1-32 | | Cite |
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33-47 | | Cite |
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48-59 | | Cite |
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60-64 | | Cite |
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65-81 | Shakespeare on the Big Screen, the Small Box, and in between Ace G. Pilkington doi:10.2307/3507521 | Cite |
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82-91 | | Cite |
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92-101 | | Cite |
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102-120 | | Cite |
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121-131 | | Cite |
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132-151 | | Cite |
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152-161 | | Cite |
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162-181 | 'There's no success like failure': From Rags to Riches in the Lyrics of Bob Dylan Paul Davies doi:10.2307/3507528 | Cite |
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182-207 | | Cite |
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208-209 | | Cite |
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209-210 | | Cite |
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210-211 | Review of Gillis Kristensson, A Survey of Middle English Dialects 1290-1350: The West Midland Counties N. F. Blake doi:10.2307/3507532 | Cite |
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211-212 | | Cite |
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213-215 | Review of John G. Cawelti, Bruce A. Rosenberg, The Spy Story; Bent Nordhjem, What Fiction Means Grahame Smith doi:10.2307/3507534 | Cite |
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215-217 | Review of Francis Barker, Peter Hulme, Margaret Iverson, Diana Loxley, Literature, Politics and Theory: Papers from the Essex Conference, 1976-1984 Michael G. Cooke doi:10.2307/3507535 | Cite |
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218-221 | Review of Rick Rylance, Debating Texts: Readings in 20th Century Literary Theory and Method; Robert Con Davis, Ronald Schleifer, Contemporary Literary Criticism: Literary and Cultural Studies James R. Bennett doi:10.2307/3507536 | Cite |
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221-223 | Review of Richard Machin, Christopher Norris, Post-Structuralist Readings of English Poetry Stuart Moulthrop doi:10.2307/3507537 | Cite |
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223-225 | | Cite |
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225-226 | Review of Patricia Parker, Literary Fat Ladies: Rhetoric, Gender, Property Catherine Belsey doi:10.2307/3507539 | Cite |
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226-228 | Review of Richard Gray, Writing the South: Ideas of an American Region J. A. Leo Lemay doi:10.2307/3507540 | Cite |
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228-229 | Review of Jack Salzman, The Cambridge Handbook of American Literature Louise K. Barnett doi:10.2307/3507541 | Cite |
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229-230 | Review of A. V. C. Schmidt, The Clerkly Maker: Langland's Poetic Art Malcolm Andrew doi:10.2307/3507542 | Cite |
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230-232 | Review of Paul A. Olson, The 'Canterbury Tales' and the Good Society Derek Pearsall doi:10.2307/3507543 | Cite |
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232-234 | Review of Michael D. Cherniss, Boethian Apocalypse: Studies in Middle English Vision Poetry Kathryn Kerby-Fulton doi:10.2307/3507544 | Cite |
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234-236 | Review of Piero Boitani, Jill Mann, The Cambridge Chaucer Companion; Dieter Mehl, Geoffrey Chaucer: An Introduction to His Narrative Poetry J. W. Nicholls doi:10.2307/3507545 | Cite |
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236-237 | Review of Henry Ansgar Kelly, Chaucer and the Cult of Saint Valentine Phillipa Hardman doi:10.2307/3507546 | Cite |
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238 | Review of Denton Fox, Robert Henryson, Robert Henryson: The Poems Anne Samson doi:10.2307/3507547 | Cite |
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238-240 | | Cite |
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240-241 | Review of Peter Meredith, The 'Mary Play': From the N. Town Manuscript Peter Happé doi:10.2307/3507549 | Cite |
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241-242 | Review of Ritchie D. Kendall, The Drama of Dissent: The Radical Poetics of Nonconformity, 1380-1590 Raymond A. Anselment doi:10.2307/3507550 | Cite |
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242-244 | Review of Scott McMillin, The Elizabethan Theatre and 'The Book of Sir Thomas More' E. A. J. Honigmann doi:10.2307/3507551 | Cite |
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244-245 | Review of Jonathan Crewe, Hidden Designs: The Critical Profession and Renaissance Literature Thomas Hyde doi:10.2307/3507552 | Cite |
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245-247 | Review of Elaine V. Beilin, Redeeming Eve: Women Writers of the English Renaissance; James Grantham Turner, One Flesh: Paradisal Marriage and Sexual Relations in the Age of Milton R. A. Houlbrooke doi:10.2307/3507553 | Cite |
