W. S. Maney & Son Ltd for the Modern Humanities Research Association
1-11 | 'Dah you is, settin' down, lookin' jis' like w'ite folks!': Ethnicity Enacted in Kate Chopin's Short Fiction Janet Beer Goodwyndoi:10.2307/3507879 | Cite |
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12-43 | Re-Writing America: Origin and Gender in Willa Cather's 'The Professor's House' Ian F. A. Belldoi:10.2307/3507880 | Cite |
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44-58 | | Cite |
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59-66 | 'If Jesus was supposed to be a Jew, how come he's got a Mexican name?' Jacqueline Kayedoi:10.2307/3507882 | Cite |
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67-93 | Representing Ethnicity in Autobiography: Narratives of Opposition Betty Ann Berglanddoi:10.2307/3507883 | Cite |
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94-104 | | Cite |
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105-116 | Finger-Snapping to Train-Dancing and Back Again: The Development of a Jazz Style in African American Prose Alan Ricedoi:10.2307/3507885 | Cite |
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117-145 | | Cite |
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146-156 | | Cite |
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157-171 | 'In blood, in blood thou shalt remember': David Mamet's 'Marranos' Leslie Kanedoi:10.2307/3507888 | Cite |
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172-179 | 'And this strength is in me still': Embodying Memory in Works by Jewish Women Performance Artists Deborah R. Geisdoi:10.2307/3507889 | Cite |
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180-192 | Pictorialist Elements in Edward S. Curtis's Photographic Representation of American Indians Mick Gidleydoi:10.2307/3507890 | Cite |
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193-212 | | Cite |
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213-227 | | Cite |
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228-236 | The Construction of Gender and Ethnicity in the Texts of Leslie Silko and Louise Erdrich Susan Castillodoi:10.2307/3507893 | Cite |
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237-250 | (Dis)figuration: The Body as Icon in the Writings of Maxine Hong Kingston Deborah L. Madsendoi:10.2307/3507894 | Cite |
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251-262 | Ethnic Subject, Ethnic Sign, and the Difficulty of Rehabilitative Representation: Chinatown in Some Works of Chinese American Fiction Sau-Ling Cynthia Wongdoi:10.2307/3507895 | Cite |
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263-280 | Eat a Bowl of Tea: Asian America in the Novels of Gish Jen, Cynthia Kadohata, Kim Ronyoung, Jessica Hagedorn, and Tran Van Dinh A. Robert Leedoi:10.2307/3507896 | Cite |
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281-282 | Review of W. F. Bolton, Shakespeare's English: Language in the History PlaysN. F. Blakedoi:10.2307/3507897 | Cite |
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282-283 | Review of William J. Scheick, Design in Puritan American LiteratureHenry Claridgedoi:10.2307/3507898 | Cite |
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283-284 | Review of Kenneth W. Graham, The Politics of Narrative: Ideology and Social Change in William Godwin's 'Caleb Williams'John Mullandoi:10.2307/3507899 | Cite |
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284-287 | Review of Janis P. Stout, Strategies of Reticence: Silence and Meaning in the Works of Jane Austen, Willa Cather, Katherine Anne Porter, and Joan DidionRobert Nelsondoi:10.2307/3507900 | Cite |
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287-288 | Review of Roger Gard, Jane Austen's Novels: The Art of ClarityJames Thompsondoi:10.2307/3507901 | Cite |
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288-289 | Review of Robert Gittings, Jo Manton, Claire Clairmont and the Shelleys: 1798-1879Catherine Maxwelldoi:10.2307/3507902 | Cite |
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289-290 | Review of James Hurt, Writing Illinois: The Prairie, Lincoln, and ChicagoR. W. (Herbie) Butterfielddoi:10.2307/3507903 | Cite |
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291-292 | Review of Michael Millgate, Testamentary Acts: Browning, Tennyson, James, HardyClyde de L. Ryalsdoi:10.2307/3507904 | Cite |
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292-293 | Review of Gerhard Joseph, Tennyson and the Text: The Weaver's ShuttleCatherine Maxwelldoi:10.2307/3507905 | Cite |
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293-294 | | Cite |
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294-295 | Review of Alison Booth, Greatness Engendered: George Eliot and Virginia WoolfRosemary D. Ashtondoi:10.2307/3507907 | Cite |
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295-296 | Review of Dana Brand, The Spectator and the City in Nineteenth-Century American LiteratureJames Hurtdoi:10.2307/3507908 | Cite |
