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1-12 | Heroes and the Heroic: Astute Hero and Ingenious Poet: Odysseus and Homer W. B. Stanford doi:10.2307/3507394 | Cite |
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13-23 | | Cite |
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24-34 | | Cite |
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35-57 | | Cite |
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58-71 | 'Not Less but More Heroic': The Epic Task and the Renaissance Hero M. A. Di Cesare doi:10.2307/3507398 | Cite |
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72-90 | | Cite |
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91-108 | | Cite |
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109-124 | | Cite |
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125-151 | 'Our unnatural No-voice': The Heroic Epistle, Pope, and Women's Gothic Gillian Beer doi:10.2307/3507402 | Cite |
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152-168 | | Cite |
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169-185 | | Cite |
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186-193 | | Cite |
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194-207 | | Cite |
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208-217 | Old English Sea Imagery and the Interpretation of 'The Seafarer' Frederick S. Holton doi:10.2307/3507407 | Cite |
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218-225 | Thomas Traherne and the Authorship of 'Dialy Devotions' Richard Douglas Jordan doi:10.2307/3507408 | Cite |
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226-227 | Review of A. T. Hatto, Traditions of Heroic and Epic Poetry. Volume I. The Traditions W. B. Stanford doi:10.2307/3507409 | Cite |
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227-228 | Review of Antonette diPaolo Healey, The Old English Vision of St. Paul Anne Hudson doi:10.2307/3507410 | Cite |
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228-229 | | Cite |
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229-230 | | Cite |
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230-231 | Review of Philip Hobsbaum, Tradition and Experiment in English Poetry Robert B. Shaw doi:10.2307/3507413 | Cite |
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232-234 | | Cite |
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234-235 | Review of Alice R. Kaminsky, Chaucer's 'Troilus and Criseyde' and the Critics Stanley Hussey doi:10.2307/3507415 | Cite |
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235-236 | Review of Terry Jones, Chaucer's Knight: The Portrait of a Medieval Mercenary John M. Fyler doi:10.2307/3507416 | Cite |
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236-237 | Review of Gregory Kratzmann, Anglo-Scottish Literary Relations 1430-1550 Priscilla Bawcutt doi:10.2307/3507417 | Cite |
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237-238 | | Cite |
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238-240 | | Cite |
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240-241 | Review of Ronald Arthur Horton, The Unity of 'The Faerie Queene' Robert Cummings doi:10.2307/3507420 | Cite |
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241-243 | Review of Robert Hogan, The Macmillan Dictionary of Irish Literature Arthur E. McGuinness doi:10.2307/3507421 | Cite |
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243-244 | Review of Philip Edwards, Threshold of a Nation: A Study in English and Irish Drama Herbert Lindenberger doi:10.2307/3507422 | Cite |
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244-245 | Review of James T. Henke, Courtesans and Cuckolds: A Glossary of Renaissance Dramatic Bawdy (Exclusive of Shakespeare) Gordon Williams doi:10.2307/3507423 | Cite |
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245-247 | Review of Richard Levin, New Readings vs. Old Plays: Recent Trends in the Reinterpretation of English Renaissance Drama E. A. J. Honigmann doi:10.2307/3507424 | Cite |
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247-250 | Review of George Chapman, Ben Jonson, John Marston, R. W. Van Fossen, Eastward Ho G. K. Hunter doi:10.2307/3507425 | Cite |
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250-252 | Review of Robert Weimann, Robert Schwartz, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function Peter Davison doi:10.2307/3507426 | Cite |
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252-253 | Review of John Erskine Hankins, Backgrounds of Shakespeare's Thought E. H. Jones doi:10.2307/3507427 | Cite |
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253-254 | Review of Robert G. Hunter, Shakespeare and the Mysteries of God's Judgments E. H. Jones doi:10.2307/3507428 | Cite |
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254-255 | Review of Joseph A. Porter, The Drama of Speech Acts: Shakespeare's Lancastrian Tetralogy Joan Rees doi:10.2307/3507429 | Cite |
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255-257 | | Cite |
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257-258 | Review of Susan Snyder, The Comic Matrix of Shakespeare's Tragedies: 'Romeo and Juliet', 'Hamlet', 'Othello', and 'King Lear' Joan Rees doi:10.2307/3507431 | Cite |
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258-259 | Review of John Russell Brown, Shakespeare: 'Much Ado about Nothing' and 'As You like It': A Casebook Kenneth Muir doi:10.2307/3507432 | Cite |
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259-261 | Review of Elliot Krieger, A Marxist Study of Shakespeare's Comedies Alexander Leggatt doi:10.2307/3507433 | Cite |
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261-262 | Review of Kenneth Friedenreich, Christopher Marlowe: An Annotated Bibliography of Criticism since 1950 Judith Weil doi:10.2307/3507434 | Cite |
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262-263 | Review of Miller MacLure, Marlowe: The Critical Heritage 1588-1896 Judith Weil doi:10.2307/3507435 | Cite |
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263-264 | | Cite |