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247-248 | Review of Dennis Kay, Sir Philip Sidney: An Anthology of Modern Criticism Andrew V. Ettin doi:10.2307/3507554 | Cite |
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248-251 | Review of Stanley Wells, Gary Taylor, John Jowett, William Montgomery, William Shakespeare: A Textual Companion Dieter Mehl doi:10.2307/3507555 | Cite |
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251-252 | Review of David Wiles, Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse Ronald Knowles doi:10.2307/3507556 | Cite |
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252-253 | | Cite |
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253-255 | Review of Marjorie Garber, Shakespeare's Ghost Writers: Literature as Uncanny Causality Philip Edwards doi:10.2307/3507558 | Cite |
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255-256 | | Cite |
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256-257 | Review of Robert N. Watson, Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies George Parfitt doi:10.2307/3507560 | Cite |
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257-258 | Review of George DeForest Lord, Classical Presences in Seventeenth-Century English Poetry Paul Hammond doi:10.2307/3507561 | Cite |
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258-259 | Review of Donald R. Dickson, The Fountain of Living Waters: The Typology of the Waters of Life in Herbert, Vaughan, and Traherne Graeme Watson doi:10.2307/3507562 | Cite |
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260-262 | Review of Stanley Stewart, George Herbert; Joanna Martindale, English Humanism: Wyatt to Cowley Cristina Malcolmson doi:10.2307/3507563 | Cite |
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263-264 | Review of Leah S. Marcus, The Politics of Mirth: Jonson, Herrick, Milton, Marvell and the Defense of Old Holiday Pastimes Cedric C. Brown doi:10.2307/3507564 | Cite |
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265-266 | Review of Mary Edmond, Rare Sir William Davenant: Poet Laureate, Playwright, Civil War General, Restoration Theatre Manager Arthur H. Scouten doi:10.2307/3507565 | Cite |
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266-267 | Review of Thomas N. Corns, The Literature of Controversy: Polemical Strategy from Milton to Junius Brean Hammond doi:10.2307/3507566 | Cite |
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268 | Review of John Bunyan, J. Sears McGee, The Miscellaneous Works of John Bunyan. Volume III. 'Christian Behaviour', 'The Holy City', 'The Resurrection of the Dead' Malcolm Hardman doi:10.2307/3507567 | Cite |
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269-270 | Review of Karen E. Rowe, Saint and Singer: Edward Taylor's Typology and the Poetics of Meditation Sargent Bush Jr. doi:10.2307/3507568 | Cite |
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270-271 | Review of Ann Messenger, His and Hers: Essays in Restoration and Eighteenth-Century Literature Bruce Redford doi:10.2307/3507569 | Cite |
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271-272 | Review of Paula R. Backscheider, Daniel Defoe: Ambition and Innovation Marialuisa Bignami doi:10.2307/3507570 | Cite |
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272-273 | Review of John F. Sena, The Best-Natured Man: Sir Samuel Garth, Physician and Poet Philip Roberts doi:10.2307/3507571 | Cite |
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274 | Review of Leopold Damrosch, Jr., The Imaginative World of Alexander Pope Thomas Woodman doi:10.2307/3507572 | Cite |
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275 | Review of Jeremy Black, The English Press in the Eighteenth Century J. A. Downie doi:10.2307/3507573 | Cite |
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276-277 | Review of John Bender, Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England Maximillian E. Novak doi:10.2307/3507574 | Cite |
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277-278 | Review of Marie-Paule Laden, Self-Imitation in the Eighteenth-Century Novel Peter Sabor doi:10.2307/3507575 | Cite |
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279-280 | | Cite |
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280-281 | | Cite |
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281-282 | Review of J. A. Leo Lemay, Deism, Masonry and the Enlightenment: Essays Honoring Alfred Owen Aldridge W. B. Carnochan doi:10.2307/3507578 | Cite |
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283 | Review of David Simpson, The Politics of American English, 1776-1850 J. A. Leo Lemay doi:10.2307/3507579 | Cite |
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284-285 | Review of Roger Sale, Closer to Home: Writers and Places in England, 1780-1830 A. J. Sambrook doi:10.2307/3507580 | Cite |
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285-286 | Review of Thomas McFarland, Romantic Cruxes: The English Essayists and the Spirit of the Age W. Ruddick doi:10.2307/3507581 | Cite |
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286-288 | Review of David V. Erdman, Commerce des Lumières: John Oswald and the British in Paris, 1790-1793 Peter Marshall doi:10.2307/3507582 | Cite |
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288-289 | | Cite |
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289-290 | Review of Nicholas Roe, Wordsworth and Coleridge: The Radical Years A. J. Sambrook doi:10.2307/3507584 | Cite |
