Non-Standard Englishes and the New Media

Andrew Gurr

Non-Standard Englishes and the New Media

Edited by Andrew Gurr

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Booksellers & libraries:
ipage® at Ingram

Yearbook of English Studies 25

W. S. Maney & Son Ltd for the Modern Humanities Research Association

1 January 1995 • 360pp

ISBN: 0-901286-46-X (paperback)

Access online: At JSTOR

ContemporaryEnglishLinguisticsFilm

Contents:

x	Editorial Note Andrew Gurr doi:10.2307/3508813	Cite
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1-5	Preface Andrew Gurr doi:10.2307/3508814	Cite
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6-21	Speech and Writing: An Historical Overview N. F. Blake doi:10.2307/3508815	Cite
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22-40	Add Context and Stir, or, the Sadness of Grendel: Thoughts on Early Modern Orality and Literacy Linda Woodbridge doi:10.2307/3508816	Cite
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41-62	Scribes and Hypertext David Burnley doi:10.2307/3508817	Cite
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63-79	Interactive Parchment: The Theory and Practice of Medieval English Aurality Joyce Coleman doi:10.2307/3508818	Cite
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80-102	Transcribing Märchen for the Eye and for the Ear: Theory and Practice in the United States William Bernard McCarthy doi:10.2307/3508819	Cite
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103-113	Bunting's Northumbrian Tongue: Against the Monument of the Centre Stefan Hawlin doi:10.2307/3508820	Cite
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114-127	Fictions of Speech: Literature and the Literate Speaker in the Nineteenth-Century Novel Lynda Mugglestone doi:10.2307/3508821	Cite
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128-140	Dickens's Comic Speech: Inventing the Self David Gervais doi:10.2307/3508822	Cite
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141-155	Alien Voices from the Street: Demotic Modernism in Modern Scots Writing Roderick Watson doi:10.2307/3508823	Cite
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156-162	Creole in Literature: Beyond Verisimilitude: Texture and Varieties: Derek Walcott John J. Figueroa doi:10.2307/3508824	Cite
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163-172	'I decompose but I composing still': Derek Walcott and 'The Spoiler's Return' John Thieme doi:10.2307/3508825	Cite
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173-198	Tempo's Sickle: Rapping, Zapping, Toasting, and Trekking through History in Black British Drama Keir Elam doi:10.2307/3508826	Cite
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199-212	Representing and Interpreting Literature by Computer David D. Miall doi:10.2307/3508827	Cite
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213-224	The Discourse of Computer-Supported Media: Reading and Writing on Usenet Paul Delany doi:10.2307/3508828	Cite
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225-227	Review of Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media Richard Gray doi:10.2307/3508829	Cite
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227-228	Review of Steven Connor, Theory and Cultural Value Colin Nicholson doi:10.2307/3508830	Cite
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228-229	Review of David Lyle Jeffrey, A Dictionary of Biblical Tradition in English Literature David Daniell doi:10.2307/3508831	Cite
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229-230	Review of John Guillory, Cultural Capital: The Problem of Literary Canon Formation David Punter doi:10.2307/3508832	Cite
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231-232	Review of Clare Regan Kinney, Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot Jeremy Tambling doi:10.2307/3508833	Cite
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232-233	Review of Susan Derwin, The Ambivalence of Form: Lukács, Freud, and the Novel Jeremy Tambling doi:10.2307/3508834	Cite
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233-234	Review of Carol Jacobs, Telling Time: Levi-Strauss, Ford, Lessing, Benjamin, de Man, Wordsworth, Rilke Pat Righelato doi:10.2307/3508835	Cite
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234-235	Review of Paul A. Bové, In the Wake of Theory Hans Bertens doi:10.2307/3508836	Cite
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235-236	Review of Ortwin de Graef, Serenity on Crisis: A Preface to Paul de Man, 1939-1960 Jeremy Tambling doi:10.2307/3508837	Cite
