287-300 | The Wife of Bath's Shipman's Tale and the Invention of Chaucerian Fabliaux Joseph A. Dane doi:10.2307/3738746 | Cite |
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301-312 | Samuel Purchas as Editor: A Case Study: Anthony Knyvett's Journal R. F. Hitchcock doi:10.2307/3738747 | Cite |
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313-327 | Henry of Lancaster and Geoffrey Chaucer: Anglo-French and Middle English in Fourteenth-Century England William Rothwell doi:10.2307/3738748 | Cite |
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328-338 | Manipulating Martyrdom: Corneille's (Hetero)Sexualization of "Polyeucte" Paul Scott doi:10.2307/3738749 | Cite |
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339-363 | | Cite |
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364-381 | The Critical Reception of Pre-Raphaelitism in Italy, 1878-1910 Giuliana Pieri doi:10.2307/3738751 | Cite |
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382-393 | "¡Volvióse en luto la boda!": Ritual, Torture, and the Technologies of Power in Lope's "Fuente Ovejuna" Mercedes Camino doi:10.2307/3738752 | Cite |
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394-415 | "Prince poli & savant": Goethe's Prometheus and the Enlightenment Jonas Jølle doi:10.2307/3738753 | Cite |
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416-429 | "Double-Voiced Discourse" and Psychological Insight in the Work of Therese Huber Anna Richards doi:10.2307/3738754 | Cite |
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430-444 | Miljenko Jergović's Art of Memory: Lying, Imagining, and Forgetting in "Mama Leone and Historijska čitanka" Andrea Lešić-Thomas doi:10.2307/3738755 | Cite |
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445 | Review of Roger D. Sell, Children's Literature as Communication: The ChiLPA Project Karin Lesnik-Oberstein doi:10.2307/3738756 | Cite |
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446-447 | Review of Matteo Pedroni, Antonio Stäuble, Il genere 'tenzone' nelle letterature romanze delle origini (Atti del convegno di Losanna, 13-15 novembre 1997) Michelangelo Zaccarello doi:10.2307/3738757 | Cite |
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447-448 | | Cite |
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449-451 | Review of Phillip Pulsiano, Elaine Treharne, A Companion to Anglo-Saxon Literature Andrew P. Scheil doi:10.2307/3738759 | Cite |
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451-453 | Review of Karin Boklund-Lagopolou, 'I Have a yong suster': Popular Song and the Middle English Lyric Ad Putter doi:10.2307/3738760 | Cite |
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453-454 | Review of Andrew Taylor, Textual Situations: Three Medieval Manuscripts and Their Readers Neil Cartlidge doi:10.2307/3738761 | Cite |
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454-456 | Review of Robert M. Correale, Sources and Analogues of the 'Canterbury Tales', Vol. I N. F. Blake doi:10.2307/3738762 | Cite |
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456-457 | Review of Robert R. Edwards, Chaucer and Boccaccio: Antiquity and Modernity Nick Havely doi:10.2307/3738763 | Cite |
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458-459 | Review of Andrew James Johnston, Clerks and Courtiers: Chaucer, Late Middle English Literature and the State Formation Process Karen Smyth doi:10.2307/3738764 | Cite |
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460 | Review of Janette Dillon, Performance and Spectacle in Hall's Chronicle Ros King doi:10.2307/3738765 | Cite |
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461-462 | Review of Karen Cunningham, Imaginary Betrayals: Subjectivity and the Discourses of Treason in Early Modern England Tom Rutter doi:10.2307/3738766 | Cite |
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462-463 | Review of Richard A. McCabe, Spenser's Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference Sheila T. Cavanagh doi:10.2307/3738767 | Cite |
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463-464 | Review of Ruth Gilbert, Early Modern Hermaphrodites: Sex and Other Stories Carolyn D. Williams doi:10.2307/3738768 | Cite |