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290-292 | Review of Mark Jones, Karl Kroeber, Wordsworth Scholarship and Criticism, 1973-84: An Annotated Bibliography, with Selected Criticism, 1809-1972 Lucy Newlyn doi:10.2307/3507585 | Cite |
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292-294 | Review of Hugh Sykes Davies, John Kerrigan, Jonathan Wordsworth, Wordsworth and the Worth of Words; John Barnard, John Keats Alan Bewell doi:10.2307/3507586 | Cite |
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294-295 | | Cite |
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295-296 | | Cite |
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297-298 | Review of Rosemarie Bodenheimer, The Politics of Story in Victorian Social Fiction Randolph Ivy doi:10.2307/3507589 | Cite |
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298-299 | Review of Helena Michie, The Flesh Made Word: Female Figures and Women's Bodies Janet Todd doi:10.2307/3507590 | Cite |
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299-300 | Review of Joseph Allen Boone, Tradition Counter Tradition: Love and the Form of Fiction Louise K. Barnett doi:10.2307/3507591 | Cite |
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300-301 | | Cite |
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301-302 | Review of Philip Kelley, Ronald Hudson, Elizabeth Barrett Browning, Robert Browning, The Brownings' Correspondence. Volume IV. January 1838-December 1840. Letters 602-783 Philip Drew doi:10.2307/3507593 | Cite |
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302-303 | Review of Jerome Meckier, Hidden Rivalries in Victorian Fiction: Dickens, Realism, and Revaluation Randolph Ivy doi:10.2307/3507594 | Cite |
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303-304 | Review of Alexander Welsh, From Copyright to Copperfield: The Identity of Dickens Grahame Smith doi:10.2307/3507595 | Cite |
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304-305 | | Cite |
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305-306 | Review of Meg Harris Williams, A Strange Way of Killing: The Poetic Structure of 'Wuthering Heights' Margaret Smith doi:10.2307/3507597 | Cite |
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306-309 | Review of Wolfgang Iser, David Henry Wilson, Walter Pater: The Aesthetic Moment J. B. Bullen doi:10.2307/3507598 | Cite |
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309-311 | Review of Thomas Hardy, Dale Kramer, The Mayor of Casterbridge Shelagh Hunter doi:10.2307/3507599 | Cite |
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311-312 | Review of Leon Edel, Henry James, Henry James: Selected Letters Nicola Bradbury doi:10.2307/3507600 | Cite |
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312-313 | Review of John Bayley, The Short Story: Henry James to Elizabeth Bowen Clare Hanson doi:10.2307/3507601 | Cite |
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313-314 | Review of Susan L. Mizruchi, The Power of Historical Knowledge: Narrating the Past in Hawthorne, James, and Dreiser Nicola Bradbury doi:10.2307/3507602 | Cite |
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314-315 | Review of Leon Edel, Lyall H. Powers, Henry James, The Complete Notebooks of Henry James John Batchelor doi:10.2307/3507603 | Cite |
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315-316 | Review of Leon Chai, The Romantic Foundations of the American Renaissance Paul Douglass doi:10.2307/3507604 | Cite |
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316-317 | | Cite |
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317-319 | Review of Malati Ramratnam, W. B. Yeats and the Craft of Verse Thomas R. Whitaker doi:10.2307/3507606 | Cite |
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319-320 | Review of Harry M. Geduld, H. G. Wells, The Definitive Time Machine: A Critical Edition of H. G. Wells's Scientific Romance Patrick Parrinder doi:10.2307/3507607 | Cite |
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320-321 | Review of James Hepburn, Rosamund Howe, Arnold Bennett, Letters of Arnold Bennett. Volume IV. Family Letters John Lucas doi:10.2307/3507608 | Cite |
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321-322 | Review of Dennis Kennedy, Harley Granville Barker, Plays by Harley Granville Barker: 'The Marrying of Ann Leete', 'The Voysey Inheritance', 'Waste' John Stokes doi:10.2307/3507609 | Cite |
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322-324 | Review of Frank Lentricchia, Ariel and the Police: Michel Foucault, William James, Wallace Stevens Ian F. A. Bell doi:10.2307/3507610 | Cite |
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324-325 | Review of Kermit Vanderbilt, American Literature and the Academy: The Roots, Growth, and Maturity of a Profession Harold Beaver doi:10.2307/3507611 | Cite |
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325-327 | Review of Mark Hussey, The Singing of the Real World: The Philosophy of Virginia Woolf's Fiction; Alex Zwerdling, Virginia Woolf and the Real World Kathy Mezei doi:10.2307/3507612 | Cite |
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327-329 | | Cite |
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329-330 | Review of Morris Beja, Phillip Herring, Maurice Harmon, David Norris, James Joyce: The Centennial Symposium Patrick Parrinder doi:10.2307/3507614 | Cite |
