1-17 | | Cite |
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18-29 | | Cite |
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30-47 | John Gower's Reputation: Literary Allusions from the Early Fifteenth Century to the Time of 'Pericles' N. W. Gilroy-Scott doi:10.2307/3507051 | Cite |
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48-54 | An Example of Anti-Petrarchan Satire in Nashe's 'The Unfortunate Traveller' Dorothy Jones doi:10.2307/3507052 | Cite |
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55-62 | Traces of Two Jacobean Dramatic Performances at the Middle Temple Tucker Orbison doi:10.2307/3507053 | Cite |
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63-67 | | Cite |
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68-77 | Robert Herrick and 'King Oberon's Clothing': New Evidence for Attribution Norman K. Farmer Jr. doi:10.2307/3507055 | Cite |
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78-87 | | Cite |
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88-99 | | Cite |
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100-101 | | Cite |
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102-107 | | Cite |
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108-119 | Melancholy in Anne Finch and Elizabeth Carter: The Ambivalence of an Idea John F. Sena doi:10.2307/3507060 | Cite |
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120-124 | | Cite |
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125-134 | Criticism of English Fiction 1780-1810: The Mysterious Powers of the Pleading Preface Leslie M. Thompson, John R. Ahrens doi:10.2307/3507062 | Cite |
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135-140 | Leigh Hunt: A 'Great Introducer' in English Romanticism James B. Misenheimer Jr. doi:10.2307/3507063 | Cite |
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141-148 | Thackeray's Patchwork: A Note on the Composition of the Eleventh Chapter of 'Henry Esmond' John Sutherland doi:10.2307/3507064 | Cite |
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149-159 | | Cite |
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160-174 | | Cite |
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175-184 | | Cite |
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185-199 | | Cite |
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200-202 | Review of F. Th. Visser, An Historical Syntax of the English Language. Part Two: Syntactical Units with One Verb (Continued) Simeon Potter doi:10.2307/3507069 | Cite |
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202-203 | Review of Gerhard Nickel, Die Expanded Form im Altenglischen. Vorkommen, Funktion und Herkunft der Umschreibung beon / wesan + Partizip Präsens Simeon Potter doi:10.2307/3507070 | Cite |
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203-204 | Review of Matti Rissanen, The Uses of ONE in Old and Early Middle English Simeon Potter doi:10.2307/3507071 | Cite |
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204-205 | Review of Gillis Kristensson, A Survey of Middle English Dialects 1290-1350. The Six Northern Counties and Lincolnshire Simeon Potter doi:10.2307/3507072 | Cite |
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206-207 | Review of Murray Roston, Biblical Drama in England: From the Middle Ages to the Present Day Marion G. Jones doi:10.2307/3507073 | Cite |
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207-208 | Review of Arthur Kyle Davis, Jr., Traditional Ballads of Virginia. Collected under the Auspices of the Virginia Folk-Lore Society J. H. P. Pafford doi:10.2307/3507074 | Cite |
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208-209 | Review of Jess B. Bessinger, Jr., Stanley J. Kahrl, Essential Articles for the Study of Old English Poetry T. A. Shippey doi:10.2307/3507075 | Cite |
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209-214 | Review of Dieter Mehl, The Middle English Romances of the Thirteenth and Fourteenth Centuries Nicolas Jacobs doi:10.2307/3507076 | Cite |
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214-216 | Review of Robert J. Blanch, Style and Symbolism in Piers Plowman: A Modern Critical Anthology Stanley Hussey doi:10.2307/3507077 | Cite |
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216-218 | Review of Beryl Rowland, Companion to Chaucer Studies; James Wimsatt, Chaucer and the French Love Poets: The Literary Background of the 'Book of the Duchess'; F. X. Newman, The Meaning of Courtly Love Rita Wilson doi:10.2307/3507078 | Cite |
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218-219 | Review of Conrad Lindberg, MS Bodley 959: Genesis-Baruch 3.20 in the Earlier Version of the Wycliffite Bible H. Hargreaves doi:10.2307/3507079 | Cite |
