x | | Cite |
| |
1-17 | | Cite |
| |
18-32 | | Cite |
| |
33-47 | | Cite |
| |
48-63 | | Cite |
| |
64-79 | | Cite |
| |
80-92 | The Ancient Mariner's Graphic Voyage through Mimesis and Metaphor Renée Riese Hubertdoi:10.2307/3508549 | Cite |
| |
93-108 | Aspects of the Intellectual Context of Pater's 'Imaginary Portraits' John Coatesdoi:10.2307/3508550 | Cite |
| |
109-124 | | Cite |
| |
125-159 | | Cite |
| |
160-178 | 'Alterable Noons': The 'poèmes élastiques' of Blaise Cendrars and Frank O'Hara Marjorie Perloffdoi:10.2307/3508553 | Cite |
| |
179-200 | | Cite |
| |
201-226 | A Bridge of Sorts: The Translation of Quebec Literature into English Kathy Mezeidoi:10.2307/3508555 | Cite |
| |
227-238 | | Cite |
| |
239-252 | | Cite |
| |
253-254 | Review of Richard Teleky, The Oxford Book of French-Canadian Short StoriesKathy Mezeidoi:10.2307/3508558 | Cite |
| |
254-255 | Review of Annie M. Brewer, Marie Browne, Dictionaries, Encyclopedias, and Other Word-Related BooksPeter Larkindoi:10.2307/3508559 | Cite |
| |
255-256 | Review of Daniel F. McGrath, Bookman's Price Index: A Guide to the Values of Rare and Other Out-of-Print Books. Volume XXIIR. A. Gekoskidoi:10.2307/3508560 | Cite |
| |
256-258 | Review of Ronald Carter, Deirdre Burton, Literary Text and Language StudyRoger Fowlerdoi:10.2307/3508561 | Cite |
| |
258-259 | Review of Barry M. Kroll, Roberta J. Vann, Exploring Speaking-Writing Relationships: Connections and ContrastsHelmut Bonheimdoi:10.2307/3508562 | Cite |
| |
259-261 | Review of David W. Maurer, Alan W. Futrell, Charles B. Wordell, Language of the UnderworldBarbara M. H. Strangdoi:10.2307/3508563 | Cite |
| |
261-262 | Review of Geoffrey N. Leech, Michael H. Short, Style in Fiction: A Linguistic Introduction to English Fictional ProseHelmut Bonheimdoi:10.2307/3508564 | Cite |
| |
262-263 | Review of Charles O. Hartman, Free Verse: An Essay on ProsodyHelen M. Dennisdoi:10.2307/3508565 | Cite |
| |
263-264 | Review of Alvin B. Kernan, The Imaginary Library: An Essay on Literature and SocietyJudie Newmandoi:10.2307/3508566 | Cite |
| |
265-266 | | Cite |
| |
267-268 | | Cite |
| |
268-269 | Review of Ashley Crandell Amos, Linguistic Means of Determining the Dates of Old English Literary TextsJane Robertsdoi:10.2307/3508569 | Cite |
| |
269-271 | | Cite |
| |
271-272 | Review of Glynne Wickham, Early English Stages 1300 to 1600. Volume III. Plays and Their Makers to 1576Lois Potterdoi:10.2307/3508571 | Cite |
| |
272-273 | Review of Ian Bishop, Chaucer's 'Troilus and Criseyde': A Critical StudyGerald Morgandoi:10.2307/3508572 | Cite |
| |
273-274 | | Cite |
| |
274-275 | Review of Charles A. Hallett, Elaine S. Hallett, The Revenger's Madness: A Study of Revenge Tragedy MotifsR. A. Foakesdoi:10.2307/3508574 | Cite |
| |
275-276 | Review of Hallett Smith, The Tension of the Lyre: Poetry in Shakespeare's SonnetsKenneth Muirdoi:10.2307/3508575 | Cite |
| |
277 | Review of Sidney Homan, When the Theater Turns to Itself: The Aesthetic Metaphor in ShakespeareRoger Warrendoi:10.2307/3508576 | Cite |
| |
278-279 | Review of Roland Mushat Frye, Shakespeare: The Art of the DramatistKenneth Muirdoi:10.2307/3508577 | Cite |
| |
279-280 | Review of John Alvis, Thomas G. West, Shakespeare as Political ThinkerAlvin Kernandoi:10.2307/3508578 | Cite |
| |
280-282 | Review of Paul Bertram, White Spaces in Shakespeare: The Development of the Modern TextE. A. J. Honigmanndoi:10.2307/3508579 | Cite |
| |
282-284 | Review of Brian Vickers, Shakespeare: The Critical Heritage. Volume VI. 1774-1801G. Bulloughdoi:10.2307/3508580 | Cite |
| |
284-285 | | Cite |
