Ethnicity and Representation in American Literature

Edited by Andrew Gurr

Yearbook of English Studies 24

W. S. Maney & Son Ltd for the Modern Humanities Research Association

1 January 1994  •  374pp

ISBN: 0-901286-34-6 (paperback)

Access online: At JSTOR

EnglishFiction


Contents:

1-11
'Dah you is, settin' down, lookin' jis' like w'ite folks!': Ethnicity Enacted in Kate Chopin's Short Fiction
Janet Beer Goodwyn
doi:10.2307/3507879
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12-43
Re-Writing America: Origin and Gender in Willa Cather's 'The Professor's House'
Ian F. A. Bell
doi:10.2307/3507880
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44-58
Race and Class in Elizabeth Bishop's Poetry
Margaret Dickie
doi:10.2307/3507881
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59-66
'If Jesus was supposed to be a Jew, how come he's got a Mexican name?'
Jacqueline Kaye
doi:10.2307/3507882
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67-93
Representing Ethnicity in Autobiography: Narratives of Opposition
Betty Ann Bergland
doi:10.2307/3507883
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94-104
Passing in the Fiction of Jessie Redmon Fauset and Nella Larsen
Mary Condé
doi:10.2307/3507884
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105-116
Finger-Snapping to Train-Dancing and Back Again: The Development of a Jazz Style in African American Prose
Alan Rice
doi:10.2307/3507885
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117-145
Jazz in the Poetry of Amiri Baraka and Roy Fisher
Mary Ellison
doi:10.2307/3507886
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146-156
Bernard Malamud and the Jews: An Ambiguous Relationship
Edward A. Abramson
doi:10.2307/3507887
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157-171
'In blood, in blood thou shalt remember': David Mamet's 'Marranos'
Leslie Kane
doi:10.2307/3507888
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172-179
'And this strength is in me still': Embodying Memory in Works by Jewish Women Performance Artists
Deborah R. Geis
doi:10.2307/3507889
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180-192
Pictorialist Elements in Edward S. Curtis's Photographic Representation of American Indians
Mick Gidley
doi:10.2307/3507890
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193-212
American Primitives
Helen Carr
doi:10.2307/3507891
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213-227
Crossblood Strategies in the Writings of Gerald Vizenor
David Murray
doi:10.2307/3507892
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228-236
The Construction of Gender and Ethnicity in the Texts of Leslie Silko and Louise Erdrich
Susan Castillo
doi:10.2307/3507893
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237-250
(Dis)figuration: The Body as Icon in the Writings of Maxine Hong Kingston
Deborah L. Madsen
doi:10.2307/3507894
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251-262
Ethnic Subject, Ethnic Sign, and the Difficulty of Rehabilitative Representation: Chinatown in Some Works of Chinese American Fiction
Sau-Ling Cynthia Wong
doi:10.2307/3507895
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263-280
Eat a Bowl of Tea: Asian America in the Novels of Gish Jen, Cynthia Kadohata, Kim Ronyoung, Jessica Hagedorn, and Tran Van Dinh
A. Robert Lee
doi:10.2307/3507896
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281-282
Review of W. F. Bolton, Shakespeare's English: Language in the History Plays
N. F. Blake
doi:10.2307/3507897
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282-283
Review of William J. Scheick, Design in Puritan American Literature
Henry Claridge
doi:10.2307/3507898
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283-284
Review of Kenneth W. Graham, The Politics of Narrative: Ideology and Social Change in William Godwin's 'Caleb Williams'
John Mullan
doi:10.2307/3507899
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284-287
Review of Janis P. Stout, Strategies of Reticence: Silence and Meaning in the Works of Jane Austen, Willa Cather, Katherine Anne Porter, and Joan Didion
Robert Nelson
doi:10.2307/3507900
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287-288
Review of Roger Gard, Jane Austen's Novels: The Art of Clarity
James Thompson
doi:10.2307/3507901
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288-289
Review of Robert Gittings, Jo Manton, Claire Clairmont and the Shelleys: 1798-1879
Catherine Maxwell
doi:10.2307/3507902
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289-290
Review of James Hurt, Writing Illinois: The Prairie, Lincoln, and Chicago
R. W. (Herbie) Butterfield
doi:10.2307/3507903
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291-292
Review of Michael Millgate, Testamentary Acts: Browning, Tennyson, James, Hardy
Clyde de L. Ryals
doi:10.2307/3507904
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292-293
Review of Gerhard Joseph, Tennyson and the Text: The Weaver's Shuttle
Catherine Maxwell
doi:10.2307/3507905
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293-294
Review of Patricia Ingham, Dickens, Women and Language
Siv Jansson
doi:10.2307/3507906
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294-295
Review of Alison Booth, Greatness Engendered: George Eliot and Virginia Woolf
Rosemary D. Ashton
doi:10.2307/3507907
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295-296
Review of Dana Brand, The Spectator and the City in Nineteenth-Century American Literature
James Hurt
doi:10.2307/3507908
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296-298