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330-331 | | Cite |
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331-332 | Review of Calvin Bedient, He Do the Police in Different Voices: 'The Waste Land' and Its Protagonist Bernard Bergonzi doi:10.2307/3507616 | Cite |
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333-335 | Review of D. H. Lawrence, David Farmer, Lindeth Vasey, John Worthen, Women in Love Philip Hobsbaum doi:10.2307/3507617 | Cite |
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335-336 | Review of Holly A. Laird, Self and Sequence: The Poetry of D. H. Lawrence John Lucas doi:10.2307/3507618 | Cite |
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336-337 | Review of Colin Milton, Lawrence and Nietzsche: A Study in Influence Margaret Storch doi:10.2307/3507619 | Cite |
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337-338 | Review of G. A. Cevasco, The Sitwells: Edith, Osbert, and Sacheverell Murray G. H. Pittock doi:10.2307/3507620 | Cite |
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338-339 | Review of Alan Warren Friedman, Charles Rossman, Dina Sherzer, Beckett Translating / Translating Beckett John Pilling doi:10.2307/3507621 | Cite |
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339-341 | | Cite |
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341-342 | Review of Robin Lydenberg, Word Cultures: Radical Theory and Practice in William S. Burroughs' Fiction David Seed doi:10.2307/3507623 | Cite |
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342-343 | | Cite |
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344 | Review of Claire Sprague, Rereading Doris Lessing: Narrative Patterns of Doubling and Repetition Clare Hanson doi:10.2307/3507625 | Cite |
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344-345 | Review of Edward Kessler, Flannery O'Connor and the Language of Apocalypse Louise K. Barnett doi:10.2307/3507626 | Cite |
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346-347 | Review of Elizabeth Sakellaridou, Pinter's Female Portraits: A Study of Female Characters in the Plays of Harold Pinter Ronald Knowles doi:10.2307/3507627 | Cite |
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347-348 | | Cite |
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348-349 | Review of Stephen Tabor, Sylvia Plath: An Analytical Bibliography Neil Corcoran doi:10.2307/3507629 | Cite |
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349-350 | Review of Vincent Sherry, The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill David Gervais doi:10.2307/3507630 | Cite |
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350-351 | Review of Barbara Hardy, The Collected Essays of Barbara Hardy. Volume One. Narrators and Novelists Coral Ann Howells doi:10.2307/3507631 | Cite |
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351-352 | Review of Helen Vendler, The Music of What Happens: Poems, Poets, Critics John Pilling doi:10.2307/3507632 | Cite |
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352-353 | Review of Gaetano D'Elia, Christopher Williams, La nuova letteratura inglese. Ian McEwan Maria Teresa Chialant doi:10.2307/3507633 | Cite |
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353-355 | Review of Philip Dodd, Modern Selves: Essays on Modern British and American Autobiography H. Porter Abbott doi:10.2307/3507634 | Cite |
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355-356 | Review of Werner Sollors, Beyond Ethnicity: Consent and Descent in American Culture Michael Shapiro doi:10.2307/3507635 | Cite |
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356 | Review of Patrick O'Donnell, Passionate Doubts: Designs of Interpretation in Contemporary American Fiction Elaine B. Safer doi:10.2307/3507636 | Cite |
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357-358 | Review of Coral Ann Howells, Private and Fictional Words. Canadian Women Novelists of the 1970s and 1980s L. Monkman doi:10.2307/3507637 | Cite |
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358-359 | | Cite |
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359-360 | Review of Peter Miles, Malcolm Smith, Cinema, Literature and Society: Elite and Mass Culture in Interwar Britain John Izod doi:10.2307/3507639 | Cite |
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360-361 | Review of Andrew Davies, Other Theatres: The Development of Alternative and Experimental Theatre in Britain Stephen Lacey doi:10.2307/3507640 | Cite |
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362-363 | Review of Daniel Gunn, Psychoanalysis and Fiction: An Exploration of Literary and Psychoanalytic Borders Nicola Bradbury doi:10.2307/3507641 | Cite |
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363-365 | Review of Cristopher Nash, World-Games: The Tradition of Anti-Realist Revolt Margaret Yong doi:10.2307/3507642 | Cite |
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365 | Review of Pierre Cachia, Popular Narrative Ballads of Modern Egypt Mohammad Al-Rashid doi:10.2307/3507643 | Cite |
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366 | Review of Mickey Pearlman, American Women Writing Fiction: Memory, Identity, Family, Space Bonnie Kime Scott doi:10.2307/3507644 | Cite |
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