| |
285-287 | Review of Richard S. Peterson, Imitation and Praise in the Poems of Ben JonsonBrian Gibbonsdoi:10.2307/3508582 | Cite |
| |
287-288 | | Cite |
| |
288-289 | Review of Philip Edwards, Gerald Eades Bentley, Kathleen McLuskie, Lois Potter, The Revels History of Drama in English. Volume IV 1613-1660Andrew Gurrdoi:10.2307/3508584 | Cite |
| |
289-290 | Review of D. M. Rosenberg, Oaten Reeds and Trumpets: Pastoral and Epic in Virgil, Spenser, and MiltonAlan Rudrum, June Sturrockdoi:10.2307/3508585 | Cite |
| |
290-292 | Review of Camille Wells Slights, The Casuistical Tradition in Shakespeare, Donne, Herbert, and MiltonThomas N. Cornsdoi:10.2307/3508586 | Cite |
| |
292-294 | Review of James A. Freeman, Milton and the Martial Muse: 'Paradise Lost' and European Traditions of WarJohn M. Steadmandoi:10.2307/3508587 | Cite |
| |
294-295 | Review of Peter Holland, William Wycherley, The Plays of William Wycherley: 'Love in a Wood', 'The Gentleman Dancing-Master', 'The Country Wife', 'The Plain-Dealer'Harold Lovedoi:10.2307/3508588 | Cite |
| |
295-296 | Review of Eric Rothstein, The Routledge History of English Poetry. Volume III. Restoration and Eighteenth-Century Poetry 1660-1780John Sitterdoi:10.2307/3508589 | Cite |
| |
297-298 | | Cite |
| |
298-300 | Review of F. J. M. Korsten, Roger North (1651-1734) Virtuoso and Essayist: A Study of His Life and Ideas, Followed by an Annotated Edition of a Selection of His Unpublished EssaysPat Rogersdoi:10.2307/3508591 | Cite |
| |
300 | Review of Marie-Luise Spieckermann, William Wottons 'Reflections upon Ancient and Modern Learning' im Kontext der englischen 'Querelle des anciens et des modernes'F. P. Lockdoi:10.2307/3508592 | Cite |
| |
301 | Review of Frederick M. Keener, The Chain of Becoming: The Philosophical Tale, the Novel, and Neglected Realism of the Enlightenment: Swift, Montesquieu, Voltaire, Johnson, and AustenLouise K. Barnettdoi:10.2307/3508593 | Cite |
| |
302-303 | Review of George Watson, The Shorter New Cambridge Bibliography of English LiteratureC. J. Rawsondoi:10.2307/3508594 | Cite |
| |
303-304 | | Cite |
| |
305-306 | Review of Richard Wendorf, William Collins and Eighteenth-Century English PoetryA. J. Sambrookdoi:10.2307/3508596 | Cite |
| |
306-307 | Review of Desmond King-Hele, Erasmus Darwin, The Letters of Erasmus DarwinClive Bushdoi:10.2307/3508597 | Cite |
| |
307-309 | Review of James Anderson, Sir Walter Scott and History, with Other PapersPeter Garsidedoi:10.2307/3508598 | Cite |
| |
309 | Review of A. D. Harvey, English Literature and the Great War with France: An Anthology and CommentaryPeter Marshalldoi:10.2307/3508599 | Cite |
| |
309-310 | Review of T. A. J. Burnett, The Rise and Fall of a Regency Dandy: The Life and Times of Scrope Berdmore DaviesAndrew Nicholsondoi:10.2307/3508600 | Cite |
| |
310-312 | | Cite |
| |
312-313 | | Cite |
| |
313-314 | Review of George Levine, The Realistic Imagination: English Fiction from 'Frankenstein' to 'Lady Chatterley'Stephen Prickettdoi:10.2307/3508603 | Cite |
| |
314-315 | Review of John Russell Stephens, The Censorship of English Drama 1824-1901J. S. Brattondoi:10.2307/3508604 | Cite |
| |
315-316 | Review of Michael Davitt Bell, The Development of American Romance: The Sacrifice of RealismEdward Wagenknechtdoi:10.2307/3508605 | Cite |
| |
316-317 | | Cite |
| |
317-318 | Review of Michael Timko, Fred Kaplan, Edward Guiliano, Dickens Studies Annual: Essays on Victorian Fiction. Volume IXSheila M. Smithdoi:10.2307/3508607 | Cite |
| |
318-319 | Review of Charlotte Brontë, Christine Alexander, Something about ArthurTom Winnifrithdoi:10.2307/3508608 | Cite |
