Conclusion
M. Helena Gonçalves da Silva
From Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht (1985), pp. 129-32, doi:10.59860/td.c8ced66
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| Part of the book: Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht M. Helena Gonçalves da Silva MHRA Texts and Dissertations 21 Modern Humanities Research Association Abstract. In this study, we have traced a clear line of technical development in dramatic character presentation during a particularly turbulent period of German history and culture. An analysis of five major playwrights Wedekind, Sternheim, Kaiser, Toller, and Brecht - has shown how character, after appearing as a stylized image of modern man at the mercy of social forces, re-emerges as something specifically individual in a type of theatre that is clearly ideological. Full text. This contribution is published as Open Access and can be downloaded as a PDF, or viewed as a PDF in your web browser, here: |




