1-17 | | Cite |
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18-29 | | Cite |
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30-47 | John Gower's Reputation: Literary Allusions from the Early Fifteenth Century to the Time of 'Pericles' N. W. Gilroy-Scottdoi:10.2307/3507051 | Cite |
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48-54 | An Example of Anti-Petrarchan Satire in Nashe's 'The Unfortunate Traveller' Dorothy Jonesdoi:10.2307/3507052 | Cite |
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55-62 | Traces of Two Jacobean Dramatic Performances at the Middle Temple Tucker Orbisondoi:10.2307/3507053 | Cite |
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63-67 | | Cite |
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68-77 | Robert Herrick and 'King Oberon's Clothing': New Evidence for Attribution Norman K. Farmer Jr.doi:10.2307/3507055 | Cite |
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78-87 | | Cite |
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88-99 | | Cite |
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100-101 | | Cite |
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102-107 | | Cite |
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108-119 | Melancholy in Anne Finch and Elizabeth Carter: The Ambivalence of an Idea John F. Senadoi:10.2307/3507060 | Cite |
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120-124 | | Cite |
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125-134 | Criticism of English Fiction 1780-1810: The Mysterious Powers of the Pleading Preface Leslie M. Thompson, John R. Ahrensdoi:10.2307/3507062 | Cite |
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135-140 | Leigh Hunt: A 'Great Introducer' in English Romanticism James B. Misenheimer Jr.doi:10.2307/3507063 | Cite |
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141-148 | Thackeray's Patchwork: A Note on the Composition of the Eleventh Chapter of 'Henry Esmond' John Sutherlanddoi:10.2307/3507064 | Cite |
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149-159 | | Cite |
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160-174 | | Cite |
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175-184 | | Cite |
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185-199 | | Cite |
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200-202 | Review of F. Th. Visser, An Historical Syntax of the English Language. Part Two: Syntactical Units with One Verb (Continued)Simeon Potterdoi:10.2307/3507069 | Cite |
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202-203 | Review of Gerhard Nickel, Die Expanded Form im Altenglischen. Vorkommen, Funktion und Herkunft der Umschreibung beon / wesan + Partizip PräsensSimeon Potterdoi:10.2307/3507070 | Cite |
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203-204 | Review of Matti Rissanen, The Uses of ONE in Old and Early Middle EnglishSimeon Potterdoi:10.2307/3507071 | Cite |
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204-205 | Review of Gillis Kristensson, A Survey of Middle English Dialects 1290-1350. The Six Northern Counties and LincolnshireSimeon Potterdoi:10.2307/3507072 | Cite |
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206-207 | Review of Murray Roston, Biblical Drama in England: From the Middle Ages to the Present DayMarion G. Jonesdoi:10.2307/3507073 | Cite |
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207-208 | Review of Arthur Kyle Davis, Jr., Traditional Ballads of Virginia. Collected under the Auspices of the Virginia Folk-Lore SocietyJ. H. P. Pafforddoi:10.2307/3507074 | Cite |
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208-209 | Review of Jess B. Bessinger, Jr., Stanley J. Kahrl, Essential Articles for the Study of Old English PoetryT. A. Shippeydoi:10.2307/3507075 | Cite |
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209-214 | Review of Dieter Mehl, The Middle English Romances of the Thirteenth and Fourteenth CenturiesNicolas Jacobsdoi:10.2307/3507076 | Cite |
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214-216 | Review of Robert J. Blanch, Style and Symbolism in Piers Plowman: A Modern Critical AnthologyStanley Husseydoi:10.2307/3507077 | Cite |
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216-218 | Review of Beryl Rowland, Companion to Chaucer Studies; James Wimsatt, Chaucer and the French Love Poets: The Literary Background of the 'Book of the Duchess'; F. X. Newman, The Meaning of Courtly LoveRita Wilsondoi:10.2307/3507078 | Cite |
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218-219 | Review of Conrad Lindberg, MS Bodley 959: Genesis-Baruch 3.20 in the Earlier Version of the Wycliffite BibleH. Hargreavesdoi:10.2307/3507079 | Cite |