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464-465 | Review of Stephen Guy-Bray, Homoerotic Space: The Poetics of Loss in Renaissance Literature Jerome de Groot doi:10.2307/3738769 | Cite |
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466-467 | Review of Zenón Luis-Martínez, In Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy Carolyn D. Williams doi:10.2307/3738770 | Cite |
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467-468 | Review of Graham Parry, Joad Raymond, Milton and the Terms of Liberty John K. Hale doi:10.2307/3738771 | Cite |
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468-469 | Review of Jeffrey S. Shoulson, Milton and the Rabbis: Hebraism, Hellenism, & Christianity Jason P. Rosenblatt doi:10.2307/3738772 | Cite |
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469-470 | Review of Matthew J. Kinservik, Disciplining Satire: The Censorship of Satiric Comedy on the Eighteenth-Century London Stage Angela Escott doi:10.2307/3738773 | Cite |
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470-472 | Review of Linda V. Troost, Eighteenth-Century Women: Studies in Their Lives, Work and Culture, Vol. II Kate Williams doi:10.2307/3738774 | Cite |
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472-473 | Review of Matthew Arnold, Cecil Y. Lang, The Letters of Matthew Arnold, Vol. VI: 1885-1888 Josephine M. Guy doi:10.2307/3738775 | Cite |
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473-474 | Review of Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James Peter Rawlings doi:10.2307/3738776 | Cite |
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474-476 | Review of David Trotter, Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society Andrzej Gasiorek doi:10.2307/3738777 | Cite |
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476-477 | Review of Peter Brooker, Modernity and Metropolis: Writing, Film and Urban Formations Jonathan Bignell doi:10.2307/3738778 | Cite |
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477-478 | Review of Ronan McDonald, Tragedy and Irish Literature: Synge, O'Casey, Beckett Sinéad Mooney doi:10.2307/3738779 | Cite |
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478-480 | Review of Paul B. Kelley, Stories for Nothing: Samuel Beckett's Narrative Poetics John Pilling doi:10.2307/3738780 | Cite |
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480-481 | Review of Ronna C. Johnson, Nancy M. Grace, Girls Who Wore Black: Women Writing the Beat Generation Stephen Matterson doi:10.2307/3738781 | Cite |
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481-482 | Review of Rob Latham, Consuming Youth: Vampires, Cyborgs, and the Culture of Consumption Catherine Spooner doi:10.2307/3738782 | Cite |
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482-484 | Review of George Elliott Clarke, Odysseys Home: Mapping African-Canadian Literature Terry Goldie doi:10.2307/3738783 | Cite |
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484 | Review of Joël Blanchard, Jean-Claude Mühlethaler, Écriture et pouvoir à l'aube des temps modernes Catherine Emerson doi:10.2307/3738784 | Cite |
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485 | Review of James R. Simpson, Fantasy, Identity and Misrecognition in Medieval French Narrative Alison Williams doi:10.2307/3738785 | Cite |
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486 | Review of Jane H. M. Taylor, François Villon, The Poetry of François Villon: Text and Context Leslie C. Brook doi:10.2307/3738786 | Cite |
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486-487 | Review of Gabrielle de Bourbon, Evelyne Berriot-Salvadore, Œuvres spirituelles 1510-1516 David Cowling doi:10.2307/3738787 | Cite |
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487-488 | Review of Michel Jeanneret, Éros rebelle: littérature et dissidence à l'âge classique Véronique Desnain doi:10.2307/3738788 | Cite |
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488-489 | Review of Marie-France Wagner, Daniel Vaillancourt, Le Roi dans la ville: anthologie des entrées royales dans les villes françaises de province (1615-1660) Marie-Claude Canova-Green doi:10.2307/3738789 | Cite |
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489-490 | Review of Valérie Beaudouin, Mètre et rythmes du vers classique: Corneille et Racine David Evans doi:10.2307/3738790 | Cite |
