x | | Cite |
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1-28 | Literature and Its Audience: The Audience as Co-Creator of the First Chivalric Romances R. W. Hanningdoi:10.2307/3506256 | Cite |
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29-48 | 'Appearances of Truth': The Literature of Crime as a Narrative System (1660-1841) Maximillian E. Novakdoi:10.2307/3506257 | Cite |
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49-66 | | Cite |
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67-86 | | Cite |
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87-101 | The View from Brick Lane: Contrasting Perspectives in Working-Class and Middle-Class Fiction of the Early Victorian Period Louis Jamesdoi:10.2307/3506260 | Cite |
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102-116 | | Cite |
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117-126 | In Search of an Audience: Notes on the Progress of Irish Literature, 1891-1941 George O'Briendoi:10.2307/3506262 | Cite |
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127-142 | English Ethiopians: British Audiences and Black-Face Acts, 1835-1865 J. S. Brattondoi:10.2307/3506263 | Cite |
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143-160 | | Cite |
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161-177 | | Cite |
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178-187 | The Origins of Abraham's Preamble in the York Play of 'Abraham and Isaac' Richard Beadledoi:10.2307/3506266 | Cite |
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188-193 | | Cite |
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194-202 | | Cite |
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203-209 | Meredith, Sutro, Forbes-Robertson, and the Dramatic Version of 'The Egoist' Lewis Sawindoi:10.2307/3506269 | Cite |
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210-218 | 'William Wetmore Story and His Friends': Henry James's Portrait of Robert Browning Karen L. Wadmandoi:10.2307/3506270 | Cite |
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219-220 | Review of Daniel F. McGrath, Bookman's Price Index: A Guide to the Values of Rare and Other Out-of-Print Books. Volume 16R. A. Gekoskidoi:10.2307/3506271 | Cite |
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220-221 | Review of Paul E. Szarmach, Bernard F. Huppé, The Old English Homily and Its BackgroundsD. G. Scraggdoi:10.2307/3506272 | Cite |
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221-223 | Review of Barbara C. Raw, The Art and Background of Old English PoetryPamela Gradondoi:10.2307/3506273 | Cite |
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223-224 | Review of Malcolm Andrew, Ronald Waldron, The Poems of the Pearl Manuscript: 'Pearl', 'Cleanness', 'Patience', 'Sir Gawain and the Green Knight'J. A. Burrowdoi:10.2307/3506274 | Cite |
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224-226 | Review of William Langland, A. V. C. Schmidt, The Vision of Piers Plowman. A Critical Edition of the B-Text Based on Trinity College Cambridge MS B.15.17David C. Fowlerdoi:10.2307/3506275 | Cite |
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227-228 | | Cite |
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228 | Review of Beverly Boyd, Chaucer According to William Caxton: Minor Poems and Boece, 1478N. F. Blakedoi:10.2307/3506277 | Cite |
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229 | Review of Daniel Javitch, Poetry and Courtliness in Renaissance EnglandStephen J. Greenblattdoi:10.2307/3506278 | Cite |
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230-231 | | Cite |
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231-232 | Review of Jack D'Amico, Petrarch in England: An Anthology of Parallel Texts from Wyatt to MiltonThomas M. Greenedoi:10.2307/3506280 | Cite |
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232-233 | Review of Patrick Grant, Images and Ideas in the Literature of the English RenaissanceRoland Mushat Fryedoi:10.2307/3506281 | Cite |
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233-235 | Review of Klaus Peter Jochum, Discrepant Awareness: Studies in English Renaissance DramaE. A. J. Honigmanndoi:10.2307/3506282 | Cite |
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235-236 | | Cite |
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237-238 | Review of Michael Shapiro, Children of the Revels: The Boy Companies of Shakespeare's Time and Their PlaysR. W. Ingramdoi:10.2307/3506284 | Cite |
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238-239 | | Cite |
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239-241 | Review of William Shakespeare, Harold F. Brooks, A Midsummer Night's DreamAlexander Leggattdoi:10.2307/3506286 | Cite |
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241-242 | Review of Brian Vickers, Shakespeare: The Critical Heritage. Volume 5. (1765-1774)G. Bulloughdoi:10.2307/3506287 | Cite |
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243 | | Cite |
