Chapter 1: The Two Poles: Pure Art and Committed Art
Christina Howells
From Sartre's Theory of Literature (1979), pp. 3-23, doi:10.59860/td.c7c17e5
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| Part of the book: Sartre's Theory of Literature Christina Howells MHRA Texts and Dissertations 14 Modern Humanities Research Association Abstract. The basis of Sartre's aesthetic theories is laid in his phenomenological study of the imagination, published in 1940. An understanding of this work and its implications is essential for a proper appreciation of Sartre's ideas on art. It is, moreover, in this work of psychology that many of the paradoxes of his later aesthetics originate. Full text. This contribution is published as Open Access and can be downloaded as a PDF, or viewed as a PDF in your web browser, here: |