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296-298 | Review of Gillian Brown, Domestic Individualism: Imagining Self in Nineteenth-Century AmericaJames Hurtdoi:10.2307/3507909 | Cite |
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298-299 | Review of Peter Stoneley, Mark Twain and the Feminine AestheticJanet Beer Goodwyndoi:10.2307/3507910 | Cite |
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299-300 | Review of Joel Porte, In Respect to Egotism: Studies in American Romantic WritingDouglas Andersondoi:10.2307/3507911 | Cite |
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300-301 | | Cite |
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301-302 | | Cite |
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302-303 | Review of Sharon M. Harris, Rebecca Harding Davis and American RealismJanet Beer Goodwyndoi:10.2307/3507914 | Cite |
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303-304 | Review of Joseph Litvak, Caught in the Act: Theatricality in the Nineteenth-Century English NovelMarisa Sestitodoi:10.2307/3507915 | Cite |
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305 | Review of Paula Marantz Cohen, The Daughter's Dilemma: Family Process and the Nineteenth-Century Domestic NovelCatherine Maxwelldoi:10.2307/3507916 | Cite |
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306-307 | Review of John Russell Stephens, The Profession of the Playwright: British Theatre 1800-1900John Stokesdoi:10.2307/3507917 | Cite |
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307-308 | Review of Priscilla L. Walton, The Disruption of the Feminine in Henry JamesNicola Bradburydoi:10.2307/3507918 | Cite |
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308-309 | Review of Adeline R. Tintner, The Cosmopolitan World of Henry James: An Intertextual StudyPhilip Hornedoi:10.2307/3507919 | Cite |
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309-310 | Review of Robert Dawidoff, The Genteel Tradition and the Sacred Rage: High Culture vs. Democracy in Adams, James, & SantayanaLouise K. Barnettdoi:10.2307/3507920 | Cite |
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310-311 | Review of Gloria C. Erlich, The Sexual Education of Edith WhartonJanet Beer Goodwyndoi:10.2307/3507921 | Cite |
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311-312 | Review of Sheila Stowell, A Stage of Their Own: Feminist Playwrights of the Suffrage EraJohn Stokesdoi:10.2307/3507922 | Cite |
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312-314 | | Cite |
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314-315 | Review of Brian Arkins, Builders of My Soul: Greek and Roman Themes in YeatsThomas R. Whitakerdoi:10.2307/3507924 | Cite |
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315-317 | Review of Michael North, The Political Aesthetic of Yeats, Eliot, and PoundRobert Casillodoi:10.2307/3507925 | Cite |
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317-318 | Review of Steve Ellis, The English Eliot: Design, Language and Landscape in 'Four Quartets'Bernard Bergonzidoi:10.2307/3507926 | Cite |
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318-319 | Review of Robert F. Fleissner, T. S. Eliot and the Heritage of Africa: The Magus and the Moor as MetaphorRobert Crawforddoi:10.2307/3507927 | Cite |
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319-320 | | Cite |
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321-322 | Review of Pamela L. Caughie, Virgina Woolf & Postmodernism: Literature in Quest & Question of ItselfClare Hansondoi:10.2307/3507929 | Cite |
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322-323 | Review of S. P. Rosenbaum, Women and Fiction: The Manuscript Versions of 'A Room of One's Own'Clare Hansondoi:10.2307/3507930 | Cite |
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323-324 | Review of Dianne Chisholm, H. D.'s Freudian Poetics: Psychoanalysis in TranslationMargaret Dickiedoi:10.2307/3507931 | Cite |
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324-326 | Review of Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spenser, Synge, Pound, Joyce; Caterina Ricciardi, EIKONES: Ezra Pound e il RinascimentoMassimo Bacigalupodoi:10.2307/3507932 | Cite |
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326-327 | Review of Scott Hamilton, Ezra Pound and the Symbolist InheritanceRobert Casillodoi:10.2307/3507933 | Cite |
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327-329 | Review of Christopher Beach, ABC of Influence: Ezra Pound and the Remaking of American Poetic TraditionIan F. A. Belldoi:10.2307/3507934 | Cite |
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329-330 | Review of Lawrence S. Rainey, Ezra Pound and the Monument of Culture: Text, History and the Malatesta CantosStephen Mattersondoi:10.2307/3507935 | Cite |
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330-331 | Review of Virginia Hyde, The Risen Adam: D. H. Lawrence's Revisionist TypologyMacdonald Dalydoi:10.2307/3507936 | Cite |
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331-332 | Review of John Powell Ward, The English Line: Poetry of the Unpoetic from Wordsworth to LarkinJohn Lucasdoi:10.2307/3507937 | Cite |
