ix | | Cite |
| |
1-19 | Colonial and Imperial Themes: Edmund Spenser and the Development of an Anglo-Irish Identity Nicholas Canny doi:10.2307/3508109 | Cite |
| |
20-31 | | Cite |
| |
32-45 | | Cite |
| |
46-65 | Pastoralism, Puritanism, Imperialism, Scientism: Andrew Marvell and the Problem of Mediation Michael McKeon doi:10.2307/3508112 | Cite |
| |
66-83 | | Cite |
| |
84-96 | | Cite |
| |
97-115 | Colonists and Colonized: Some Aspects of Anglo-Irish Literature from Swift to Joyce P. F. Sheeran doi:10.2307/3508115 | Cite |
| |
116-132 | Imitation and Originality in Australian Colonial Poetry: The Case of Charles Harpur Leonie Kramer doi:10.2307/3508116 | Cite |
| |
133-144 | | Cite |
| |
145-158 | Modern Misjudgements of Racial Imperialism in Hawthorne and Parkman David Levin doi:10.2307/3508118 | Cite |
| |
159-180 | | Cite |
| |
181-195 | Colonial and Imperial Themes in South African Literature 1820-1930 Mbulelo Vizikhungo Mzamane doi:10.2307/3508120 | Cite |
| |
196-209 | | Cite |
| |
210-227 | The Changing Masks of Empire: Notes on Some Novels by Sara Jeannette Duncan George Woodcock doi:10.2307/3508122 | Cite |
| |
228-243 | 'A curiously colonial performance': The Ec-Centric Vision of V. S. Naipaul and J. L. Borges John N. King doi:10.2307/3508123 | Cite |
| |
244-258 | | Cite |
| |
259-269 | Crouched in Dark Caves: The Post-Colonial Narcissism of Canadian Literature David Staines doi:10.2307/3508125 | Cite |
| |
270-287 | | Cite |
| |
288-293 | | Cite |
| |
294-295 | | Cite |
| |
295-296 | Review of Richard Leighton Greene, David C. Fowler, Alain Renoir, C. David Benson, A Manual of the Writings in Middle English 1050-1500. Based upon 'A Manual of the Writing in Middle English 1050-1400' by John Edwin Wells, New Haven 1916 and Supplements 1-9, 1919-1951. Volume VI Anne Hudson doi:10.2307/3508129 | Cite |
| |
296-297 | Review of Joerg O. Fichte, Chaucer's 'Art Poetical': A Study in Chaucerian Poetics T. Turville-Petre doi:10.2307/3508130 | Cite |
| |
297-298 | Review of Traugott Lawler, The One and the Many in the 'Canterbury Tales' Stanley Hussey doi:10.2307/3508131 | Cite |
| |
298-299 | Review of Richard Axton, Three Rastell Plays: 'Four Elements', 'Calisto and Melebea', 'Gentleness and Nobility' Clarence H. Miller doi:10.2307/3508132 | Cite |
| |
299-301 | | Cite |
| |
301-302 | Review of Clyde W. Jentoft, Sir Thomas Wyatt and Henry Howard, Earl of Surrey: A Reference Guide Stephen Merriam Foley doi:10.2307/3508134 | Cite |
| |
302-303 | Review of George Cavendish, A. S. G. Edwards, Metrical Visions Derek Pearsall doi:10.2307/3508135 | Cite |
| |
304-305 | | Cite |
| |
305-307 | Review of Lars-Håkan Svensson, Silent Art: Rhetorical and Thematic Patterns in Samuel Daniel's 'Delia' Joan Rees doi:10.2307/3508137 | Cite |
| |
307-308 | Review of Stanley Wells, Gary Taylor, Modernizing Shakespeare's Spelling: With Three Studies in the Text of 'Henry V' George Walton Williams doi:10.2307/3508138 | Cite |
| |
308-310 | Review of Sidney Homan, Shakespeare, Shakespeare's 'More than Words Can Witness': Essays on Visual and Nonverbal Enactment in the Plays David Bevington doi:10.2307/3508139 | Cite |
| |
310-311 | Review of Larry S. Champion, Perspective in Shakespeare's English Histories Maurice Charney doi:10.2307/3508140 | Cite |
| |
311-313 | Review of John Ripley, 'Julius Caesar' on Stage in England and America, 1599-1973 Trevor R. Griffiths doi:10.2307/3508141 | Cite |
| |
313-314 | Review of George L. Geckle, John Marston's Drama: Themes, Images, Sources Reavley Gair doi:10.2307/3508142 | Cite |
| |
314-316 | Review of George Buck, Arthur Noel Kincaid, The History of King Richard the Third M. J. C. Lowry doi:10.2307/3508143 | Cite |
| |
316-318 | | Cite |
| |
318-319 | | Cite |
| |
319-321 | | Cite |
| |
321-322 | Review of Robert James Merrett, Daniel Defoe's Moral and Rhetorical Ideas Pat Rogers doi:10.2307/3508147 | Cite |
| |
