W. S. Maney & Son Ltd for the Modern Humanities Research Association
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1-2 | | Cite |
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3-21 | | Cite |
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22-39 | | Cite |
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40-50 | | Cite |
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51-65 | | Cite |
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66-78 | | Cite |
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79-94 | Postcoloniality of a Special Type: Theory and Its Appropriations in South Africa Nicholas Visserdoi:10.2307/3509134 | Cite |
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95-107 | 'Either I'm nobody or I'm a nation': Writing and the Fruits of Uncertainty Dennis Walderdoi:10.2307/3509135 | Cite |
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108-129 | | Cite |
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130-136 | Documentation and Communication in Postcolonial Societies: The Politics of Control Gareth Griffithsdoi:10.2307/3509137 | Cite |
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137-149 | Protocols of Representation and the Problems of Constituting an African 'Gnosis': Achebe and Okri Ato Quaysondoi:10.2307/3509138 | Cite |
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150-164 | The Politics and Poetics of Otherness: A Study of Wole Soyinka's 'The Interpreters' Femi Abodunrindoi:10.2307/3509139 | Cite |
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165-178 | | Cite |
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179-192 | Fighting the Good Fight: What Tsitsi Dangarembga's 'Nervous Conditions' Says about Language and Power Gilian Gorledoi:10.2307/3509141 | Cite |
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193-200 | | Cite |
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201-218 | | Cite |
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219-233 | | Cite |
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234-235 | Review of Ned Lukacher, Daemonic Figures: Shakespeare and the Question of ConscienceJohn D. Coxdoi:10.2307/3509145 | Cite |
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235-236 | Review of Giorgio Melchiori, Shakespeare's Garter Plays: 'Edward III' to 'Merry Wives of Windsor'David Danielldoi:10.2307/3509146 | Cite |
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236-237 | | Cite |
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237-238 | Review of Edward Pechter, What Was Shakespeare? Renaissance Plays and Changing Critical PracticeJohn Drakakisdoi:10.2307/3509148 | Cite |
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238-240 | | Cite |
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240-241 | Review of Gordon Williams, A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart LiteratureAndrew Gurrdoi:10.2307/3509150 | Cite |
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241-242 | Review of Gale H. Carrithers Jr., James D. Hardy, Jr., Milton and the Hermeneutic JourneyJohn Leonarddoi:10.2307/3509151 | Cite |
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242-243 | Review of Judith Haber, Pastoral and the Poetics of Self-Contradiction: Theocritus to MarvellAndrew Hadfielddoi:10.2307/3509152 | Cite |
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243-244 | Review of David Hill Radcliffe, Forms of Reflection: Genre and Culture in Meditational WritingWarren Chernaikdoi:10.2307/3509153 | Cite |
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244-245 | Review of Timothy Raylor, Cavaliers, Clubs, and Literary Culture: Sir John Mennes, James Smith, and the Order of the FancyMargo Hendricksdoi:10.2307/3509154 | Cite |
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245-246 | Review of Frank Felsenstein, Anti-Semitic Stereotypes: A Paradigm of Otherness in English Popular Culture, 1660-1830Edward A. Abramsondoi:10.2307/3509155 | Cite |
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246-247 | Review of Catherine Gallagher, Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820Beth Kowaleski-Wallacedoi:10.2307/3509156 | Cite |
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247-248 | Review of Jones DeRitter, The Embodiment of Characters: The Representation of Physical Experience on Stage and in Print, 1728-1749Anthony Kaufmandoi:10.2307/3509157 | Cite |
