W. S. Maney & Son Ltd for the Modern Humanities Research Association
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1-10 | | Cite |
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11-41 | Notes on Medical Scholarship and the Broad Intellectual Milieu in Sixteenth-Century Portugal Lígia Bellini doi:10.2307/41105115 | Cite |
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42-51 | | Cite |
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52-69 | 'On the Indo-Portuguese of Ceylon' : A Translation of a Hugo Schuchardt Manuscript Shihan De Silva Jayasuriya, Hugo Schuchardt doi:10.2307/41105117 | Cite |
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70-80 | Who was who in Madeira at the Time of the Second British Occupation in 1807 Malyn Newitt doi:10.2307/41105118 | Cite |
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81-92 | Onstage, Offstage. Women and Slaves in the Theatre of Protest Nancy Priscilla Naro doi:10.2307/41105119 | Cite |
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93-104 | The Good, the Bad and the Ugly: Female Transgression and Punishment in "O Primo Basílio" Cláudia Pazos Alonso doi:10.2307/41105120 | Cite |
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105-118 | Imagined Endings: National Catastrophe in the Fiction of Eça de Queirós Alan Freeland doi:10.2307/41105121 | Cite |
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119-129 | Novo Almanach de Lembranças Luso Brasileiro: Mirror of a Culture Clara Sarmento, Carlos Nogueira doi:10.2307/41105122 | Cite |
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130-139 | 'Amo-te mais, quando estou só': Fantasy and Femininity in the Poetry of António Nobre and Florbela Espanca Emma Brech doi:10.2307/41105123 | Cite |
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140-148 | 'Crabbedness' and the Backwards Advance to Portugal: Hyphenation in and the Poetic Impulse of Fernando Pessoa's "35 Sonnets" Mark A. Lokensgard doi:10.2307/41105124 | Cite |
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149-161 | The Old Lie: Some Portuguese Contemporary Novels on the Colonial Wars in Africa (1961-74) João Medina doi:10.2307/41105125 | Cite |
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162-177 | | Cite |
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178-181 | | Cite |
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182-193 | | Cite |
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194-206 | José Saramago's Stone Boat: Celtic Analogues and Popular Mythology David G. Frier doi:10.2307/41105129 | Cite |
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207-215 | | Cite |
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216-223 | Review of Michael George Hanchard, Orpheus and Power: The Movimento Negro of Rio de Janeiro and São Paulo, Brazil, 1945-1988; Hermano Vianna, John Charles Chasteen, The Mystery of Samba: Popular Music and National Identity in Brazil David Treece doi:10.2307/41105131 | Cite |
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224-236 | | Cite |
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