Yearbook of English Studies 1

Edited by T. J. B. Spencer

Yearbook of English Studies 1

Modern Humanities Research Association

1 January 1971  •  349pp

Access online: At JSTOR

English


Contents:

1-17

The World of Mandeville's Travels
Donald R. Howard
doi:10.2307/3507049

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18-29

Order of Composition in the 'Morte Darthur'
Terence McCarthy
doi:10.2307/3507050

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30-47

John Gower's Reputation: Literary Allusions from the Early Fifteenth Century to the Time of 'Pericles'
N. W. Gilroy-Scott
doi:10.2307/3507051

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48-54

An Example of Anti-Petrarchan Satire in Nashe's 'The Unfortunate Traveller'
Dorothy Jones
doi:10.2307/3507052

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55-62

Traces of Two Jacobean Dramatic Performances at the Middle Temple
Tucker Orbison
doi:10.2307/3507053

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63-67

'Sweetness' in 'The Changeling'
Michael C. Andrews
doi:10.2307/3507054

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68-77

Robert Herrick and 'King Oberon's Clothing': New Evidence for Attribution
Norman K. Farmer Jr.
doi:10.2307/3507055

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78-87

'More Glorious to Return': Miltonic Repetition
Leslie Brisman
doi:10.2307/3507056

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88-99

The Coherence of 'Comus'
Lorna Sage
doi:10.2307/3507057

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100-101

An Unpublished Poem about Andrew Marvell
L. A. Davies
doi:10.2307/3507058

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102-107

Richard Head's 'The English Rogue': A Modern Mandeville?
C. W. R. D. Moseley
doi:10.2307/3507059

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108-119

Melancholy in Anne Finch and Elizabeth Carter: The Ambivalence of an Idea
John F. Sena
doi:10.2307/3507060

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120-124

Rhetorical Strategy in Burke's 'Reflections'
David McCracken
doi:10.2307/3507061

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125-134

Criticism of English Fiction 1780-1810: The Mysterious Powers of the Pleading Preface
Leslie M. Thompson, John R. Ahrens
doi:10.2307/3507062

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135-140

Leigh Hunt: A 'Great Introducer' in English Romanticism
James B. Misenheimer Jr.
doi:10.2307/3507063

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141-148

Thackeray's Patchwork: A Note on the Composition of the Eleventh Chapter of 'Henry Esmond'
John Sutherland
doi:10.2307/3507064

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149-159

The Dramatic Situation in Browning's 'Pauline'
Michael Hancher
doi:10.2307/3507065

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160-174

The 'Nineties' Movement in Poetry: Myth or Reality?
Jean Wilson
doi:10.2307/3507066

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175-184

Shelley's Influence on Yeats
H. C. Merritt
doi:10.2307/3507067

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185-199

The Structure and Technique of 'Party Going'
Clive Hart
doi:10.2307/3507068

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200-202

Review of F. Th. Visser, An Historical Syntax of the English Language. Part Two: Syntactical Units with One Verb (Continued)
Simeon Potter
doi:10.2307/3507069

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202-203

Review of Gerhard Nickel, Die Expanded Form im Altenglischen. Vorkommen, Funktion und Herkunft der Umschreibung beon / wesan + Partizip Präsens
Simeon Potter
doi:10.2307/3507070

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203-204

Review of Matti Rissanen, The Uses of ONE in Old and Early Middle English
Simeon Potter
doi:10.2307/3507071

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204-205

Review of Gillis Kristensson, A Survey of Middle English Dialects 1290-1350. The Six Northern Counties and Lincolnshire
Simeon Potter
doi:10.2307/3507072

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206-207

Review of Murray Roston, Biblical Drama in England: From the Middle Ages to the Present Day
Marion G. Jones
doi:10.2307/3507073

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207-208

Review of Arthur Kyle Davis, Jr., Traditional Ballads of Virginia. Collected under the Auspices of the Virginia Folk-Lore Society
J. H. P. Pafford
doi:10.2307/3507074

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208-209

Review of Jess B. Bessinger, Jr., Stanley J. Kahrl, Essential Articles for the Study of Old English Poetry
T. A. Shippey
doi:10.2307/3507075

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209-214

Review of Dieter Mehl, The Middle English Romances of the Thirteenth and Fourteenth Centuries
Nicolas Jacobs
doi:10.2307/3507076

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214-216

Review of Robert J. Blanch, Style and Symbolism in Piers Plowman: A Modern Critical Anthology
Stanley Hussey
doi:10.2307/3507077

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216-218

Review of Beryl Rowland, Companion to Chaucer Studies; James Wimsatt, Chaucer and the French Love Poets: The Literary Background of the 'Book of the Duchess'; F. X. Newman, The Meaning of Courtly Love
Rita Wilson
doi:10.2307/3507078

