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1-15 | | Cite |
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16-30 | | Cite |
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31-45 | The Sea, the Desert, the City: Environment and Language in W. S. Graham, Hamish Henderson, and Tom Leonard Edwin Morgan doi:10.2307/3507650 | Cite |
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46-61 | | Cite |
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62-74 | A Preference for Poetry: Oxford Undergraduate Writing of the Early 1950s Alan Brownjohn doi:10.2307/3507652 | Cite |
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75-88 | | Cite |
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89-116 | | Cite |
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117-127 | | Cite |
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128-142 | | Cite |
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143-165 | The Pastures of the Wilderness: Geoffrey Hill's 'An Apology for the Revival of Christian Architecture in England' Calvin Bedient doi:10.2307/3507657 | Cite |
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166-178 | | Cite |
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179-217 | | Cite |
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218-233 | Things, Description, and Metaphor in Contemporary British and Irish Poetry Edward Larrissy doi:10.2307/3507660 | Cite |
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234-235 | Review of Donald E. Stanford, Dictionary of Literary Biography. Volume XIX. British Poets 1880-1914 John Stokes doi:10.2307/3507661 | Cite |
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235 | Review of Donald E. Stanford, Dictionary of Literary Biography. Volume XX. British Poets 1914-1945; Vincent B. Sherry, Jr., Dictionary of Literary Biography. Volume XL. Poets of Great Britain and Ireland since 1960 Edward Larrissy doi:10.2307/3507662 | Cite |
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236-237 | Review of Thomas Jackson Rice, English Fiction, 1900-1950 Individual Authors: Joyce to Woolf: A Guide to Information Sources; Bernard Oldsey, Dictionary of Literary Biography. Volume XV. British Novelists, 1930-1959 David Seed doi:10.2307/3507663 | Cite |
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237-238 | | Cite |
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238-240 | Review of David Piper, The Image of the Poet: British Poets and Their Portraits Ronald Paulson doi:10.2307/3507665 | Cite |
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240-241 | Review of Wendell M. Aycock, The Teller and the Tale: Aspects of the Short Story; Helmut Bonheim, The Narrative Modes: Techniques of the Short Story Valerie Shaw doi:10.2307/3507666 | Cite |
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241-242 | Review of Carl T. Berkhout, Milton McCormick Gatch, Anglo-Saxon Scholarship: The First Three Centuries Daniel G. Calder doi:10.2307/3507667 | Cite |
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242-243 | Review of David Lawton, Middle English Alliterative Poetry and Its Literary Background: Seven Essays T. Turville-Petre doi:10.2307/3507668 | Cite |
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244-245 | Review of Herbert Grabes, Gordon Collier, The Mutable Glass: Mirror Imagery in Titles and Texts of the Middle Ages and English Renaissance J. B. Trapp doi:10.2307/3507669 | Cite |
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245-246 | Review of T. H. Aston, P. R. Coss, Christopher Dyer, Joan Thirsk, Social Relations and Ideas: Essays in Honour of R. H. Hilton Derek Pearsall doi:10.2307/3507670 | Cite |
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246-247 | | Cite |
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247-248 | | Cite |
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248-249 | Review of Geoffrey Chaucer, Helen Phillips, The Book of the Duchess N. F. Blake doi:10.2307/3507673 | Cite |
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249-250 | Review of Helen Cooper, The Structure of 'The Canterbury Tales' Stanley Hussey doi:10.2307/3507674 | Cite |
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250-252 | Review of Caroline D. Eckhardt, The 'Prophetia Merlini' of Geoffrey of Monmouth: A Fifteenth-Century English Commentary N. F. Blake doi:10.2307/3507675 | Cite |
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252-253 | | Cite |
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253-254 | Review of George Gascoigne, Roger Pooley, 'The Green Knight': Selected Poetry and Prose William E. Sheidley doi:10.2307/3507677 | Cite |
