W. S. Maney & Son Ltd for the Modern Humanities Research Association
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1-23 | Facts, Truefacts, Factoids; Or, Why Are They Still Saying Those Nasty Things about Epistemology? David Greethamdoi:10.2307/3508931 | Cite |
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24-42 | | Cite |
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43-56 | | Cite |
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57-68 | | Cite |
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69-87 | | Cite |
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88-102 | | Cite |
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103-117 | | Cite |
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118-137 | 'Came errour here by mysse of man': Editing and the Metaphysics of Presence Andrew Murphydoi:10.2307/3508938 | Cite |
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138-150 | 'I'll have grounds ǀ More relative than this': The Puzzle of John Ward's 'Hamlet' Promptbooks Ann Thompsondoi:10.2307/3508939 | Cite |
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151-175 | Attribution Tests and the Editing of Seventeenth-Century Poetry John Burrows, Harold Lovedoi:10.2307/3508940 | Cite |
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176-190 | | Cite |
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191-201 | Line-End Hyphenation as a Problem for Editors, with Case-Studies from De Quincey Grevel Lindopdoi:10.2307/3508942 | Cite |
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202-230 | A Poem for All Seasons: Yeats, Meaning, and the Publishing History of 'The Lake Isle of Innisfree' in the 1890s Peter D. McDonalddoi:10.2307/3508943 | Cite |
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231-246 | Towards a New Version of D. H. Lawrence's 'The Daughter-in-Law': Scholarly Edition or Play Text? John Worthendoi:10.2307/3508944 | Cite |
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247-261 | | Cite |
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262-263 | Review of Wendell V. Harris, Beyond Poststructuralism: The Speculations of Theory and the Experience of ReadingJoe Carterdoi:10.2307/3508946 | Cite |
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263-264 | Review of Jeremy Hawthorn, Cunning Passages: New Historicism, Cultural Materialism and Marxism in the Contemporary Literary DebateWendy Wheelerdoi:10.2307/3508947 | Cite |
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264-265 | | Cite |
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265-266 | | Cite |
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266-267 | Review of Sanford Budick, Wolfgang Iser, The Translatability of Cultures: Figurations of the Space betweenPaul Smethurstdoi:10.2307/3508950 | Cite |
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267-269 | Review of John Kerrigan, Revenge Tragedy: Aeschylus to ArmageddonRowland Wymerdoi:10.2307/3508951 | Cite |
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269-270 | Review of Michelle P. Brown, The Book of Cerne: Prayer, Patronage and Power in Ninth-Century EnglandAnne Lawrencedoi:10.2307/3508952 | Cite |
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270-271 | Review of Thomas H. Bestul, Texts of the Passion: Latin Devotional Literature and Medieval SocietyC. W. Marxdoi:10.2307/3508953 | Cite |
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271-272 | | Cite |
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273-274 | Review of James Stokes, Robert J. Alexander, Records of Early English Drama: Somerset. Including BathAndrew Gurrdoi:10.2307/3508955 | Cite |
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274-275 | Review of James P. Carley, Felicity Riddy, Arthurian Literature, XIVAd Putterdoi:10.2307/3508956 | Cite |
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276-277 | Review of David Reid, David Hume of Godscroft's 'The History of the House of Douglas'Michael R. G. Spillerdoi:10.2307/3508957 | Cite |
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277-278 | Review of S. H. Rigby, Chaucer in Context: Society, Allegory, and GenderJane Chancedoi:10.2307/3508958 | Cite |
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278-279 | Review of Michael N. Salda, Jean E. Jost, Chaucer Yearbook: A Journal of Late Medieval Studies. Vol. 3. (1996)John Withringtondoi:10.2307/3508959 | Cite |
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280-281 | | Cite |