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218-219

Review of Conrad Lindberg, MS Bodley 959: Genesis-Baruch 3.20 in the Earlier Version of the Wycliffite Bible
H. Hargreaves
doi:10.2307/3507079

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219-222

Review of Arthur O. Sandved, Studies in the Language of Caxton's Malory and That of the Winchester Manuscript
Ján Šimko
doi:10.2307/3507080

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222-223

Review of A. G. Rigg, A Glastonbury Miscellany of the Fifteenth Century: A Descriptive Index of Trinity College, Cambridge, MS 0.9.38
V. J. Scattergood
doi:10.2307/3507081

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223-225

Review of P. L. Heyworth, Jack Upland, Friar Daw's Reply, and Upland's Rejoinder
Andrew Wawn
doi:10.2307/3507082

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225

Review of John Skelton, Robert S. Kinsman, Poems
R. George Thomas
doi:10.2307/3507083

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226-227

Review of F. P. Wilson, G. K. Hunter, The English Drama 1485-1585
S. Schoenbaum
doi:10.2307/3507084

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227-228

Review of Louis L. Martz, Richard S. Sylvester, Thomas More's Prayer Book. A Facsimile Edition of the Annotated Pages
Edmund Colledge
doi:10.2307/3507085

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228-230

Review of Kenneth Muir, Patricia Thomson, Thomas Wyatt, Collected Poems of Sir Thomas Wyatt
Maurice Evans
doi:10.2307/3507086

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230-232

Review of Sam Meyer, An Interpretation of Edmund Spenser's 'Colin Clout'; T. K. Dunseath, Spenser's Allegory of Justice in Book Five of 'The Faerie Queene'
R. F. Hill
doi:10.2307/3507087

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232-233

Review of Joan Grundy, The Spenserian Poets: A Study in Elizabethan and Jacobean Poetry
Joan Rees
doi:10.2307/3507088

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233-235

Review of Franco Marenco, Arcadia Puritana: l'uso della tradizione nella primo 'Arcadia' di Sir Philip Sidney
Joan Rees
doi:10.2307/3507089

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235-236

Review of N. Christoph de Nagy, Michael Drayton's 'England's Heroical Epistles': A Study in Themes and Compositional Devices
Joan Rees
doi:10.2307/3507090

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236-237

Review of Norman Rabkin, Reinterpretations of Elizabethan Drama
Michael Hattaway
doi:10.2307/3507091

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237-238

Review of Leonard R. N. Ashley, Authorship and Evidence: A Study of Attribution and the Renaissance Drama Illustrated by the Case of George Peele (1556-1596)
G. R. Proudfoot
doi:10.2307/3507092

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238-240

Review of Brian Morris, Christopher Marlowe
Irving Ribner
doi:10.2307/3507093

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240-241

Review of James G. McManaway, Richard Hosley, Arthur C. Kirsch, John W. Velz, Studies in Shakespeare, Bibliography, and Theater
Kenneth Muir
doi:10.2307/3507094

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241-243

Review of Dorothy L. Sipe, Shakespeare's Metrics
Brian Vickers
doi:10.2307/3507095

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243-245

Review of Carol Jones Carlisle, Shakespeare from the Greenroom: Actors' Criticisms of Four Major Tragedies
Stanley Wells
doi:10.2307/3507096

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245-246

Review of Richard Hosley, Shakespeare's Holinshed: An Edition of Holinshed's Chronicles (1587)
R. L. Smallwood
doi:10.2307/3507097

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247-248

Review of James H. Conover, Thomas Dekker: An Analysis of Dramatic Structure
E. D. Pendry
doi:10.2307/3507098

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248-249

Review of J. G. Nichols, The Poetry of Ben Jonson
Joan Grundy
doi:10.2307/3507099

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249

Review of Winfried Schleiner, The Imagery of John Donne's Sermons
Joan Bennett
doi:10.2307/3507100

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249-250

Review of G. K. Hunter, S. K. Hunter, John Webster: A Critical Anthology
Brian Morris
doi:10.2307/3507101

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250-252

Review of Pamela J. Willetts, The Henry Lawes Manuscript
MacDonald Emslie
doi:10.2307/3507102

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252-253

Review of Thomas B. Stroup, Religious Rite and Ceremony in Milton's Poetry
Michael Wilding
doi:10.2307/3507103

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254-255

Review of Balachandra Rajan, Paradise Lost: A Tercentenary Tribute
C. A. Patrides
doi:10.2307/3507104

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255-256

Review of Donald M. Friedman, Marvell's Pastoral Art
Robert Wilcher
doi:10.2307/3507105

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256-258

Review of Thomas Traherne, Carol L. Marks, George Robert Guffey, Christian Ethicks
Irène Simon
doi:10.2307/3507106

