Pessoa's Geometry of the Abyss
Modernity and the Book of Disquiet
Paulo de Medeiros
Click cover to enlarge | Studies in Hispanic and Lusophone Cultures 2 Legenda 4 December 2013 • 142pp ISBN: 978-1-909662-07-0 (hardback) • RRP £80, $110, €95 ISBN: 978-1-315089-84-3 (Taylor & Francis ebook) Fernando Pessoa wrote prolifically in many genres until his untimely death in 1935, and he has long been widely recognized as Portugal's most influential twentieth century writer. The publication of the Book of Disquiet in 1982, however, caused a seismic change in the appreciation of his work and its place in Modernism. In that great and vast collection of fragments, Pessoa firmly established his place among the canon of European modernists and radically questioned many of Modernity's assumptions. Alain Badiou, for example, has argued that philosophers are not yet able to assimilate Pessoa's thinking. Paulo de Medeiros's new study, one of the first to be dedicated to the Book of Disquiet, takes up that challenge, exploring the text's connections with photography, film, politics and textuality itself, and developing comparisons with D. H. Lawrence, Walter Benjamin, and Franz Kafka. Paulo de Medeiros is Professor of Modern and Contemporary World Literatures in the Department of English and Comparative Literary Studies at the University of Warwick. Reviews:
Bibliography entry: Medeiros, Paulo de, Pessoa's Geometry of the Abyss: Modernity and the Book of Disquiet, Studies in Hispanic and Lusophone Cultures, 2 (Legenda, 2013) First footnote reference: 35 Paulo de Medeiros, Pessoa's Geometry of the Abyss: Modernity and the Book of Disquiet, Studies in Hispanic and Lusophone Cultures, 2 (Legenda, 2013), p. 21. Subsequent footnote reference: 37 Medeiros, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Medeiros, Paulo de. 2013. Pessoa's Geometry of the Abyss: Modernity and the Book of Disquiet, Studies in Hispanic and Lusophone Cultures, 2 (Legenda) Example citation: ‘A quotation occurring on page 21 of this work’ (Medeiros 2013: 21). Example footnote reference: 35 Medeiros 2013: 21. (To see how these citations were worked out, follow this link.)
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