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490 | | Cite |
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491 | Review of Arlin C. Migliazzo, Pierrette C. Christianne-Lovrien, Biodun J. Ogundayo, Lands of True and Certain Bounty: The Geographical Theories and Colonization Strategies of Jean Pierre Purry Michael Cardy doi:10.2307/3738792 | Cite |
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491-492 | Review of E. Showalter, Françoise de Graffigny: choix de lettres Jonathan Mallinson doi:10.2307/3738793 | Cite |
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492-493 | Review of Geneviève Salvan, Séduction et dialogue dans l'œuvre de Crébillon John Greene doi:10.2307/3738794 | Cite |
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493-494 | Review of Eric Francalanza, Jean-Baptiste-Antoine Suard, journaliste des lumières Christopher Todd doi:10.2307/3738795 | Cite |
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494-495 | Review of Karl Hölz, Zigeuner, Wilde und Exoten: Fremdbilder in der französischen Literatur des 19. Jahrhunderts Guido Rings doi:10.2307/3738796 | Cite |
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495-496 | Review of François-René de Chateaubriand, Colin Smethurst, Écrits politiques (1814-1816) Christopher Smith doi:10.2307/3738797 | Cite |
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496-497 | Review of Angelica Goodden, Madame de Staël: 'Delphine' and 'Corinne' Christopher Smith doi:10.2307/3738798 | Cite |
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497-498 | Review of Joelle Bonnin-Ponnier, Le Restaurant dans le roman naturaliste: narration et évaluation Elizabeth Moles doi:10.2307/3738799 | Cite |
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498-500 | Review of Paul Valéry, Brian Stimpson, Paul Gifford, Robert Pickering, Siân Miles, Rachel Killick, Norma Rinsler, Stephen Romer, Cahiers/Notebooks Kirsteen Anderson doi:10.2307/3738800 | Cite |
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500 | Review of Guillaume Apollinaire, Peter Read, [Book 1:] The Cubist Painters Elizabeth Cowling doi:10.2307/3738801 | Cite |
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501-502 | Review of Geoffrey T. Harris, André Malraux: Across Boundaries Andrew Stafford doi:10.2307/3738802 | Cite |
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502 | Review of Kay Chadwick, Jean Dutourd, 'Au Bon Beurre': scènes de la vue sous l'Occupation Claire Gorrara doi:10.2307/3738803 | Cite |
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502-503 | | Cite |
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503-504 | | Cite |
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504-505 | Review of Pierre-Marie Héron, Les Écrivains hommes de radio (1940-1970) Christopher Todd doi:10.2307/3738806 | Cite |
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505-506 | Review of Gilles Philippe, Sujet, verbe, complément: le moment grammatical de la littérature française 1890-1940 Dulcie M. Engel doi:10.2307/3738807 | Cite |
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506-507 | Review of Vito Castiglione Minischetti, Giovanni Dotoli, Roger Musnik, Bibliographie du voyage français en Italie du moyen âge à 1914 Charles Forsdick doi:10.2307/3738808 | Cite |
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507-508 | | Cite |
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508-509 | Review of Emilio Pasquini, Dante e le figure del vero: la fabbrica della 'Commedia' Martin McLaughlin doi:10.2307/3738810 | Cite |
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509-511 | | Cite |
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511-512 | Review of Teresa Picarazzi, Maternal Desire: Natalia Ginzburg's Mothers, Daughters and Sisters Gillian Ania doi:10.2307/3738812 | Cite |
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512-513 | Review of Fabio Vighi, Le ragioni dell'altro: la formazione intellettuale di Pasolini tra saggistica, letteratura e cinema Robert S. C. Gordon doi:10.2307/3738813 | Cite |
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513-515 | Review of Keala Jewell, Monsters in the Italian Literary Imagination Antonio Scuderi doi:10.2307/3738814 | Cite |
