1-29 | | Cite |
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30-45 | The Sacralizing Sign: Religion and Magic in Bale, Greene, and the Early Shakespeare Kurt Tetzeli Von Rosadordoi:10.2307/3507971 | Cite |
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46-64 | | Cite |
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65-79 | | Cite |
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80-92 | | Cite |
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93-110 | 'Silence, like a Lucrece knife': Shakespeare and the Meanings of Rape Carolyn D. Williamsdoi:10.2307/3507975 | Cite |
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111-125 | 'Willobie his Avisa' and 'The Passionate Pilgrim': Precedence, Parody, and Development John Roedoi:10.2307/3507976 | Cite |
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126-142 | | Cite |
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143-166 | Framing the Taming: Metatheatrical Awareness of Female Impersonation in 'The Taming of the Shrew' Michael Shapirodoi:10.2307/3507978 | Cite |
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167-188 | | Cite |
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189-205 | 'Trouble being gone, comfort should remain': Tranquillity and Discomfort in 'The Merchant of Venice' C. B. Hardmandoi:10.2307/3507980 | Cite |
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206-234 | | Cite |
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235-253 | | Cite |
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254-269 | | Cite |
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270-292 | 'In Everything Illegitimate': Imagining the Bastard in Renaissance Drama Michael Neilldoi:10.2307/3507984 | Cite |
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293-304 | | Cite |
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305-306 | Review of John Miles Foley, Traditional Oral Epic: The 'Odyssey', 'Beowulf', and the Serbo-Croatian Return SongAndrew Taylordoi:10.2307/3507986 | Cite |
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306-308 | | Cite |
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308-309 | Review of Rainer Holtei, Norm und Spiel in 'The Owl and the Nightingale'N. F. Blakedoi:10.2307/3507988 | Cite |
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309-310 | Review of Muriel Whitaker, The Legends of King Arthur in ArtChristine Poulsondoi:10.2307/3507989 | Cite |
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310-311 | Review of Ulrike Dirscherl, Ritterliche Ideale in Chrétiens 'Yvain' und im mittelenglischen Gedicht 'Ywain and Gawain': Von 'amour courtois' zu 'trew luf', vom 'frans chevaliers deboneire' zum 'man of mekyl myght'Dieter Mehldoi:10.2307/3507990 | Cite |
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311-312 | | Cite |
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312-313 | | Cite |
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313-314 | | Cite |
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314-316 | | Cite |
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316-317 | Review of Kathryn Kerby-Fulton, Reformist Apocalypticism and 'Piers Plowman'Anna Baldwindoi:10.2307/3507995 | Cite |
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317-318 | Review of R. F. Yeager, John Gower's Poetic: The Search for a New ArionPeter Nicholsondoi:10.2307/3507996 | Cite |
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318-319 | Review of Katherine Heinrichs, The Myths of Love: Classical Lovers in Medieval LiteratureBernard O'Donoghuedoi:10.2307/3507997 | Cite |
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319-321 | Review of Peter Godman, Oswyn Murray, Latin Poetry and the Classical Tradition: Essays in Medieval and Renaissance LiteratureKeith Batedoi:10.2307/3507998 | Cite |
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321-322 | Review of Derek Pearsall, Studies in 'The Vernon Manuscript'Lister M. Mathesondoi:10.2307/3507999 | Cite |
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322-323 | Review of François Laroque, Janet Lloyd, Shakespeare's Festive World: Elizabethan Seasonal Entertainment and the Professional StageSandra Billingtondoi:10.2307/3508000 | Cite |
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323-325 | | Cite |
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325-326 | | Cite |
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326-327 | Review of Robert C. Jones, These Valiant Dead: Renewing the Past in Shakespeare's HistoriesJohn Drakakisdoi:10.2307/3508003 | Cite |
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327-328 | Review of Wolfgang Riehle, Shakespeare, Plautus and the Humanist TraditionDouglas Duncandoi:10.2307/3508004 | Cite |
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328-329 | | Cite |
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329-330 | Review of Judith Milhous, Robert D. Hume, A Register of English Theatrical Documents: 1660-1737Peter Hollanddoi:10.2307/3508006 | Cite |