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237-238	Review of Margaret J. M. Ezell, Writing Women's Literary History Siv Jansson doi:10.2307/3508838	Cite
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238-239	Review of Francis-Noël Thomas, The Writer Writing: Philosophic Acts in Literature John Stokes doi:10.2307/3508839	Cite
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239-241	Review of Stephanie Hollis, Anglo-Saxon Women and the Church: Sharing a Common Fate Frances Beer doi:10.2307/3508840	Cite
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241-242	Review of Anne L. Klinck, The Old English Elegies: A Critical Edition and Genre Study David J. Williams doi:10.2307/3508841	Cite
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242-244	Review of John W. Conlee, Middle English Debate Poetry: A Critical Anthology David J. Williams doi:10.2307/3508842	Cite
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244-245	Review of Marion Glasscoe, English Medieval Mystics: Games of Faith Helen Phillips doi:10.2307/3508843	Cite
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246-247	Review of Marion Glasscoe, The Medieval Mystical Tradition in England: Exeter Symposium V: Papers Read at the Devon Centre, Dartington Hall, July 1992 Frances Beer doi:10.2307/3508844	Cite
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247-250	Review of Seth Lerer, Chaucer and His Readers: Imagining the Author in Late-Medieval England Derek Pearsall doi:10.2307/3508845	Cite
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250-251	Review of Barbara Nolan, Chaucer and the Tradition of the 'Roman Antique' Nick Havely doi:10.2307/3508846	Cite
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251-252	Review of Barry Windeatt, Troilus and Criseyde John M. Fyler doi:10.2307/3508847	Cite
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252-254	Review of Richard Barber, Arthurian Literature, XI John Withrington doi:10.2307/3508848	Cite
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254-255	Review of David Mills, The Chester Mystery Cycle: A New Edition with Modernised Spelling Peter Meredith doi:10.2307/3508849	Cite
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255-256	Review of Hans-Jürgen Diller, Frances Wessels, The Middle English Mystery Play: A Study in Dramatic Speech and Form Peter Meredith doi:10.2307/3508850	Cite
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257	Review of Clifford Davidson, John H. Stroupe, Iconographic and Comparative Studies in Medieval Drama Peter Meredith doi:10.2307/3508851	Cite
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257-258	Review of Michael Bath, John Manning, Alan R. Young, The Art of the Emblem: Essays in Honor of Karl Josef Höltgen C. W. R. D. Moseley doi:10.2307/3508852	Cite
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258-259	Review of Michael Leslie, Timothy Raylor, Culture and Cultivation in Early Modern England: Writing and the Land Thomas Woodman doi:10.2307/3508853	Cite
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259-260	Review of Paul Whitfield White, Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England Greg Walker doi:10.2307/3508854	Cite
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260-261	Review of William Ingram, The Business of Playing: The Beginnings of the Adult Professional Theatre in Elizabethan London John Orrell doi:10.2307/3508855	Cite
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261-262	Review of Michael R. G. Spiller, The Development of the Sonnet: An Introduction Thomas Healy doi:10.2307/3508856	Cite
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262-264	Review of Elizabeth D. Harvey, Ventriloquized Voices: Feminist Theory and English Renaissance Texts Jeanne Addison Roberts doi:10.2307/3508857	Cite
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264-265	Review of S. P. Cerasano, Marion Wynne-Davies, Gloriana's Face: Women, Public and Private, in the English Renaissance Anthea Hume doi:10.2307/3508858	Cite
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265-266	Review of Richard Rambuss, Spenser's Secret Career Andrew Hadfield doi:10.2307/3508859	Cite
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266-267	Review of Donna B. Hamilton, Shakespeare and the Politics of Protestant England Anthea Hume doi:10.2307/3508860	Cite