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219-222 | Review of Arthur O. Sandved, Studies in the Language of Caxton's Malory and That of the Winchester Manuscript Ján Šimko doi:10.2307/3507080 | Cite |
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222-223 | Review of A. G. Rigg, A Glastonbury Miscellany of the Fifteenth Century: A Descriptive Index of Trinity College, Cambridge, MS 0.9.38 V. J. Scattergood doi:10.2307/3507081 | Cite |
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223-225 | Review of P. L. Heyworth, Jack Upland, Friar Daw's Reply, and Upland's Rejoinder Andrew Wawn doi:10.2307/3507082 | Cite |
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225 | | Cite |
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226-227 | Review of F. P. Wilson, G. K. Hunter, The English Drama 1485-1585 S. Schoenbaum doi:10.2307/3507084 | Cite |
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227-228 | Review of Louis L. Martz, Richard S. Sylvester, Thomas More's Prayer Book. A Facsimile Edition of the Annotated Pages Edmund Colledge doi:10.2307/3507085 | Cite |
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228-230 | Review of Kenneth Muir, Patricia Thomson, Thomas Wyatt, Collected Poems of Sir Thomas Wyatt Maurice Evans doi:10.2307/3507086 | Cite |
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230-232 | Review of Sam Meyer, An Interpretation of Edmund Spenser's 'Colin Clout'; T. K. Dunseath, Spenser's Allegory of Justice in Book Five of 'The Faerie Queene' R. F. Hill doi:10.2307/3507087 | Cite |
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232-233 | Review of Joan Grundy, The Spenserian Poets: A Study in Elizabethan and Jacobean Poetry Joan Rees doi:10.2307/3507088 | Cite |
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233-235 | Review of Franco Marenco, Arcadia Puritana: l'uso della tradizione nella primo 'Arcadia' di Sir Philip Sidney Joan Rees doi:10.2307/3507089 | Cite |
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235-236 | Review of N. Christoph de Nagy, Michael Drayton's 'England's Heroical Epistles': A Study in Themes and Compositional Devices Joan Rees doi:10.2307/3507090 | Cite |
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236-237 | Review of Norman Rabkin, Reinterpretations of Elizabethan Drama Michael Hattaway doi:10.2307/3507091 | Cite |
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237-238 | Review of Leonard R. N. Ashley, Authorship and Evidence: A Study of Attribution and the Renaissance Drama Illustrated by the Case of George Peele (1556-1596) G. R. Proudfoot doi:10.2307/3507092 | Cite |
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238-240 | | Cite |
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240-241 | Review of James G. McManaway, Richard Hosley, Arthur C. Kirsch, John W. Velz, Studies in Shakespeare, Bibliography, and Theater Kenneth Muir doi:10.2307/3507094 | Cite |
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241-243 | | Cite |
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243-245 | Review of Carol Jones Carlisle, Shakespeare from the Greenroom: Actors' Criticisms of Four Major Tragedies Stanley Wells doi:10.2307/3507096 | Cite |
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245-246 | Review of Richard Hosley, Shakespeare's Holinshed: An Edition of Holinshed's Chronicles (1587) R. L. Smallwood doi:10.2307/3507097 | Cite |
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247-248 | Review of James H. Conover, Thomas Dekker: An Analysis of Dramatic Structure E. D. Pendry doi:10.2307/3507098 | Cite |
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248-249 | | Cite |
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249 | Review of Winfried Schleiner, The Imagery of John Donne's Sermons Joan Bennett doi:10.2307/3507100 | Cite |
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249-250 | Review of G. K. Hunter, S. K. Hunter, John Webster: A Critical Anthology Brian Morris doi:10.2307/3507101 | Cite |
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250-252 | | Cite |
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252-253 | Review of Thomas B. Stroup, Religious Rite and Ceremony in Milton's Poetry Michael Wilding doi:10.2307/3507103 | Cite |
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254-255 | Review of Balachandra Rajan, Paradise Lost: A Tercentenary Tribute C. A. Patrides doi:10.2307/3507104 | Cite |
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255-256 | | Cite |
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256-258 | Review of Thomas Traherne, Carol L. Marks, George Robert Guffey, Christian Ethicks Irène Simon doi:10.2307/3507106 | Cite |
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258-259 | Review of A. L. Clements, The Mystical Poetry of Thomas Traherne Richard Douglas Jordan doi:10.2307/3507107 | Cite |
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259-261 | | Cite |