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219-222 | Review of Arthur O. Sandved, Studies in the Language of Caxton's Malory and That of the Winchester ManuscriptJán Šimkodoi:10.2307/3507080 | Cite |
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222-223 | Review of A. G. Rigg, A Glastonbury Miscellany of the Fifteenth Century: A Descriptive Index of Trinity College, Cambridge, MS 0.9.38V. J. Scattergooddoi:10.2307/3507081 | Cite |
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223-225 | Review of P. L. Heyworth, Jack Upland, Friar Daw's Reply, and Upland's RejoinderAndrew Wawndoi:10.2307/3507082 | Cite |
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225 | | Cite |
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226-227 | Review of F. P. Wilson, G. K. Hunter, The English Drama 1485-1585S. Schoenbaumdoi:10.2307/3507084 | Cite |
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227-228 | Review of Louis L. Martz, Richard S. Sylvester, Thomas More's Prayer Book. A Facsimile Edition of the Annotated PagesEdmund Colledgedoi:10.2307/3507085 | Cite |
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228-230 | Review of Kenneth Muir, Patricia Thomson, Thomas Wyatt, Collected Poems of Sir Thomas WyattMaurice Evansdoi:10.2307/3507086 | Cite |
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230-232 | Review of Sam Meyer, An Interpretation of Edmund Spenser's 'Colin Clout'; T. K. Dunseath, Spenser's Allegory of Justice in Book Five of 'The Faerie Queene'R. F. Hilldoi:10.2307/3507087 | Cite |
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232-233 | Review of Joan Grundy, The Spenserian Poets: A Study in Elizabethan and Jacobean PoetryJoan Reesdoi:10.2307/3507088 | Cite |
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233-235 | Review of Franco Marenco, Arcadia Puritana: l'uso della tradizione nella primo 'Arcadia' di Sir Philip SidneyJoan Reesdoi:10.2307/3507089 | Cite |
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235-236 | Review of N. Christoph de Nagy, Michael Drayton's 'England's Heroical Epistles': A Study in Themes and Compositional DevicesJoan Reesdoi:10.2307/3507090 | Cite |
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236-237 | Review of Norman Rabkin, Reinterpretations of Elizabethan DramaMichael Hattawaydoi:10.2307/3507091 | Cite |
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237-238 | Review of Leonard R. N. Ashley, Authorship and Evidence: A Study of Attribution and the Renaissance Drama Illustrated by the Case of George Peele (1556-1596)G. R. Proudfootdoi:10.2307/3507092 | Cite |
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238-240 | | Cite |
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240-241 | Review of James G. McManaway, Richard Hosley, Arthur C. Kirsch, John W. Velz, Studies in Shakespeare, Bibliography, and TheaterKenneth Muirdoi:10.2307/3507094 | Cite |
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241-243 | | Cite |
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243-245 | Review of Carol Jones Carlisle, Shakespeare from the Greenroom: Actors' Criticisms of Four Major TragediesStanley Wellsdoi:10.2307/3507096 | Cite |
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245-246 | Review of Richard Hosley, Shakespeare's Holinshed: An Edition of Holinshed's Chronicles (1587)R. L. Smallwooddoi:10.2307/3507097 | Cite |
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247-248 | Review of James H. Conover, Thomas Dekker: An Analysis of Dramatic StructureE. D. Pendrydoi:10.2307/3507098 | Cite |
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248-249 | | Cite |
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249 | Review of Winfried Schleiner, The Imagery of John Donne's SermonsJoan Bennettdoi:10.2307/3507100 | Cite |
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249-250 | Review of G. K. Hunter, S. K. Hunter, John Webster: A Critical AnthologyBrian Morrisdoi:10.2307/3507101 | Cite |
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250-252 | | Cite |
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252-253 | Review of Thomas B. Stroup, Religious Rite and Ceremony in Milton's PoetryMichael Wildingdoi:10.2307/3507103 | Cite |
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254-255 | Review of Balachandra Rajan, Paradise Lost: A Tercentenary TributeC. A. Patridesdoi:10.2307/3507104 | Cite |
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255-256 | | Cite |
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256-258 | Review of Thomas Traherne, Carol L. Marks, George Robert Guffey, Christian EthicksIrène Simondoi:10.2307/3507106 | Cite |
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258-259 | Review of A. L. Clements, The Mystical Poetry of Thomas TraherneRichard Douglas Jordandoi:10.2307/3507107 | Cite |
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259-261 | | Cite |