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333-334 | | Cite |
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334-335 | Review of Roger Gilbert, Walks in the World: Representation and Experience in Modern American PoetryStephen Mattersondoi:10.2307/3507939 | Cite |
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335-336 | Review of Thomas C. Grey, The Wallace Stevens Case: Law and the Practice of PoetryPat Righelatodoi:10.2307/3507940 | Cite |
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336-337 | | Cite |
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337-338 | Review of Gwyn Jones, Background to Dylan Thomas and Other ExplorationsPhilip Hobsbaumdoi:10.2307/3507942 | Cite |
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338-339 | Review of Philip M. Weinstein, Faulkner's Subject. A Cosmos No One OwnsPamela Knightsdoi:10.2307/3507943 | Cite |
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339-341 | Review of Sylvia Jenkins Cook, Erskine Caldwell and the Fiction of Poverty: The Flesh and the SpiritDavid Seeddoi:10.2307/3507944 | Cite |
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341-342 | | Cite |
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342-343 | | Cite |
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343-344 | | Cite |
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344-345 | Review of Bruce Bennett, Spirit in Exile: Peter Porter and His PoetryMartin Graydoi:10.2307/3507948 | Cite |
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345-346 | Review of Brenda Murphy, Tennessee Williams and Elia Kazan: A Collaboration in the TheatreLionel Kellydoi:10.2307/3507949 | Cite |
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346-347 | Review of Deborah L. Madsen, The Postmodernist Allegories of Thomas PynchonElaine B. Saferdoi:10.2307/3507950 | Cite |
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347-349 | Review of Jerome Klinkowitz, Structuring the Void: The Struggle for Subject in Contemporary American FictionPauline Sarlldoi:10.2307/3507951 | Cite |
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349-350 | Review of Lorrie Goldensohn, Elizabeth Bishop: The Biography of a PoetryLionel Kellydoi:10.2307/3507952 | Cite |
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350-351 | Review of Charles O. Hartman, Jazz Text: Voice and Improvisation in Poetry, Jazz, and SongAlan Ricedoi:10.2307/3507953 | Cite |
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351-352 | Review of Gayl Jones, Liberating Voices: Oral Tradition in African American LiteratureMary Ellisondoi:10.2307/3507954 | Cite |
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352-353 | Review of David L. Dudley, My Father's Shadow: Intergenerational Conflict in African American Men's AutobiographyJohn Whitedoi:10.2307/3507955 | Cite |
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353-354 | Review of John Lennard, But I Digress: The Exploitation of Parentheses in English Printed VerseJeremy Tamblingdoi:10.2307/3507956 | Cite |
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354-355 | Review of Dominic Head, The Modernist Short Story: A Study in Theory and PracticeClare Hansondoi:10.2307/3507957 | Cite |
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355-356 | Review of Glenwood Irons, Gender, Language and Myth: Essays on Popular NarrativeJonathan Bignelldoi:10.2307/3507958 | Cite |
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356-357 | Review of Nancy Gray, Language Unbound: On Experimental Writing by WomenMarion Wynne-Daviesdoi:10.2307/3507959 | Cite |
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357-359 | Review of Alan Sinfield, Faultlines: Cultural Materialism and the Politics of Dissident ReadingRobin Headlam Wellsdoi:10.2307/3507960 | Cite |
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359-360 | Review of Sue-Ellen Case, Janelle Reinelt, The Performance of Power: Theatrical Discourse and PoliticsDiana Devlindoi:10.2307/3507961 | Cite |
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360-361 | Review of Bainard Cowan, Joseph G. Kronick, Theorizing American Literature: Hegel, the Sign, and HistoryDavid Murraydoi:10.2307/3507962 | Cite |
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361-362 | Review of Sylvia Söderlind, Margin/Alias: Language and Colonization in Canadian and Québécois FictionPeter Easingwooddoi:10.2307/3507963 | Cite |
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362-363 | Review of Smaro Kamboureli, On the Edge of Genre: The Contemporary Canadian Long PoemPeter Easingwooddoi:10.2307/3507964 | Cite |
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363-364 | Review of Javed Majeed, Ungoverned Imaginings: James Mill's 'The History of British India' and OrientalismRobert Fraserdoi:10.2307/3507965 | Cite |
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364-366 | Review of Errol Hill, The Jamaican Stage: 1655-1900. Profile of a Colonial TheatreJohn Thiemedoi:10.2307/3507966 | Cite |
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