| |
319-320 | Review of Claude Gayet, The Intellectual Development of Henry David ThoreauRobert E. Spillerdoi:10.2307/3508609 | Cite |
| |
320-321 | Review of William Baker, The Libraries of George Eliot and George Henry LewesWilliam Myersdoi:10.2307/3508610 | Cite |
| |
321-322 | Review of Jay Fellows, Ruskin's Maze: Mastery and Madness in His ArtMalcolm Hardmandoi:10.2307/3508611 | Cite |
| |
322-323 | Review of Allon White, The Uses of Obscurity: The Fiction of Early ModernismJeremy Lanedoi:10.2307/3508612 | Cite |
| |
323-325 | | Cite |
| |
325-327 | Review of William W. Stowe, Balzac, James, and the Realistic NovelAlan W. Bellringerdoi:10.2307/3508614 | Cite |
| |
328 | Review of Jean-Pierre Michaux, George Gissing: Critical EssaysSheila M. Smithdoi:10.2307/3508615 | Cite |
| |
329 | Review of G. B. Tennyson, Victorian Devotional Poetry: The Tractarian ModeTom Winnifrithdoi:10.2307/3508616 | Cite |
| |
330-331 | Review of Bernard G. Krimm, W. B. Yeats and the Emergence of the Irish Free State 1918-1939: Living in the ExplosionSeamus Deanedoi:10.2307/3508617 | Cite |
| |
332-333 | | Cite |
| |
334-335 | Review of Max Ribstein, G. K. Chesterton: Création romanesque et imagination (1874-1936)Barbara Reynoldsdoi:10.2307/3508619 | Cite |
| |
335-336 | Review of Bernard Sellin, Kenneth Gunnell, The Life and Works of David LindsayKathryn Humedoi:10.2307/3508620 | Cite |
| |
336-341 | Review of David Hayman, Ulysses: The Mechanics of Meaning; E. L. Epstein, A Starchamber Quiry: A James Joyce Centennial Volume 1882-1982; W. J. McCormack, Alistair Stead, James Joyce and Modern LiteratureVincent Mahondoi:10.2307/3508621 | Cite |
| |
342-344 | Review of Robert B. Partlow, Jr., D. H. Lawrence: The Man Who Lived; Philip Hobsbaum, A Reader's Guide to D. H. LawrenceMichael Belldoi:10.2307/3508622 | Cite |
| |
344-347 | Review of John T. Gage, In the Arresting Eye: The Rhetoric of ImagismMarjorie Perloffdoi:10.2307/3508623 | Cite |
| |
347-349 | Review of Ian F. A. Bell, Critic as a Scientist: The Modernist Poetics of Ezra PoundPeter Makindoi:10.2307/3508624 | Cite |
| |
349-351 | Review of Forrest Read, '76: One World and 'The Cantos' of Ezra PoundPeter Makindoi:10.2307/3508625 | Cite |
| |
351-352 | Review of Victoria Glendinning, Edith Sitwell: A Unicorn among LionsValerie Shawdoi:10.2307/3508626 | Cite |
| |
352-353 | Review of Thomas Daniel Young, The Past in the Present: A Thematic Study of Modern Southern FictionJ. A. Leo Lemaydoi:10.2307/3508627 | Cite |
| |
353-354 | Review of Richard Layman, Shadow Man: The Life of Dashiell HammettJohn S. Whitleydoi:10.2307/3508628 | Cite |
| |
354-355 | | Cite |
| |
355-356 | Review of William Bedford Clark, Critical Essays on Robert Penn WarrenRichard Graydoi:10.2307/3508630 | Cite |
| |
356-357 | | Cite |
| |
358-359 | | Cite |
| |
359-360 | Review of Iska Alter, The Good Man's Dilemma: Social Criticism in the Fiction of Bernard MalamudJay L. Haliodoi:10.2307/3508633 | Cite |
| |
360-362 | Review of Philip Stevick, Alternative Pleasures: Postrealist Fiction and the TraditionPaul Lawleydoi:10.2307/3508634 | Cite |
| |
362-364 | Review of John Drakakis, British Radio Drama; George W. Brandt, British Television DramaPeter Davisondoi:10.2307/3508635 | Cite |
| |
364-366 | Review of Cary Nelson, Our Last First Poets: Vision and History in Contemporary American Poetry; Vereen M. Bell, Robert Lowell: Nihilist as HeroRoger Pooleydoi:10.2307/3508636 | Cite |
| |
This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up a free ipage® Account: click here for more.