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248-249 | Review of A. D. Harvey, Sex in Georgian England: Attitudes and Prejudices from the 1720s to the 1820sAllan Ingramdoi:10.2307/3509158 | Cite |
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249-250 | Review of Carol Shiner Wilson, Joel Haefner, Re-Visioning Romanticism: British Women Writers, 1776-1837Elizabeth A. Bohlsdoi:10.2307/3509159 | Cite |
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251-252 | Review of Alan Richardson, Literature, Education, and Romanticism: Reading as Social Practice, 1780-1832Peter M. Briggsdoi:10.2307/3509160 | Cite |
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252-253 | Review of Murray G. H. Pittock, Poetry and Jacobite Politics in Eighteenth-Century Britain and IrelandBrean Hammonddoi:10.2307/3509161 | Cite |
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253-254 | Review of E. G. Hundert, The Enlightenment's Fable: Bernard Mandeville and the Discovery of SocietyDavid E. Shuttletondoi:10.2307/3509162 | Cite |
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254-255 | Review of Adam Potkay, The Fate of Eloquence in the Age of HumeColin Nicholsondoi:10.2307/3509163 | Cite |
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255-256 | Review of Peter Martin, Edmond Malone: Shakespearean Scholar: A Literary BiographyAllan Ingramdoi:10.2307/3509164 | Cite |
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256-257 | Review of W. David Shaw, Elegy & Paradox: Testing the ConventionsThomas Dochertydoi:10.2307/3509165 | Cite |
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258 | Review of Edward Copeland, Women Writing about Money: Women's Fiction in England 1700-1820David E. Shuttletondoi:10.2307/3509166 | Cite |
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259-260 | Review of Patrick J. Keane, Coleridge's Submerged Politics: 'The Ancient Mariner' and 'Robinson Crusoe'Daniel P. Watkinsdoi:10.2307/3509167 | Cite |
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260-262 | Review of Andrew Bennett, Keats, Narrative and Audience: The Posthumous Life of WritingG. Kim Blankdoi:10.2307/3509168 | Cite |
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262-263 | Review of David Kaufmann, The Business of Common Life: Novels and Classical Economics between Revolution and ReformJanice Farrar Thaddeusdoi:10.2307/3509169 | Cite |
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263-264 | Review of Dorothy Mermin, Godiva's Ride: Women of Letters in England, 1830-1880Siv Janssondoi:10.2307/3509170 | Cite |
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264-265 | Review of Harold Orel, The Historical Novel from Scott to Sabatini: Changing Attitudes toward a Literary Genre 1814-1920David H. Richterdoi:10.2307/3509171 | Cite |
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265-266 | Review of Harry Stone, The Night Side of Dickens: Cannibalism, Passion, NecessityAndrew Sandersdoi:10.2307/3509172 | Cite |
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266-268 | | Cite |
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268-269 | Review of Bruce Mills, Cultural Reformations: Lydia Maria Child and the Literature of ReformDavid Seeddoi:10.2307/3509174 | Cite |
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269-270 | Review of Leonora Nattrass, William Cobbett: The Politics of StyleJohn Lucasdoi:10.2307/3509175 | Cite |
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270-271 | Review of Christopher D. Felker, Reinventing Cotton Mather in the American Renaissance: 'Magnalia Christi Americana' in Hawthorne, Stowe, and StoddardHenry Claridgedoi:10.2307/3509176 | Cite |
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271-272 | Review of Martin Klammer, Whitman, Slavery, and the Emergence of 'Leaves of Grass'Kevin McCarrondoi:10.2307/3509177 | Cite |
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272-273 | | Cite |
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273-274 | Review of Joan Burbick, Healing the Republic: The Language of Health and the Culture of Nationalism in Nineteenth-Century AmericaEric Hombergerdoi:10.2307/3509179 | Cite |
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274-275 | Review of Stephanie A. Smith, Conceived by Liberty: Maternal Figures and Nineteenth-Century American LiteratureLouise K. Barnettdoi:10.2307/3509180 | Cite |
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275-276 | Review of Rosemarie Bodenheimer, The Real Life of Mary Ann Evans: George Eliot, Her Letters and FictionDavid Carrolldoi:10.2307/3509181 | Cite |