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258-259

Review of A. L. Clements, The Mystical Poetry of Thomas Traherne
Richard Douglas Jordan
doi:10.2307/3507107

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259-261

Review of Paul Ramsey, The Art of John Dryden
William Myers
doi:10.2307/3507108

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261-263

Review of John Chalker, The English Georgic: A Study in the Development of a Form
Arthur Sherbo
doi:10.2307/3507109

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263-264

Review of James Downey, The Eighteenth-Century Pulpit: A Study of the Sermons of Butler, Berkeley, Secker, Sterne, Whitefield, and Wesley
E. D. Mackerness
doi:10.2307/3507110

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264-267

Review of Philip B. Daghlian, Essays in Eighteenth-Century Biography
Edward A. Bloom
doi:10.2307/3507111

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267

Review of Kathleen Williams, Swift: The Critical Heritage
A. Norman Jeffares
doi:10.2307/3507112

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268-270

Review of John M. Aden, Something like Horace: Studies in the Art and Allusion of Pope's Horatian Satires
C. J. Rawson
doi:10.2307/3507113

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270-271

Review of Harry M. Geduld, Prince of Publishers: A Study of the Work and Career of Jacob Tonson
C. J. Rawson
doi:10.2307/3507114

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271-274

Review of Ira Konigsberg, Samuel Richardson and the Dramatic Novel; Natascha Würzbach, The Novel in Letters: Epistolary Fiction in the Early English Novel, 1678-1740
Andrew Wright
doi:10.2307/3507115

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274-275

Review of Robert Alter, Fielding and the Nature of the Novel; Ronald Paulson, Thomas Lockwood, Henry Fielding: The Critical Heritage
Douglas Brooks
doi:10.2307/3507116

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276-277

Review of Sarah Fielding, Malcolm Kelsall, The Adventures of David Simple; Elizabeth Inchbald, J. M. S. Tompkins, A Simple Story
Peter Faulkner
doi:10.2307/3507117

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277-279

Review of Kathleen Raine, George Mills Harper, Thomas Taylor, Thomas Taylor the Platonist: Selected Writings
Désirée Hirst
doi:10.2307/3507118

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279-281

Review of Hazel Mews, Frail Vessels: Woman's Role in Women's Novels from Fanny Burney to George Eliot
John Killham
doi:10.2307/3507119

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281-283

Review of Russell Noyes, Wordsworth and the Art of Landscape; William Wordsworth, Dorothy Wordsworth, Mary Moorman, Ernest de Selincourt, The Letters of William and Dorothy Wordsworth. Volume II: The Middle Years. Part I: 1806-1811
W. J. B. Owen
doi:10.2307/3507120

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283-284

Review of W. J. B. Owen, Wordsworth as Critic
Arthur Pollard
doi:10.2307/3507121

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285-286

Review of Lewis Patton, Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge. Volume II: The Watchman
Geoffrey Carnall
doi:10.2307/3507122

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287-288

Review of Thomas McFarland, Coleridge and the Pantheist Tradition
John Colmer
doi:10.2307/3507123

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288-289

Review of Robert Pinsky, Landor's Poetry
Pierre Vitoux
doi:10.2307/3507124

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289-290

Review of Avrom Fleishman, A Reading of 'Mansfield Park': An Essay in Critical Synthesis
Angela Smith
doi:10.2307/3507125

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290-291

Review of Ernest J. Lovell, Jr., Medwin's 'Conversations of Lord Byron'
John D. Jump
doi:10.2307/3507126

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291-292

Review of W. Paul Elledge, Byron and the Dynamics of Metaphor
Vivian de S. Pinto
doi:10.2307/3507127

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292-293

Review of John Pollard Guinn, Shelley's Political Thought
P. H. Butter
doi:10.2307/3507128

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293-294

Review of Marion Kingston Stocking, David Mackenzie Stocking, Claire Clairmont, The Journals of Claire Clairmont
P. H. Butter
doi:10.2307/3507129

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294-295

Review of Robin Mayhead, John Keats
Miriam Allott
doi:10.2307/3507130

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295-296

Review of George Levine, William Madden, The Art of Victorian Prose
J. L. Bradley
doi:10.2307/3507131

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296-297

Review of Edwin W. Marrs, Jr., The Letters of Thomas Carlyle to His Brother Alexander, with Related Family Letters
J. L. Bradley
doi:10.2307/3507132

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298-299

Review of George Levine, The Boundaries of Fiction: Carlyle, Macaulay, Newman
Sheila M. Smith
doi:10.2307/3507133

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299-300

Review of David J. DeLaura, Hebrew and Hellene in Victorian England: Newman, Arnold, and Pater
Kenneth Allott
doi:10.2307/3507134

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300-301

Review of A. W. Plumstead, Harrison Hayford, Ralph Waldo Emerson, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. Volume VII: 1838-1842
Carl Bode
doi:10.2307/3507135