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261-263 | Review of John Chalker, The English Georgic: A Study in the Development of a FormArthur Sherbodoi:10.2307/3507109 | Cite |
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263-264 | Review of James Downey, The Eighteenth-Century Pulpit: A Study of the Sermons of Butler, Berkeley, Secker, Sterne, Whitefield, and WesleyE. D. Mackernessdoi:10.2307/3507110 | Cite |
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264-267 | Review of Philip B. Daghlian, Essays in Eighteenth-Century BiographyEdward A. Bloomdoi:10.2307/3507111 | Cite |
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267 | | Cite |
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268-270 | Review of John M. Aden, Something like Horace: Studies in the Art and Allusion of Pope's Horatian SatiresC. J. Rawsondoi:10.2307/3507113 | Cite |
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270-271 | Review of Harry M. Geduld, Prince of Publishers: A Study of the Work and Career of Jacob TonsonC. J. Rawsondoi:10.2307/3507114 | Cite |
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271-274 | Review of Ira Konigsberg, Samuel Richardson and the Dramatic Novel; Natascha Würzbach, The Novel in Letters: Epistolary Fiction in the Early English Novel, 1678-1740Andrew Wrightdoi:10.2307/3507115 | Cite |
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274-275 | Review of Robert Alter, Fielding and the Nature of the Novel; Ronald Paulson, Thomas Lockwood, Henry Fielding: The Critical HeritageDouglas Brooksdoi:10.2307/3507116 | Cite |
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276-277 | Review of Sarah Fielding, Malcolm Kelsall, The Adventures of David Simple; Elizabeth Inchbald, J. M. S. Tompkins, A Simple StoryPeter Faulknerdoi:10.2307/3507117 | Cite |
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277-279 | Review of Kathleen Raine, George Mills Harper, Thomas Taylor, Thomas Taylor the Platonist: Selected WritingsDésirée Hirstdoi:10.2307/3507118 | Cite |
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279-281 | Review of Hazel Mews, Frail Vessels: Woman's Role in Women's Novels from Fanny Burney to George EliotJohn Killhamdoi:10.2307/3507119 | Cite |
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281-283 | Review of Russell Noyes, Wordsworth and the Art of Landscape; William Wordsworth, Dorothy Wordsworth, Mary Moorman, Ernest de Selincourt, The Letters of William and Dorothy Wordsworth. Volume II: The Middle Years. Part I: 1806-1811W. J. B. Owendoi:10.2307/3507120 | Cite |
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283-284 | | Cite |
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285-286 | Review of Lewis Patton, Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge. Volume II: The WatchmanGeoffrey Carnalldoi:10.2307/3507122 | Cite |
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287-288 | Review of Thomas McFarland, Coleridge and the Pantheist TraditionJohn Colmerdoi:10.2307/3507123 | Cite |
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288-289 | | Cite |
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289-290 | Review of Avrom Fleishman, A Reading of 'Mansfield Park': An Essay in Critical SynthesisAngela Smithdoi:10.2307/3507125 | Cite |
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290-291 | Review of Ernest J. Lovell, Jr., Medwin's 'Conversations of Lord Byron'John D. Jumpdoi:10.2307/3507126 | Cite |
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291-292 | Review of W. Paul Elledge, Byron and the Dynamics of MetaphorVivian de S. Pintodoi:10.2307/3507127 | Cite |
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292-293 | | Cite |
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293-294 | Review of Marion Kingston Stocking, David Mackenzie Stocking, Claire Clairmont, The Journals of Claire ClairmontP. H. Butterdoi:10.2307/3507129 | Cite |
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294-295 | | Cite |
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295-296 | Review of George Levine, William Madden, The Art of Victorian ProseJ. L. Bradleydoi:10.2307/3507131 | Cite |
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296-297 | Review of Edwin W. Marrs, Jr., The Letters of Thomas Carlyle to His Brother Alexander, with Related Family LettersJ. L. Bradleydoi:10.2307/3507132 | Cite |
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298-299 | Review of George Levine, The Boundaries of Fiction: Carlyle, Macaulay, NewmanSheila M. Smithdoi:10.2307/3507133 | Cite |
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299-300 | Review of David J. DeLaura, Hebrew and Hellene in Victorian England: Newman, Arnold, and PaterKenneth Allottdoi:10.2307/3507134 | Cite |
