The Cinema of Fernando Vendrell

Paulo de Medeiros; Hilary Owen

The Cinema of Fernando Vendrell

Edited by Paulo de Medeiros and Hilary Owen

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Portuguese Studies 34.2

Modern Humanities Research Association

2 October 2018

ISBN: 978-1-781887-52-3 (paperback)

Access online: At JSTOR

Portuguese

Contents:

143-147	Introduction Paulo de Medeiros, Hilary Owen doi:10.5699/portstudies.34.2.0143	Cite
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148-166	Fintar o destino: Between the Colonial Bond and a Postcolonial Double-bind Rui Gonçalves Miranda doi:10.5699/portstudies.34.2.0148	Cite
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167-180	National Representation in the Age of Transnational Film: A Lusophone Story Emanuelle Santos doi:10.5699/portstudies.34.2.0167	Cite
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181-194	The Last Crossing: Fernando Vendrell's O gotejar da luz and Postimperial Representation Paulo de Medeiros doi:10.5699/portstudies.34.2.0181	Cite
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195-209	Intersectional Spectres: Sex, Race and Trauma in Fernando Vendrell's O gotejar da luz and Pele Hilary Owen doi:10.5699/portstudies.34.2.0195	Cite
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210-214	‘O lento gotejar da luz’ Leite de Vasconcelos doi:10.5699/portstudies.34.2.0210	Cite
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215-220	‘The Slow Dropping of the Light’ Leite de Vasconcelos, Patricia Odber de Baubeta doi:10.5699/portstudies.34.2.0215	Cite
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221-236	Interview with Fernando Vendrell Ellen W. Sapega doi:10.5699/portstudies.34.2.0221	Cite
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237-239	Review of Adriana Martins, Alexandra Lopes, Mónica Dias, Mediations of Disruption in Post-Conflict Cinema João Pedro Vicente Faustino doi:10.5699/portstudies.34.2.0237	Cite
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239-240	Review of Ricardo Matos Cabo, Cem mil cigarros: os filmes de Pedro Costa Maria Inês Castro e Silva doi:10.5699/portstudies.34.2.0239	Cite
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241-243	Review of Maria do Carmo Piçarra, Teresa Castro, (Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire Emanuelle Santos doi:10.5699/portstudies.34.2.0241	Cite
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243-245	Review of Mariana Liz, Portugal's Global Cinema: Industry, History and Culture Paulo de Medeiros doi:10.5699/portstudies.34.2.0243	Cite
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245-247	Review of Maria do Carmo Piçarra, Azuis ultramarinos: propaganda colonial e censura no cinema do Estado Novo Rui Gonçalves Miranda doi:10.5699/portstudies.34.2.0245	Cite
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Permanent link to this title:

www.mhra.org.uk/publications/Cinema-Fernando-Vendrell
www.mhra.org.uk/publications/ps-34-2