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1-17 | | Cite |
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18-32 | | Cite |
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33-47 | | Cite |
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48-63 | | Cite |
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64-79 | | Cite |
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80-92 | The Ancient Mariner's Graphic Voyage through Mimesis and Metaphor Renée Riese Hubert doi:10.2307/3508549 | Cite |
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93-108 | Aspects of the Intellectual Context of Pater's 'Imaginary Portraits' John Coates doi:10.2307/3508550 | Cite |
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109-124 | | Cite |
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125-159 | | Cite |
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160-178 | 'Alterable Noons': The 'poèmes élastiques' of Blaise Cendrars and Frank O'Hara Marjorie Perloff doi:10.2307/3508553 | Cite |
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179-200 | | Cite |
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201-226 | A Bridge of Sorts: The Translation of Quebec Literature into English Kathy Mezei doi:10.2307/3508555 | Cite |
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227-238 | | Cite |
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239-252 | | Cite |
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253-254 | Review of Richard Teleky, The Oxford Book of French-Canadian Short Stories Kathy Mezei doi:10.2307/3508558 | Cite |
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254-255 | Review of Annie M. Brewer, Marie Browne, Dictionaries, Encyclopedias, and Other Word-Related Books Peter Larkin doi:10.2307/3508559 | Cite |
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255-256 | Review of Daniel F. McGrath, Bookman's Price Index: A Guide to the Values of Rare and Other Out-of-Print Books. Volume XXII R. A. Gekoski doi:10.2307/3508560 | Cite |
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256-258 | Review of Ronald Carter, Deirdre Burton, Literary Text and Language Study Roger Fowler doi:10.2307/3508561 | Cite |
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258-259 | Review of Barry M. Kroll, Roberta J. Vann, Exploring Speaking-Writing Relationships: Connections and Contrasts Helmut Bonheim doi:10.2307/3508562 | Cite |
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259-261 | Review of David W. Maurer, Alan W. Futrell, Charles B. Wordell, Language of the Underworld Barbara M. H. Strang doi:10.2307/3508563 | Cite |
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261-262 | Review of Geoffrey N. Leech, Michael H. Short, Style in Fiction: A Linguistic Introduction to English Fictional Prose Helmut Bonheim doi:10.2307/3508564 | Cite |
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262-263 | Review of Charles O. Hartman, Free Verse: An Essay on Prosody Helen M. Dennis doi:10.2307/3508565 | Cite |
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263-264 | Review of Alvin B. Kernan, The Imaginary Library: An Essay on Literature and Society Judie Newman doi:10.2307/3508566 | Cite |
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265-266 | | Cite |
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267-268 | | Cite |
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268-269 | Review of Ashley Crandell Amos, Linguistic Means of Determining the Dates of Old English Literary Texts Jane Roberts doi:10.2307/3508569 | Cite |
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269-271 | | Cite |
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271-272 | Review of Glynne Wickham, Early English Stages 1300 to 1600. Volume III. Plays and Their Makers to 1576 Lois Potter doi:10.2307/3508571 | Cite |
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272-273 | Review of Ian Bishop, Chaucer's 'Troilus and Criseyde': A Critical Study Gerald Morgan doi:10.2307/3508572 | Cite |
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273-274 | | Cite |
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274-275 | Review of Charles A. Hallett, Elaine S. Hallett, The Revenger's Madness: A Study of Revenge Tragedy Motifs R. A. Foakes doi:10.2307/3508574 | Cite |
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275-276 | Review of Hallett Smith, The Tension of the Lyre: Poetry in Shakespeare's Sonnets Kenneth Muir doi:10.2307/3508575 | Cite |
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277 | Review of Sidney Homan, When the Theater Turns to Itself: The Aesthetic Metaphor in Shakespeare Roger Warren doi:10.2307/3508576 | Cite |
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278-279 | Review of Roland Mushat Frye, Shakespeare: The Art of the Dramatist Kenneth Muir doi:10.2307/3508577 | Cite |
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279-280 | Review of John Alvis, Thomas G. West, Shakespeare as Political Thinker Alvin Kernan doi:10.2307/3508578 | Cite |
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280-282 | Review of Paul Bertram, White Spaces in Shakespeare: The Development of the Modern Text E. A. J. Honigmann doi:10.2307/3508579 | Cite |