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244-245 | Review of Alvin Kernan, Two Renaissance Mythmakers: Christopher Marlowe and Ben JonsonPhilip Edwardsdoi:10.2307/3506289 | Cite |
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245-247 | Review of Colin Gibson, Philip Massinger, The Selected Plays of Philip Massinger: 'The Duke of Milan', 'The Roman Actor', 'A New Way to Pay Old Debts', 'The City Madam'; George Parfitt, Cyril Tourneur, The Plays of Cyril Tourneur: 'The Revenger's Tragedy', 'The Atheist's Tragedy'Peter Hollindaledoi:10.2307/3506290 | Cite |
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247-249 | | Cite |
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249-250 | Review of John Marston, David A. Blostein, Parasitaster or the FawnGerald Smithdoi:10.2307/3506292 | Cite |
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250-251 | | Cite |
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251-252 | Review of Anthony Low, Love's Architecture: Devotional Modes in Seventeenth-Century English PoetryAlan Rudrumdoi:10.2307/3506294 | Cite |
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253 | Review of R. D. Bedford, The Defence of Truth: Herbert of Cherbury and the Seventeenth CenturyR. L. Brettdoi:10.2307/3506295 | Cite |
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253-255 | Review of Roger B. Rollin, J. Max Patrick, 'Trust to Good Verses': Herrick Tercentenary EssaysPaulina Palmerdoi:10.2307/3506296 | Cite |
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255-256 | Review of Joseph Anthony Wittreich, Jr., Visionary Poetics: Milton's Tradition and His LegacyGordon Campbelldoi:10.2307/3506297 | Cite |
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256-257 | Review of Mary Ann Radzinowicz, Toward 'Samson Agonistes': The Growth of Milton's MindGordon Campbelldoi:10.2307/3506298 | Cite |
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257-258 | | Cite |
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258-260 | Review of Karl Friedenreich, Tercentenary Essays in Honor of Andrew Marvell; John Dixon Hunt, Andrew Marvell: His Life and WritingsGeorge DeForest Lorddoi:10.2307/3506300 | Cite |
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260-262 | Review of W. K. Thomas, The Crafting of 'Absalom and Achitophel': Dryden's 'Pen for a Party'David Hopkinsdoi:10.2307/3506301 | Cite |
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262-263 | Review of Steven John van der Weele, The Critical Reputation of Restoration Comedy in Modern Times up to 1950Arthur H. Scoutendoi:10.2307/3506302 | Cite |
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263-266 | Review of Cecelia Tichi, New World, New Earth: Environmental Reform in American Literature from the Puritans through WhitmanClive Bushdoi:10.2307/3506303 | Cite |
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266-267 | | Cite |
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267-268 | Review of Roger Thompson, Unfit for Modest Ears: A Study of Pornography, Obscene and Bawdy Works Written or Published in England in the Second Half of the Seventeenth CenturyKen Robinsondoi:10.2307/3506305 | Cite |
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268-270 | Review of Jerry C. Beasley, English Fiction, 1660-1800: A Guide to Information SourcesC. J. Rawsondoi:10.2307/3506306 | Cite |
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270 | Review of Jean Ducrocq, Suzy Halimi, Maurice Lévy, Roman et société en Angleterre au XVIIIe siècleJoanna C. Dalesdoi:10.2307/3506307 | Cite |
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271 | | Cite |
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271-272 | Review of Jonathan Swift, Hermann Josef Real, The Battle of the Books. Eine historisch-kritische Ausgabe mit literarhistorischer Einleitung und KommentarF. P. Lockdoi:10.2307/3506309 | Cite |
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272-273 | | Cite |
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274-275 | | Cite |
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275-276 | | Cite |
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276-278 | Review of John M. Aden, Pope's Once and Future Kings: Satire and Politics in the Early CareerDavid Fairerdoi:10.2307/3506313 | Cite |
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278-279 | Review of Dustin H. Griffin, Alexander Pope: The Poet in the PoemsPat Rogersdoi:10.2307/3506314 | Cite |
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279-280 | Review of Gerald Levin, Richardson the Novelist: The Psychological PatternsJoanna C. Dalesdoi:10.2307/3506315 | Cite |
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280-281 | Review of Martha Banta, Failure and Success in America: A Literary DebateDaniel Aarondoi:10.2307/3506316 | Cite |
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281-283 | | Cite |
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283-284 | | Cite |