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281-282 | Review of Jennifer Fellows, Rosalind Field, Gillian Rogers, Judith Weiss, Romance Reading on the Book: Essays on Medieval Narrative Presented to Maldwyn MillsAndrew Taylordoi:10.2307/3508961 | Cite |
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282-283 | Review of Helen Cooper, Sally Mapstone, The Long Fifteenth Century: Essays for Douglas GrayA. S. G. Edwardsdoi:10.2307/3508962 | Cite |
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283-285 | Review of Elizabeth Archibald, A. S. G. Edwards, A Companion to MaloryCatherine Battdoi:10.2307/3508963 | Cite |
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285-287 | Review of Ann Moss, Printed Commonplace-Books and the Structuring of Renaissance ThoughtLaurie E. Maguiredoi:10.2307/3508964 | Cite |
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287-288 | Review of David Hill Radcliffe, Edmund Spenser: A Reception HistoryWilly Maleydoi:10.2307/3508965 | Cite |
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289-290 | Review of Rebecca W. Bushnell, A Culture of Teaching: Early Modern Humanism in Theory and PracticeAndrew Hadfielddoi:10.2307/3508966 | Cite |
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290-291 | Review of Peter Iver Kaufman, Prayer, Despair, and Drama: Elizabethan IntrospectionHumphrey Gydedoi:10.2307/3508967 | Cite |
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291-293 | Review of Louis Montrose, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan TheatrePauline Kiernandoi:10.2307/3508968 | Cite |
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293-294 | Review of Peter B. Murray, Shakespeare's Imagined Persons: The Psychology of Role-Playing and ActingPauline Kiernandoi:10.2307/3508969 | Cite |
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294-295 | | Cite |
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295-296 | | Cite |
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296-297 | Review of Laurie E. Osborne, The Trick of Singularity: 'Twelfth Night' and the Performance EditionsR. A. Foakesdoi:10.2307/3508972 | Cite |
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298-299 | Review of Trevor R. Griffiths, William Shakespeare, A Midsummer Night's DreamRosalind Kingdoi:10.2307/3508973 | Cite |
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299-301 | Review of William C. Carroll, Fat King, Lean Beggar: Representations of Poverty in the Age of ShakespeareAndrew Spongdoi:10.2307/3508974 | Cite |
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301-302 | Review of Dustin Griffin, Literary Patronage in England, 1650-1800Allan Ingramdoi:10.2307/3508975 | Cite |
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302-303 | Review of Toni Bowers, The Politics of Motherhood: British Writing and Culture, 1680-1760Brean Hammonddoi:10.2307/3508976 | Cite |
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303-304 | Review of Edward A. Bloom, Lillian D. Bloom, Hester Lynch Piozzi, The Piozzi Letters: Correspondence of Hester Lynch Piozzi, 1784-1821 (Formerly Mrs. Thrale). Vol. 4. 1805-1810Allan Ingramdoi:10.2307/3508977 | Cite |
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305-306 | Review of Gwen Averley, Nineteenth Century Short Title Catalogue (NSTC)Michael Twymandoi:10.2307/3508978 | Cite |
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306-307 | Review of Adam Sweeting, Reading Houses and Building Books: Andrew Jackson Downing and the Architecture of Popular Antebellum Literature, 1835-1855James Hurtdoi:10.2307/3508979 | Cite |
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307-309 | Review of Murray Roston, Victorian Contexts: Literature and the Visual ArtsJ. B. Bullendoi:10.2307/3508980 | Cite |
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309-310 | Review of Garrett Stewart, Dear Reader: The Conscripted Audience in Nineteenth-Century British FictionNicola Bradburydoi:10.2307/3508981 | Cite |
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310-311 | Review of Tricia Lootens, Lost Saints: Silence, Gender, and Victorian Literary CanonizationCatherine Maxwelldoi:10.2307/3508982 | Cite |
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311-312 | Review of Valerie L. Gager, Shakespeare and Dickens: The Dynamics of InfluencePeter Rawlingsdoi:10.2307/3508983 | Cite |
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312-313 | Review of Wyn Kelley, Melville's City: Literary and Urban Form in Nineteenth-Century New YorkEric Hombergerdoi:10.2307/3508984 | Cite |