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515-516 | Review of Alberto Montaner, Ángel Escobar, 'Carmen Campidoctoris' o Poema latino del Campeador Rosa Vidal Doval doi:10.2307/3738815 | Cite |
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516-517 | Review of Fray Juan de los Ángeles, Eladia Gómez-Posthill, The Loving Struggle Colin Thompson doi:10.2307/3738816 | Cite |
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517-518 | Review of Lisa Vollendorf, Recovering Spain's Feminist Tradition Vanessa Knights doi:10.2307/3738817 | Cite |
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518-520 | Review of Óscar Cornago Bernal, La vanguardia teatral en España (1965-1975): del ritual al juego María M. Delgado doi:10.2307/3738818 | Cite |
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521 | Review of Carlos J. Alonso, The Burden of Modernity: The Rhetoric of Cultural Discourse in Spanish America Philip Swanson doi:10.2307/3738819 | Cite |
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521-522 | Review of Mario Santana, Foreigners in the Homeland: The Spanish American New Novel in Spain, 1962-1974 Philip Swanson doi:10.2307/3738820 | Cite |
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522-523 | Review of Álvaro Félix Bolaños, Gustavo Verdesio, Colonialism Past and Present: Reading and Writing about Colonial Latin America Today Rebecca Earle doi:10.2307/3738821 | Cite |
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523-524 | Review of Aníbal González, Killer Books: Writing, Violence, and Ethics in Modern Spanish American Narrative Rebecca E. Biron doi:10.2307/3738822 | Cite |
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524-525 | Review of Diana Taylor, Victoria Martínez, Lydia Ramírez, Nora Glickman, Defiant Acts: Four Plays by Diana Raznovich/Actos desafiantes: cuatro obras de Diana Raznovich Caridad Svich doi:10.2307/3738823 | Cite |
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525-527 | Review of Andreas Urscheler, Kommunikation in Wolframs 'Parzival': Eine Untersuchung zu Form und Funktion der Dialoge D. H. Green doi:10.2307/3738824 | Cite |
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527-528 | Review of Martin H. Jones, Timothy McFarland, Wolfram's 'Willehalm': Fifteen Essays Neil Thomas doi:10.2307/3738825 | Cite |
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528-529 | Review of Scott D. Westrem, Broader Horizons: A Study of Johannes Witte de Hese's 'Itinerarius' and Medieval Travel Narratives John L. Flood doi:10.2307/3738826 | Cite |
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529-530 | Review of Ruth P. Dawson, The Contested Quill: Literature by Women in Germany, 1770-1800 Lesley Sharpe doi:10.2307/3738827 | Cite |
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530-531 | Review of Manfred Koch, Weimaraner Weltbewohner: Zur Genese von Goethes Begriff 'Weltliteratur' Osman Durrani doi:10.2307/3738828 | Cite |
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531-533 | Review of Nicola Kaminski, Kreuz-Gänge: Romanexperimente der deutschen Romantik Dennis F. Mahoney doi:10.2307/3738829 | Cite |
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533-534 | Review of , Berliner Don Quixote. [Redakteur] Adolf Glaßbrenner [Pseud. Brennglas] Martina Lauster doi:10.2307/3738830 | Cite |
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534-535 | Review of Gabriele Radecke, 'Die Decadence ist da': Theodor Fontane und die Literatur der Jahrhundertwende. Beiträge zur Frühjahrstagung der Theodor Fontane Gesellschaft vom 24. bis 26. Mai 2001 in München John Osborne doi:10.2307/3738831 | Cite |
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535-537 | Review of Robert E. Norton, Secret Germany: Stefan George and His Circle Paul Bishop doi:10.2307/3738832 | Cite |
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538-540 | Review of Philip Ward, Hofmannsthal and Greek Myth: Expression and Performance Brian Keith-Smith doi:10.2307/3738833 | Cite |
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540-541 | Review of Ernst Jünger, Sven Olaf Berggötz, Politische Publizistik 1919 bis 1933 Galin Tihanov doi:10.2307/3738834 | Cite |