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284-285 | Review of Richard B. Schwartz, Boswell's Johnson: A Preface to the 'Life'Robert Folkenflikdoi:10.2307/3506319 | Cite |
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285-286 | Review of R. T. Davies, B. G. Beatty, Literature of the Romantic Period 1750-1850J. R. Strugnelldoi:10.2307/3506320 | Cite |
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286-287 | | Cite |
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287-288 | | Cite |
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288-290 | Review of T. Bareham, S. Gatrell, A Bibliography of George CrabbeA. J. Sambrookdoi:10.2307/3506323 | Cite |
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290-293 | Review of Wallace Jackson, The Probable and the Marvelous: Blake, Wordsworth, and the Eighteenth-Century Critical Tradition; Leslie Brisman, Romantic OriginsStuart M. Tavedoi:10.2307/3506324 | Cite |
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293-294 | Review of Coral Ann Howells, Love, Mystery, and Misery: Feeling in Gothic FictionRosemary Jacksondoi:10.2307/3506325 | Cite |
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294-296 | Review of Derek Roper, Reviewing before the 'Edinburgh': 1788-1802J. H. Alexanderdoi:10.2307/3506326 | Cite |
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296-298 | | Cite |
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298-300 | Review of N. S. Bauer, William Wordsworth: A Reference Guide to British Criticism, 1793-1899Patricia M. Balldoi:10.2307/3506328 | Cite |
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300-302 | Review of Michael H. Friedman, The Making of a Tory Humanist: William Wordsworth and the Idea of CommunityW. J. B. Owendoi:10.2307/3506329 | Cite |
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302-303 | | Cite |
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303-304 | Review of David Pym, The Religious Thought of Samuel Taylor ColeridgeStephen Prickettdoi:10.2307/3506331 | Cite |
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304-305 | Review of Robert A. Hartley, Keats, Shelley, Byron, Hunt and Their Circles. A Bibliography: July 1, 1962-December 31, 1974J. Drummond Bonedoi:10.2307/3506332 | Cite |
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305-306 | Review of H. O. Dendurent, Thomas De Quincey: A Reference GuideStuart M. Tavedoi:10.2307/3506333 | Cite |
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306-307 | Review of Rolf P. Lessenich, Lord Byron and the Nature of ManIan Scott-Kilvertdoi:10.2307/3506334 | Cite |
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307-308 | Review of Stephen Railton, Fenimore Cooper: A Study of His Life and ImaginationGeorge Dekkerdoi:10.2307/3506335 | Cite |
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309-310 | | Cite |
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310-312 | Review of George H. Ford, Victorian Fiction: A Second Guide to ResearchSylvère Monoddoi:10.2307/3506337 | Cite |
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312-313 | Review of Pierre Coustillas, Jean-Pierre Petit, Jean Raimond, Le Roman anglais au XIXe siècleTom Winnifrithdoi:10.2307/3506338 | Cite |
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313-315 | Review of Jo McMurtry, Victorian Life and Victorian Fiction: A Companion for the American Reader; Cynthia A. Linder, Romantic Imagery in the Novels of Charlotte BrontëRosalind Milesdoi:10.2307/3506339 | Cite |
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315 | | Cite |
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316 | Review of Nina Baym, Woman's Fiction: A Guide to Novels by and about Women in America 1820-1870Rosemary Jacksondoi:10.2307/3506341 | Cite |
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316-317 | | Cite |
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317-318 | Review of John Cronin, Gerald Griffin (1803-1840): A Critical BiographyGeorge O'Briendoi:10.2307/3506343 | Cite |
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318 | Review of William J. Scheick, The Slender Human Word: Emerson's Artistry in ProseEdward Wagenknechtdoi:10.2307/3506344 | Cite |
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318-319 | | Cite |
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320-321 | Review of William S. Peterson, Browning Institute Studies. Volume 6Herbert Rosengartendoi:10.2307/3506346 | Cite |
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321-322 | Review of Charles Dickens, Harvey Peter Sucksmith, Little DorritK. J. Fieldingdoi:10.2307/3506347 | Cite |
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322-324 | Review of Robert Tracy, Trollope's Later Novels; Juliet McMaster, Trollope's Palliser Novels: Theme and PatternValerie Shawdoi:10.2307/3506348 | Cite |
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324-325 | | Cite |
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326 | | Cite |