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267-268	Review of Douglas Bruster, Drama and the Market in the Age of Shakespeare John D. Cox doi:10.2307/3508861	Cite
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268-269	Review of Jay L. Halio, William Shakespeare, The Tragedy of King Lear MacD. P. Jackson doi:10.2307/3508862	Cite
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270-271	Review of R. A. Foakes, 'Hamlet' versus 'Lear': Cultural Politics and Shakespeare's Art Line Pouchard doi:10.2307/3508863	Cite
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271-272	Review of David Haley, Shakespeare's Courtly Mirror: Reflexivity and Prudence in 'All's Well That Ends Well' Peggy Muñoz Simonds doi:10.2307/3508864	Cite
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272-273	Review of Boika Sokolova, Shakespeare's Romances as Interrogative Texts: Their Alienation Strategies and Ideology C. B. Hardman doi:10.2307/3508865	Cite
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273-274	Review of Peggy Muñoz Simonds, Myth, Emblem, and Music in Shakespeare's 'Cymbeline': An Iconographic Reconstruction Marion Lomax doi:10.2307/3508866	Cite
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274-276	Review of Gary Taylor, John Jowett, Shakespeare Reshaped, 1606-1623 MacD. P. Jackson doi:10.2307/3508867	Cite
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276-278	Review of Michael Dobson, The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769 Margreta de Grazia doi:10.2307/3508868	Cite
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278-279	Review of Samuel Crowl, Shakespeare Observed: Studies in Performance on Stage and Screen Russell Jackson doi:10.2307/3508869	Cite
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279-280	Review of William Flesch, Generosity and the Limits of Authority: Shakespeare, Herbert, Milton Thomas Healy doi:10.2307/3508870	Cite
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280-281	Review of Barbara Kiefer Lewalski, Writing Women in Jacobean England Anna Beer doi:10.2307/3508871	Cite
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281-284	Review of John T. Shawcross, John Milton: The Self and the World; Lucy Newlyn, 'Paradise Lost' and the Romantic Reader Martin Dzelzainis doi:10.2307/3508872	Cite
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284-285	Review of Thomas M. Davis, A Reading of Edward Taylor Henry Claridge doi:10.2307/3508873	Cite
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285-287	Review of Peter Beal, Index of English Literary Manuscripts. Vol. II. 1625-1700. Part 2. Lee--Wycherley Keith Walker doi:10.2307/3508874	Cite
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287-288	Review of Phillip Harth, Pen for a Party: Dryden's Tory Propaganda in Its Contexts James Ogden doi:10.2307/3508875	Cite
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288-289	Review of Marianne Thormählen, Rochester: The Poems in Context Keith Walker doi:10.2307/3508876	Cite
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289-291	Review of Ros Ballaster, Seductive Forms: Women's Amatory Fiction from 1684 to 1740 John Richetti doi:10.2307/3508877	Cite
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291-292	Review of Laura Brown, Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature Carolyn D. Williams doi:10.2307/3508878	Cite
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292-293	Review of Carolyn D. Williams, Pope, Homer, and Manliness: Some Aspects of Eighteenth-Century Classical Learning David Fairer doi:10.2307/3508879	Cite
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293	Review of Gregory C. Colomb, Designs on Truth: The Poetics of the Augustan Mock-Epic Brean Hammond doi:10.2307/3508880	Cite
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294	Review of Lincoln B. Faller, Crime and Defoe: A New Kind of Writing Brean Hammond doi:10.2307/3508881	Cite
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295	Review of Robert Crawford, Devolving English Literature Alan Riach doi:10.2307/3508882	Cite
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296-297	Review of Robert DeMaria, Jr., The Life of Samuel Johnson: A Critical Biography Allan Ingram doi:10.2307/3508883	Cite
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297-298	Review of Pat Rogers, Samuel Johnson, James Boswell, Johnson and Boswell in Scotland: A Journey to the Hebrides Allan Ingram doi:10.2307/3508884	Cite