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302-304

Review of Tennyson Alfred, Christopher Ricks, The Poems of Tennyson; J. M. Gray, Man and Myth in Victorian England: Tennyson's 'The Coming of Arthur'
John Killham
doi:10.2307/3507136

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304-305

Review of James H. Wheatley, Patterns in Thackeray's Fiction
Sheila M. Smith
doi:10.2307/3507137

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305-306

Review of G. L. Brook, The Language of Dickens
Angela Smith
doi:10.2307/3507138

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306-308

Review of Robert Browning, Elizabeth Barrett Barrett, Elizabeth Barrett Browning, Elvan Kintner, The Letters of Robert Browning and Elizabeth Barrett Barrett, 1845-1846
Park Honan
doi:10.2307/3507139

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308-309

Review of Mary Rose Sullivan, Browning's Voices in 'The Ring and the Book': A Study of Method and Meaning
Park Honan
doi:10.2307/3507140

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309-311

Review of Boyd Litzinger, Donald Smalley, Browning: The Critical Heritage
Park Honan
doi:10.2307/3507141

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311-312

Review of Donald Smalley, Anthony Trollope: The Critical Heritage
Miriam Allott
doi:10.2307/3507142

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312-313

Review of Ian Milner, The Structure of Values in George Eliot
Miriam Allott
doi:10.2307/3507143

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313-314

Review of James Bertram, Thomas Arnold, Arthur Hugh Clough, New Zealand Letters of Thomas Arnold the Younger, with Further Letters from Van Diemen's Land and Letters of Arthur Hugh Clough, 1847-1851
Park Honan
doi:10.2307/3507144

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314-315

Review of R. V. Johnson, Aestheticism
Leonee Ormond
doi:10.2307/3507145

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315-316

Review of Eugene D. Lemire, William Morris, The Unpublished Lectures of William Morris
Peter Faulkner
doi:10.2307/3507146

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316-317

Review of Rudolf R. Kossmann, Henry James: Dramatist
George Rowell
doi:10.2307/3507147

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317-318

Review of Kurt R. Jankowsky, Die Versauffassung bei Gerard Manley Hopkins den Imagisten und T. S. Eliot
John Westlake
doi:10.2307/3507148

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318-319

Review of Samuel Hynes, The Edwardian Turn of Mind
John Batchelor
doi:10.2307/3507149

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319-320

Review of Alan Friedman, The Turn of the Novel
Norman Sherry
doi:10.2307/3507150

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320-323

Review of Bernard C. Meyer, Joseph Conrad: A Psychoanalytic Biography
Norman Sherry
doi:10.2307/3507151

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323-324

Review of Robert R. Hodges, The Dual Heritage of Joseph Conrad
Norman Sherry
doi:10.2307/3507152

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324-325

Review of Maurice Harmon, The Celtic Master: Contributions to the First James Joyce Symposium Held in Dublin, 1967
Clive Hart
doi:10.2307/3507153

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325-326

Review of Kurt Schlüter, Der Mensch als Schauspieler: Studien zur Deutung von T. S. Eliots Gesellschaftsdramen
John Westlake
doi:10.2307/3507154

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326-327

Review of Egil Törnqvist, A Drama of Souls: Studies in O'Neill's Super-Naturalistic Technique
George W. Brandt
doi:10.2307/3507155

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327-328

Review of Hoxie Neale Fairchild, Religious Trends in English Poetry. Volume VI: 1920-1965: Valley of Dry Bones
E. D. Mackerness
doi:10.2307/3507156

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329-331

Review of Allen Guttmann, The Conservative Tradition in America; Jonas Spatz, Hollywood in Fiction: Some Versions of the American Myth
Martin Green
doi:10.2307/3507157

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331-332

Review of Joseph J. Waldmeir, American Novels of the Second World War
T. J. Walsh
doi:10.2307/3507158

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332-334

Review of Kenneth E. Richardson, Force and Faith in the Novels of William Faulkner; John Lewis Longley, Jr., The Tragic Mask: A Study of Faulkner's Heroes
Michael Millgate
doi:10.2307/3507159

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334-335

Review of J. Don Vann, Graham Greene: A Checklist of Criticism
David Lodge
doi:10.2307/3507160

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335-337

Review of James T. F. Tanner, J. Don Vann, Samuel Beckett: A Checklist of Criticism; John Fletcher, Samuel Beckett's Art
Hersh Zeifman
doi:10.2307/3507161

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337-338

Review of Thomas E. Porter, Myth and Modern American Drama
George H. Szanto
doi:10.2307/3507162

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338-339

Review of Stephen Berg, Robert Mezey, Naked Poetry: Recent American Poetry in Open Forms
Allan Rodway
doi:10.2307/3507163

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