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261-263 | Review of John Chalker, The English Georgic: A Study in the Development of a Form Arthur Sherbo doi:10.2307/3507109 | Cite |
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263-264 | Review of James Downey, The Eighteenth-Century Pulpit: A Study of the Sermons of Butler, Berkeley, Secker, Sterne, Whitefield, and Wesley E. D. Mackerness doi:10.2307/3507110 | Cite |
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264-267 | Review of Philip B. Daghlian, Essays in Eighteenth-Century Biography Edward A. Bloom doi:10.2307/3507111 | Cite |
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267 | | Cite |
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268-270 | Review of John M. Aden, Something like Horace: Studies in the Art and Allusion of Pope's Horatian Satires C. J. Rawson doi:10.2307/3507113 | Cite |
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270-271 | Review of Harry M. Geduld, Prince of Publishers: A Study of the Work and Career of Jacob Tonson C. J. Rawson doi:10.2307/3507114 | Cite |
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271-274 | Review of Ira Konigsberg, Samuel Richardson and the Dramatic Novel; Natascha Würzbach, The Novel in Letters: Epistolary Fiction in the Early English Novel, 1678-1740 Andrew Wright doi:10.2307/3507115 | Cite |
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274-275 | Review of Robert Alter, Fielding and the Nature of the Novel; Ronald Paulson, Thomas Lockwood, Henry Fielding: The Critical Heritage Douglas Brooks doi:10.2307/3507116 | Cite |
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276-277 | Review of Sarah Fielding, Malcolm Kelsall, The Adventures of David Simple; Elizabeth Inchbald, J. M. S. Tompkins, A Simple Story Peter Faulkner doi:10.2307/3507117 | Cite |
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277-279 | Review of Kathleen Raine, George Mills Harper, Thomas Taylor, Thomas Taylor the Platonist: Selected Writings Désirée Hirst doi:10.2307/3507118 | Cite |
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279-281 | Review of Hazel Mews, Frail Vessels: Woman's Role in Women's Novels from Fanny Burney to George Eliot John Killham doi:10.2307/3507119 | Cite |
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281-283 | Review of Russell Noyes, Wordsworth and the Art of Landscape; William Wordsworth, Dorothy Wordsworth, Mary Moorman, Ernest de Selincourt, The Letters of William and Dorothy Wordsworth. Volume II: The Middle Years. Part I: 1806-1811 W. J. B. Owen doi:10.2307/3507120 | Cite |
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283-284 | | Cite |
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285-286 | Review of Lewis Patton, Samuel Taylor Coleridge, The Collected Works of Samuel Taylor Coleridge. Volume II: The Watchman Geoffrey Carnall doi:10.2307/3507122 | Cite |
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287-288 | Review of Thomas McFarland, Coleridge and the Pantheist Tradition John Colmer doi:10.2307/3507123 | Cite |
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288-289 | | Cite |
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289-290 | Review of Avrom Fleishman, A Reading of 'Mansfield Park': An Essay in Critical Synthesis Angela Smith doi:10.2307/3507125 | Cite |
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290-291 | Review of Ernest J. Lovell, Jr., Medwin's 'Conversations of Lord Byron' John D. Jump doi:10.2307/3507126 | Cite |
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291-292 | Review of W. Paul Elledge, Byron and the Dynamics of Metaphor Vivian de S. Pinto doi:10.2307/3507127 | Cite |
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292-293 | | Cite |
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293-294 | Review of Marion Kingston Stocking, David Mackenzie Stocking, Claire Clairmont, The Journals of Claire Clairmont P. H. Butter doi:10.2307/3507129 | Cite |
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294-295 | | Cite |
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295-296 | Review of George Levine, William Madden, The Art of Victorian Prose J. L. Bradley doi:10.2307/3507131 | Cite |
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296-297 | Review of Edwin W. Marrs, Jr., The Letters of Thomas Carlyle to His Brother Alexander, with Related Family Letters J. L. Bradley doi:10.2307/3507132 | Cite |
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298-299 | Review of George Levine, The Boundaries of Fiction: Carlyle, Macaulay, Newman Sheila M. Smith doi:10.2307/3507133 | Cite |
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299-300 | Review of David J. DeLaura, Hebrew and Hellene in Victorian England: Newman, Arnold, and Pater Kenneth Allott doi:10.2307/3507134 | Cite |