322-324 | Review of Edward A. Bloom, Lillian D. Bloom, Addison and Steele: The Critical Heritage Donald C. Mell Jr. doi:10.2307/3508148 | Cite |
| |
324-325 | | Cite |
| |
325-326 | | Cite |
| |
327 | Review of James H. Averill, Wordsworth and the Poetry of Human Suffering Charles Sherry doi:10.2307/3508151 | Cite |
| |
328 | Review of Hermann J. Wüscher, Liberty, Equality, and Fraternity in Wordsworth 1791-1800 W. J. B. Owen doi:10.2307/3508152 | Cite |
| |
328-329 | Review of Denys Thompson, Change and Tradition in Rural England: An Anthology of Writings on Country Life Shelagh Hunter doi:10.2307/3508153 | Cite |
| |
329-331 | Review of Joel Myerson, Studies in the American Renaissance 1979 David M. Van Leer doi:10.2307/3508154 | Cite |
| |
331-332 | Review of J. V. Ridgely, Nineteenth-Century Southern Literature J. A. Leo Lemay doi:10.2307/3508155 | Cite |
| |
332-333 | Review of Roger B. Henkle, Comedy and Culture: England 1820-1900 Sheila M. Smith doi:10.2307/3508156 | Cite |
| |
333-334 | Review of Jayne K. Kribbs, Critical Essays on John Greenleaf Whittier Richard Gray doi:10.2307/3508157 | Cite |
| |
334-336 | | Cite |
| |
336-337 | Review of Norman Page, Thomas Hardy: The Writer and His Background Shelagh Hunter doi:10.2307/3508159 | Cite |
| |
337-338 | Review of Patricia Clements, Juliet Grindle, The Poetry of Thomas Hardy Shelagh Hunter doi:10.2307/3508160 | Cite |
| |
338 | Review of Anita Roitinger, Oscar Wilde's Life as Reflected in His Correspondence and His Autobiography John Stokes doi:10.2307/3508161 | Cite |
| |
338-342 | Review of Barbara Kanner, The Women of England from Anglo-Saxon Times to the Present: Interpretive Bibliographical Essays Shirley Foster doi:10.2307/3508162 | Cite |
| |
342 | Review of Roger Asselineau, The Transcendentalist Constant in American Literature Larzer Ziff doi:10.2307/3508163 | Cite |
| |
343 | Review of Floyd Eugene Eddleman, American Drama Criticism: Interpretations 1890-1977 Arnold P. Hinchliffe doi:10.2307/3508164 | Cite |
| |
343-345 | | Cite |
| |
345-346 | Review of James M. Mellard, The Exploded Form: The Modernist Novel in America David Seed doi:10.2307/3508166 | Cite |
| |
346-348 | Review of Louise A. Desalvo, Virginia Woolf's First Voyage: A Novel in the Making Rosalind Miles doi:10.2307/3508167 | Cite |
| |
348-349 | Review of Frank Gloversmith, Class, Culture and Social Change: A New View of the 1930s Michael Wilding doi:10.2307/3508168 | Cite |
| |
349-350 | | Cite |
| |
350-351 | | Cite |
| |
351-353 | Review of Gary Lee Stonum, Faulkner's Career: An Internal Literary History Edward Gallafent doi:10.2307/3508171 | Cite |
| |
354-355 | Review of Melvin B. Tolson, Robert M. Farnsworth, A Gallery of Harlem Portraits Arnold Rampersad doi:10.2307/3508172 | Cite |
| |
355-356 | | Cite |
| |
356-357 | Review of John O. Stark, Pynchon's Fictions: Thomas Pynchon and the Literature of Information Elaine B. Safer doi:10.2307/3508174 | Cite |
| |
357-359 | | Cite |
| |
359-361 | | Cite |
| |
361-362 | | Cite |
| |
362 | Review of James E. Kibler, Jr., American Novelists since World War II Larzer Ziff doi:10.2307/3508178 | Cite |
| |
362-363 | Review of David Madden, Richard Powers, Writers' Revisions: An Annotated Bibliography of Articles and Books about Writers' Revisions and Their Comments on the Creative Process Philip Gaskell doi:10.2307/3508179 | Cite |
| |
363-364 | Review of Ekbert Faas, Ted Hughes: The Unaccommodated Universe, with Selected Critical Writings by Ted Hughes and Two Interviews J. R. Watson doi:10.2307/3508180 | Cite |
| |
364-366 | Review of Dierdre Burton, Dialogue and Discourse: A Sociolinguistic Approach to Modern Drama Dialogue and Naturally Occurring Conversation Paula Johnson doi:10.2307/3508181 | Cite |
| |
366 | Review of Earl Miner, Literary Uses of Typology from the Late Middle Ages to the Present Margarita Stocker doi:10.2307/3508182 | Cite |
| |
This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up an ipage Account: click here for more.