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276-277 | Review of Robert M. Greenberg, Splintered Worlds: Fragmentation and the Ideal of Diversity in the Work of Emerson, Melville, Whitman, and DickinsonR. D. Gooderdoi:10.2307/3509182 | Cite |
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277-278 | | Cite |
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278-280 | Review of Millicent Bell, The Cambridge Companion to Edith WhartonJanet Beerdoi:10.2307/3509184 | Cite |
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280 | | Cite |
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281-282 | Review of Herbert F. Smith, The Locus of Meaning: Six Hyperdimensional FictionsMichael Kaufmanndoi:10.2307/3509186 | Cite |
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282-283 | Review of Eric Homberger, Scenes from the Life of a City: Corruption and Conscience in Old New YorkDonald B. Gibsondoi:10.2307/3509187 | Cite |
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283-284 | Review of Bill Christophersen, The Apparition in the Glass: Charles Brockden Brown's American GothicDouglas Andersondoi:10.2307/3509188 | Cite |
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284-285 | Review of Sally Ledger, Scott McCracken, Cultural Politics at the 'Fin de Siècle'Peter Faulknerdoi:10.2307/3509189 | Cite |
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286-287 | Review of Robert Dixon, Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914Kate Darian-Smithdoi:10.2307/3509190 | Cite |
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287-288 | Review of Robert S. Tilton, Pocahontas: The Evolution of an American NarrativeDavid Murraydoi:10.2307/3509191 | Cite |
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288-289 | Review of Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of CulturePaul Bishopdoi:10.2307/3509192 | Cite |
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289-290 | Review of Bruce Comens, Apocalypse and after: Modern Strategy and Postmodern Tactics in Pound, Williams, and ZukofskyRobert Casillodoi:10.2307/3509193 | Cite |
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290-291 | | Cite |
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291-293 | Review of Shamoon Zamir, Dark Voices: W. E. B. Du Bois and American Thought, 1888-1903Richard H. Kingdoi:10.2307/3509195 | Cite |
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293-294 | | Cite |
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294-295 | Review of Veronica Marie Gregg, Jean Rhys's Historical Imagination: Reading and Writing the CreoleCoral Ann Howellsdoi:10.2307/3509197 | Cite |
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295-296 | Review of Arnold E. Davidson, Coyote Country: Fictions of the Canadian WestPeter Easingwooddoi:10.2307/3509198 | Cite |
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296-297 | Review of Diane Dufva Quantic, The Nature of the Place: A Study of Great Plains FictionR. W. (Herbie) Butterfielddoi:10.2307/3509199 | Cite |
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298-299 | Review of Kurt Eisen, The Inner Strength of Opposites: O'Neill's Novelistic Drama and the Melodramatic ImaginationDiana Devlindoi:10.2307/3509200 | Cite |
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299-300 | Review of Patrick A. McCarthy, Forests of Symbols: World, Text, and Self in Malcolm Lowry's FictionPeter Easingwooddoi:10.2307/3509201 | Cite |
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300-301 | Review of Jerry Gafio Watts, Heroism and the Black Intellectual: Ralph Ellison, Politics, and Afro-American Intellectual LifeChristine MacLeoddoi:10.2307/3509202 | Cite |
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301-303 | | Cite |
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303-305 | Review of Michael G. Levine, Writing through Repression: Literature, Censorship, PsychoanalysisAlison Markdoi:10.2307/3509204 | Cite |
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305-307 | Review of Alan Warren Friedman, Fictional Death and the Modernist EnterprisePeter Faulknerdoi:10.2307/3509205 | Cite |
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307-308 | Review of Sandra Adell, Double-Consciousness/Double Bind: Theoretical Issues in Twentieth-Century Black LiteratureChristine MacLeoddoi:10.2307/3509206 | Cite |
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308-309 | Review of Maria H. Frawley, A Wider Range: Travel Writing by Women in Victorian EnglandCatherine Maxwelldoi:10.2307/3509207 | Cite |