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298-299	Review of Edward A. Bloom, Lillian D. Bloom, Hester Lynch Piozzi, The Piozzi Letters. Correspondence of Hester Lynch Piozzi, 1784-1821. Volume 3. 1799-1804 Allan Ingram doi:10.2307/3508885	Cite
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299-300	Review of Morris Eaves, The Counter-Arts Conspiracy: Art and Industry in the Age of Blake Brian Wilkie doi:10.2307/3508886	Cite
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300-301	Review of Steven Goldsmith, Unbuilding Jerusalem: Apocalypse and Romantic Representation Catherine Maxwell doi:10.2307/3508887	Cite
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301-302	Review of David Worrall, Radical Culture: Discourse, Resistance and Surveillance, 1790-1820 John Lucas doi:10.2307/3508888	Cite
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302-303	Review of James Butler, Karen Green, William Wordsworth, 'Lyrical Ballads' and Other Poems, 1797-1800 by William Wordsworth Jonathan Bate doi:10.2307/3508889	Cite
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303-304	Review of Pamela Clemit, The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley Allan Ingram doi:10.2307/3508890	Cite
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304-305	Review of Anne D. Wallace, Walking, Literature, and English Culture: The Origins and Uses of Peripatetic in the Nineteenth Century David Punter doi:10.2307/3508891	Cite
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305-307	Review of John Rignall, Realist Fiction and the Strolling Spectator David Punter doi:10.2307/3508892	Cite
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307-309	Review of Leona Toker, Eloquent Reticence: Withholding Information in Fictional Narrative Pamela Knights doi:10.2307/3508893	Cite
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309-310	Review of Ian Duncan, Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens David H. Richter doi:10.2307/3508894	Cite
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310-311	Review of Janet Gezari, Charlotte Brontë and Defensive Conduct: The Author and the Body at Risk Siv Jansson doi:10.2307/3508895	Cite
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311-312	Review of George Miller, Hugoe Matthews, Richard Jefferies: A Bibliographical Study Joseph Natoli doi:10.2307/3508896	Cite
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312-313	Review of Tony Tanner, Venice Desired Rosa Maria Colombo doi:10.2307/3508897	Cite
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314-315	Review of Adeline R. Tintner, Henry James and the Lust of the Eyes: Thirteen Artists in His Work Nicola Bradbury doi:10.2307/3508898	Cite
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315-317	Review of Bruce Henricksen, Nomadic Voices: Conrad and the Subject of Narrative David Punter doi:10.2307/3508899	Cite
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317-318	Review of Anne Fernihough, D. H. Lawrence: Aesthetics and Ideology Macdonald Daly doi:10.2307/3508900	Cite
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318-320	Review of Vincent Sherry, Ezra Pound, Wyndham Lewis, and Radical Modernism Robert Casillo doi:10.2307/3508901	Cite
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320-321	Review of Dario Calimani, Fuori dall'Eden: Teatro Inglese Moderno Margaret Rose doi:10.2307/3508902	Cite
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321	Review of Guy Willoughby, Art and Christhood: The Aesthetics of Oscar Wilde John Stokes doi:10.2307/3508903	Cite
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322-323	Review of Adrian Caesar, Taking It like a Man: Suffering, Sexuality and the War Poets. Brooke, Sassoon, Owen, Graves Sebastian D. G. Knowles doi:10.2307/3508904	Cite
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323-324	Review of Randall Stevenson, Modernist Fiction: An Introduction Clare Hanson doi:10.2307/3508905	Cite
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324-325	Review of Peggy Phelan, Unmarked: The Politics of Performance Diana Devlin doi:10.2307/3508906	Cite
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325-326	Review of Jerome McGann, Black Riders: The Visible Language of Modernism Stephen Matterson doi:10.2307/3508907	Cite
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326-327	Review of Bernard Bergonzi, Wartime and Aftermath: English Literature and Its Background 1939-1960 Peter Faulkner doi:10.2307/3508908	Cite
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327-328	Review of W. N. Herbert, To Circumjack MacDiarmid: The Poetry and Prose of Hugh MacDiarmid Alan Riach doi:10.2307/3508909	Cite