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264-266 | Review of Mervyn C. Alleyne, Comparative Afro-American: An Historical-Comparative Study of English-Based Afro-American Dialects of the New World Barbara M. H. Strang doi:10.2307/3507437 | Cite |
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266-268 | Review of Stanley Fish, The Living Temple: George Herbert and Catechizing Angela Smith doi:10.2307/3507438 | Cite |
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268-269 | Review of Lynn Veach Sadler, Consolation in 'Samson Agonistes': Regeneration and Typology Mary Ann Radzinowicz doi:10.2307/3507439 | Cite |
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269-271 | | Cite |
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271-272 | | Cite |
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272-273 | Review of Andrew Fletcher, David Daiches, Selected Political Writings and Speeches J. A. Downie doi:10.2307/3507442 | Cite |
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273-274 | | Cite |
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274 | | Cite |
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274-276 | Review of Thomas Crawford, Society and the Lyric: A Study of the Song Culture of Eighteenth Century Scotland David W. Lindsay doi:10.2307/3507445 | Cite |
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276-277 | Review of Charles L. Batten, Jr., Pleasurable Instruction: Form and Convention in Eighteenth-Century Travel Literature Jenny Mezciems doi:10.2307/3507446 | Cite |
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277-279 | | Cite |
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279-280 | | Cite |
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280-281 | | Cite |
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281 | | Cite |
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281-283 | | Cite |
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283-285 | | Cite |
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285 | | Cite |
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285-286 | | Cite |
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286-287 | | Cite |
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287-288 | Review of Donald S. Taylor, Thomas Chatterton's Art: Experiments in Imagined History David W. Lindsay doi:10.2307/3507456 | Cite |
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288-289 | Review of Christina Colvin, Maria Edgeworth, Maria Edgeworth in France and Switzerland: Selections from the Edgeworth Family Letters George O'Brien doi:10.2307/3507457 | Cite |
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289-290 | Review of David Brown, Walter Scott and the Historical Imagination John Henry Raleigh doi:10.2307/3507458 | Cite |
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290-291 | Review of Alan W. Bellringer, C. B. Jones, The Romantic Age in Prose: An Anthology Andrew Nicholson doi:10.2307/3507459 | Cite |
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291-293 | | Cite |
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293-294 | | Cite |
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294-295 | Review of Warren Roberts, Jane Austen and the French Revolution Andrew Wright doi:10.2307/3507462 | Cite |
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295-296 | Review of Marilyn Butler, Peacock Displayed: A Satirist in His Context Frank W. Bradbrook doi:10.2307/3507463 | Cite |
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296-298 | | Cite |
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298-299 | Review of Francis Lewis Randolph, Studies for a Byron Bibliography J. Drummond Bone doi:10.2307/3507465 | Cite |
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299-300 | Review of Lloyd Abbey, Destroyer and Preserver: Shelley's Poetic Skepticism P. M. S. Dawson doi:10.2307/3507466 | Cite |
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300-301 | Review of John Clare, Anne Tibble, R. K. R. Thornton, The Midsummer Cushion Patricia M. Ball doi:10.2307/3507467 | Cite |
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301-302 | Review of George Levine, U. C. Knoepflmacher, The Endurance of Frankenstein: Essays on Mary Shelley's Novel Rosemary Jackson doi:10.2307/3507468 | Cite |
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302-305 | Review of U. C. Knoepflmacher, G. B. Tennyson, Nature and the Victorian Imagination Isobel Armstrong doi:10.2307/3507469 | Cite |
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305-306 | Review of Jean-Paul Hulin, Pierre Coustillas, Victorian Writers and the City Tom Winnifrith doi:10.2307/3507470 | Cite |
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306-308 | Review of Ian Gregor, Reading the Victorian Novel: Detail into Form James W. Tuttleton doi:10.2307/3507471 | Cite |
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308-309 | Review of Lewis Leary, Ralph Waldo Emerson: An Interpretive Essay Edward Wagenknecht doi:10.2307/3507472 | Cite |
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309-311 | Review of C. E. Frazer Clark, Jr., The Nathaniel Hawthorne Journal 1977 Elizabeth Wright doi:10.2307/3507473 | Cite |
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311-312 | Review of Rita K. Gollin, Nathaniel Hawthorne and the Truth of Dreams Elizabeth Wright doi:10.2307/3507474 | Cite |
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312-313 | | Cite |
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313-314 | | Cite |
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314-317 | Review of Robert A. Colby, Thackeray's Canvass of Humanity: An Author and His Public John Sutherland doi:10.2307/3507477 | Cite |
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317-318 | Review of Harry Stone, Dickens and the Invisible World: Fairy Tales, Fantasy, and Novel-Making Edwin M. Eigner doi:10.2307/3507478 | Cite |
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318-319 | Review of Robert L. Caserio, Plot, Story, and the Novel: From Dickens and Poe to the Modern Period Cedric Watts doi:10.2307/3507479 | Cite |
