Chapter 1: The Two Poles: Pure Art and Committed Art

Christina Howells

From Sartre's Theory of Literature (1979), pp. 3-23, doi:10.59860/td.c7c17e5

 Open access under:
CC BY-NC 4.0
CC BY-NC 4.0 logo

Part of the book: Sartre's Theory of Literature

Christina Howells

MHRA Texts and Dissertations 14

Modern Humanities Research Association

ModernFrenchPhilosophyopen


Abstract.  The basis of Sartre's aesthetic theories is laid in his phenomenological study of the imagination, published in 1940. An understanding of this work and its implications is essential for a proper appreciation of Sartre's ideas on art. It is, moreover, in this work of psychology that many of the paradoxes of his later aesthetics originate.

Full text.  This contribution is published as Open Access and can be downloaded as a PDF, or viewed as a PDF in your web browser, here:

Link to full text as PDF