Mário Domingues and Black Portuguese Modernism

Fernando Beleza

Studies in Hispanic and Lusophone Cultures 43

Legenda

  Spring 2027

ISBN: 978-1-839544-00-2 (hardback)  •  RRP £95, $120, €120

ISBN: 978-1-839544-01-9 (paperback, forthcoming)

ISBN: 978-1-839544-02-6 (JSTOR ebook)

ContemporaryPortugueseFiction


Mário Domingues (São Tomé and Príncipe, 1899 – Costa da Caparica, 1977) was a writer, journalist, and anarchist, as well as an anti-racist and anti-colonial activist, born on the island of Príncipe to a white Portuguese father and an African mother with Angolan roots. Educated in Lisbon, he played a key role in the early twentieth-century emerging Black movement’s intellectual, political, and artistic life. His literary production offers an anti-colonial and anti-racist critique of modernity, intersecting various modernist debates on themes ranging from race, gender, and sexuality to imperialism, ecology, and vegetarianism. Fernando Beleza traces Domingues’s literary, intellectual, and political trajectory, contributing to a more rigorous understanding of Portuguese modernism and its relationship to the colonial project whilst shedding light on the contours of an original contribution to the modernisms of the Black Atlantic.

Fernando Beleza is a Lecturer in Portuguese Studies at Newcastle University.

Bibliography entry:

Beleza, Fernando, Mário Domingues and Black Portuguese Modernism, Studies in Hispanic and Lusophone Cultures, 43 (Legenda, 2027)

First footnote reference: 35 Fernando Beleza, Mário Domingues and Black Portuguese Modernism, Studies in Hispanic and Lusophone Cultures, 43 (Legenda, 2027), p. 21.

Subsequent footnote reference: 37 Beleza, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Beleza, Fernando. 2027. Mário Domingues and Black Portuguese Modernism, Studies in Hispanic and Lusophone Cultures, 43 (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Beleza 2027: 21).

Example footnote reference: 35 Beleza 2027: 21.

(To see how these citations were worked out, follow this link.)


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