Chapter 4: New Aspects: Mallarmé and Manet in 1876

James Kearns

From Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle (1989), pp. 87-122, doi:10.59860/td.c49023f

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Part of the book: Symbolist Landscapes. The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle

James Kearns

MHRA Texts and Dissertations 27

Modern Humanities Research Association

ModernFrenchPoetryopen


Abstract.  Mallarmé was a central figure in debates about Impressionism from 1876 onwards, for in that year he had published L'Après-midi d'un faune as well as one of the most important articles on Manet ever written. The relationship of one to the other is the subject of this chapter.

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