1-26 | Part I: Patronage and Audiences: Patronage, Poetry, and Print Arthur F. Marottidoi:10.2307/3508476 | Cite |
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27-38 | | Cite |
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39-52 | Patronage, Protestantism, and Stage Propaganda in Early Elizabethan England Paul Whitedoi:10.2307/3508478 | Cite |
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53-62 | The Poets' Royal Exchange: Patronage and Commerce in Early Modern Drama Kathleen E. McLuskiedoi:10.2307/3508479 | Cite |
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63-86 | Rebel Lords, Popular Playwrights, and Political Culture: Notes on the Jacobean Patronage of the Earl of Southampton Margot Heinemanndoi:10.2307/3508480 | Cite |
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87-106 | Re-Writing Patriarchy and Patronage: Margaret Clifford, Anne Clifford, and Aemilia Lanyer Barbara K. Lewalskidoi:10.2307/3508481 | Cite |
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107-120 | Saving the King's Friend and Redeeming Appearances: Dr. Donne Constructs a Scriptural Model for Patronage M. L. Donnellydoi:10.2307/3508482 | Cite |
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121-136 | | Cite |
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137-152 | Patronage and the Dramatic Marketplace under Charles I and II Deborah C. Paynedoi:10.2307/3508484 | Cite |
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153-167 | Part II: Political Readings: Tasso on Spenser: The Politics of Chivalric Romance Richard Helgersondoi:10.2307/3508485 | Cite |
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168-186 | The Farce of History: Miracle, Combat, and Rebellion in 2 'Henry VI' Ronald Knowlesdoi:10.2307/3508486 | Cite |
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187-196 | | Cite |
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197-206 | Cowley's Verse Satire, 1642-43, and the Beginnings of Party Politics Thomas Osborne Calhoundoi:10.2307/3508488 | Cite |
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207-217 | | Cite |
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218-228 | What Was the King's Book for?: The Evolution of 'Eikon Basilike' Robert Wilcherdoi:10.2307/3508490 | Cite |
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229-241 | 'A rationall of old Rites': Sir Thomas Browne's 'Urn Buriall' and the Conflict over Ceremony Achsah Guibborydoi:10.2307/3508491 | Cite |
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242-252 | 'In those days there was no king in Israel': Milton's Politics and Biblical Narrative Mary Ann Radzinowiczdoi:10.2307/3508492 | Cite |
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253-273 | Part III: Revision and Review: 'We are one mans all': Jonson's 'The Gipsies Metamorphosed' Martin Butlerdoi:10.2307/3508493 | Cite |
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274-285 | Political Interpretations of Middleton's 'A Game at Chess' (1624) T. H. Howard-Hilldoi:10.2307/3508494 | Cite |
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286-304 | New Historicism for Old: New Conservatism for Old?: The Politics of Patronage in the Renaissance M. D. Jardinedoi:10.2307/3508495 | Cite |
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305-306 | Review of Angus McIntosh, M. L. Samuels, Margaret Laing, Middle English Dialectology: Essays on Some Principles and ProblemsN. F. Blakedoi:10.2307/3508496 | Cite |
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306-307 | Review of Laury Magnus, The Track of the Repetend: Syntactic and Lexical Repetition in Modern PoetryThomas Dochertydoi:10.2307/3508497 | Cite |
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307-308 | Review of Gary Saul Morson, Caryl Emerson, Rethinking Bakhtin: Extensions and ChallengesDon H. Bialostoskydoi:10.2307/3508498 | Cite |
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309-310 | Review of Marleen S. Barr, Richard Feldstein, Discontended Discourses: Feminism/Textual Intervention/PsychoanalysisTemma F. Bergdoi:10.2307/3508499 | Cite |
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310-312 | Review of Ann Thompson, Helen Wilcox, Teaching Women: Feminism and English StudiesMarleen Barrdoi:10.2307/3508500 | Cite |
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312-313 | Review of Norman N. Holland, The Brain of Robert Frost: A Cognitive Approach to LiteratureJeffrey Walkerdoi:10.2307/3508501 | Cite |
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313-314 | | Cite |
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314-315 | Review of Greig E. Henderson, Kenneth Burke: Literature and Language as Symbolic ActionK. M. Newtondoi:10.2307/3508503 | Cite |
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315-316 | | Cite |
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316-318 | Review of Martin Bock, Crossing the Shadow-Line: The Literature of EstrangementJeremy Tamblingdoi:10.2307/3508505 | Cite |
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318-319 | Review of Edward Engelberg, Elegiac Fictions: The Motif of the Unlived LifeJohn Pillingdoi:10.2307/3508506 | Cite |
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319-320 | | Cite |
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320-321 | Review of Diana Devlin, Mask and Scene: An Introduction to a World View of TheatreThomas P. Adlerdoi:10.2307/3508508 | Cite |