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319-320 | Review of W. J. McCormack, Sheridan LeFanu and Victorian Ireland George O'Brien doi:10.2307/3507480 | Cite |
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320-321 | Review of Tyrus Hillway, Herman Melville; Rowland A. Sherrill, The Prophetic Melville: Experience, Transcendence, and Tragedy Harold Beaver doi:10.2307/3507481 | Cite |
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321-322 | Review of Van Akin Burd, Rose La Touche, John Ruskin and Rose La Touche: Her Unpublished Diaries of 1861 and 1867 Malcolm Hardman doi:10.2307/3507482 | Cite |
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322-323 | | Cite |
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323-324 | Review of David G. Riede, Swinburne: A Study in Romantic Mythmaking Patricia Clements doi:10.2307/3507484 | Cite |
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324-326 | Review of Robert Lee Wolff, Sensational Victorian: The Life and Fiction of Mary Elizabeth Braddon Edward Wagenknecht doi:10.2307/3507485 | Cite |
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326-328 | Review of Thomas Hardy, Francine Shapiro Puk, Thomas Hardy's Chosen Poems J. R. Watson doi:10.2307/3507486 | Cite |
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328-329 | Review of Brian Lee, The Novels of Henry James: A Study of Culture and Consciousness James W. Tuttleton doi:10.2307/3507487 | Cite |
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329-330 | Review of Marie Borroff, Language and the Poet: Verbal Artistry in Frost, Stevens, and Moore; Rolando Anzilotti, Robert Lowell: A Tribute Roger Pooley doi:10.2307/3507488 | Cite |
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331 | | Cite |
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331-333 | Review of Roslynn D. Haynes, H. G. Wells, Discoverer of the Future: The Influence of Science on His Thought J. P. Vernier doi:10.2307/3507490 | Cite |
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333-334 | | Cite |
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334-336 | Review of Richard Allen Cave, A Study of the Novels of George Moore Hilary Robinson doi:10.2307/3507492 | Cite |
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336-337 | Review of S. C. Neuman, Gertrude Stein: Autobiography and the Problem of Narration Marjorie Perloff doi:10.2307/3507493 | Cite |
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337-339 | Review of Brian Taylor, The Green Avenue: The Life and Writings of Forrest Reid, 1875-1947 J. C. Beckett doi:10.2307/3507494 | Cite |
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339-341 | Review of G. K. Das, John Beer, E. M. Forster: A Human Exploration Elizabeth Heine doi:10.2307/3507495 | Cite |
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341 | Review of Virginia M. Kouidis, Mina Loy: American Modernist Poet Helen M. Dennis doi:10.2307/3507496 | Cite |
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342-343 | Review of Omar S. Pound, Philip Grover, D. G. Bridson, Wyndham Lewis: A Descriptive Bibliography Emily Mitchell Wallace doi:10.2307/3507497 | Cite |
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344-345 | Review of Jean Chothia, Forging a Language: A Study of the Plays of Eugene O'Neill John Henry Raleigh doi:10.2307/3507498 | Cite |
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345-346 | Review of Rushworth M. Kidder, E. E. Cummings: An Introduction to the Poetry David Bromwich doi:10.2307/3507499 | Cite |
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346-347 | Review of Joyce Piell Wexler, Laura Riding's Pursuit of Truth Philip Hobsbaum doi:10.2307/3507500 | Cite |
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347-348 | Review of Darko Suvin, Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre Kathryn Hume doi:10.2307/3507501 | Cite |
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348-349 | Review of Stephen Ingle, Socialist Thought in Imaginative Literature John Lucas doi:10.2307/3507502 | Cite |
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350-351 | Review of Thomas Jackson Rice, English Fiction, 1900-1950: General Bibliography and Individual Authors: A Guide to Information Sources. Volume 1. Aldington to Huxley Alan W. Bellringer doi:10.2307/3507503 | Cite |
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351-352 | Review of Hugh Hunt, The Abbey: Ireland's National Theatre 1904-1979 Nicholas Grene doi:10.2307/3507504 | Cite |
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352-354 | Review of Brian Way, F. Scott Fitzgerald and the Art of Social Fiction David Seed doi:10.2307/3507505 | Cite |
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354-356 | Review of Stephen Spender, The Thirties and after: Poetry, Politics, People (1933-75) Gareth Reeves doi:10.2307/3507506 | Cite |
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356-358 | Review of Peter J. Schakel, Reading with the Heart: The Way into Narnia Barbara Reynolds doi:10.2307/3507507 | Cite |
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358-359 | | Cite |
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359-360 | | Cite |
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360-362 | Review of William Walsh, Patrick White: 'Voss'; Peter Beatson, The Eye in the Mandala: Patrick White: A Vision of Man and God John Burrows doi:10.2307/3507510 | Cite |
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362 | Review of Panthea Reid Broughton, The Art of Walker Percy: Stratagems for Being James W. Tuttleton doi:10.2307/3507511 | Cite |
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362-364 | Review of A. Robert Lee, Black Fiction: New Studies in the Afro-American Novel since 1945 Michel Fabre doi:10.2307/3507512 | Cite |
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364-366 | Review of James Woodress, American Literary Scholarship 1975: An Annual; James Woodress, American Literary Scholarship 1977: An Annual Edward Gallafent doi:10.2307/3507513 | Cite |
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