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330-332 | Review of Margreta de Grazia, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 ApparatusCatherine Belseydoi:10.2307/3508007 | Cite |
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332-333 | Review of Sandra Billington, Mock Kings in Medieval Society and Renaissance DramaRonald Knowlesdoi:10.2307/3508008 | Cite |
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333-334 | Review of Julia Gasper, The Dragon and the Dove: The Plays of Thomas DekkerJohn Stachniewskidoi:10.2307/3508009 | Cite |
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334-336 | | Cite |
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336-337 | Review of Richard Halpern, The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of CapitalJohn D. Coxdoi:10.2307/3508011 | Cite |
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337-338 | Review of Marcus Tullius Cicero, Nicolas Grimalde, Gerald O'Gorman, Nicholas Grimald, Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus His Sonne, Turned Oute of Latine into English, by Nicolas GrimaldeR. A. Houlbrookedoi:10.2307/3508012 | Cite |
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338-339 | Review of A. B. Chambers, Andrew Marvell and Edmund Waller: Seventeenth-Century Praise and Restoration SatireGeorge Parfittdoi:10.2307/3508013 | Cite |
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339-340 | | Cite |
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340-341 | Review of David Evett, Literature and the Visual Arts in Tudor EnglandPeggy Muñoz Simondsdoi:10.2307/3508015 | Cite |
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341-343 | Review of Dennis Kay, Melodious Tears: The English Funeral Elegy from Spenser to MiltonPeter Sacksdoi:10.2307/3508016 | Cite |
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343-345 | Review of Gerald Hammond, Fleeting Things: English Poets and Poems, 1616-1660Warren Chernaikdoi:10.2307/3508017 | Cite |
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345-346 | Review of Herbert, Milton, Mary A. Maleski, A Fine Tuning: Studies of the Religious Poetry of Herbert and MiltonCedric C. Browndoi:10.2307/3508018 | Cite |
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346-347 | Review of David Loewenstein, Milton and the Drama of History: Historical Vision, Iconoclasm, and the Literary ImaginationMartin Dzelzainisdoi:10.2307/3508019 | Cite |
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347-348 | Review of Anne Laurence, John Bunyan and His England: 1628-88Malcolm Hardmandoi:10.2307/3508020 | Cite |
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349-350 | Review of Isabel Rivers, Reason, Grace, and Sentiment: A Study of the Language of Religion and Ethics in England, 1660-1780. Volume I. Whichcote to WesleyRoger Pooleydoi:10.2307/3508021 | Cite |
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350-351 | Review of Katherine Sobba Green, The Courtship Novel, 1740-1820: A Feminized GenreCarolyn D. Williamsdoi:10.2307/3508022 | Cite |
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351-352 | | Cite |
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352-353 | Review of John A. Dussinger, In the Pride of the Moment: Encounters in Jane Austen's WorldLogan Speirsdoi:10.2307/3508024 | Cite |
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353-354 | Review of Laurie Langbauer, Women and Romance: The Consolations of Gender in the English NovelClare Hansondoi:10.2307/3508025 | Cite |
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354-355 | Review of Patricia Marks, Bicycles, Bangs, and Bloomers: The New Woman in the Popular PressJohn Stokesdoi:10.2307/3508026 | Cite |
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355-356 | | Cite |
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356-358 | | Cite |
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358-359 | Review of Susan Hollis Merritt, Pinter in Play: Critical Strategies and the Plays of Harold PinterRonald Knowlesdoi:10.2307/3508029 | Cite |
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360-362 | Review of Candace Waid, Edith Wharton's Letters from the Underworld: Fictions of Women and WritingJanet Beer Goodwyndoi:10.2307/3508030 | Cite |
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362-363 | Review of Charles Altieri, Painterly Abstraction in Modernist American Poetry: The Contemporaneity of ModernismIan F. A. Belldoi:10.2307/3508031 | Cite |
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363-364 | Review of Ernst Behler, Irony and the Discourse of ModernityVassiliki Kolocotronidoi:10.2307/3508032 | Cite |
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364-365 | Review of Peter Messent, New Readings of the American Novel: Narrative Theory and Its ApplicationDeborah L. Madsendoi:10.2307/3508033 | Cite |
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365-366 | Review of James Guimond, American Photography and the American DreamLionel Kellydoi:10.2307/3508034 | Cite |
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