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254-255 | Review of John N. King, English Reformation Literature: The Tudor Origins of the Protestant Tradition Vittorio Gabrieli doi:10.2307/3507678 | Cite |
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255-257 | Review of Reavley Gair, The Children of Paul's: The Story of a Theatre Company, 1553-1608 T. W. Craik doi:10.2307/3507679 | Cite |
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257-258 | Review of Alan Sinfield, Literature in Protestant England 1560-1660 Sarah Wintle doi:10.2307/3507680 | Cite |
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258-259 | Review of Joan Hughes, W. S. Ramson, Poetry of the Stewart Court Helena Mennie Shire doi:10.2307/3507681 | Cite |
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260-261 | Review of Marie Axton, Three Tudor Classical Interludes: 'Thersites', 'Jack Juggler', 'Horestes' J. A. B. Somerset doi:10.2307/3507682 | Cite |
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261-263 | Review of J. J. Anderson, Records of Early English Drama: Newcastle upon Tyne; John Fletcher, David Rush Miller, A Wife for a Moneth Andrew Gurr doi:10.2307/3507683 | Cite |
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263-264 | Review of Julia Briggs, This Stage-Play World: English Literature and Its Background 1580-1625 Brian Gibbons doi:10.2307/3507684 | Cite |
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264-265 | Review of Robin Headlam Wells, Spenser's 'Faerie Queene' and the Cult of Elizabeth Douglas Brooks-Davies doi:10.2307/3507685 | Cite |
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265-266 | Review of Martin White, The Tragedy of Master Arden of Faversham Peter Hyland doi:10.2307/3507686 | Cite |
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266-267 | Review of Dieter Mehl, Die Tragödien Shakespeares: Eine Einführung Heinz Reinhold doi:10.2307/3507687 | Cite |
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267-270 | Review of Michael Goldman, Acting and Action in Shakespearean Tragedy David Bevington doi:10.2307/3507688 | Cite |
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270-271 | | Cite |
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271-272 | Review of Lisa Jardine, Still Harping on Daughters: Women and Drama in the Age of Shakespeare Ann Thompson doi:10.2307/3507690 | Cite |
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272-273 | Review of John R. Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1968-1978 Alan Rudrum doi:10.2307/3507691 | Cite |
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274-275 | | Cite |
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275 | Review of Lee Bliss, The World's Perspective: John Webster and the Jacobean Drama J. R. Mulryne doi:10.2307/3507693 | Cite |
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276-277 | Review of C. A. Patrides, George Herbert: The Critical Heritage Gerald Hammond doi:10.2307/3507694 | Cite |
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277-279 | Review of John D. Guillory, Poetic Authority: Spenser, Milton, and Literary History Roger Lejosne doi:10.2307/3507695 | Cite |
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280-282 | Review of Herman Rapaport, Milton and the Postmodern; James Thorpe, John Milton: The Inner Life Thomas Healy doi:10.2307/3507696 | Cite |
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282-283 | Review of Suzanne Gossett, 'Hierarchomachia' or 'The Anti-Bishop' Raymond A. Anselment doi:10.2307/3507697 | Cite |
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283-284 | Review of N. H. Keeble, Richard Baxter: Puritan Man of Letters Barbara K. Lewalski doi:10.2307/3507698 | Cite |
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284-285 | Review of Warren L. Chernaik, The Poet's Time: Politics and Religion in the Work of Andrew Marvell Thomas N. Corns doi:10.2307/3507699 | Cite |
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285-287 | | Cite |
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287-288 | Review of Paul J. Korshin, Typologies in England 1650-1820 Douglas Brooks-Davies doi:10.2307/3507701 | Cite |
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289-290 | Review of Donald C. Mell, Jr., English Poetry 1660-1800: A Guide to Information Sources A. J. Sambrook doi:10.2307/3507702 | Cite |
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290-291 | Review of Arthur Gewirtz, Restoration Adaptations of Early 17th Century Comedies Derek Hughes doi:10.2307/3507703 | Cite |
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292-293 | Review of Michael Cordner, George Etherege, The Plays of Sir George Etherege: 'The Comical Revenge; Or, Love in a Tub', 'She Would If She Could', 'The Man of Mode; Or Sir Fopling Flutter' Robert D. Hume doi:10.2307/3507704 | Cite |