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300-301 | Review of A. W. Plumstead, Harrison Hayford, Ralph Waldo Emerson, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. Volume VII: 1838-1842 Carl Bode doi:10.2307/3507135 | Cite |
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302-304 | Review of Tennyson Alfred, Christopher Ricks, The Poems of Tennyson; J. M. Gray, Man and Myth in Victorian England: Tennyson's 'The Coming of Arthur' John Killham doi:10.2307/3507136 | Cite |
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304-305 | | Cite |
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305-306 | | Cite |
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306-308 | Review of Robert Browning, Elizabeth Barrett Barrett, Elizabeth Barrett Browning, Elvan Kintner, The Letters of Robert Browning and Elizabeth Barrett Barrett, 1845-1846 Park Honan doi:10.2307/3507139 | Cite |
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308-309 | Review of Mary Rose Sullivan, Browning's Voices in 'The Ring and the Book': A Study of Method and Meaning Park Honan doi:10.2307/3507140 | Cite |
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309-311 | Review of Boyd Litzinger, Donald Smalley, Browning: The Critical Heritage Park Honan doi:10.2307/3507141 | Cite |
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311-312 | Review of Donald Smalley, Anthony Trollope: The Critical Heritage Miriam Allott doi:10.2307/3507142 | Cite |
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312-313 | | Cite |
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313-314 | Review of James Bertram, Thomas Arnold, Arthur Hugh Clough, New Zealand Letters of Thomas Arnold the Younger, with Further Letters from Van Diemen's Land and Letters of Arthur Hugh Clough, 1847-1851 Park Honan doi:10.2307/3507144 | Cite |
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314-315 | | Cite |
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315-316 | Review of Eugene D. Lemire, William Morris, The Unpublished Lectures of William Morris Peter Faulkner doi:10.2307/3507146 | Cite |
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316-317 | | Cite |
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317-318 | Review of Kurt R. Jankowsky, Die Versauffassung bei Gerard Manley Hopkins den Imagisten und T. S. Eliot John Westlake doi:10.2307/3507148 | Cite |
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318-319 | | Cite |
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319-320 | | Cite |
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320-323 | Review of Bernard C. Meyer, Joseph Conrad: A Psychoanalytic Biography Norman Sherry doi:10.2307/3507151 | Cite |
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323-324 | | Cite |
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324-325 | Review of Maurice Harmon, The Celtic Master: Contributions to the First James Joyce Symposium Held in Dublin, 1967 Clive Hart doi:10.2307/3507153 | Cite |
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325-326 | Review of Kurt Schlüter, Der Mensch als Schauspieler: Studien zur Deutung von T. S. Eliots Gesellschaftsdramen John Westlake doi:10.2307/3507154 | Cite |
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326-327 | Review of Egil Törnqvist, A Drama of Souls: Studies in O'Neill's Super-Naturalistic Technique George W. Brandt doi:10.2307/3507155 | Cite |
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327-328 | Review of Hoxie Neale Fairchild, Religious Trends in English Poetry. Volume VI: 1920-1965: Valley of Dry Bones E. D. Mackerness doi:10.2307/3507156 | Cite |
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329-331 | Review of Allen Guttmann, The Conservative Tradition in America; Jonas Spatz, Hollywood in Fiction: Some Versions of the American Myth Martin Green doi:10.2307/3507157 | Cite |
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331-332 | Review of Joseph J. Waldmeir, American Novels of the Second World War T. J. Walsh doi:10.2307/3507158 | Cite |
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332-334 | Review of Kenneth E. Richardson, Force and Faith in the Novels of William Faulkner; John Lewis Longley, Jr., The Tragic Mask: A Study of Faulkner's Heroes Michael Millgate doi:10.2307/3507159 | Cite |
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334-335 | | Cite |
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335-337 | Review of James T. F. Tanner, J. Don Vann, Samuel Beckett: A Checklist of Criticism; John Fletcher, Samuel Beckett's Art Hersh Zeifman doi:10.2307/3507161 | Cite |
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337-338 | | Cite |
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338-339 | Review of Stephen Berg, Robert Mezey, Naked Poetry: Recent American Poetry in Open Forms Allan Rodway doi:10.2307/3507163 | Cite |
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