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282-284 | Review of Brian Vickers, Shakespeare: The Critical Heritage. Volume VI. 1774-1801 G. Bullough doi:10.2307/3508580 | Cite |
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284-285 | | Cite |
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285-287 | Review of Richard S. Peterson, Imitation and Praise in the Poems of Ben Jonson Brian Gibbons doi:10.2307/3508582 | Cite |
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287-288 | | Cite |
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288-289 | Review of Philip Edwards, Gerald Eades Bentley, Kathleen McLuskie, Lois Potter, The Revels History of Drama in English. Volume IV 1613-1660 Andrew Gurr doi:10.2307/3508584 | Cite |
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289-290 | Review of D. M. Rosenberg, Oaten Reeds and Trumpets: Pastoral and Epic in Virgil, Spenser, and Milton Alan Rudrum, June Sturrock doi:10.2307/3508585 | Cite |
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290-292 | Review of Camille Wells Slights, The Casuistical Tradition in Shakespeare, Donne, Herbert, and Milton Thomas N. Corns doi:10.2307/3508586 | Cite |
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292-294 | Review of James A. Freeman, Milton and the Martial Muse: 'Paradise Lost' and European Traditions of War John M. Steadman doi:10.2307/3508587 | Cite |
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294-295 | Review of Peter Holland, William Wycherley, The Plays of William Wycherley: 'Love in a Wood', 'The Gentleman Dancing-Master', 'The Country Wife', 'The Plain-Dealer' Harold Love doi:10.2307/3508588 | Cite |
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295-296 | Review of Eric Rothstein, The Routledge History of English Poetry. Volume III. Restoration and Eighteenth-Century Poetry 1660-1780 John Sitter doi:10.2307/3508589 | Cite |
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297-298 | | Cite |
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298-300 | Review of F. J. M. Korsten, Roger North (1651-1734) Virtuoso and Essayist: A Study of His Life and Ideas, Followed by an Annotated Edition of a Selection of His Unpublished Essays Pat Rogers doi:10.2307/3508591 | Cite |
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300 | Review of Marie-Luise Spieckermann, William Wottons 'Reflections upon Ancient and Modern Learning' im Kontext der englischen 'Querelle des anciens et des modernes' F. P. Lock doi:10.2307/3508592 | Cite |
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301 | Review of Frederick M. Keener, The Chain of Becoming: The Philosophical Tale, the Novel, and Neglected Realism of the Enlightenment: Swift, Montesquieu, Voltaire, Johnson, and Austen Louise K. Barnett doi:10.2307/3508593 | Cite |
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302-303 | Review of George Watson, The Shorter New Cambridge Bibliography of English Literature C. J. Rawson doi:10.2307/3508594 | Cite |
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303-304 | | Cite |
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305-306 | Review of Richard Wendorf, William Collins and Eighteenth-Century English Poetry A. J. Sambrook doi:10.2307/3508596 | Cite |
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306-307 | Review of Desmond King-Hele, Erasmus Darwin, The Letters of Erasmus Darwin Clive Bush doi:10.2307/3508597 | Cite |
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307-309 | Review of James Anderson, Sir Walter Scott and History, with Other Papers Peter Garside doi:10.2307/3508598 | Cite |
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309 | Review of A. D. Harvey, English Literature and the Great War with France: An Anthology and Commentary Peter Marshall doi:10.2307/3508599 | Cite |
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309-310 | Review of T. A. J. Burnett, The Rise and Fall of a Regency Dandy: The Life and Times of Scrope Berdmore Davies Andrew Nicholson doi:10.2307/3508600 | Cite |
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310-312 | | Cite |
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312-313 | | Cite |
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313-314 | Review of George Levine, The Realistic Imagination: English Fiction from 'Frankenstein' to 'Lady Chatterley' Stephen Prickett doi:10.2307/3508603 | Cite |
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314-315 | Review of John Russell Stephens, The Censorship of English Drama 1824-1901 J. S. Bratton doi:10.2307/3508604 | Cite |
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315-316 | Review of Michael Davitt Bell, The Development of American Romance: The Sacrifice of Realism Edward Wagenknecht doi:10.2307/3508605 | Cite |
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316-317 | | Cite |
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317-318 | Review of Michael Timko, Fred Kaplan, Edward Guiliano, Dickens Studies Annual: Essays on Victorian Fiction. Volume IX Sheila M. Smith doi:10.2307/3508607 | Cite |