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293-294 | Review of Gerard Maria Peerbooms, Nathaniel Thompson: Tory Printer, Ballad Monger and Propagandist Ian Higgins doi:10.2307/3507705 | Cite |
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295 | Review of Maximillian E. Novak, Eighteenth-Century English Literature Arthur H. Scouten doi:10.2307/3507706 | Cite |
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296 | Review of Lennard J. Davis, Factual Fictions: The Origins of the English Novel Jocelyn Harris doi:10.2307/3507707 | Cite |
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297-298 | Review of Maximillian E. Novak, Realism, Myth, and History in Defoe's Fiction J. A. Downie doi:10.2307/3507708 | Cite |
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298-299 | | Cite |
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299-300 | Review of John J. Burke, Jr., Donald Kay, The Unknown Samuel Johnson Frederick M. Keener doi:10.2307/3507710 | Cite |
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300-301 | Review of E. R. Wood, David Garrick, George Colman, Plays by David Garrick and George Colman the Elder: 'The Lying Valet', 'The Jealous Wife', 'The Clandestine Marriage', 'The Irish Widow', 'Bon Ton' Joseph Donohue doi:10.2307/3507711 | Cite |
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302-303 | Review of Adam Smith, J. C. Bryce, Lectures on Rhetoric and Belles Lettres John Valdimir Price doi:10.2307/3507712 | Cite |
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303-304 | | Cite |
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304-305 | Review of Stephen C. Behrendt, The Moment of Explosion: Blake and the Illustration of Milton David W. Lindsay doi:10.2307/3507714 | Cite |
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305-306 | Review of Heather Glen, Vision and Disenchantment: Blake's 'Songs' and Wordsworth's 'Lyrical Ballads' Edward Larrissy doi:10.2307/3507715 | Cite |
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306-307 | Review of Alan Bold, Sir Walter Scott: The Long-Forgotten Melody J. H. Alexander doi:10.2307/3507716 | Cite |
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307-309 | Review of Isobel Armstrong, Language as Living Form in Nineteenth Century Poetry Peter Larkin doi:10.2307/3507717 | Cite |
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309-310 | Review of Catharine Miles Wallace, The Design of 'Biographia Literaria'; Anca Vlasopolos, The Symbolic Method of Coleridge, Baudelaire and Yeats John Colmer doi:10.2307/3507718 | Cite |
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311-313 | Review of Thomas Moore, Wilfred S. Dowden, The Journal of Thomas Moore. Volume 1 Andrew Nicholson doi:10.2307/3507719 | Cite |
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313-314 | Review of Dewey Ganzel, Fortune and Men's Eyes: The Career of John Payne Collier Pat Rogers doi:10.2307/3507720 | Cite |
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315-316 | Review of Steve Ellis, Dante and English Poetry: Shelley to T. S. Eliot Zygmunt G. Barański doi:10.2307/3507721 | Cite |
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316-317 | Review of Dorothy Van Ghent, Jeffrey Cane Robinson, Keats: The Myth of the Hero Jack Stillinger doi:10.2307/3507722 | Cite |
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317-318 | Review of Pauline Fletcher, Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry Shelagh Hunter doi:10.2307/3507723 | Cite |
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318-319 | Review of Christopher Mulvey, Anglo-American Landscapes: A Study of Nineteenth-Century Anglo-American Travel Literature Clive Bush doi:10.2307/3507724 | Cite |
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319-320 | Review of John Carlos Rowe, Through the Custom-House: Nineteenth-Century American Fiction and Modern Theory Harold Beaver doi:10.2307/3507725 | Cite |
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321-322 | Review of Thomas Babington Macaulay, Thomas Pinney, The Selected Letters of Thomas Babington Macaulay Sylvère Monod doi:10.2307/3507726 | Cite |
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322-323 | Review of Gillian Beer, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction Sheila M. Smith doi:10.2307/3507727 | Cite |
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323-324 | | Cite |
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325 | | Cite |
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325-327 | | Cite |
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327-328 | Review of Michael Timko, Fred Kaplan, Edward Guiliano, Dickens Studies Annual: Essays on Victorian Fiction. Volume 10 Heinz Reinhold doi:10.2307/3507731 | Cite |
