Saint-Amant and the Theory of 'Ut Pictura Poesis'

Christopher D. Rolfe

MHRA Texts and Dissertations 6

Modern Humanities Research Association

1 January 1972  •  123pp

ISBN: 978-0-900547-22-5 (hardback)  •  RRP £25, $40

RenaissanceFrenchPoetry


With the renewal of interest in seventeenth-century French baroque poets, a considerable number of studies have been devoted to the poetry of Marc-Antoine Girard de Saint-Amant (1594-1661). Almost without exception these works point to Saint-Amant's outstanding talent for writing descriptive, visually evocative verse. Rolfe's full-length study deals with the many ramifications of this aspect, showing that it is crucial to an understanding of the poet and his achievement.

Bibliography entry:

Rolfe, Christopher D., Saint-Amant and the Theory of 'Ut Pictura Poesis', MHRA Texts and Dissertations, 6 (Cambridge: MHRA, 1972)

First footnote reference: 35 Christopher D. Rolfe, Saint-Amant and the Theory of 'Ut Pictura Poesis', MHRA Texts and Dissertations, 6 (Cambridge: MHRA, 1972), p. 21.

Subsequent footnote reference: 37 Rolfe, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Rolfe, Christopher D.. 1972. Saint-Amant and the Theory of 'Ut Pictura Poesis', MHRA Texts and Dissertations, 6 (Cambridge: MHRA)

Example citation: ‘A quotation occurring on page 21 of this work’ (Rolfe 1972: 21).

Example footnote reference: 35 Rolfe 1972: 21.

(To see how these citations were worked out, follow this link.)


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