and Dissent in the Early American Novel Henry Claridge doi:10.2307/3509310 | Cite |
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334-335 | Review of Clark Griffith, Achilles and the Tortoise: Mark Twain's Fictions R. W. (Herbie) Butterfield doi:10.2307/3509311 | Cite |
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336-337 | Review of Mary Suzanne Schriber, Writing Home: American Women Abroad, 1830-1920 Cheryl Walker doi:10.2307/3509312 | Cite |
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337-338 | Review of Scott S. Derrick, Monumental Anxieties: Homoerotic Desire and Feminine Influence in 19th-Century U. S. Literature R. W. (Herbie) Butterfield doi:10.2307/3509313 | Cite |
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338-339 | | Cite |
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339-340 | Review of Jean Kimball, Odyssey of the Psyche: Jungian Patterns in Ulysses Craig Monk doi:10.2307/3509315 | Cite |
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340-341 | Review of Alice Gambrell, Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919-1945 Craig Monk doi:10.2307/3509316 | Cite |
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341-342 | Review of Juliet Dusinberre, Virginia Woolf's Renaissance: Woman Reader or Common Reader? Clare Hanson doi:10.2307/3509317 | Cite |
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