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326-328 | | Cite |
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328-329 | Review of Gail Cunningham, The New Woman and the Victorian NovelRosalind Milesdoi:10.2307/3506352 | Cite |
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329-330 | | Cite |
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330-331 | Review of Thomas Hardy, Richard Taylor, The Personal Notebooks of Thomas HardyJ. L. Bradleydoi:10.2307/3506354 | Cite |
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331-334 | Review of Joan Grundy, Hardy and the Sister Arts; Dale Kramer, Critical Approaches to the Fiction of Thomas HardyShelagh Hunterdoi:10.2307/3506355 | Cite |
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334-335 | | Cite |
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335-336 | | Cite |
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336-338 | Review of Maqbool Aziz, Henry James, The Tales of Henry James. Volume 11. 1870-1874Alan W. Bellringerdoi:10.2307/3506358 | Cite |
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339 | Review of Kristin Pruitt McColgan, Henry James 1917-1959: A Reference GuideAlan W. Bellringerdoi:10.2307/3506359 | Cite |
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339-340 | Review of Pierre Coustillas, London and the Life of Literature in Late Victorian England: The Diary of George Gissing, NovelistJohn Halperindoi:10.2307/3506360 | Cite |
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341 | Review of R. A. Gekoski, Conrad: The Moral World of the NovelistCedric Wattsdoi:10.2307/3506361 | Cite |
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342-343 | Review of K. P. S. Jochum, W. B. Yeats: A Classified Bibliography of Criticism: Including Additions to Allan Wade's 'Bibliography of the Writings of W. B. Yeats' and a Section on the Irish Literary and Dramatic RevivalMarjorie Perloffdoi:10.2307/3506362 | Cite |
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344-345 | Review of Mary Catherine Flannery, Yeats and Magic: The Earlier WorksPhillip L. Marcusdoi:10.2307/3506363 | Cite |
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345-347 | Review of G. W. Russell, Henry Summerfield, Selections from the Contributions to 'The Irish Homestead'Phillip L. Marcusdoi:10.2307/3506364 | Cite |
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347-349 | Review of Wendy Steiner, Exact Resemblance to Exact Resemblance: The Literary Portraiture of Gertrude SteinMarjorie Perloffdoi:10.2307/3506365 | Cite |
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349-351 | Review of Glen Cavaliero, A Reading of E. M. Forster; Shamsul Islam, Chronicles of the Raj: A Study of Literary Reaction to the Imperial Idea Towards the End of the RajJohn Colmerdoi:10.2307/3506366 | Cite |
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351-352 | Review of Patricia McFate, The Writings of James Stephens: Variations on a Theme of LoveRichard Allen Cavedoi:10.2307/3506367 | Cite |
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352-353 | Review of Ronald Ayling, Michael J. Durkan, Sean O'Casey: A BibliographyNicholas Grenedoi:10.2307/3506368 | Cite |
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353-354 | Review of Jean O. Love, Virginia Woolf: Sources of Madness and ArtValerie Shawdoi:10.2307/3506369 | Cite |
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354-355 | | Cite |
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355-356 | Review of William H. Nolte, Rock and Hawk: Robinson Jeffers and the Romantic AgonyRoger Pooleydoi:10.2307/3506371 | Cite |
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356 | Review of Edward E. Waldron, Walter White and the Harlem RenaissanceMichel Fabredoi:10.2307/3506372 | Cite |
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357-358 | | Cite |
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358-359 | Review of Cleanth Brooks, William Faulkner: Toward Yoknapatawpha and beyondRichard Graydoi:10.2307/3506374 | Cite |
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359-360 | Review of Gilbert Meilaender, The Taste for the Other: The Social and Ethical Thought of C. S. LewisBarbara Reynoldsdoi:10.2307/3506375 | Cite |
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360-361 | | Cite |
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361-364 | Review of George F. Butterick, A Guide to the Maximus Poems of Charles OlsonMarjorie Perloffdoi:10.2307/3506377 | Cite |
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364 | Review of Kari Sajavaara, Imagery in Lawrence Durrell's ProseMahmoud Manzalaouidoi:10.2307/3506378 | Cite |
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365-366 | Review of Bernard Duffey, Poetry in America: Expression and Its Values in the Times of Bryant, Whitman, and Pound; Gary Q. Arpin, The Poetry of John BerrymanStephen Fenderdoi:10.2307/3506379 | Cite |
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