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328-330 | Review of Monica Correa Fryckstedt, Elizabeth Gaskell's 'Mary Barton' and 'Ruth': A Challenge to Christian England; P. J. M. Scott, Anne Brontë: A New Critical Assessment Tom Winnifrith doi:10.2307/3507732 | Cite |
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330-331 | | Cite |
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331-332 | Review of Eric Warner, Graham Hough, Strangeness and Beauty: An Anthology of Aesthetic Criticism 1840-1910 John Stokes doi:10.2307/3507734 | Cite |
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333-334 | Review of David G. Riede, Dante Gabriel Rossetti and the Limits of Victorian Vision Joan Rees doi:10.2307/3507735 | Cite |
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334-335 | Review of Roger Ebbatson, The Evolutionary Self: Hardy, Forster, Lawrence Shelagh Hunter doi:10.2307/3507736 | Cite |
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335-337 | | Cite |
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337-338 | Review of John Carter, John Sparrow, William White, A. E. Housman: A Bibliography Tom Winnifrith doi:10.2307/3507738 | Cite |
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338-339 | Review of Terence Diggory, Yeats and American Poetry: The Tradition of the Self Peter Makin doi:10.2307/3507739 | Cite |
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339-340 | | Cite |
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340 | Review of Stephen Tatum, Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 Edward Countryman doi:10.2307/3507741 | Cite |
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340-342 | Review of Chester L. Wolford, The Anger of Stephen Crane: Fiction and the Epic Tradition Harold Beaver doi:10.2307/3507742 | Cite |
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342-343 | | Cite |
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343-344 | Review of William Hooker Gillette, Rosemary Cullen, Don B. Wilmeth, Plays by William Hooker Gillette: 'All the Comforts of Home', 'Secret Service', 'Sherlock Holmes' Michael R. Booth doi:10.2307/3507744 | Cite |
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344-345 | Review of Marianne DeKoven, A Different Language: Gertrude Stein's Experimental Writing Clive Bush doi:10.2307/3507745 | Cite |
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345-347 | Review of Brenda R. Silver, Virginia Woolf's Reading Notebooks Stella McNichol doi:10.2307/3507746 | Cite |
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347-350 | Review of David Anderson, Pound's Cavalcanti: An Edition of the Translations, Notes, and Essays; Paul Smith, Pound Revised; Marianne Korn, Ezra Pound: Purpose/Form/Meaning Peter Makin doi:10.2307/3507747 | Cite |
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351-353 | Review of D. H. Lawrence, Andrew Robertson, The White Peacock; D. H. Lawrence, Brian Finney, 'St. Mawr' and Other Stories; Jeffrey Meyers, D. H. Lawrence and the Experience of Italy Philip Hobsbaum doi:10.2307/3507748 | Cite |
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353-355 | Review of Craig Hansen Werner, Paradoxical Resolutions: American Fiction since James Joyce Ellen Pifer doi:10.2307/3507749 | Cite |
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355-356 | | Cite |
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356-357 | | Cite |
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357-358 | Review of J. Bakker, Fiction as Survival Strategy: A Comparative Study of the Major Works of Ernest Hemingway and Saul Bellow Judie Newman doi:10.2307/3507752 | Cite |
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358-359 | Review of Morris Beja, S. E. Gontarski, Pierre Astier, Samuel Beckett: Humanistic Perspectives Leslie Hill doi:10.2307/3507753 | Cite |
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359-360 | | Cite |
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360-361 | | Cite |
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361-362 | Review of C. K. Stead, In the Glass Case: Essays on New Zealand Literature Lawrence Jones doi:10.2307/3507756 | Cite |
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362-365 | Review of Keith Sagar, The Achievement of Ted Hughes; Martin E. Gingerich, Contemporary Poetry in America and England 1950-1975: A Guide to Information Sources Edward Larrissy doi:10.2307/3507757 | Cite |
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365-366 | Review of David Trotter, The Making of the Reader: Language and Subjectivity in Modern American, English and Irish Poetry Philip Hobsbaum doi:10.2307/3507758 | Cite |
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