Review of Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century America
James Hurt
doi:10.2307/3507909
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298-299
Review of Peter Stoneley, Mark Twain and the Feminine Aesthetic
Janet Beer Goodwyn
doi:10.2307/3507910
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299-300
Review of Joel Porte, In Respect to Egotism: Studies in American Romantic Writing
Douglas Anderson
doi:10.2307/3507911
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300-301
Review of Mark Bauerlein, Whitman and the American Idiom
Jeffrey Walker
doi:10.2307/3507912
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301-302
Review of Judith Farr, The Passion of Emily Dickinson
Lionel Kelly
doi:10.2307/3507913
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302-303
Review of Sharon M. Harris, Rebecca Harding Davis and American Realism
Janet Beer Goodwyn
doi:10.2307/3507914
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303-304
Review of Joseph Litvak, Caught in the Act: Theatricality in the Nineteenth-Century English Novel
Marisa Sestito
doi:10.2307/3507915
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305
Review of Paula Marantz Cohen, The Daughter's Dilemma: Family Process and the Nineteenth-Century Domestic Novel
Catherine Maxwell
doi:10.2307/3507916
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306-307
Review of John Russell Stephens, The Profession of the Playwright: British Theatre 1800-1900
John Stokes
doi:10.2307/3507917
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307-308
Review of Priscilla L. Walton, The Disruption of the Feminine in Henry James
Nicola Bradbury
doi:10.2307/3507918
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308-309
Review of Adeline R. Tintner, The Cosmopolitan World of Henry James: An Intertextual Study
Philip Horne
doi:10.2307/3507919
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309-310
Review of Robert Dawidoff, The Genteel Tradition and the Sacred Rage: High Culture vs. Democracy in Adams, James, & Santayana
Louise K. Barnett
doi:10.2307/3507920
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310-311
Review of Gloria C. Erlich, The Sexual Education of Edith Wharton
Janet Beer Goodwyn
doi:10.2307/3507921
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311-312
Review of Sheila Stowell, A Stage of Their Own: Feminist Playwrights of the Suffrage Era
John Stokes
doi:10.2307/3507922
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312-314
Review of Norman White, Hopkins: A Literary Biography
Peter Faulkner
doi:10.2307/3507923
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314-315
Review of Brian Arkins, Builders of My Soul: Greek and Roman Themes in Yeats
Thomas R. Whitaker
doi:10.2307/3507924
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315-317
Review of Michael North, The Political Aesthetic of Yeats, Eliot, and Pound
Robert Casillo
doi:10.2307/3507925
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317-318
Review of Steve Ellis, The English Eliot: Design, Language and Landscape in 'Four Quartets'
Bernard Bergonzi
doi:10.2307/3507926
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318-319
Review of Robert F. Fleissner, T. S. Eliot and the Heritage of Africa: The Magus and the Moor as Metaphor
Robert Crawford
doi:10.2307/3507927
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319-320
Review of Jean-Michel Rabate, James Joyce, Authorized Reader
Patrick McGee
doi:10.2307/3507928
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321-322
Review of Pamela L. Caughie, Virgina Woolf & Postmodernism: Literature in Quest & Question of Itself
Clare Hanson
doi:10.2307/3507929
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322-323
Review of S. P. Rosenbaum, Women and Fiction: The Manuscript Versions of 'A Room of One's Own'
Clare Hanson
doi:10.2307/3507930
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323-324
Review of Dianne Chisholm, H. D.'s Freudian Poetics: Psychoanalysis in Translation
Margaret Dickie
doi:10.2307/3507931
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324-326
Review of Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spenser, Synge, Pound, Joyce; Caterina Ricciardi, EIKONES: Ezra Pound e il Rinascimento
Massimo Bacigalupo
doi:10.2307/3507932
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326-327
Review of Scott Hamilton, Ezra Pound and the Symbolist Inheritance
Robert Casillo
doi:10.2307/3507933
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327-329
Review of Christopher Beach, ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition
Ian F. A. Bell
doi:10.2307/3507934
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329-330
Review of Lawrence S. Rainey, Ezra Pound and the Monument of Culture: Text, History and the Malatesta Cantos
Stephen Matterson
doi:10.2307/3507935
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330-331
Review of Virginia Hyde, The Risen Adam: D. H. Lawrence's Revisionist Typology
Macdonald Daly
doi:10.2307/3507936
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331-332
Review of John Powell Ward, The English Line: Poetry of the Unpoetic from Wordsworth to Larkin
John Lucas
doi:10.2307/3507937
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333-334
Review of Alan Filreis, Wallace Stevens and the Actual World
Pat Righelato
doi:10.2307/3507938
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334-335
Review of Roger Gilbert, Walks in the World: Representation and Experience in Modern American Poetry
Stephen Matterson
doi:10.2307/3507939