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321-322 | Review of G. W. Clarke, Rediscovering Hellenism: The Hellenic Inheritence and the English ImaginationRobert Fraserdoi:10.2307/3508509 | Cite |
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322-323 | Review of Stoddard Martin, Orthodox Heresy: The Rise of 'Magic' as Religion and Its Relation to LiteratureRobert Fraserdoi:10.2307/3508510 | Cite |
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323-325 | | Cite |
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325-326 | | Cite |
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326-327 | Review of Wendy Scase, 'Piers Plowman' and the New AnticlericalismSiegfried Wenzeldoi:10.2307/3508513 | Cite |
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328 | Review of Mary Clemente Davlin, A Game of Heuene: Word Play and the Meaning of 'Piers Plowman B'Anna Baldwindoi:10.2307/3508514 | Cite |
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328-331 | Review of John A. Alford, Piers Plowman: A Glossary of Legal DictionDavid J. Williamsdoi:10.2307/3508515 | Cite |
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331-333 | | Cite |
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333-335 | | Cite |
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335-336 | Review of J. J. Smith, The English of Chaucer and His Contemporaries: Essays by M. L. Samuels and J. J. SmithJ. D. Burnleydoi:10.2307/3508518 | Cite |
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336-337 | Review of Miriam Younger Miller, Jane Chance, Approaches to Teaching 'Sir Gawain and the Green Knight'Maldwyn Millsdoi:10.2307/3508519 | Cite |
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337-338 | Review of Michael G. Sargent, De Cella in Seculum: Religious and Secular Life and Devotion in Late Medieval EnglandAnne Hudsondoi:10.2307/3508520 | Cite |
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338-341 | Review of Gary Waller, English Poetry of the Sixteenth Century; Arthur F. Kinney, Humanist Poetics: Thought, Rhetoric, and Fiction in Sixteenth-Century EnglandJudith Dundasdoi:10.2307/3508521 | Cite |
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341-342 | Review of Heather Dubrow, Richard Strier, The Historical Renaissance: New Essays on Tudor and Stuart Literature and CultureAnthea Humedoi:10.2307/3508522 | Cite |
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342-344 | Review of Sandra L. Bermann, The Sonnet over Time: A Study in the Sonnets of Petrarch, Shakespeare, and BaudelairePatricia Thomsondoi:10.2307/3508523 | Cite |
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344-345 | Review of Harry Berger Jr., Revisionary Play: Studies in the Spenserian DynamicsElizabeth Healedoi:10.2307/3508524 | Cite |
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345-347 | Review of John Orrell, The Human Stage: English Theatre Design, 1576-1640Glynne Wickhamdoi:10.2307/3508525 | Cite |
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347-348 | Review of Bernhard Fabian, Kurt Tetzeli Von Rosador, Shakespeare: Text, Language, Criticism: Essays in Honour of Marvin SpevackAnn Thompsondoi:10.2307/3508526 | Cite |
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348-350 | | Cite |
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350-351 | | Cite |
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351-352 | Review of Linda Kay Hoff, Hamlet's Choice: 'Hamlet': A Reformation AllegoryMarion Lomaxdoi:10.2307/3508529 | Cite |
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352-353 | Review of Joseph A. Porter, Shakespeare's Mercutio: His History and DramaRussell Jacksondoi:10.2307/3508530 | Cite |
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353-354 | Review of Hugo Schwaller, 'This Sceptered Sway': Sovereignty in Shakespeare's ComediesDieter Mehldoi:10.2307/3508531 | Cite |
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354-356 | Review of Lisa Hakola, In One Person Many People: The Image of the King in Three RSC Productions of William Shakespeare's 'King Richard II'Graham Holdernessdoi:10.2307/3508532 | Cite |
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356-357 | Review of Harry Berger Jr., Imaginary Audition: Shakespeare on Stage and PageStanton B. Garner Jr.doi:10.2307/3508533 | Cite |
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357-358 | Review of Donald W. Foster, Elegy by W. S.: A Study of AttributionDavid J. Lakedoi:10.2307/3508534 | Cite |
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359-360 | Review of T. H. Howard-Hill, Shakespeare and 'Sir Thomas More': Essays on the Play and Its Shakespearean InterestE. A. J. Honigmanndoi:10.2307/3508535 | Cite |
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360-361 | | Cite |
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361-363 | Review of Erica Veevers, Images of Love and Religion: Queen Henrietta Maria and Court EntertainmentsSydney Anglodoi:10.2307/3508537 | Cite |
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363-364 | Review of Roy Roussel, The Conversation of the Sexes: Seduction and Equality in Selected Seventeenth- and Eighteenth-Century TextsPaul-Gabriel Boucédoi:10.2307/3508538 | Cite |
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364-365 | Review of Roger Lonsdale, Eighteenth-Century Women Poets: An Oxford AnthologyCarolyn D. Williamsdoi:10.2307/3508539 | Cite |
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365-366 | | Cite |
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