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309-310 | Review of John Lowe, Jump at the Sun: Zora Neale Hurston's Cosmic ComedyChristine MacLeoddoi:10.2307/3509208 | Cite |
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310-311 | Review of Craig Hansen Werner, Playing the Changes: From Afro-Modernism to the Jazz ImpulseAlan Ricedoi:10.2307/3509209 | Cite |
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311-313 | Review of Aldon L. Nielsen, Writing between the Lines: Race and IntertextualityA. Robert Leedoi:10.2307/3509210 | Cite |
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313-314 | | Cite |
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314-316 | Review of Philip M. Weinstein, The Cambridge Companion to William FaulknerPamela Knightsdoi:10.2307/3509212 | Cite |
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316-317 | Review of Alan Filreis, Modernism from Right to Left: Wallace Stevens, the Thirties & Literary RadicalismPat Righelatodoi:10.2307/3509213 | Cite |
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317-319 | Review of Nancy R. Comley, Robert Scholes, Hemingway's Genders: Rereading the Hemingway TextLionel Kellydoi:10.2307/3509214 | Cite |
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319-320 | Review of Peter Halter, The Revolution in Visual Arts and the Poetry of William Carlos WilliamsStephen Mattersondoi:10.2307/3509215 | Cite |
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320-321 | Review of Frederick Buell, National Culture and the New Global SystemA. Robert Leedoi:10.2307/3509216 | Cite |
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322 | Review of Karl Kroeber, Ecological Literary Criticism: Romantic Imagining and the Biology of MindTerence Hoagwooddoi:10.2307/3509217 | Cite |
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323-325 | Review of Bernd Engler, Kurt Müller, Historiographic Metafiction in Modern American and Canadian LiteraturePeter Vernondoi:10.2307/3509218 | Cite |
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325-326 | Review of Roger Bowen, 'Many Histories Deep': The 'Personal Landscape' Poets in Egypt, 1940-45Bernard Bergonzidoi:10.2307/3509219 | Cite |
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326-327 | Review of Rena Fraden, Blueprints for a Black Federal Theatre, 1935-39Steven Pricedoi:10.2307/3509220 | Cite |
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328-329 | Review of Gregory D. Black, Hollywood Censored: Morality Codes, Catholics, and the MoviesRichard Maltbydoi:10.2307/3509221 | Cite |
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329-330 | Review of Susan R. Horton, Difficult Women, Artful Lives: Olive Schreiner and Isak Dinesen, in and out of AfricaStephanie Newelldoi:10.2307/3509222 | Cite |
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330-331 | | Cite |
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331-332 | | Cite |
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332-333 | Review of Warner Berthoff, American Trajectories: Authors and Readings, 1790-1970R. W. (Herbie) Butterfielddoi:10.2307/3509225 | Cite |
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333-335 | Review of Phyllis Frus, The Politics and Poetics of Journalistic Narrative: The Timely and the TimelessCaroline Levinedoi:10.2307/3509226 | Cite |
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335-336 | Review of Ajay Heble, The Tumble of Reason: Alice Munro's Discourse of AbsenceColin Nicholsondoi:10.2307/3509227 | Cite |
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336-337 | Review of Richard Foulkes, Scenes from Provincial Stages: Essays in Honour of Kathleen BarkerJohn Orrelldoi:10.2307/3509228 | Cite |
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337-338 | Review of Karen Laughlin, Catherine Schuler, Theatre and Feminist AestheticsDiana Devlindoi:10.2307/3509229 | Cite |
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338-339 | Review of William G. Doty, Picturing Cultural Values in Postmodern AmericaLaura Chernaikdoi:10.2307/3509230 | Cite |
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339-340 | | Cite |
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340-341 | | Cite |
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341-342 | Review of Judie Newman, The Ballistic Bard: Postcolonial FictionsJames Boothdoi:10.2307/3509233 | Cite |
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