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335-336
Review of Thomas C. Grey, The Wallace Stevens Case: Law and the Practice of Poetry
Pat Righelato
doi:10.2307/3507940
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336-337
Review of Mark Halliday, Stevens and the Inter-Personal
Lionel Kelly
doi:10.2307/3507941
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337-338
Review of Gwyn Jones, Background to Dylan Thomas and Other Explorations
Philip Hobsbaum
doi:10.2307/3507942
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338-339
Review of Philip M. Weinstein, Faulkner's Subject. A Cosmos No One Owns
Pamela Knights
doi:10.2307/3507943
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339-341
Review of Sylvia Jenkins Cook, Erskine Caldwell and the Fiction of Poverty: The Flesh and the Spirit
David Seed
doi:10.2307/3507944
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341-342
Review of Coral Ann Howells, Jean Rhys
Angela Smith
doi:10.2307/3507945
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342-343
Review of Peter Makin, Bunting: The Shaping of His Verse
A. D. Moody
doi:10.2307/3507946
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343-344
Review of Robyn Marsack, Sylvia Plath
Stephen Matterson
doi:10.2307/3507947
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344-345
Review of Bruce Bennett, Spirit in Exile: Peter Porter and His Poetry
Martin Gray
doi:10.2307/3507948
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345-346
Review of Brenda Murphy, Tennessee Williams and Elia Kazan: A Collaboration in the Theatre
Lionel Kelly
doi:10.2307/3507949
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346-347
Review of Deborah L. Madsen, The Postmodernist Allegories of Thomas Pynchon
Elaine B. Safer
doi:10.2307/3507950
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347-349
Review of Jerome Klinkowitz, Structuring the Void: The Struggle for Subject in Contemporary American Fiction
Pauline Sarll
doi:10.2307/3507951
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349-350
Review of Lorrie Goldensohn, Elizabeth Bishop: The Biography of a Poetry
Lionel Kelly
doi:10.2307/3507952
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350-351
Review of Charles O. Hartman, Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song
Alan Rice
doi:10.2307/3507953
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351-352
Review of Gayl Jones, Liberating Voices: Oral Tradition in African American Literature
Mary Ellison
doi:10.2307/3507954
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352-353
Review of David L. Dudley, My Father's Shadow: Intergenerational Conflict in African American Men's Autobiography
John White
doi:10.2307/3507955
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353-354
Review of John Lennard, But I Digress: The Exploitation of Parentheses in English Printed Verse
Jeremy Tambling
doi:10.2307/3507956
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354-355
Review of Dominic Head, The Modernist Short Story: A Study in Theory and Practice
Clare Hanson
doi:10.2307/3507957
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355-356
Review of Glenwood Irons, Gender, Language and Myth: Essays on Popular Narrative
Jonathan Bignell
doi:10.2307/3507958
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356-357
Review of Nancy Gray, Language Unbound: On Experimental Writing by Women
Marion Wynne-Davies
doi:10.2307/3507959
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357-359
Review of Alan Sinfield, Faultlines: Cultural Materialism and the Politics of Dissident Reading
Robin Headlam Wells
doi:10.2307/3507960
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359-360
Review of Sue-Ellen Case, Janelle Reinelt, The Performance of Power: Theatrical Discourse and Politics
Diana Devlin
doi:10.2307/3507961
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360-361
Review of Bainard Cowan, Joseph G. Kronick, Theorizing American Literature: Hegel, the Sign, and History
David Murray
doi:10.2307/3507962
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361-362
Review of Sylvia Söderlind, Margin/Alias: Language and Colonization in Canadian and Québécois Fiction
Peter Easingwood
doi:10.2307/3507963
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362-363
Review of Smaro Kamboureli, On the Edge of Genre: The Contemporary Canadian Long Poem
Peter Easingwood
doi:10.2307/3507964
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363-364
Review of Javed Majeed, Ungoverned Imaginings: James Mill's 'The History of British India' and Orientalism
Robert Fraser
doi:10.2307/3507965
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364-366
Review of Errol Hill, The Jamaican Stage: 1655-1900. Profile of a Colonial Theatre
John Thieme
doi:10.2307/3507966
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Bibliography entry:

Gurr, Andrew (ed.), Ethnicity and Representation in American Literature (= Yearbook of English Studies, 24.1 (1994))

First footnote reference: 35 Ethnicity and Representation in American Literature, ed. by Andrew Gurr (= Yearbook of English Studies, 24.1 (1994)), p. 21.

Subsequent footnote reference: 37 Gurr, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Gurr, Andrew (ed.). 1994. Ethnicity and Representation in American Literature (= Yearbook of English Studies, 24.1)

Example citation: ‘A quotation occurring on page 21 of this work’ (Gurr 1994: 21).

Example footnote reference: 35 Gurr 1994: 21.

(To see how these citations were worked out, follow this link.)


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