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541-542 | Review of Tom Kuhn, Karen Leeder, Empedocles' Shoe: Essays on Brecht's Poetry Malcolm Humble doi:10.2307/3738835 | Cite |
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542-543 | | Cite |
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543-544 | Review of William Collins Donahue, The End of Modernism: Elias Canetti's 'Auto-da-Fé' Julian Preece doi:10.2307/3738837 | Cite |
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544-545 | Review of Marian Malet, Anthony Grenville, Changing Countries: The Experience and Achievement of German-Speaking Exiles from Hitler in Britain from 1933 to Today Deborah Victor-Engländer doi:10.2307/3738838 | Cite |
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545-546 | Review of Hannah Schissler, The Miracle Years: A Cultural History of West Germany, 1949-68 Ben Morgan doi:10.2307/3738839 | Cite |
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546-547 | Review of Helen Bridge, Women's Writing and Historiography in the GDR J. J. Long doi:10.2307/3738840 | Cite |
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548-549 | Review of David Clarke, 'Diese merkwürdige Kleinigkeit einer Vision': Christoph Hein's Social Critique in Transition Stephen Brockmann doi:10.2307/3738841 | Cite |
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549-550 | | Cite |
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550-552 | | Cite |
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552-553 | Review of W. E. Yates, Allyson Fiddler, John Warren, From Perinet to Jelinek: Viennese Theatre in Its Political and Intellectual Context Ritchie Robertson doi:10.2307/3738844 | Cite |
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553-554 | Review of Osman Durrani, Julian Preece, Travellers in Time and Space: The German Historical Novel/Reisende durch Zeit und Raum: Der deutschsprachige historische Roman Brent Peterson doi:10.2307/3738845 | Cite |
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554-555 | Review of Salomon Korn, Geteilte Erinnerung: Beiträge zur deutsch-jüdischen Gegenwart Anne Fuchs doi:10.2307/3738846 | Cite |
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555-556 | Review of Dick Ringler, Bard of Iceland: Jónas Hallgrímsson, Poet and Scientist Carolyne Larrington doi:10.2307/3738847 | Cite |
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556-557 | | Cite |
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558 | | Cite |
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558-559 | | Cite |
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560-561 | Review of David H. J. Larmour, Discourse and Ideology in Nabokov's Prose Anat Vernitski doi:10.2307/3738851 | Cite |
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561-562 | | Cite |
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562-563 | Review of Slavoj Žižek, Revolution at the Gates: A Selection of Writings from February to October 1917 David MacFadyen doi:10.2307/3738853 | Cite |
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563-564 | Review of Béatrice Dumiche, Richard Baum, Jean-Louis Haquette, Lectures françaises et allemandes du XVIIIe siècle/Deutsch-französische Interpretationen des 18. Jahrhunderts: Actes du colloque interdisciplinaire tenu à l'Université de Reims Champagne-Ardenne (Reims, octobre 1997) Paul Rowe doi:10.2307/3738854 | Cite |
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564-565 | Review of Ernst Leonardy, Marie-France Renard, Christian Drösch, Stephanie Vanasten, Traces du mesmérisme dans la littérature française du XIXe siècle/Einflüsse des Mesmerismus auf die europäische Literatur des 19. Jahrhunderts: Actes du colloque international organisé les 9 et 10 novembre 1999/Akten des internationalen Kolloquiums vom 9. Paul Rowe doi:10.2307/3738855 | Cite |
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565 | Review of Frauke Reitemeier, Deutsch-englische Literaturbeziehungen: der historische Roman Sir Walter Scotts und seine deutsche Vorläufer Janet Bertsch doi:10.2307/3738856 | Cite |
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565-566 | Review of Josie Billington, Faithful Realism: Elizabeth Gaskell and Leo Tolstoy. A Comparative Study R. A. Peace doi:10.2307/3738857 | Cite |
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