Selfless Cinema?
Ethics and French Documentary
Sarah Cooper
Research Monographs in French Studies 20 Legenda 17 January 2006 • 112pp ISBN: 978-1-904713-12-8 (hardback) • RRP £80, $110, €95 In Selfless Cinema?, Sarah Cooper maps out the power relations of making, and viewing, documentaries in ethical terms. The ethics of filmmaking are often examined in largely legalistic terms, dominated by issues of consent, responsibility, and participants' or film-makers' rights, but Cooper approaches four representative French film-makers - Jean Rouch, Chris Marker, Raymond Depardon, and Agnès Varda - in a far less juridical way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite of Levinas's iconoclastic, anti-ocular thinking, his concept of visage is richly applicable to film, and especially to documentary. Sarah Cooper is Lecturer in Film at King's College London. Reviews:
Bibliography entry: Cooper, Sarah, Selfless Cinema?: Ethics and French Documentary, Research Monographs in French Studies, 20 (Cambridge: Legenda, 2006) First footnote reference: 35 Sarah Cooper, Selfless Cinema?: Ethics and French Documentary, Research Monographs in French Studies, 20 (Cambridge: Legenda, 2006), p. 21. Subsequent footnote reference: 37 Cooper, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Cooper, Sarah. 2006. Selfless Cinema?: Ethics and French Documentary, Research Monographs in French Studies, 20 (Cambridge: Legenda) Example citation: ‘A quotation occurring on page 21 of this work’ (Cooper 2006: 21). Example footnote reference: 35 Cooper 2006: 21. (To see how these citations were worked out, follow this link.)
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