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328-330	Review of Rubin Rabinovitz, Innovation in Samuel Beckett's Fiction John Pilling doi:10.2307/3508910	Cite
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330-331	Review of Christopher Ricks, Beckett's Dying Words John Pilling doi:10.2307/3508911	Cite
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331-332	Review of Susan R. Van Dyne, Revising Life: Sylvia Plath's Ariel Poems Stephen Matterson doi:10.2307/3508912	Cite
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332-333	Review of Michael Parker, Seamus Heaney: The Making of the Poet Sidney Burris doi:10.2307/3508913	Cite
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333-334	Review of Jerome Loving, Lost in the Customhouse: Authorship in the American Renaissance James Hurt doi:10.2307/3508914	Cite
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334-336	Review of T. Walter Herbert, Dearest Beloved: The Hawthornes and the Making of the Middle-Class Family Douglas Anderson doi:10.2307/3508915	Cite
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336-337	Review of Ann-Janine Morey, Religion and Sexuality in American Literature Helen Carr doi:10.2307/3508916	Cite
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337-338	Review of Donald Pizer, The Theory and Practice of American Literary Naturalism: Selected Essays and Reviews R. W. (Herbie) Butterfield doi:10.2307/3508917	Cite
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338-339	Review of Diane Price Herndl, Invalid Women: Figuring Feminine Illness in American Fiction and Culture, 1840-1940 Margaret Dickie doi:10.2307/3508918	Cite
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339-341	Review of Thomas S. Gladsky, Princes, Peasants, and Other Polish Selves: Ethnicity in American Literature A. Robert Lee doi:10.2307/3508919	Cite
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341-342	Review of Philip Young, The Private Melville R. W. (Herbie) Butterfield doi:10.2307/3508920	Cite
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342-343	Review of James W. Tuttleton, Kristin O. Lauer, Margaret P. Murray, Edith Wharton: The Contemporary Reviews Janet Beer Goodwyn doi:10.2307/3508921	Cite
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343-344	Review of Philip C. Kolin, Confronting Tennessee Williams's a Streetcar Named Desire: Essays in Critical Pluralism Diana Devlin doi:10.2307/3508922	Cite
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344-346	Review of John Cullen Gruesser, White on Black: Contemporary Literature about Africa Stefan Hawlin doi:10.2307/3508923	Cite
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346-347	Review of C. C. Barfoot, Theo D'Haen, Shades of Empire: In Colonial and Post-Colonial Literatures Angela Smith doi:10.2307/3508924	Cite
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347-348	Review of Nathaniel Mackey, Discrepant Engagement: Dissonance, Cross-Culturality and Experimental Writing Alan Rice doi:10.2307/3508925	Cite
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348-349	Review of M. Wynn Thomas, Internal Difference: Twentieth-Century Writing in Wales Tony Conran doi:10.2307/3508926	Cite
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349-350	Review of David Ketterer, Canadian Science Fiction and Fantasy Coral Ann Howells doi:10.2307/3508927	Cite
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Cite this volume in standard MHRA style

Bibliography entry:

Gurr, Andrew (ed.), Non-Standard Englishes and the New Media (= Yearbook of English Studies, 25.1 (1995))

First footnote reference: ³⁵ Non-Standard Englishes and the New Media, ed. by Andrew Gurr (= Yearbook of English Studies, 25.1 (1995)), p. 21.

Subsequent footnote reference: ³⁷ Gurr, p. 47.

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Cite this volume in MHRA author-date style

Bibliography entry:

Gurr, Andrew (ed.). 1995. Non-Standard Englishes and the New Media (= Yearbook of English Studies, 25.1)

Example citation: ‘A quotation occurring on page 21 of this work’ (Gurr 1995: 21).

Example footnote reference: ³⁵ Gurr 1995: 21.

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This title was first published by W. S. Maney & Son Ltd for the Modern Humanities Research Association but rights to it are now held by Modern Humanities Research Association.

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