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300-301 | Review of A. W. Plumstead, Harrison Hayford, Ralph Waldo Emerson, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. Volume VII: 1838-1842Carl Bodedoi:10.2307/3507135 | Cite |
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302-304 | Review of Tennyson Alfred, Christopher Ricks, The Poems of Tennyson; J. M. Gray, Man and Myth in Victorian England: Tennyson's 'The Coming of Arthur'John Killhamdoi:10.2307/3507136 | Cite |
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304-305 | | Cite |
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305-306 | | Cite |
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306-308 | Review of Robert Browning, Elizabeth Barrett Barrett, Elizabeth Barrett Browning, Elvan Kintner, The Letters of Robert Browning and Elizabeth Barrett Barrett, 1845-1846Park Honandoi:10.2307/3507139 | Cite |
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308-309 | Review of Mary Rose Sullivan, Browning's Voices in 'The Ring and the Book': A Study of Method and MeaningPark Honandoi:10.2307/3507140 | Cite |
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309-311 | Review of Boyd Litzinger, Donald Smalley, Browning: The Critical HeritagePark Honandoi:10.2307/3507141 | Cite |
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311-312 | Review of Donald Smalley, Anthony Trollope: The Critical HeritageMiriam Allottdoi:10.2307/3507142 | Cite |
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312-313 | | Cite |
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313-314 | Review of James Bertram, Thomas Arnold, Arthur Hugh Clough, New Zealand Letters of Thomas Arnold the Younger, with Further Letters from Van Diemen's Land and Letters of Arthur Hugh Clough, 1847-1851Park Honandoi:10.2307/3507144 | Cite |
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314-315 | | Cite |
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315-316 | Review of Eugene D. Lemire, William Morris, The Unpublished Lectures of William MorrisPeter Faulknerdoi:10.2307/3507146 | Cite |
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316-317 | | Cite |
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317-318 | Review of Kurt R. Jankowsky, Die Versauffassung bei Gerard Manley Hopkins den Imagisten und T. S. EliotJohn Westlakedoi:10.2307/3507148 | Cite |
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318-319 | | Cite |
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319-320 | | Cite |
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320-323 | Review of Bernard C. Meyer, Joseph Conrad: A Psychoanalytic BiographyNorman Sherrydoi:10.2307/3507151 | Cite |
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323-324 | | Cite |
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324-325 | Review of Maurice Harmon, The Celtic Master: Contributions to the First James Joyce Symposium Held in Dublin, 1967Clive Hartdoi:10.2307/3507153 | Cite |
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325-326 | Review of Kurt Schlüter, Der Mensch als Schauspieler: Studien zur Deutung von T. S. Eliots GesellschaftsdramenJohn Westlakedoi:10.2307/3507154 | Cite |
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326-327 | Review of Egil Törnqvist, A Drama of Souls: Studies in O'Neill's Super-Naturalistic TechniqueGeorge W. Brandtdoi:10.2307/3507155 | Cite |
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327-328 | Review of Hoxie Neale Fairchild, Religious Trends in English Poetry. Volume VI: 1920-1965: Valley of Dry BonesE. D. Mackernessdoi:10.2307/3507156 | Cite |
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329-331 | Review of Allen Guttmann, The Conservative Tradition in America; Jonas Spatz, Hollywood in Fiction: Some Versions of the American MythMartin Greendoi:10.2307/3507157 | Cite |
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331-332 | Review of Joseph J. Waldmeir, American Novels of the Second World WarT. J. Walshdoi:10.2307/3507158 | Cite |
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332-334 | Review of Kenneth E. Richardson, Force and Faith in the Novels of William Faulkner; John Lewis Longley, Jr., The Tragic Mask: A Study of Faulkner's HeroesMichael Millgatedoi:10.2307/3507159 | Cite |
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334-335 | | Cite |
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335-337 | Review of James T. F. Tanner, J. Don Vann, Samuel Beckett: A Checklist of Criticism; John Fletcher, Samuel Beckett's ArtHersh Zeifmandoi:10.2307/3507161 | Cite |
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337-338 | | Cite |
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338-339 | Review of Stephen Berg, Robert Mezey, Naked Poetry: Recent American Poetry in Open FormsAllan Rodwaydoi:10.2307/3507163 | Cite |
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