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318-319 | Review of Charlotte Brontë, Christine Alexander, Something about Arthur Tom Winnifrith doi:10.2307/3508608 | Cite |
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319-320 | Review of Claude Gayet, The Intellectual Development of Henry David Thoreau Robert E. Spiller doi:10.2307/3508609 | Cite |
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320-321 | Review of William Baker, The Libraries of George Eliot and George Henry Lewes William Myers doi:10.2307/3508610 | Cite |
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321-322 | Review of Jay Fellows, Ruskin's Maze: Mastery and Madness in His Art Malcolm Hardman doi:10.2307/3508611 | Cite |
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322-323 | Review of Allon White, The Uses of Obscurity: The Fiction of Early Modernism Jeremy Lane doi:10.2307/3508612 | Cite |
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323-325 | | Cite |
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325-327 | Review of William W. Stowe, Balzac, James, and the Realistic Novel Alan W. Bellringer doi:10.2307/3508614 | Cite |
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328 | Review of Jean-Pierre Michaux, George Gissing: Critical Essays Sheila M. Smith doi:10.2307/3508615 | Cite |
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329 | Review of G. B. Tennyson, Victorian Devotional Poetry: The Tractarian Mode Tom Winnifrith doi:10.2307/3508616 | Cite |
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330-331 | Review of Bernard G. Krimm, W. B. Yeats and the Emergence of the Irish Free State 1918-1939: Living in the Explosion Seamus Deane doi:10.2307/3508617 | Cite |
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332-333 | | Cite |
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334-335 | Review of Max Ribstein, G. K. Chesterton: Création romanesque et imagination (1874-1936) Barbara Reynolds doi:10.2307/3508619 | Cite |
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335-336 | Review of Bernard Sellin, Kenneth Gunnell, The Life and Works of David Lindsay Kathryn Hume doi:10.2307/3508620 | Cite |
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336-341 | Review of David Hayman, Ulysses: The Mechanics of Meaning; E. L. Epstein, A Starchamber Quiry: A James Joyce Centennial Volume 1882-1982; W. J. McCormack, Alistair Stead, James Joyce and Modern Literature Vincent Mahon doi:10.2307/3508621 | Cite |
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342-344 | Review of Robert B. Partlow, Jr., D. H. Lawrence: The Man Who Lived; Philip Hobsbaum, A Reader's Guide to D. H. Lawrence Michael Bell doi:10.2307/3508622 | Cite |
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344-347 | Review of John T. Gage, In the Arresting Eye: The Rhetoric of Imagism Marjorie Perloff doi:10.2307/3508623 | Cite |
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347-349 | Review of Ian F. A. Bell, Critic as a Scientist: The Modernist Poetics of Ezra Pound Peter Makin doi:10.2307/3508624 | Cite |
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349-351 | Review of Forrest Read, '76: One World and 'The Cantos' of Ezra Pound Peter Makin doi:10.2307/3508625 | Cite |
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351-352 | Review of Victoria Glendinning, Edith Sitwell: A Unicorn among Lions Valerie Shaw doi:10.2307/3508626 | Cite |
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352-353 | Review of Thomas Daniel Young, The Past in the Present: A Thematic Study of Modern Southern Fiction J. A. Leo Lemay doi:10.2307/3508627 | Cite |
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353-354 | Review of Richard Layman, Shadow Man: The Life of Dashiell Hammett John S. Whitley doi:10.2307/3508628 | Cite |
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354-355 | | Cite |
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355-356 | Review of William Bedford Clark, Critical Essays on Robert Penn Warren Richard Gray doi:10.2307/3508630 | Cite |
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356-357 | | Cite |
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358-359 | | Cite |
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359-360 | Review of Iska Alter, The Good Man's Dilemma: Social Criticism in the Fiction of Bernard Malamud Jay L. Halio doi:10.2307/3508633 | Cite |
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360-362 | Review of Philip Stevick, Alternative Pleasures: Postrealist Fiction and the Tradition Paul Lawley doi:10.2307/3508634 | Cite |
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362-364 | Review of John Drakakis, British Radio Drama; George W. Brandt, British Television Drama Peter Davison doi:10.2307/3508635 | Cite |
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364-366 | Review of Cary Nelson, Our Last First Poets: Vision and History in Contemporary American Poetry; Vereen M. Bell, Robert Lowell: Nihilist as Hero Roger Pooley doi:10.2307/3508636 | Cite |
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