Analyses of early modern Latin American literature have often portrayed it either as a continuation of the Iberian tradition, or as a reaction against Spanish imperialism. However, such overgeneralisations cannot account for the complex corpus of writing produced in the ‘New World’. This is particularly true for the study of Gongorism, the new style developed by the Spanish author Luis de Góngora (1561–1627), which transformed Baroque poetics on both sides of the Atlantic.
In this monograph, Luis Castellví Laukamp examines Góngora’s impact on the visual and artistic imagination of two major Spanish American authors: Hernando Domínguez Camargo (1606–1659) and Sor Juana Inés de la Cruz (1651–1695). Its implications extend beyond the Hispanic world to inform broader discussions about poetic influence, transmission of culture, and the relationship between art and poetry.
Luis Castellví Laukamp completed his PhD at the University of Cambridge and is now a Lecturer in Spanish Cultural Studies at the University of Manchester.
Note: Subsequent to the original Legenda book, which is in English language, a Spanish translation has now appeared: Écfrasis barroca. Góngora, Domínguez Camargo, Sor Juana (Bogotá: Instituto Caro y Cuervo, 2022).
‘Con este volumen, Castellví Laukamp presenta una nueva manera de estudiar la poesía del virreinato [...] Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana crea un museo de papel compuesto por poemas y por imágenes de la temprana edad moderna.’ — Conxita Domènech, Revista Iberoamericana 87.274, Spring 2021, 360-62
‘Hispanic Baroque Ekphrasis […] es una obra excelente por el profundo y original estudio que ofrece sobre las posibilidades expresivas de la écfrasis, el sobresaliente conocimiento de la obra de los autores estudiados, la adecuada estructuración, la riqueza de fuentes y la claridad expositiva.’ — Lizbeth Souza-Fuertes, Hispania 104.1, March 2021, 125-126 (full text online)
‘Castellví's book is extensively documented in the critical bibliography and is eruditely positioned between literature and art [...] The documentary and pictorial apparatus supports this work, which undoubtedly aims to position itself as a landmark on the subject.’ — Laura Yadira Munguía Ochoa, Hipogrifo 9.1, 2021, 1369-72 (full text online)
‘The attention to detail and the bibliographical scope of this book is noteworthy. so is the ability to develop cogent arguments that gain momentum towards the final section of each chapter... this is a well-contextualized, generous book that proves how early modern poets in spanish, and the poetics they adhered to, were not hampered by geographical borders and cannot be by academic ones.’ — Antonio J. Arraiza-Rivera, Bulletin of the Comediantes72.2, 2020, 163-65
‘Hispanic Baroque Ekphrasis de Castellví Laukamp constituye una aportación de primer orden en el ámbito de la poesía barroca hispánica del que podrán disfrutar especialistas y aficionados. Su dimensión transatlántica y su diseño transgenérico [...] permiten al autor ofrecer una mirada fresca y erudita a un tiempo sobre los grandes poemas que analiza.’ — Martín Zulaica López, Rilce 37.2, 2021, 885-91
‘Hispanic Baroque Ekphrasis is an exquisitely written and illustrated book […] Turning to a transatlantic vision of the baroque, this book clearly shows that Gongorism in Viceregal Latin America was an instrument to think and to create with liberty. Written with subtlety and enargeia, this thoughtful volume provides important new insights into Góngora, Camargo and Sor Juana.’ — Frederick de Armas, Revista Canadiense de Estudios Hispánicos 44.3, 2022, 784-87 (full text online)
‘Hispanic Baroque Ekphrasis constitutes an outstanding contribution to the interpretation of the three poems it studies. Castellví Laukamp’s command of art history, visual studies, early modern poetics, and the classical tradition enable him to craft astute and compelling readings. He is a widely read, learned, and clear writer’ — Felipe Valencia, Colonial Latin American Review 31.3, 463-65 (full text online)
‘A complex but rewarding study, Hispanic Baroque Ekphrasis recognizes Camargo and Sor Juana as both followers of Góngora and poetic innovators in their own right.’ — Elizabeth Blakemore, Forum for Modern Language Studies 58.3, 2022, 406 (full text online)
‘Desde luego, nos encontramos ante una obra de referencia de obligada consulta para el especialista en el estudio de la poesía del Siglo de Oro y la relación fraterna que mantienen literatura y artes en el periodo.’ — Adolfo R. Posada, Bulletin of Hispanic Studies 99, 2022, 173-76
‘[E]l libro se presenta como un ensayo clave sobre los tres autores mencionados en el título […] una investigación insoslayable sobre tres grandes obras poéticas del siglo XVII a ambos lados del Atlántico.’ — Hector Ruiz Soto, Bulletin Hispanique126.1, 2024, 344-49
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Bibliography entry:
Laukamp, Luis Castellví, Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana, Studies in Hispanic and Lusophone Cultures, 38 (Legenda, 2020)
First footnote reference:35 Luis Castellví Laukamp, Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana, Studies in Hispanic and Lusophone Cultures, 38 (Legenda, 2020), p. 21.
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