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313-314 | Review of Julie Rivkin, False Positions: The Representational Logics of Henry James's FictionNicola Bradburydoi:10.2307/3508985 | Cite |
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314-315 | Review of Geoffrey Galt Harpham, One of Us: The Mastery of Joseph ConradKeith Carabinedoi:10.2307/3508986 | Cite |
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315-316 | Review of Leonard Cassuto, Jeanne Campbell Reesman, Rereading Jack LondonR. W. (Herbie) Butterfielddoi:10.2307/3508987 | Cite |
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316-318 | Review of Mark Kinkead-Weekes, D. H. Lawrence: Triumph to Exile, 1912-1922Margaret Storchdoi:10.2307/3508988 | Cite |
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318-320 | | Cite |
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320-321 | Review of John Howard Wilson, Evelyn Waugh: A Literary Biography, 1903-1924Martin Stannarddoi:10.2307/3508990 | Cite |
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321-322 | Review of Calvin Thomas, Male Matters: Masculinity, Anxiety, and the Male BodyAlison Markdoi:10.2307/3508991 | Cite |
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322-323 | Review of Charles A. Johanningsmeier, Fiction and the American Literary Marketplace: The Role of Newspaper Syndicates in America, 1860-1900R. W. (Herbie) Butterfielddoi:10.2307/3508992 | Cite |
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323-324 | Review of James Acheson, Samuel Beckett's Artistic Theory and Practice: Criticism, Drama and Early FictionLance Butlerdoi:10.2307/3508993 | Cite |
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324-325 | | Cite |
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325-326 | Review of Charles Caramello, Henry James, Gertrude Stein, and the Biographical ActDenis Flannerydoi:10.2307/3508995 | Cite |
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326-327 | Review of Kathryne V. Lindberg, Joseph G. Kronick, America's Modernisms: Revaluing the Canon. Essays in Honor of Joseph N. RiddelPeter Nichollsdoi:10.2307/3508996 | Cite |
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327-329 | Review of Margaret Dickie, Thomas Travisano, Gendered Modernisms: American Women Poets and Their ReaderHelen M. Dennisdoi:10.2307/3508997 | Cite |
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329-330 | Review of Janet Handler Burstein, Writing Mothers, Writing Daughters: Tracing the Maternal in Stories by American Jewish WomenEdward A. Abramsondoi:10.2307/3508998 | Cite |
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330-331 | Review of Edward J. Dupuy, Autobiography in Walker Percy: Repetition, Recovery, and RedemptionKieran Quinlandoi:10.2307/3508999 | Cite |
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331-332 | Review of Maria DiCenzo, The Politics of Alternative Theatre in Britain, 1968-1990: The Case of 7:84 (Scotland)Peter Womackdoi:10.2307/3509000 | Cite |
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332-333 | Review of Arnold Krupat, The Turn to the Native: Studies in Criticism and CultureHelen Carrdoi:10.2307/3509001 | Cite |
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333-334 | Review of Lee Clark Mitchell, Westerners: Making the Man in Fiction and FilmDouglas Pyedoi:10.2307/3509002 | Cite |
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335 | Review of Elsa Nettels, Language and Gender in American Fiction: Howells, James, Wharton and CatherJanet Beerdoi:10.2307/3509003 | Cite |
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336-337 | Review of Graham Seal, The Outlaw Legend: A Cultural Tradition in Britain, America and AustraliaStephen Cowdendoi:10.2307/3509004 | Cite |
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337-338 | | Cite |
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338-340 | Review of Paul Kane, Australian Poetry: Romanticism and NegativityC. L. Innesdoi:10.2307/3509006 | Cite |
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340-341 | Review of Rosemary Jane Jolly, Colonization, Violence, and Narration in White South African Writing: André Brink, Breyten Breytenbach, and J. M. CoetzeeHelen Kapsteindoi:10.2307/3509007 | Cite |
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341-342 | Review of Jyotsna G. Singh, Colonial Narratives/Cultural Dialogues: 'Discoveries' of India in the Language of ColonialismRanu Samantraidoi:10.2307/3509008 | Cite |
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